196 results found

1. Auto-generate an opacity mask from the Appearance palette

   I've been experimenting with ways to create soft edges and stylized natural textures in my work. I find myself wishing for this to be able to quickly and easily create, say, an erratically faded and mottled edge to a filled path by giving it an opacity mask made up of a jagged white-to-black fade pattern brush, plus some black spots from a scatter brush.

   I would like to be able to add strokes and/or fills to a path via the Appearance palette, and have these paths show up in an auto-generated opacity mask for the path instead.

   Possibly this might be done by having a 'create opacity mask' live effect, with the 'clip' and 'invert mask' options available, that I could then place additional strokes and fills within.

   Alternatively there might be a way to say 'this fill/stroke goes in the opacity mask' - probably also a live effect.

   Multiple strokes/fills set to go into the opacity mask should all end up in the same mask.

   I've been experimenting with ways to create soft edges and stylized natural textures in my work. I find myself wishing for this to be able to quickly and easily create, say, an erratically faded and mottled edge to a filled path by giving it an opacity mask made up of a jagged white-to-black fade pattern brush, plus some black spots from a scatter brush.

   I would like to be able to add strokes and/or fills to a path via the Appearance palette, and have these paths show up in an auto-generated opacity mask for the path instead.

   Possibly this might… more

   5 votes

   Vote Vote Vote

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Vote

   We’ll send you updates on this idea

   2 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
   How important is this to you?

   Not at all You must login first! Important You must login first! Critical You must login first!

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Submit Rating

2. Zig Zag effect Ridges per Path option

   Illustrator allows us to set ridges per segment when applying a live Zig Zag effect.
   Cool, we can use it creatively... sometimes... in very rare occasions...

   But most of times we need the frequency to be uniform for the whole path, like Roughen does.
   We can’t use a brush to do it really, and we can’t make Ai to re-divide a path into segments of equal length (a cool request on its own, but it won’t solve the problem anyway... but I ahve to mention the PathScribe plugin allows this).

   There is this cool Random Zig Zag script that that does this and more as a filter (https://www.youtube.com/watch?v=FHEAk6s9NcE — definitely worth buying), but it’d be great to just have it from the box as an option for the effect.

   Illustrator allows us to set ridges per segment when applying a live Zig Zag effect.
   Cool, we can use it creatively... sometimes... in very rare occasions...

   But most of times we need the frequency to be uniform for the whole path, like Roughen does.
   We can’t use a brush to do it really, and we can’t make Ai to re-divide a path into segments of equal length (a cool request on its own, but it won’t solve the problem anyway... but I ahve to mention the PathScribe plugin allows this).

   There is this cool Random Zig Zag script that that… more

   •  

   4 votes

   Vote Vote Vote

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Vote

   We’ll send you updates on this idea

   0 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
   How important is this to you?

   Not at all You must login first! Important You must login first! Critical You must login first!

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Submit Rating

3. More controls for the center point of the Transform effect: relative to artboard / object

   I would like a few more controls for where Effect > Distort & Transform > Transform centers the transformation.

   Next to the 3x3 centerpoint grid, there would be an "Origin" dropdown. offering the options of "Relative to Object" and "Relative to Artboard". "Relative to Object" is the current behavior, and should be the default option.

   There would also be a pair of X and Y inputs to specify an offset of the centerpoint from whatever corner was chosen.

   ---

   As an example of why I might want this: I have an Appearance stack for doing quick and dirty rimlighting of an object by adding a fill on top that's Transformed to about 95% of its size, with an off-center centerpoint and one extra copy; these are followed up by a Minus Back effect to chop most of it off. It's a fun technique that lets me block out a bunch of shapes with very stylized shading very quickly. But it's not good for light radiating out from a point in the image, I'd have to constantly change the transformation angle on multiple shapes.

   With this request implemented, I could draw a point light source somewhere in the artboard, modify my lighting style to center its transformation on that light source, then quickly block out an entire dramatically-lit scene.

   ---

   I've included a mockup, which I made by crudely cutting and pasting the similar controls from Astute's Phantasm Halftone plugin into the existing Transform effect.

   ---

   Also while I am asking for Transform effect improvements, can we get a switch to change the Move sliders between the current setting of absolute numbers of whatever the document's measurement unit is, and a new setting of percentage of the object's size? That would be a big improvement to my automatic lighting workflow, too.

