184 results found

1. Allow to make folders in Appearance Panel

   Appearance are the most powerful feature of Illustrator, but the learning curve is difficult and for Advanced User it's difficult to manage and remember what are doing what in a Complex Appearance (cf. Screenshot where I had to use Colors to identify properties…)

   Please allow to have folders in the panel (like in Ps: "Pass Trough" blend mode, knockout, vector mask based on "Convert to shape" with 9 points proxy…)

   It will be more easier to understand Complex Appearance samples and for Advanced users, it will be way more efficient.

   Another related request:
   Allow to rename attributes (fills, strokes, effects) in Appearance Panel
   http://illustrator.uservoice.com/forums/333657/suggestions/34309852

   Appearance are the most powerful feature of Illustrator, but the learning curve is difficult and for Advanced User it's difficult to manage and remember what are doing what in a Complex Appearance (cf. Screenshot where I had to use Colors to identify properties…)

   Please allow to have folders in the panel (like in Ps: "Pass Trough" blend mode, knockout, vector mask based on "Convert to shape" with 9 points proxy…)

   It will be more easier to understand Complex Appearance samples and for Advanced users, it will be way more efficient.

   Another related request:
   Allow to rename attributes (fills, strokes, effects)… more

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   27 votes

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2. Allow to collapse all items in Appearance panel

   The Appearance panel looks somewhat similar to Layers, but it differs in many ways, excluding several QOL methods to deal with large amount of items.

   For example, one can Opt/Alt-click a bracket next to a layer or a group in Layers to collapse unfurl all the children within it.

   Sure, Layers miss just a button to do it as well, and there is a request about it here at UV (http://illustrator.uservoice.com/forums/333657/suggestions/42451084) — but Appearance just don’t have any method to collapse the items (and these do unfurl all the time — take a look at this bug report: http://illustrator.uservoice.com/forums/601447/suggestions/49257335)

   The panel just doesn’t have a root item anyway to use the same approach as Layers, since it allow only one level of displayed hierarchy, and nested appearances are navigated in a completely different manner — with double-clicks on 'Contents' and 'Group' rows...

   Please don’t force us to scroll through the panel and collapse these one by one.

   The Appearance panel looks somewhat similar to Layers, but it differs in many ways, excluding several QOL methods to deal with large amount of items.

   For example, one can Opt/Alt-click a bracket next to a layer or a group in Layers to collapse unfurl all the children within it.

   Sure, Layers miss just a button to do it as well, and there is a request about it here at UV (http://illustrator.uservoice.com/forums/333657/suggestions/42451084) — but Appearance just don’t have any method to collapse the items (and these do unfurl all the time — take a look at this bug report: … more

   11 votes

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3. True vector blur / feather, similar to one Rive has

   Quite recently Rive introduced Vector Feathering: https://rive.app/blog/introducing-vector-feathering

   Illustrator uses raster-based Feather and Gaussian Blur, and — let’s admit it — we need them better: resolution-independent, infinitely scalable.
   Instead we got just 'faster blur'...

   And while you are here — there are many more blur-realted requests:
   – Motion blur: http://illustrator.uservoice.com/forums/333657/suggestions/32403883
   – Background blur: http://illustrator.uservoice.com/forums/333657/suggestions/36614008
   – Gradient Feather: http://illustrator.uservoice.com/forums/333657/suggestions/31911052
   and more.

   Stop toying with text-to-raster-then-trace toys!

   7 votes

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4. Allow to color code attributes (fills, strokes, effects) in Appearance Panel

   Sometimes we create very complex appearance stacks, and navigating the Appearance panel becomes rather hard (especially given the fact it tries to unfurl the items in it all the time — look at this bug report: http://illustrator.uservoice.com/forums/601447/suggestions/49257335)

   So with a lot of fills and strokes and effects given we would like to assign colors to the rows, the same way the Actions panel allows (for its button mode).

   Another similar requests would be an ability to rename them (http://illustrator.uservoice.com/forums/333657/suggestions/34309852) and to make folders (http://illustrator.uservoice.com/forums/333657/suggestions/49257353)

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   9 votes

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5. 放射状のハーフトーン生成

   次のアドレスで見られる画像のような放射状のハーフトーン生成を希望します。
   https://stock.adobe.com/jp/images/vector-radial-gradient-halftone-sunburst-circle-shape-stippling-design-elements/98278594

   放射状のグラデーションを放射状のハーフトーンに変換したいです。

   1 vote

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6. Effect > Distort & transform > Stacking order

   Sometimes you have a group of objects that are not in the correct stacking order, and you have to expand the effects that generate these objects to fix it.

