Illustrator (Desktop) Feature Requests
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4748 results found
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Don’t hide Repeat controls for small or zoomed out objects
Illustrator only displays controls for repeat objects when it’s enough screen space, it seems. But when we are zoomed out or the object is just small, and there is still enough space to put these in, we get nothing.
Even when there’s almost no space to fit controls at the box, some other apps draw them next to it, with connectors.
Meanwhile Ai still chokes us with corner widgets on zoomed out objects, and there is now way to hide them. Here is a request: http://illustrator.uservoice.com/forums/333657/suggestions/43661631
Please make a way for us to control these and other similar controls and choose when there is a limit on our own, somewhere in Preferences.
Illustrator only displays controls for repeat objects when it’s enough screen space, it seems. But when we are zoomed out or the object is just small, and there is still enough space to put these in, we get nothing.
Even when there’s almost no space to fit controls at the box, some other apps draw them next to it, with connectors.
Meanwhile Ai still chokes us with corner widgets on zoomed out objects, and there is now way to hide them. Here is a request: http://illustrator.uservoice.com/forums/333657/suggestions/43661631
Please make a way for us to control these and other similar controls and…
4 votes -
Split 'Select and Unlock objects on canvas' into two options: Unlock Widgets and Allow to Select Locked Objects
There is a 'Select and Unlock objects on canvas' option in Preferences > Selection & Anchor Display section, which allows to display small unlock widgets for the locked objects we can click to unlock (this is fairly similar to what InDesign has).
It also allows us to 'select' several locked objects or unlock them all or only some of them, using a context menu (this is something InDesign does NOT have!)
(I put this in quotes because no real selection happens — the objects don’t get marked with the square selection markers in Layers panel and Locate command does nothing).
And there is a bigger problem...
Having these 'selected' means we can’t truly select anything that is UNDER these!
So we have to choose — either to have a functionality to unlock with a click or click-to-select-under :/But perhaps this can be split into two options, one for having unlock widgets and another one (dependent on the parent option) — to allow selection?
Please take a look at it.
There is a 'Select and Unlock objects on canvas' option in Preferences > Selection & Anchor Display section, which allows to display small unlock widgets for the locked objects we can click to unlock (this is fairly similar to what InDesign has).
It also allows us to 'select' several locked objects or unlock them all or only some of them, using a context menu (this is something InDesign does NOT have!)
(I put this in quotes because no real selection happens — the objects don’t get marked with the square selection markers in Layers panel and Locate command does nothing).
…
4 votes -
Make Polygon tool dialog offer to set a shape by its Side Length
¡¡¡¿Por qué pregunta el radio de un octágono?!!! Tendría el programa que calcularlo. Si yo pongo cuántos lados quiero, en donde dice RADIO tendría que dar la opción de la medida de cada LADO, no del radio. Para ello yo tendría que estar haciendo cuentas matemáticas que me atrasan en mi trabajo.
4 votes -
Allow to set Scale Percentage and Resolution for Placed Images
We desperately need a way to tell the percentage scale of a placed image — or more specifcally, a set of placed images — in Illustrator. A perfect example of this is when you have a set of icons that are all designed at the same size relative to each other, with the same stroke widths. If you place 20 of them on the artboard, it's easy to accidentally have some slightly larger than others, and trying to normalize the scale is darned near impossible because there is ABSOLUTELY NO INDICATION ANYWHERE as to the scale that they're placed at.
4 votes -
Magic Wand: Remember default values, restrict to active artboard, fine tune values, ...
The magic wand seems to got old. It is missing so much functions.
- Remember settings from previous sessions
- Restrict selection to active artboards
- Restrict selection to view
Restrict to main active layer
Add all the possibilities you can find under "select > same"
fine tune the values
explain the tolerance value (e.g. for fill colour)
add selections by tint, by hue, ...
4 votes -
Increase levels of smoothing for paintbrush or pencil
To have control on stabilization of small form or
4 votes -
Variable Width point distribution advanced controls
The standard distribution of the width points and number of width points needs a toggle to advanced controls where the width points can be locked to (or between specified) anchor points on the path.