   I would like a few more controls for where Effect > Distort & Transform > Transform centers the transformation.

   Next to the 3x3 centerpoint grid, there would be an "Origin" dropdown. offering the options of "Relative to Object" and "Relative to Artboard". "Relative to Object" is the current behavior, and should be the default option.

   There would also be a pair of X and Y inputs to specify an offset of the centerpoint from whatever corner was chosen.

   ---

   As an example of why I might want this: I have an Appearance stack for doing quick and dirty rimlighting of an… more

   •  

   4 votes

   Vote Vote Vote

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Vote

   We’ll send you updates on this idea

   1 comment  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
   How important is this to you?

   Not at all You must login first! Important You must login first! Critical You must login first!

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Submit Rating

4. Add metric units in 3D

   When generating 3D, even if 2D path could be very precise in dimension, the 3D volume is most often expressed in proportion (from 0 to 100%)

   When you try to export for 3D printing it could be more usable to be able to express in metric units...
   Like it has been done in Photoshop some times (years) ago ;-)

   4 votes

   Vote Vote Vote

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Vote

   We’ll send you updates on this idea

   0 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
   How important is this to you?

   Not at all You must login first! Important You must login first! Critical You must login first!

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Submit Rating

5. 3D & Materials: separate colour/material for extrusion

   Please introduce the ability to apply separate colour and material to the extruded part of a 3D shape. There are multiple examples where such a feature would immensely help recreating real world objects. For example: laser cut plywood (burned edges, parallel to the surface), slice of bread, etc. Basically, any cut object which interior is different to its surface.

   4 votes

   Vote Vote Vote

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Vote

   We’ll send you updates on this idea

   2 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
   How important is this to you?

   Not at all You must login first! Important You must login first! Critical You must login first!

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Submit Rating

6. Allow to change default settings for 3D and Materials effect

   Can we please change the default settings on 3D effect to not apply anything or allow us to change the default. It takes forever to load on every project just to open it up for a simple bevel to be applied. Many times my app just crashes just opening up the window just from applying whatever the default setting is doing to the text I selected. My computer is far beyond the specs that it says the program requires until I need to open this tool on anything.

   4 votes

   Vote Vote Vote

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Vote

   We’ll send you updates on this idea

   2 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
   How important is this to you?

   Not at all You must login first! Important You must login first! Critical You must login first!

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Submit Rating

7. 3D & Materials: The ability to color individual sides and parts of a 3d object

   (specifically extruded ones)

   •  

   4 votes

   Vote Vote Vote

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Vote

   We’ll send you updates on this idea

   1 comment  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
   How important is this to you?

   Not at all You must login first! Important You must login first! Critical You must login first!

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Submit Rating

8. I'd like the ability to import .spsm files to Materials.

   When taken from Illustrator to a community-created assets page, there are tons of .spsm files and only a few .sbsar files. The .spsm files are the ones that I like, but I can't use them in Illustrator.

   4 votes

   Vote Vote Vote

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Vote

   We’ll send you updates on this idea

   2 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
   How important is this to you?

   Not at all You must login first! Important You must login first! Critical You must login first!

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Submit Rating

9. Allow to create both circumscribed and inscribed ellipses with Convert to Shape effect

   When using the convert to shape tool / ellipse:

   Select circle imported from PDF that has 100's of points around perimeter. Use convert to shape, ellipse option. If I set the tool to "relative", and the value to zero "0", then the converted shape should match the original. Instead, the shape is larger, because it is using the size of the box inscribed in the circle instead of the diameter (or width and height). Please fix this.

   • 

   4 votes

   Vote Vote Vote

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Vote

   We’ll send you updates on this idea

   2 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
   How important is this to you?

   Not at all You must login first! Important You must login first! Critical You must login first!