   I propose a new effect that offers a few options to change this:

   • reverse stacking order
   • stack left-to-right, right-to-left, up-to-down, down-to-up, or maybe just an angle dial for stacking order? that'd be super useful for "I drew three balls and blended them to make a necklace and I don't want to have to split it into two blends to make the right ball be the nearest one".
   • smallest-to-largest, largest-to-smallest
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7. Allow to specify the bevel parameters for objects extruded with 3D & Materials Extrude & Bevel in absolute units instead of a relative value

   The way that Illustrator adds the bevels is weird.
   Height = 50%. 50% of what? If I'm working in inches and I have a 10" x 10" object that I've extruded 1", I should know that I want the bevel to be 0.125", adding ⅛" to my 1" height. Being able to put in 0.125" as my bevel height would make more sense.
   If I have an object that I want to extrude 1", then it is really important that I know it is 1". However, if I extrude the object and then apply a bevel, Illustrator begins to add thickness to my object. There's no way to know how thick the object has now become. Instead of growing the bevel off of the object, Illustrator should dig into the object. If I have a 10"x10" object that I've extruded 1" and I apply a slight bevel, I'd expect to see the outer edge tapered away slightly, but the object remains 10"x10" and 1" thick. If I add a more aggressive bevel, all the same. The object should remain 10"x10" and 1" thick with a more dramatic tapered edge. This would only be achieved if Illustrator were cutting away the extrusion edge, rather than adding more on top of it.

   The way that Illustrator adds the bevels is weird.
   Height = 50%. 50% of what? If I'm working in inches and I have a 10" x 10" object that I've extruded 1", I should know that I want the bevel to be 0.125", adding ⅛" to my 1" height. Being able to put in 0.125" as my bevel height would make more sense.
   If I have an object that I want to extrude 1", then it is really important that I know it is 1". However, if I extrude the object and then apply a bevel, Illustrator begins to add… more

   2 votes

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8. A Node View mode for the Appearance Palette, and a complete revamp of what it can do.

   I feel like I have a lot of things I want changed about the Appearance palette that cannot be done in the form of a one-dimensional list of effects.

   I'd like to suggest something inspired by the "node view" in programs like Blender or Toon Boom or Unreal. Give me a 2d canvas upon which I can arrange strokes, fills, and effects, and let me plug them into each other in complex ways. Let me control exactly when a brush is applied to a stroke by moving its effect around. Let me dynamically generate an opacity mask for an entire object, and another one for three of the seven fills and strokes I have on it. Let me generate complex pieces of plumbing that do crazy things based on me drawing one simple path.

   Keeping the Appearance palette around and adding a new Appearance Nodes palette would be fine. Or it could be a new mode in the existing palette. It's also perfectly fine if the existing Appearance palette can't edit Appearance Nodes and just displays a polite apology. There's a simplicity to the existing palette that might be worth retaining, I dunno, when it gets to the point of being in a beta, ask people how they'd feel about losing the old one, and be aggressive about hunting for ways it might break existing appearance stacks - ask us for our craziest piles of native and plugin effects and build a nice set of test cases!

   I am probably asking a lot here. This is feels like a big enough change to be one of the top features of an entire release. Possibly even more. It'll probably involve changing some assumptions that are made deep in the parts of Illustrator nobody understands any more. And it's entirely for the most hardcore users, who're using it in the most esoteric ways. Good luck convincing the people who control the budget that a significant part of Illustrator's development budget for a year or three should be devoted to something that's got zero noob appeal.

   But after about a decade of exploring its possibilities, I'm constantly butting up against the limitations of the Appearance palette. It's time for something to change. Maybe it's just time for me to figure out how to survive a couple months of zero productivity because I'm figuring out how to turn another, younger program into something I can whip out art even half as fast as I can do it in Illustrator. And probably get animation capabilities and some amount of 3d into the bargain. I dunno. I'm fifty years old and I've loved using this program as my main art tool for half my life. Change is complicated.

   I feel like I have a lot of things I want changed about the Appearance palette that cannot be done in the form of a one-dimensional list of effects.

