264 results found

1. Set all colour palette swatches to Global as default

   Could we have all default swatches and custom colour swatches we select set as 'Global' when are working in a document? Or at least be able to select multiple swatches all at once and make Global? Why is the default 'non-Global' when colours are likely to be used regularly across multiple working files?

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2. Name a swatch with its colour values

   I want to be able to name a swatch with its colour values - just like in InDesign - simply by ticking the checkbox - see the screenshot from InDesign..
   Let's say I have an imported document with a lot of RGB colours. The document needs to be converted to CMYK. After conversion all the colours are now CMYK but still have their names in RGB, I don't want this and I don't want to have to re-name each one by typing all the colour values!!
   Please give us this same option to re-name a colour with its values, with one simple click!

   I want to be able to name a swatch with its colour values - just like in InDesign - simply by ticking the checkbox - see the screenshot from InDesign..
   Let's say I have an imported document with a lot of RGB colours. The document needs to be converted to CMYK. After conversion all the colours are now CMYK but still have their names in RGB, I don't want this and I don't want to have to re-name each one by typing all the colour values!!
   Please give us this same option to re-name a colour with its values, with… more

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3. Separation preview with values on hover

   Just like in InDesign there should be the value of each channel on the exact spot (while you are hovering over any point on your artwork)

   Here the difference between AI and ID (each while hovering over an image)

   It's hard to check color values without (at the moment you have to put the finished .ai into a InDesign document, activate separation view there and check each point.) For printing you have a minimum requirement of 3%-7% (depending on the technique like offset or gravure printing) in each channel to make sure it actually prints. Otherwise it may not! It would be also useful to check whether your black is just 100% Black and does not consist of any other Channel. Finally to check if every black is overprinting.
   Yep, that's all only possible in InDesign (or Acrobat) but not in Illustrator itself

   Just like in InDesign there should be the value of each channel on the exact spot (while you are hovering over any point on your artwork)

   Here the difference between AI and ID (each while hovering over an image)

   It's hard to check color values without (at the moment you have to put the finished .ai into a InDesign document, activate separation view there and check each point.) For printing you have a minimum requirement of 3%-7% (depending on the technique like offset or gravure printing) in each channel to make sure it actually prints. Otherwise it may not! It… more

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4. Make the hex code box visible for all color modes on the color panel. Not just RGB modes.

   I only ever use HSB to dial in my color and it slows me down to double click on the color to only have to copy the hex code in a different window. The only modes that currently have a box that displays the hex code are RGB or WebsafeRGB. This is missing for all other modes such as HSB, CMYK and Grayscale. Make the hex code box visible for all color modes on the color panel, please.

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   Completed (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

   This filed is now visible in Color panel for all the color modes, starting version 27.6.1.

   There is no way to disable it though, so if you want to be able to turn it off — upvote the request: http://illustrator.uservoice.com/forums/333657/suggestions/47027617

5. Pin individual color chips in Recent Colors sections

   Recently Ai added Recent Color sections (the request: http://illustrator.uservoice.com/forums/333657/suggestions/44772598) to Swatches and Color panels (with an ability to disable them — thanks!)

   Some choices these remember are more important than others — but not enough to be included into the actual Swatches panel. For example, I have a Magenta global color I sometimes want to be added into certain projects, when needed. Pinning it in Recent would allow me to quickly grab it, without dancing with Persistent panels.
   Or I could have pinned a brand color of a client I often work with, and have it there.

   I’d like to have an ability to hold Opt/Alt or Shift and pin a recent chip with a click.
   There is a second related request, about deleting one/all chips, so it can use the other modifier — http://illustrator.uservoice.com/forums/333657/suggestions/50279421

   Recently Ai added Recent Color sections (the request: http://illustrator.uservoice.com/forums/333657/suggestions/44772598) to Swatches and Color panels (with an ability to disable them — thanks!)