   We're glad you're here

   Please sign in to leave feedback

   Signed in as (Sign out)

   Close

   Close

   Submit Rating

10. Transparent Glass Effect Options in Adobe Illustrator

    Dear Adobe Team,
    I hope you are doing well.
    I would like to request a new feature enhancement for Adobe Illustrator that I believe would greatly benefit designers and streamline creative workflows.
    Feature Request:
    A dedicated Transparent Glass Effect option within Illustrator, offering the ability to apply both plain and textured glass styles directly as an effect.
    Currently, achieving a realistic glass look requires multiple manual steps involving opacity adjustments, gradients, blurs, and overlays. A built-in effect—similar to other appearance presets—would save significant time and allow for more consistent results across projects.
    Why This Would Help:

    Faster creation of modern UI-style and product-render visuals.
    Consistent, professional-quality glass effects without complex layer setups.
    Enhanced creative control through adjustable texture variations.

    This addition would be extremely valuable for designers working in branding, packaging, digital art, and interface design.
    Thank you for considering this request. I truly appreciate the continuous innovation Adobe brings to the creative community.

    Dear Adobe Team,
    I hope you are doing well.
    I would like to request a new feature enhancement for Adobe Illustrator that I believe would greatly benefit designers and streamline creative workflows.
    Feature Request:
    A dedicated Transparent Glass Effect option within Illustrator, offering the ability to apply both plain and textured glass styles directly as an effect.
    Currently, achieving a realistic glass look requires multiple manual steps involving opacity adjustments, gradients, blurs, and overlays. A built-in effect—similar to other appearance presets—would save significant time and allow for more consistent results across projects.
    Why This Would Help:

    Faster creation of modern… more

    3 votes

    Vote Vote Vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Vote

    We’ll send you updates on this idea

    2 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
    How important is this to you?

    Not at all You must login first! Important You must login first! Critical You must login first!

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Submit Rating

11. Support noise effect from SVG exported from Figma

    <svg width="255" height="255" viewBox="0 0 255 255" fill="none" xmlns="http://www.w3.org/2000/svg">
    <g filter="url(#filter0_n_1_5)">
    <circle cx="127.021" cy="127.021" r="127.021" fill="#FF7575"/>
    </g>
    <defs>
    <filter id="filter0_n_1_5" x="0" y="0" width="254.042" height="254.042" filterUnits="userSpaceOnUse" color-interpolation-filters="sRGB">
    <feFlood flood-opacity="0" result="BackgroundImageFix"/>
    <feBlend mode="normal" in="SourceGraphic" in2="BackgroundImageFix" result="shape"/>
    <feTurbulence type="fractalNoise" baseFrequency="0.71641594171524048 0.71641594171524048" stitchTiles="stitch" numOctaves="3" result="noise" seed="7505" />
    <feColorMatrix in="noise" type="luminanceToAlpha" result="alphaNoise" />
    <feComponentTransfer in="alphaNoise" result="coloredNoise1">
    <feFuncA type="discrete" tableValues="1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 "/>
    </feComponentTransfer>
    <feComposite operator="in" in2="shape" in="coloredNoise1" result="noise1Clipped" />
    <feFlood flood-color="rgba(0, 0, 0, 0.25)" result="color1Flood" />
    <feComposite operator="in" in2="noise1Clipped" in="color1Flood" result="color1" />
    <feMerge result="effect1_noise_1_5">
    <feMergeNode in="shape" />
    <feMergeNode in="color1" />
    </feMerge>
    </filter>
    </defs>
    </svg>
    

    <svg width="255" height="255" viewBox="0 0 255 255" fill="none" xmlns="http://www.w3.org/2000/svg">
    <g filter="url(#filter0_n_1_5)">
    <circle cx="127.021" cy="127.021" r="127.021" fill="#FF7575"/>
    </g>
    <defs>
    <filter id="filter0_n_1_5" x="0" y="0" width="254.042" height="254.042" filterUnits="userSpaceOnUse" color-interpolation-filters="sRGB">
    <feFlood flood-opacity="0" result="BackgroundImageFix"/>
    <feBlend mode="normal" in="SourceGraphic" in2="BackgroundImageFix" result="shape"/>
    <feTurbulence type="fractalNoise" baseFrequency="0.71641594171524048 0.71641594171524048" stitchTiles="stitch" numOctaves="3" result="noise" seed="7505" />
    <feColorMatrix in="noise" type="luminanceToAlpha" result="alphaNoise" />
    <feComponentTransfer in="alphaNoise" result="coloredNoise1">
    <feFuncA type="discrete" tableValues="1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

    … more
    3 votes

    Vote Vote Vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Vote

    We’ll send you updates on this idea

    2 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
    How important is this to you?