   I'd like to suggest something inspired by the "node view" in programs like Blender or Toon Boom or Unreal. Give me a 2d canvas upon which I can arrange strokes, fills, and effects, and let me plug them into each other in complex ways. Let me control exactly when a brush is applied to a stroke by moving its effect around. Let me dynamically generate an opacity mask for an entire… more

   2 votes

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9. Make 3D material texture scale apply consistently across an entire group/compound path (replicating gradient behavior)

   There is currently no way to have a design consisting of multiple disconnected shapes that "share" one single material texture scale in the 3D feature. The scale of the texture is determined by the size of each shape; small shapes have small, squished textures and large shapes have large, stretched textures. I understand that each shape is determining what size is "100%" scale, but the behavior should be like it is elsewhere in Illustrator. When you apply a gradient to multiple shapes, each shape has the entire gradient because each shape's dimensions determine what the 100% scale is. However, if you create a group or compound path, the gradient now applies across all the separate shapes.

   There is currently no way to have a design consisting of multiple disconnected shapes that "share" one single material texture scale in the 3D feature. The scale of the texture is determined by the size of each shape; small shapes have small, squished textures and large shapes have large, stretched textures. I understand that each shape is determining what size is "100%" scale, but the behavior should be like it is elsewhere in Illustrator. When you apply a gradient to multiple shapes, each shape has the entire gradient because each shape's dimensions determine what the 100% scale is. However, if… more

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   3 votes

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10. Allow more modeling options for 3D extrusions

    Give us more extrusion options. It's crazy that you can make a cylinder, but no possible way to make cuts through. I have attached examples to where I made the type of structure I'd need in Blender. In AI you can create a cylinder but no way to make holes through the structure. You can do this with an extruded rectangle but not cylindrical objects.

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11. Bigger variety of basic finishes for 3D materials: high gloss, matte, shiny metallic, matte, etc.

    Would be great to have better material adjustment tools — the 'metallic' slider doesn't really do very much except make the colour dull, would love to make it super vibrant metallic finish. A lot of the materials in Substance don't allow colour editing or more than one colour so this makes it really limited. Would love to achieve a bigger variety of basic finishes e.g. high gloss, matte, shiny metallic or matte.

    Would also love to have more extrusion options, it's crazy that you can make a cylinder but no possible way to make cuts through. I don't want to have to move to Blender for structures.

    Would be great to have better material adjustment tools — the 'metallic' slider doesn't really do very much except make the colour dull, would love to make it super vibrant metallic finish. A lot of the materials in Substance don't allow colour editing or more than one colour so this makes it really limited. Would love to achieve a bigger variety of basic finishes e.g. high gloss, matte, shiny metallic or matte.

    Would also love to have more extrusion options, it's crazy that you can make a cylinder but no possible way to make cuts through. I don't want to… more

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12. Better control over position of symbol in mapped classic 3d art

    When placing symbols for image maps in the classic 3D palette, I'd like to have more control over the position of the symbol to be mapped.

    Example: I'm using this function for mockups of labels on bottles. There are a number of bottles, each a different flavor, let's say 4. (The bottles are placed images.) I create a cylinder sized to the bottle image's label area, and map a label symbol to the cylinder for each flavor. The labels need to be in the same place on each cylinder, both size and position. And those 4 bottles with labels are multiplied by 2 or 3, depending on how many concepts there are. So, lots of noodling with the mapped symbols sizes and positions.

    This could take the form of, at the very least, a larger window for placement so you can actually see what you're doing, or fields for x/y and w/h values similar to how they are displayed for transform (but inside the mapping module).

    Another thought about expected behavior: if I copy/paste a mapped cylinder, and then go into the copy and change the mapped symbol to different symbol of another label of the same dimensions, the new symbol would be in the exact same size and position.

    I know you are working on adding mapped graphics to the "new" 3D effect, so maybe this will be added functionality? I know there are others who would appreciate it. When can we expect to try out this functionality in the "new" 3D effect?

    (FYI, I cannot share my company files in public, they're proprietary. But if someone wants to contact me I am happy to send screen shots or share my screen.)

    When placing symbols for image maps in the classic 3D palette, I'd like to have more control over the position of the symbol to be mapped.