   Some choices these remember are more important than others — but not enough to be included into the actual Swatches panel. For example, I have a Magenta global color I sometimes want to be added into certain projects, when needed. Pinning it in Recent would allow me to quickly grab it, without dancing with Persistent panels.
   Or I could have pinned a brand color of a client I often work with, and have it there.

   I’d like… more

   6 votes

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6. Illustrator and Photoshop show fractional CMYK color values differently

   I have a CMYK document, and it has a linked image in it, with an intentionally chosen profile, with some specific colors set for the background, and these have to be the part of the background, because of blending modes used.
   Now I need to grab those colors form the clear parts of the background to quickly transfer them into vector part of the design. But when I try — Ai lies about values.

   Instead of
   70-15-0-0
   0-35-85-0
   0-95-20-0
   I get
   69.8-14.9-0-0
   0-34.9-85.1-0
   0-94.9-20-0

   Not much, right? Just 0.2%, why are you mad?
   But these would be enough to break Select Same Fill later, duplicate swatches if added next to existing ones in other documents, drop my trust level for the tool and force me cleaning this mess in the time I need I can’t spend. Sure, there are methods to help with this, but it’s not MY error. It’s Ai’s lie.

   ...later Ton Frederiks suggested it’s Photoshop that is rounding numbers.
   To quote: if the placed file gets rasterized, it gives the fractions in Illustrator. But if the file gets exported from Illustrator as .tif, Photoshop will show the same rounded numbers it started with. Photoshop will not allow fractions and force round numbers when we try to enter percentages like 69,8%. CMYK values go from 0-100 while image values have a range from 0-255.

   Indeed, I tried to rasterize a rectangle with fractions in CMYK color (55.69) and opened the image in Photoshop — and got integers, 56...
   But then I mix the very same color in Ps, making integers manually, fill half of the image with this new color and try to pick colors from this image in Ai: Ai still picks the original 55.69 from the original half of the image... and 56.08 from the half I flooded with Ps’s 56!
   And Ps SEES them as different color when Color Picker is used, displaying different Lab, RGB, HSB values, but CMYK stays the same, rounded.

   In my experiment below I did a similar thing: created these in Ai first (but no fractions), rasterized it, used to make a composition and placed back into Ai.
   Double conversion and forcing integers (visually) would explain it.

   So Ai is rather precise... but the irritation stays.
   Now the question would be — what to do with the uncomfortable truth? 'Fighting ignorance' is my favorite choice, but...

   I don’t have a clear solution to this — and I invite others to a discussion — but perhaps the Eyedropper can get an option to Emulate Photoshop Eyedropper (round CMYK values)?

   I have a CMYK document, and it has a linked image in it, with an intentionally chosen profile, with some specific colors set for the background, and these have to be the part of the background, because of blending modes used.
   Now I need to grab those colors form the clear parts of the background to quickly transfer them into vector part of the design. But when I try — Ai lies about values.

   Instead of
   70-15-0-0
   0-35-85-0
   0-95-20-0
   I get
   69.8-14.9-0-0
   0-34.9-85.1-0
   0-94.9-20-0

   Not much, right? Just 0.2%, why are you mad?
   But these would be enough to break… more

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   6 votes

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7. Add Black and White color chips in Color Picker dialog in Color Models mode

   For some reason, the Color Picker dialog is the default way of setting a color in several color induced effects: Drop Shadow, Inner and Outer Glow.

   Most of times these effects are used, we need to toggle between black and white. These are more or less OK to pick quickly, if we change the mode of the dialog to Color Swatches.

   But each time this dialog is called when editing a color for the effect, the dialog open in the first mode, Color Models.
   And to set black or white in this mode we need to click the spectrum field and drag the point into a corner. You get accustomed to this, and realize you can move the mouse beyond the the dialog, making the precision gesture 'infinite' — and this is what MANY users do, if you watch tutorials or timelapses.

   But this is bullshit. We just need black and white, without fiddling with the spectrum. More of it, in a CMYK document setting black like this would make it rich black, and not K100 — which one would have to set manually, by typing it.