    Not at all You must login first! Important You must login first! Critical You must login first!

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Submit Rating

12. Support angular gradients exported from Figma

    Example:
    
<svg width="255" height="255" viewBox="0 0 255 255" fill="none" xmlns="http://www.w3.org/2000/svg">
<g clip-path="url(#paint0_angular_21_6_clip_path)" data-figma-skip-parse="true"><g transform="matrix(0 0.127021 -0.127021 0 127.021 127.021)"><foreignObject x="-1021.98" y="-1021.98" width="2043.96" height="2043.96"><div xmlns="http://www.w3.org/1999/xhtml" style="background:conic-gradient(from 90deg,rgba(255, 116, 116, 1) 0deg,rgba(255, 222, 116, 1) 360deg);height:100%;width:100%;opacity:1"></div></foreignObject></g></g><circle cx="127.021" cy="127.021" r="127.021" data-figma-gradient-fill="{&#34;type&#34;:&#34;GRADIENT_ANGULAR&#34;,&#34;stops&#34;:[{&#34;color&#34;:{&#34;r&#34;:1.0,&#34;g&#34;:0.45723783969879150,&#34;b&#34;:0.45723783969879150,&#34;a&#34;:1.0},&#34;position&#34;:0.0},{&#34;color&#34;:{&#34;r&#34;:1.0,&#34;g&#34;:0.87335550785064697,&#34;b&#34;:0.45723783969879150,&#34;a&#34;:1.0},&#34;position&#34;:1.0}],&#34;stopsVar&#34;:[{&#34;color&#34;:{&#34;r&#34;:1.0,&#34;g&#34;:0.45723783969879150,&#34;b&#34;:0.45723783969879150,&#34;a&#34;:1.0},&#34;position&#34;:0.0},{&#34;color&#34;:{&#34;r&#34;:1.0,&#34;g&#34;:0.87335550785064697,&#34;b&#34;:0.45723783969879150,&#34;a&#34;:1.0},&#34;position&#34;:1.0}],&#34;transform&#34;:{&#34;m00&#34;:1.5555609304460614e-14,&#34;m01&#34;:-254.04237365722656,&#34;m02&#34;:254.04237365722656,&#34;m10&#34;:254.04237365722656,&#34;m11&#34;:1.4210854715202004e-14,&#34;m12&#34;:-1.4883232856864256e-14},&#34;opacity&#34;:1.0,&#34;blendMode&#34;:&#34;NORMAL&#34;,&#34;visible&#34;:true}"/>
<defs>
<clipPath id="paint0_angular_21_6_clip_path"><circle cx="127.021" cy="127.021" r="127.021"/></clipPath></defs>
</svg>


    3 votes

    Vote Vote Vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Vote

    We’ll send you updates on this idea

    1 comment  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
    How important is this to you?

    Not at all You must login first! Important You must login first! Critical You must login first!

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Submit Rating

13. Support background blur in SVGs exported from Figma

    <svg width="367" height="255" viewBox="0 0 367 255" fill="none" xmlns="http://www.w3.org/2000/svg">
    <rect x="150.75" y="18.5726" width="216" height="216.897" fill="#7580FF"/>
    <foreignObject x="-51.0876" y="-51.0876" width="356.218" height="356.218"><div xmlns="http://www.w3.org/1999/xhtml" style="backdrop-filter:blur(25.54px);clip-path:url(#bgblur_0_1_16_clip_path);height:100%;width:100%"></div></foreignObject><circle data-figma-bg-blur-radius="51.0876" cx="127.021" cy="127.021" r="127.021" fill="#FF7575" fill-opacity="0.7"/>
    <defs>
    <clipPath id="bgblur_0_1_16_clip_path" transform="translate(51.0876 51.0876)"><circle cx="127.021" cy="127.021" r="127.021"/>
    </clipPath></defs>
    </svg>
    

    (I'm sympathetic that general <foreignObject> support is nigh impossible 🙂 Figma uses this only for background blurs and angular gradients)

    3 votes

    Vote Vote Vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Vote

    We’ll send you updates on this idea

    2 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
    How important is this to you?