    Example: I'm using this function for mockups of labels on bottles. There are a number of bottles, each a different flavor, let's say 4. (The bottles are placed images.) I create a cylinder sized to the bottle image's label area, and map a label symbol to the cylinder for each flavor. The labels need to be in the same place on each cylinder, both size and position. And those 4 bottles with labels are… more

    2 votes

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13. More controls for the center point of the Transform effect: relative to artboard / object

    I would like a few more controls for where Effect > Distort & Transform > Transform centers the transformation.

    Next to the 3x3 centerpoint grid, there would be an "Origin" dropdown. offering the options of "Relative to Object" and "Relative to Artboard". "Relative to Object" is the current behavior, and should be the default option.

    There would also be a pair of X and Y inputs to specify an offset of the centerpoint from whatever corner was chosen.

    ---

    As an example of why I might want this: I have an Appearance stack for doing quick and dirty rimlighting of an object by adding a fill on top that's Transformed to about 95% of its size, with an off-center centerpoint and one extra copy; these are followed up by a Minus Back effect to chop most of it off. It's a fun technique that lets me block out a bunch of shapes with very stylized shading very quickly. But it's not good for light radiating out from a point in the image, I'd have to constantly change the transformation angle on multiple shapes.

    With this request implemented, I could draw a point light source somewhere in the artboard, modify my lighting style to center its transformation on that light source, then quickly block out an entire dramatically-lit scene.

    ---

    I've included a mockup, which I made by crudely cutting and pasting the similar controls from Astute's Phantasm Halftone plugin into the existing Transform effect.

    ---

    Also while I am asking for Transform effect improvements, can we get a switch to change the Move sliders between the current setting of absolute numbers of whatever the document's measurement unit is, and a new setting of percentage of the object's size? That would be a big improvement to my automatic lighting workflow, too.

    I would like a few more controls for where Effect > Distort & Transform > Transform centers the transformation.

    Next to the 3x3 centerpoint grid, there would be an "Origin" dropdown. offering the options of "Relative to Object" and "Relative to Artboard". "Relative to Object" is the current behavior, and should be the default option.

    There would also be a pair of X and Y inputs to specify an offset of the centerpoint from whatever corner was chosen.

    ---

    As an example of why I might want this: I have an Appearance stack for doing quick and dirty rimlighting of an… more

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14. Linked copies / instances

    I need linked copies / instances - copies that follow the transformation of the original object (or vice versa).
    A lot of times I do copy paths, groups or other objects in place, and just change the stroke width, apply an effect, or change the colour. Afterwards a change the size or position just slightly, AND THAN THE HASSLE STARTS. From there on I need to do the exact same change to the "original" path too. Too much work, too much time lost.

    Do you want to program that, or should I start a plugin.

    3 votes

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15. "Show me the offending object" button in the appearance error dialog for [IABD] and [!out] errors

    I really would kinda love it if there was a "Show me the offending object" button on the "Error processing appearance" requestor next to the "OK" button.

    2 votes

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16. Dimension tool style presets

    The dimension tool gives alot of style options for the arrow size, line thickness, offsets, etc. It would be great to save presets that could be switched from a dropdown list in the dimension tool options dialog.

    14 votes

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    Under Review  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    Adding presets for the Dimension Tool is in the plans.

    Thanks for logging the request anyway. Upvote it still if you find it useful.

17. Allow to remove a 3D effect directly from 3D and Materials panel

    I would like to see a simple button that is in 3D and Materials that I can press to remove the 3D effect.

    Going to Window > Appearance is fine but its an extra step. It would be quicker and easier to just have a button in the 3D and Materials panel.

    2 votes

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18. Make 3D and Materials effect work with raster images

    3D and Materials effect doesn't work with raster images. It gives me a strange unrelated message (see attached) when I try. I use Classic 3D, it works, but unfortunately Classic 3D is not really precise and sometimes gives strange results, but better than nothing.

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    3 votes

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19. Hide/Show all text appearances in the Appearance panel

    Have the option to hide/show all appearances in the appearance panel, not just individual ones.
    When working with text, having the computer constantly redraw appearances — slows the workflow. The ability to hide all would drastically improve performance, especially on text with multiple strokes/complex fills.

    3 votes

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    1 comment  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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20. 3D shadows color and opacity change

    3D effects give only a black shadow that makes 3D object's color dirty, greyish. And it looks like 90's 3D effect. Possibility to change the shadow color? Or the shadow color bases on the object's colors and thus makes the diffuse.

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    2 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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