184 results found

1. Toggle Scaling fonts

   i would like to see a toggle so that when i set a text size on path or text box i can scale the box or path without scaling the text within and without direct selecting the path or box
   this way i know my format is un interrupted
   also the scale effect and strokes and text needs to be in the top tool bar at all times so they can be toggled

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2. Transform with negative numbers

   It has become a real frustration when using Illustrator that I can't use negative numbers for the Transform/Move... tool or for the Transform effect. It seems like such a simple thing that I'm surprised it has not been added yet. Please address this in an upcoming update. Thank you.

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3. Add custom shape/image in appearance panel

   Now one only can add rectangle/circle shape in apperance panel. It would be very useful to be able to add custom shape/image/symbol there also.

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4. Live effects

   I hate drawing comparisons between applications because I believe it's utterly unfair in most cases. This is not one of those cases. I believe wholeheartedly that we've reached a stage of computing where we can get rid of the "Preview" button in the effects panels. Let's do it. I've not seen a solid step forward in how effects are created, previewed, edited, and handled since I began using Adobe apps in CS4. Affinity is doing this. And it's buttery smooth. And I'm both jealous and confused that Adobe doesn't have this. It's the sort of thing that you remain blissfully ignorant about until you use it and then you begin to question everything you know about the world when you go back. All the best :)

   I hate drawing comparisons between applications because I believe it's utterly unfair in most cases. This is not one of those cases. I believe wholeheartedly that we've reached a stage of computing where we can get rid of the "Preview" button in the effects panels. Let's do it. I've not seen a solid step forward in how effects are created, previewed, edited, and handled since I began using Adobe apps in CS4. Affinity is doing this. And it's buttery smooth. And I'm both jealous and confused that Adobe doesn't have this. It's the sort of thing that you remain blissfully… more

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5. Opacity and tint/shade options for Transform effect

   In EFFECT < DISTORT & TRANSFORM < TRANSFORM, it would be really great if you could have a way to fade out the shape's opacity when making copies. Other options, such as fading it to specified tint or shade, would be really great as well. You can approximate this in the blend function, but it cannot generate the fractal-like structures that the transform effect can, so it would be nice to further the artist's capacity to manipulate a single shape.

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6. Allow to specify the bevel parameters for objects extruded with 3D & Materials Extrude & Bevel in absolute units instead of a relative value

   The way that Illustrator adds the bevels is weird.
   Height = 50%. 50% of what? If I'm working in inches and I have a 10" x 10" object that I've extruded 1", I should know that I want the bevel to be 0.125", adding ⅛" to my 1" height. Being able to put in 0.125" as my bevel height would make more sense.
   If I have an object that I want to extrude 1", then it is really important that I know it is 1". However, if I extrude the object and then apply a bevel, Illustrator begins to add thickness to my object. There's no way to know how thick the object has now become. Instead of growing the bevel off of the object, Illustrator should dig into the object. If I have a 10"x10" object that I've extruded 1" and I apply a slight bevel, I'd expect to see the outer edge tapered away slightly, but the object remains 10"x10" and 1" thick. If I add a more aggressive bevel, all the same. The object should remain 10"x10" and 1" thick with a more dramatic tapered edge. This would only be achieved if Illustrator were cutting away the extrusion edge, rather than adding more on top of it.

   The way that Illustrator adds the bevels is weird.
   Height = 50%. 50% of what? If I'm working in inches and I have a 10" x 10" object that I've extruded 1", I should know that I want the bevel to be 0.125", adding ⅛" to my 1" height. Being able to put in 0.125" as my bevel height would make more sense.
   If I have an object that I want to extrude 1", then it is really important that I know it is 1". However, if I extrude the object and then apply a bevel, Illustrator begins to add… more

   2 votes

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7. Better control over position of symbol in mapped classic 3d art

   When placing symbols for image maps in the classic 3D palette, I'd like to have more control over the position of the symbol to be mapped.

   Example: I'm using this function for mockups of labels on bottles. There are a number of bottles, each a different flavor, let's say 4. (The bottles are placed images.) I create a cylinder sized to the bottle image's label area, and map a label symbol to the cylinder for each flavor. The labels need to be in the same place on each cylinder, both size and position. And those 4 bottles with labels are multiplied by 2 or 3, depending on how many concepts there are. So, lots of noodling with the mapped symbols sizes and positions.

   This could take the form of, at the very least, a larger window for placement so you can actually see what you're doing, or fields for x/y and w/h values similar to how they are displayed for transform (but inside the mapping module).

   Another thought about expected behavior: if I copy/paste a mapped cylinder, and then go into the copy and change the mapped symbol to different symbol of another label of the same dimensions, the new symbol would be in the exact same size and position.

   I know you are working on adding mapped graphics to the "new" 3D effect, so maybe this will be added functionality? I know there are others who would appreciate it. When can we expect to try out this functionality in the "new" 3D effect?