    Not at all You must login first! Important You must login first! Critical You must login first!

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Submit Rating

14. Add a way to set a custom resolution for Raster Effects when creating a document

    Why can’t I set 'other' value for resolution while creating a new document using classic UI, but can do later using the dedicated dialog? Not fair (plus Ai doesn’t know about PPCM and fractional values)

    Another related request:
    Fractional resolution value in Document Raster Effects Settings
    http://illustrator.uservoice.com/forums/333657/suggestions/45654661

    •  

    •  

    3 votes

    Vote Vote Vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Vote

    We’ll send you updates on this idea

    0 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
    How important is this to you?

    Not at all You must login first! Important You must login first! Critical You must login first!

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Submit Rating

15. Edge Effects on Line Segment instead of Full Shape Border

    It would be nice to be able to create a shape that has different edges between different points. At the moment, the closest that you can get with this is the width tool or by deleting a segment (which causes a host of issues, since it would no longer be a shape).

    More broadly, by isolating line segments as editable aspects of a shape, it would be great to be able to apply edge effects (feathering, roughen, blur, etc.) only to a select number of segments on a shape.

    This would give finer control over shapes in Adobe Illustrator and make it possible to create more dynamic, detailed illustrations.

    It would be nice to be able to create a shape that has different edges between different points. At the moment, the closest that you can get with this is the width tool or by deleting a segment (which causes a host of issues, since it would no longer be a shape).

    More broadly, by isolating line segments as editable aspects of a shape, it would be great to be able to apply edge effects (feathering, roughen, blur, etc.) only to a select number of segments on a shape.

    This would give finer control over shapes in Adobe Illustrator and… more

    3 votes

    Vote Vote Vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Vote

    We’ll send you updates on this idea

    1 comment  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
    How important is this to you?

    Not at all You must login first! Important You must login first! Critical You must login first!

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Submit Rating

16. A Node View mode for the Appearance panel, and a complete revamp of what it can do

    I feel like I have a lot of things I want changed about the Appearance palette that cannot be done in the form of a one-dimensional list of effects.

    I'd like to suggest something inspired by the "node view" in programs like Blender or Toon Boom or Unreal. Give me a 2d canvas upon which I can arrange strokes, fills, and effects, and let me plug them into each other in complex ways. Let me control exactly when a brush is applied to a stroke by moving its effect around. Let me dynamically generate an opacity mask for an entire object, and another one for three of the seven fills and strokes I have on it. Let me generate complex pieces of plumbing that do crazy things based on me drawing one simple path.

    Keeping the Appearance palette around and adding a new Appearance Nodes palette would be fine. Or it could be a new mode in the existing palette. It's also perfectly fine if the existing Appearance palette can't edit Appearance Nodes and just displays a polite apology. There's a simplicity to the existing palette that might be worth retaining, I dunno, when it gets to the point of being in a beta, ask people how they'd feel about losing the old one, and be aggressive about hunting for ways it might break existing appearance stacks - ask us for our craziest piles of native and plugin effects and build a nice set of test cases!

    I am probably asking a lot here. This is feels like a big enough change to be one of the top features of an entire release. Possibly even more. It'll probably involve changing some assumptions that are made deep in the parts of Illustrator nobody understands any more. And it's entirely for the most hardcore users, who're using it in the most esoteric ways. Good luck convincing the people who control the budget that a significant part of Illustrator's development budget for a year or three should be devoted to something that's got zero noob appeal.

    But after about a decade of exploring its possibilities, I'm constantly butting up against the limitations of the Appearance palette. It's time for something to change. Maybe it's just time for me to figure out how to survive a couple months of zero productivity because I'm figuring out how to turn another, younger program into something I can whip out art even half as fast as I can do it in Illustrator. And probably get animation capabilities and some amount of 3d into the bargain. I dunno. I'm fifty years old and I've loved using this program as my main art tool for half my life. Change is complicated.

    I feel like I have a lot of things I want changed about the Appearance palette that cannot be done in the form of a one-dimensional list of effects.