   Since there is a request about adding Recent Colors, perhaps into Swatches or Color (http://illustrator.uservoice.com/forums/333657/suggestions/44772598), perhaps we should be given an option to see these in Color Picker as well (a lot of users prefer it to Color+Swatches panels). In this case, just make Black and White always there, as a fixed choices.

   Another solution would be just to display the same 'Color UI' used for any other place in Ai, the Swatches + Color Mixer (minus Gradient and Generative Pattern, obviously).

   For some reason, the Color Picker dialog is the default way of setting a color in several color induced effects: Drop Shadow, Inner and Outer Glow.

   Most of times these effects are used, we need to toggle between black and white. These are more or less OK to pick quickly, if we change the mode of the dialog to Color Swatches.

   But each time this dialog is called when editing a color for the effect, the dialog open in the first mode, Color Models.
   And to set black or white in this mode we need to click the spectrum field… more

   6 votes

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8. Change conversion of black when going from RGB to CMYK

   Please change the default behavior when converting a file from RGB color space to CMYK color space to make RGB black convert to 100% black. Currently and for years, Illustrator converts it to a rich black, with high values in each ink. It's very common to have to take artwork created in RGB and covert it to CMYK for print, and the default conversion for black is never usable. Please make it practical and have 0,0,0, RGB black convert to Cyan 0, Magenta 0, Yellow 0, Black 100.

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9. Have swatch tooltips show actual CMYK or RGB values

   I'd like the swatch tooltips to show the actual CMYK/RGB/HSB etc. values instead of the user created name. Or, at least have the "Name with Color Value" checkbox, like InDesign does.

   In a document where i have numerous color values that can sometimes be one percentage point of difference from another, this would be helpful in grouping them and then merging those near identical colors.

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10. Search field in Graphic Styles palette

    I draw comics, and use Graphic Styles a lot. They let me give names to anything from flat fills to complex appearance stacks with multiple fills, strokes, and effects.

    But once I've loaded in the styles for a full page, with multiple characters, background parts, and whatnot, the Graphic Styles palette starts to get pretty unwieldy. The attached screenshot is the entire height of my laptop screen; note how small the slider handle is!

    I've put effort into giving all of these sensible names. It'd be lovely to be able to use that by having a search bar at the top or bottom of the palette that I can type text into, and find all of the styles whose name is a partial match!

    There might also be a 'show search box' control in the Graphic Styles palette's menu; it could also be something that shows up when you use the little arrows on the left of a palette's name to expand it and show extra controls. Some people are really protective of vertical space in their palette setup; remember the grumbling about adding the Touch Type tool to the top of the Character palette?

    I draw comics, and use Graphic Styles a lot. They let me give names to anything from flat fills to complex appearance stacks with multiple fills, strokes, and effects.

    But once I've loaded in the styles for a full page, with multiple characters, background parts, and whatnot, the Graphic Styles palette starts to get pretty unwieldy. The attached screenshot is the entire height of my laptop screen; note how small the slider handle is!

    I've put effort into giving all of these sensible names. It'd be lovely to be able to use that by having a search bar at… more

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11. Support layers in patterns

    I want to be able to make patterns in layers. So if I use layers when I make a pattern, then I get a pattern that is editable in layers. It would save much time if you want to make variations.

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12. Highlight the current color in Recent Colors section, just as in Swatches

    I love Recent Colors. Can you please make it so that selecting an object highlights its color in the Recent Colors section, the same way it does in Swatch Tiles?

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13. Allow to actually drag-n-drop swatches on canvas to create a Swatch Info object

    Von Glitschka originally requested this here — http://illustrator.uservoice.com/forums/333657/suggestions/40192993 — but instead we got a buried menu command we can’t assign to a hotkey (here’s a request about this: http://illustrator.uservoice.com/forums/333657/suggestions/49612313)

    Please allow to create these with the actual drag-n-drop!
    Make it so we can hold a modifier key while doing this to have a dialog (and do it silently by default instead).
    Allow to add dragged swatches into the existing Swatch Info objects, highlight the exact positions these are going to be added, on canvas.

