240 results found

1. Unify Fill tool + gradient tool under properties(appearance)

   Now we have 3 "ways" or windows to pick color from which is confusing. Unify everything under same roof like in other design apps.

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2. Please make an easier way to export a seamless pattern tile from Illustrator

   Please please can you make an easier way to save or export a seamless pattern tile - at the moment it is difficult to extract a tile from a complex pattern to use in Photoshop etc. Many people buy stock vector patterns to use in Photoshop and it would save a lot of time to get them easily from Illustrator to Photoshop.

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3. Please update to allow newer Pantone swatches to be usable.

   For years Pantone's new colors have been released, yet I can't upload those books into Illustrator. So for years I've been able to see colors I can't use. Super frustrating. I use the Coated Color Bridge book in spot and cmyk. If I'm doing something wrong, PLEASE enlighten me!

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   38 comments  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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   AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

   As stated in the article linked below, Pantone’s licensing with Adobe got changed.

   Due to this change, customers will need to purchase Pantone Connect licenses to access Pantone colors in Adobe Creative Cloud products.

   https://helpx.adobe.com/illustrator/kb/pantone-color-books-illustrator.html

   Alas, this is the world today.

4. Make gradient swatches global

   Gradient swatches should be globally applicable. This would mean they´d need to be editable - either in Swatch Options just like other swatches or replacable by dragging a altered version of a gradient onto the old swatch. (At the moment, the only option is the swatch title)

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5. Put eyedroppers on every color selection menu.

   I keep getting the request from my students that they want to use colors from their existing project. In color, color guide, color themes, gradient color menu, there's no good way to grab a specific color from the art boards. Putting eyedroppers on ALL the color sub menus would make it so convenient to grab the color of someones eye, various colors in existing blends. For example, if a student wanted to make a gradient of two different colors from her eye, she could not do so simply. Currently the eyedropper only appears to hover over a one inch rgb color bar. Or if I want to change the color of a swatch from yellow pintuck plaid to be more red to match one of the colors in the sunset, it would take a great deal of back and forth, rather that just scrolling over the image I have in front of me.

   I keep getting the request from my students that they want to use colors from their existing project. In color, color guide, color themes, gradient color menu, there's no good way to grab a specific color from the art boards. Putting eyedroppers on ALL the color sub menus would make it so convenient to grab the color of someones eye, various colors in existing blends. For example, if a student wanted to make a gradient of two different colors from her eye, she could not do so simply. Currently the eyedropper only appears to hover over a one inch rgb… more

   11 votes

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6. Drag color swatch onto artboard to make a square with the fill color.

   It would be nice for creating style sheets to be able to drag a swatch onto the artboard and have it just make a square of that color.

   5 votes

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7. Export Swatch Bounds in Pattern Maker for easier repeat sharing

   • In the Pattern Maker tool, there would be an option to export the swatch via art board or just export in general, within the swatch bounds indicated by the pattern maker tool.

   Solves problem of: Having to figure out mathematically how to make a displaced patterned swatch with the correct bounds on a separate art board via a bunch of math.

   2 votes

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8. Replace or Delete Swatches should automatically re-color objects with new swatch

   I propose swatches have the function of applying new color to objects on the art board whenever a color needs to be replaced with a different color. Instead of simply deleting the current swatch, we should be prompted to "replace current color with new color?" then select the new color after adding it to the palette, then BAM! all the objects are automatically updated with the new color. (Example: art editor says that we will print only using 2 colors: black text with red headlines. I already have the art set using black and green. I could add the red swatch, then delete the green swatch and have all green headlines changed to red for me.)

   I propose swatches have the function of applying new color to objects on the art board whenever a color needs to be replaced with a different color. Instead of simply deleting the current swatch, we should be prompted to "replace current color with new color?" then select the new color after adding it to the palette, then BAM! all the objects are automatically updated with the new color. (Example: art editor says that we will print only using 2 colors: black text with red headlines. I already have the art set using black and green. I could add the red… more

   29 votes

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9. Merge and tile collection of images

   Collections of images should be able to be merged into one image and tiled. That would make it a lot easier to make patterns.

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10. Add persistent Swatch libraries to Workspace settings + maintained across upgrades

    Allow swatch libraries selected as persistent to be stored as part of a workspace (including palette group & position), and make them persistent across upgrades. I'm tired of having to recreate my palettes every **** time there's some minor 'agile' upgrade.

    13 votes

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11. Adobe color themes bug

    The "Open Color Themes Panel" button in Swatches opens a broken panel that cannot be resized to see it's web view. It can only be resized vertically. Seems like it went unchecked and shipped.

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12. "[Paper]" or "[Transparent]" Swatch

    Add a "Paper" (or "Transparent") Swatch to the swatches like the one in InDesign that, like [None] or [Registration] cannot be removed.

    Adding this would make it FAR easier to knock out parts of complex artwork WITHOUT forcing the user to destroy the layer structure of their files.

    In the attached image, for instance, I wanted to have rounded corners on the bottom of a header graphic, and this meant I need to use a clipping mask, which requires all the elements it contains to be on the same layer. While there are workarounds, such as placing AI files within AI files, a [Paper] or [Transparent] swatch is far more elegant solution.

    Add a "Paper" (or "Transparent") Swatch to the swatches like the one in InDesign that, like [None] or [Registration] cannot be removed.