    I'd like to suggest something inspired by the "node view" in programs like Blender or Toon Boom or Unreal. Give me a 2d canvas upon which I can arrange strokes, fills, and effects, and let me plug them into each other in complex ways. Let me control exactly when a brush is applied to a stroke by moving its effect around. Let me dynamically generate an opacity mask for an entire… more

    3 votes

    Vote Vote Vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Vote

    We’ll send you updates on this idea

    1 comment  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
    How important is this to you?

    Not at all You must login first! Important You must login first! Critical You must login first!

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Submit Rating

17. Make 3D material texture scale apply consistently across an entire group/compound path (replicating gradient behavior)

    There is currently no way to have a design consisting of multiple disconnected shapes that "share" one single material texture scale in the 3D feature. The scale of the texture is determined by the size of each shape; small shapes have small, squished textures and large shapes have large, stretched textures. I understand that each shape is determining what size is "100%" scale, but the behavior should be like it is elsewhere in Illustrator. When you apply a gradient to multiple shapes, each shape has the entire gradient because each shape's dimensions determine what the 100% scale is. However, if you create a group or compound path, the gradient now applies across all the separate shapes.

    There is currently no way to have a design consisting of multiple disconnected shapes that "share" one single material texture scale in the 3D feature. The scale of the texture is determined by the size of each shape; small shapes have small, squished textures and large shapes have large, stretched textures. I understand that each shape is determining what size is "100%" scale, but the behavior should be like it is elsewhere in Illustrator. When you apply a gradient to multiple shapes, each shape has the entire gradient because each shape's dimensions determine what the 100% scale is. However, if… more

    •  

    3 votes

    Vote Vote Vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Vote

    We’ll send you updates on this idea

    1 comment  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
    How important is this to you?

    Not at all You must login first! Important You must login first! Critical You must login first!

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Submit Rating

18. Effect > Distort & transform > Stacking order

    Sometimes you have a group of objects that are not in the correct stacking order, and you have to expand the effects that generate these objects to fix it.

    I propose a new effect that offers a few options to change this:

    • reverse stacking order
    • stack left-to-right, right-to-left, up-to-down, down-to-up, or maybe just an angle dial for stacking order? that'd be super useful for "I drew three balls and blended them to make a necklace and I don't want to have to split it into two blends to make the right ball be the nearest one".
    • smallest-to-largest, largest-to-smallest
    3 votes

    Vote Vote Vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Vote

    We’ll send you updates on this idea

    4 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
    How important is this to you?

    Not at all You must login first! Important You must login first! Critical You must login first!

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Submit Rating

19. Allow Live Paint selection to have complex appearance

    Using Live Paint Selection Tool, we can choose sections of the Live Paint objects, areas and segments of contours, assigning fills and color to them.

    But what we can assign is rather basic (the same as for live characters, and the related request about the same deal is here: http://illustrator.uservoice.com/forums/333657/suggestions/46545787)
    We can’t assign a brush, change order of appearance attributes, add a second fill and offset it, assign any effect to it, distort or roughen — only fill under stroke, no stroke alignment (even though the panel lies it can be done), no arrowheads... at least dash count as basic apperance.

    We need more control over it. We need to be able to control appearance for Lve Paint selections fully.

    Using Live Paint Selection Tool, we can choose sections of the Live Paint objects, areas and segments of contours, assigning fills and color to them.

    But what we can assign is rather basic (the same as for live characters, and the related request about the same deal is here: http://illustrator.uservoice.com/forums/333657/suggestions/46545787)
    We can’t assign a brush, change order of appearance attributes, add a second fill and offset it, assign any effect to it, distort or roughen — only fill under stroke, no stroke alignment (even though the panel lies it can be done), no arrowheads... at least dash count as… more

    3 votes

    Vote Vote Vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Vote

    We’ll send you updates on this idea

    0 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
    How important is this to you?

    Not at all You must login first! Important You must login first! Critical You must login first!

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Submit Rating

20. Make 3D and Materials effect work with raster images

    3D and Materials effect doesn't work with raster images. It gives me a strange unrelated message (see attached) when I try. I use Classic 3D, it works, but unfortunately Classic 3D is not really precise and sometimes gives strange results, but better than nothing.

    •  

    3 votes

    Vote Vote Vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Vote

    We’ll send you updates on this idea

    0 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
    How important is this to you?

    Not at all You must login first! Important You must login first! Critical You must login first!

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    Close

    Close

    Submit Rating