   (FYI, I cannot share my company files in public, they're proprietary. But if someone wants to contact me I am happy to send screen shots or share my screen.)

   When placing symbols for image maps in the classic 3D palette, I'd like to have more control over the position of the symbol to be mapped.

   Example: I'm using this function for mockups of labels on bottles. There are a number of bottles, each a different flavor, let's say 4. (The bottles are placed images.) I create a cylinder sized to the bottle image's label area, and map a label symbol to the cylinder for each flavor. The labels need to be in the same place on each cylinder, both size and position. And those 4 bottles with labels are… more

   2 votes

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8. A Node View mode for the Appearance Palette, and a complete revamp of what it can do.

   I feel like I have a lot of things I want changed about the Appearance palette that cannot be done in the form of a one-dimensional list of effects.

   I'd like to suggest something inspired by the "node view" in programs like Blender or Toon Boom or Unreal. Give me a 2d canvas upon which I can arrange strokes, fills, and effects, and let me plug them into each other in complex ways. Let me control exactly when a brush is applied to a stroke by moving its effect around. Let me dynamically generate an opacity mask for an entire object, and another one for three of the seven fills and strokes I have on it. Let me generate complex pieces of plumbing that do crazy things based on me drawing one simple path.

   Keeping the Appearance palette around and adding a new Appearance Nodes palette would be fine. Or it could be a new mode in the existing palette. It's also perfectly fine if the existing Appearance palette can't edit Appearance Nodes and just displays a polite apology. There's a simplicity to the existing palette that might be worth retaining, I dunno, when it gets to the point of being in a beta, ask people how they'd feel about losing the old one, and be aggressive about hunting for ways it might break existing appearance stacks - ask us for our craziest piles of native and plugin effects and build a nice set of test cases!

   I am probably asking a lot here. This is feels like a big enough change to be one of the top features of an entire release. Possibly even more. It'll probably involve changing some assumptions that are made deep in the parts of Illustrator nobody understands any more. And it's entirely for the most hardcore users, who're using it in the most esoteric ways. Good luck convincing the people who control the budget that a significant part of Illustrator's development budget for a year or three should be devoted to something that's got zero noob appeal.

   But after about a decade of exploring its possibilities, I'm constantly butting up against the limitations of the Appearance palette. It's time for something to change. Maybe it's just time for me to figure out how to survive a couple months of zero productivity because I'm figuring out how to turn another, younger program into something I can whip out art even half as fast as I can do it in Illustrator. And probably get animation capabilities and some amount of 3d into the bargain. I dunno. I'm fifty years old and I've loved using this program as my main art tool for half my life. Change is complicated.

   I feel like I have a lot of things I want changed about the Appearance palette that cannot be done in the form of a one-dimensional list of effects.

   I'd like to suggest something inspired by the "node view" in programs like Blender or Toon Boom or Unreal. Give me a 2d canvas upon which I can arrange strokes, fills, and effects, and let me plug them into each other in complex ways. Let me control exactly when a brush is applied to a stroke by moving its effect around. Let me dynamically generate an opacity mask for an entire… more

   2 votes

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9. Effect > Distort & transform > Stacking order

   Sometimes you have a group of objects that are not in the correct stacking order, and you have to expand the effects that generate these objects to fix it.

   I propose a new effect that offers a few options to change this:

   • reverse stacking order
   • stack left-to-right, right-to-left, up-to-down, down-to-up, or maybe just an angle dial for stacking order? that'd be super useful for "I drew three balls and blended them to make a necklace and I don't want to have to split it into two blends to make the right ball be the nearest one".
   • smallest-to-largest, largest-to-smallest
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10. "Show me the offending object" button in the appearance error dialog for [IABD] and [!out] errors

    I really would kinda love it if there was a "Show me the offending object" button on the "Error processing appearance" requestor next to the "OK" button.

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11. Allow to remove a 3D effect directly from 3D and Materials panel

    I would like to see a simple button that is in 3D and Materials that I can press to remove the 3D effect.

    Going to Window > Appearance is fine but its an extra step. It would be quicker and easier to just have a button in the 3D and Materials panel.

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12. Allow Live Paint selection to have complex appearance

    Using Live Paint Selection Tool, we can choose sections of the Live Paint objects, areas and segments of contours, assigning fills and color to them.

    But what we can assign is rather basic (the same as for live characters, and the related request about the same deal is here: http://illustrator.uservoice.com/forums/333657/suggestions/46545787)
    We can’t assign a brush, change order of appearance attributes, add a second fill and offset it, assign any effect to it, distort or roughen — only fill under stroke, no stroke alignment (even though the panel lies it can be done), no arrowheads... at least dash count as basic apperance.

    We need more control over it. We need to be able to control appearance for Lve Paint selections fully.