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14. Allow to create Swatch Info object using a hotkey

    Currently to create a Swatch Info object you need to dive into the Swatches panel’s flyout menu and locate a command. We need a way to assign a hotkey to this.

    Actually, we need a way to assign hotkeys to ALL commands hidden in the panel menus — here is a general request about this: http://illustrator.uservoice.com/forums/333657/suggestions/46432486 (and even a larger request to hotkey everything at all: http://illustrator.uservoice.com/forums/333657/suggestions/31609237)

    More of it, we need to be able to create Swatch Info objects with drag-n-drop (as Von Glitschka originally requested: http://illustrator.uservoice.com/forums/333657/suggestions/40192993).
    There is now a separate request specifically about this, to evaluate the real need, please upvote this as well —

    Currently to create a Swatch Info object you need to dive into the Swatches panel’s flyout menu and locate a command. We need a way to assign a hotkey to this.

    Actually, we need a way to assign hotkeys to ALL commands hidden in the panel menus — here is a general request about this: http://illustrator.uservoice.com/forums/333657/suggestions/46432486 (and even a larger request to hotkey everything at all: http://illustrator.uservoice.com/forums/333657/suggestions/31609237)

    More of it, we need to be able to create Swatch Info objects with drag-n-drop (as Von Glitschka originally requested: http://illustrator.uservoice.com/forums/333657/suggestions/40192993).
    There is now a separate request specifically about this, to… more

    5 votes

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15. Allow to zoom pattern swatches on right click hold, like we can do in Graphics Styles

    Patterns can we very detailed, and we can have some pattern variants that don’t differ much from each other. Even when we choose to have Large Thumbnail View in Swatches, it doesn’t really help much to distinguish these.

    It’d be useful if we could do the same thing as Graphic Styles panel does — to click and hold a right mouse button to view a giant thumbnail of the clicked pattern.

    The only difference would be that styles are displayed applied to the selected objects, while there is no such need for patterns — a simple square thumbnail will do.

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16. Eyedropper tool in Recolor Artwork dialog is not available

    In the Recolor Artwork panel, there is no eyedropper tool at the top. There is only the word "Reset". Why is this happening?

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17. Add pattern filled object to swatch box to create a new pattern

    This is very essential for the fashion industry.

    As of now, it's not possible to create a seamless pattern with a pattern filled object and add it as a swatch.

    We either have to expand the filled object or rasterize the pattern filled object to able to add to the swatch box. It's hindering because we can't recolor easily.
    This option should be added.

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18. Color blindness Tritanopia-type Proof Color Option
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19. Allow pattern tile size more than 1.41 meters

    Make pattern tiles bigger in size. Now it is limited to about 1.41 meters. Nowadays we can print on textile directly. So the limitation in making a pattern is not bound to physical limitations we've had for years. When printing on fabric that is 1.50 meters I want to be able to make a pattern that has that same width.
    Since you already increased the maximum artboard size, why not increase the pattern tile size as well?

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20. Highlight Pantone swatch in Pantone palette

    It used to be when you selected a pantone swatch in your palette, it would highlight the same pantone swatch in the pantone pallete. Somehow in the last couple years, this feature has been lost. The reason it is helpful is I can quickly find my pantone and pick a color deeper or lighter than it by looking to the left or right of that swatch. Right now, to find a pantone color, I need to type in the color and of course the only result is going to be that color. I can't see what is to the right (darker) or left (lighter).

    It used to be when you selected a pantone swatch in your palette, it would highlight the same pantone swatch in the pantone pallete. Somehow in the last couple years, this feature has been lost. The reason it is helpful is I can quickly find my pantone and pick a color deeper or lighter than it by looking to the left or right of that swatch. Right now, to find a pantone color, I need to type in the color and of course the only result is going to be that color. I can't see what is to the right… more

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