    Adding this would make it FAR easier to knock out parts of complex artwork WITHOUT forcing the user to destroy the layer structure of their files.

    In the attached image, for instance, I wanted to have rounded corners on the bottom of a header graphic, and this meant I need to use a clipping mask, which requires all the elements it contains to be on the same layer. While there are workarounds, such as placing AI files within… more

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    25 votes

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13. Identify and name color swatches with human-readable names

    There is a very handy tool in Yandex.ru search engine, named 'Колдунщик' (literally 'Sorcererer', with triple 'er').
    The way it works with colors is briefly described there (in Russian):
    https://yandex.ru/blog/company/94762

    What it does is binds color names with color values. Some are quite standard, 'light blue', some are familiar, like 'bordeaux' (but every man think of different shade or even tone, speaking of it), some are very uncommon, like 'The color of the thigh of a frightened nymph' (it is a real color — https://fr.wikipedia.org/wiki/Cuisse_de_Nymphe).

    What if AI could name colors in a same way, when swatch is created (working in pair with a value method)?
    For example, I create swatch HSV 39-29-100 and AI offers variants for naming it: 'C=0 M=11 Y=35 K=0' or 'Peach' or 'C=0 M=11 Y=35 K=0 Peach' or 'Peach C=0 M=11 Y=35 K=0'.

    There is a very handy tool in Yandex.ru search engine, named 'Колдунщик' (literally 'Sorcererer', with triple 'er').
    The way it works with colors is briefly described there (in Russian):
    https://yandex.ru/blog/company/94762

    What it does is binds color names with color values. Some are quite standard, 'light blue', some are familiar, like 'bordeaux' (but every man think of different shade or even tone, speaking of it), some are very uncommon, like 'The color of the thigh of a frightened nymph' (it is a real color — https://fr.wikipedia.org/wiki/Cuisse_de_Nymphe).

    What if AI could name colors in a same way, when swatch is created… more

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    21 votes

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14. (Prepress Features 2) Channel mixer

    I use a lot the Channel mixer option in photoshop, cause i need to convert CMYK photos into lets say CM plus 2 or 3 spot colors, then I need to do the same in illustrator for vector illustrations and I dont want to convert this vector into pixels, I wana keep it vector to mantain the quality.

    I know I can import the file as a smart object into photoshop but better if I can do it directly in Illustrator.

    5 votes

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15. USE of .CXF FILES within adobe cc

    As >cxf files will soon be the future of colour communication why do x-rite and adobe not integrate .cxf files with each other. The idea of a .cxf file is to help stabilise colour across various substrates, regardless of background hue, it allows the use of a spectrophotometer to read the colour and match it against a dE tolerance to make sure the colour is within specified range.
    Hence pantone live was born as every pantone book differs in colour, however a .cxf file never changes.

    So pantone want you to use pantone live, which is fine until the colour you want is not in a pantone book, from a print perspective thats ok with me. We simply measure the colour generate a .cxf file and do a drawdown on the substrate and get it within tolerance.

    But the problem arises when the designer is given the .cxf file, which he cant use because its not compatible, he then has to alloocate a spot colour from pantone and instruct the printer doing the job to replace the pantone colour with the .cxf file which leaves the whole loop very vulnerable.

    Now adobe get your act together after all you are supposed to be the market leaders in graphic art.

    And x-rite stop ******* about and allow a .cxf file to be re saves as a .ase file so we can all start talking to each other !!!!!!
    gerry

    As >cxf files will soon be the future of colour communication why do x-rite and adobe not integrate .cxf files with each other. The idea of a .cxf file is to help stabilise colour across various substrates, regardless of background hue, it allows the use of a spectrophotometer to read the colour and match it against a dE tolerance to make sure the colour is within specified range.
    Hence pantone live was born as every pantone book differs in colour, however a .cxf file never changes.

    So pantone want you to use pantone live, which is fine until the colour… more

    18 votes

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16. Gradient properties in the properties panel

    I am liking the new properties panel, but currently if i want to fill an object with a gradient, i still need to access this via its own window. Would be great if gradient options could be incorporated into the Appearance section of the Properties Panel

    4 votes

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17. Ability to change the default swatches

    I'd really like to open up a new document with a predetermined default swatch selection. I know this can be done by saving swatches and saving your workspace but if I want to add new colors, I can't to the saved swatch window.

    24 votes

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18. Colours in Diagramms adjust to numbers

    It would be cool that if I create a pie chart that I can name a "master colour" and Illustrator automatically adjust the colour transparency in percent. Or if I could say these are my colors, combine them in a smart way so that a bar chart gets a smart gradient
    Thanks guys,
    Fran

    1 vote

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19. Color Picker live preview!

    When i choose color with color picker there is no live preview. I have to click OK to view selected color and if I don't like it, have to do all this again. Do it as it is in Photoshop.

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    160 votes

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    Completed (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    Live preview of color is now live in Illustrator 27.1.1, for Color Picker dialog, Color panel, Properties and Control panel, and Appearance panel.

    It works in GPU mode only.

    
    

20. Kuler Missing in CS6

    I'm still using Illustrator CS6. Last week I was able to use Kuler but, this week, I'm not. I still see it as a menu item/selection but, when selected, nothing happens. Can I load Color Themes into CS6? Or are us CS6 holdouts being pushed closer to involuntary compliance?

    1 vote

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