    Using Live Paint Selection Tool, we can choose sections of the Live Paint objects, areas and segments of contours, assigning fills and color to them.

    But what we can assign is rather basic (the same as for live characters, and the related request about the same deal is here: http://illustrator.uservoice.com/forums/333657/suggestions/46545787)
    We can’t assign a brush, change order of appearance attributes, add a second fill and offset it, assign any effect to it, distort or roughen — only fill under stroke, no stroke alignment (even though the panel lies it can be done), no arrowheads... at least dash count as… more

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13. Introduce an option for for 3D and Materials to extrude only forward or backward instead of both ways at once

    The extrude effect seems to be extruding along the Z axis in both directions simultaneously. Maybe there should be an option to fix the front face and extrude it backwards (or fix it as a back face and extrude it forward) so that it would be possible to match the same isometric view as the original flat vector in a graphic style.

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14. Add a basic camera match feature for 3D

    Add a basic camera match feature. I'm trying to make some editable type going over a 3d render for a client who uses Illustrator. It was rendered in C4D with Octane so recreating it in Illustrator isn't going to happen. If I could just draw a few axis lines and then have it match this would make my task MUCH easier.

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15. Rotating 3D object should allow users to choose between local and global space

    I rotate on the X axis with the gizmo, but the input fields for Y and Z all update. So this is a local rotation gizmo translating to a global space field input? Not really that helpful for the user. Stick to local or give us the option to toggle local or global space.

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16. 3D Gizmo needs redesign: rotation feedback and axis color coding

    Gizmo needs to have a re-think. Just open any actual 3D app built in the last 20 years for tips. It gives no feedback. I rotate something, and it looks the same. it should orient itself to the object I'm rotating. Color coding each axis would help too.

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17. Optimization of Rounded Rectangle in Illustrator Effects

    When using the Rounded Rectangle of Illustrator Effects, I hope that the upper and lower values ​​​​can be set separately, because when this effect is applied to text, the upper and lower heights are not even.

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18. 3D Extrude (Classic) Enable Bevel options for flat (None) profile

    I had difficulty with properly orientating symbols on the extruded - 3D Extrude (Classic) - path

    https://community.adobe.com/t5/illustrator-discussions/3d-map-art-rendering-upside-down-reversed/m-p/14398934#M396052

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19. 'Exclude stroke width' option in Transform effect

    When I apply Transform effect to a stroked object, Illustrator includes stroke width and the resulting effect isn't aligned to the main object's skeleton. Consider that I want to mirror a shape and what I expect is the paths to perfectly align to each other. But what happens is that Illustrator treats strokes like they are expanded paths. I usually have to move the effect to correct it.

    There should be an option in Transform effect that let the user exclude stroke width from effect. That would resolve this issue.

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20. Make it possible for a Graphic Style to mark some symbols as being part of it.

    So right now I have a workflow that involves making a lot of complex appearance stacks, saving them as a Graphic Style, then later bringing them into another file by hitting the 'library' button in the Graphic Styles palette and navigating to it via the Other Library file picker.

    If I import a style that uses a brush or a global color swatch or a pattern swatch or a width profile, those assets will get imported. But a style that uses a symbol won't import the symbol, and this is a really annoying little exception. It is, perhaps, not surprising that this exception exists since none of Illustrator's native effects use symbols.

    But lately I have been doing a lot of stuff with Astute Graphics' Halftone and Stipple effects. Both of these live effects have modes where they can spray symbols across a fill or a stroke based on the underlying art. They can even mix multiple symbols across the art. They're pretty powerful and a lot of fun.

    I use these effects in complex Appearance stacks, and save these stacks as Graphic Styles so I can access them quickly with one click. Everything works fine up to this point as long as I'm in the same document.

    But when I open a new document and want to bring those styles over, I hit the library button in the Styles palette and load in the file with the styles... and the styles come over without the symbols they rely on. I have to open the same file as a library in the Symbol palette and import all the symbols, then convince the Styles palette to regenerate all its thumbnails.

    (If I copy and paste a path with one of these styles from one file to another, it does bring across the symbols. But then I run into problems where some of the other effects I use get expanded into bitmaps when they travel through the copy buffer.)

    The nice folks at Astute tell me there's no way for their effect plugins to tell Illustrator that these symbols are associated with a Graphic Style, so that they would be automatically imported when I import a style. Please give them a way to do this. Thanks.

    Attached: a file with one Graphic Style that uses some symbols via Astute's Stipplism plugin.

    So right now I have a workflow that involves making a lot of complex appearance stacks, saving them as a Graphic Style, then later bringing them into another file by hitting the 'library' button in the Graphic Styles palette and navigating to it via the Other Library file picker.

    If I import a style that uses a brush or a global color swatch or a pattern swatch or a width profile, those assets will get imported. But a style that uses a symbol won't import the symbol, and this is a really annoying little exception. It is, perhaps, not surprising… more

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