I hypothesize that this would fix the glitch where the movement, addition or subtraction of anchor points throws the width distribution out of wack.• Would also like to see more pronounced the location of all width points when the path is selected instead of fumbling along the path; perhaps secondary color to standard layer color.
• Within the "Width Point Edit" dialogue, buttons to advance to next width point or previous.
• Ability to lock/unlock the anchor point and width point, and if they are overlapping, add additional embellishment to the anchor point icon, like an outline for the addition of a width point or a diagonal strike if it is locked.
• Numeric control over number of width points at start, perhaps some occasion to reduce number of width points later, especially if the path was created the old (current) way.
• Curve control over ins and outs
• And for complex bends maybe toggle a way to fill in the holes created by the overlaps in the generated boundary.
• I surely missed some good suggestions in previously posted requests, the advanced control dialog would be a good place for that stuff too.
Would love if this could transfer over to After Effects shape layers, or on mask paths convert this data to feathered mask points
I love using the width point control to layout character storyboards, its good for adding the muscle contour between anchor points (joints). It could be faster than sketching, but it needs to be better, the shift and the unnecessary points that are added for reasons unknown to me are very frustrating, I've played with saving the width profiles to toggle between characters on the same pose, shows promise.
The standard distribution of the width points and number of width points needs a toggle to advanced controls where the width points can be locked to (or between specified) anchor points on the path.
I hypothesize that this would fix the glitch where the movement, addition or subtraction of anchor points throws the width distribution out of wack.• Would also like to see more pronounced the location of all width points when the path is selected instead of fumbling along the path; perhaps secondary color to standard layer color.
• Within the "Width Point Edit" dialogue, buttons to advance…
4 votes -
New Tool Suggestion: Color Harmony Tool
I hope this message finds you well. I'm writing to propose the development of a new Color Harmony Tool for Adobe Illustrator. As a designer who frequently uses Illustrator for creating artwork, I believe such a tool would greatly enhance the creative process by facilitating better color combinations and harmonies.
Problem: Illustrators and designers often face challenges in selecting and maintaining color harmonies within Adobe Illustrator. While the existing color tools are robust, they could benefit from integrated features specifically tailored for creating and managing color harmonies.
Proposed Solution: Introduce a dedicated Color Harmony Tool that offers:
Predefined Color Schemes: Access to classic color harmony rules such as complementary, triadic, analogous, and more.
Customizable Harmonies: Ability to create and save custom color palettes based on user-defined harmony rules.
Real-time Preview: Instant visualization of how selected colors interact within the artwork.Benefits:
Enhanced Creativity: Facilitates exploration and application of harmonious color schemes, fostering more aesthetically pleasing designs.
Improved Efficiency: Streamlines the color selection process with intuitive tools that save time and effort.
Consistency: Helps maintain color consistency across projects and ensures cohesive design outcomes.Implementation Details:
The tool could be integrated into Illustrator's Color panel or as a standalone feature, accessible from the toolbar.
Compatibility with Illustrator's existing color management tools to ensure seamless integration and user familiarity.Conclusion: By incorporating a Color Harmony Tool into Adobe Illustrator, you would provide designers with a powerful resource for creating visually compelling artwork while enhancing workflow efficiency.
Thank you for considering this proposal. I believe this tool would greatly benefit Illustrator users and contribute to Adobe's continued leadership in creative software innovation.
I hope this message finds you well. I'm writing to propose the development of a new Color Harmony Tool for Adobe Illustrator. As a designer who frequently uses Illustrator for creating artwork, I believe such a tool would greatly enhance the creative process by facilitating better color combinations and harmonies.
Problem: Illustrators and designers often face challenges in selecting and maintaining color harmonies within Adobe Illustrator. While the existing color tools are robust, they could benefit from integrated features specifically tailored for creating and managing color harmonies.
Proposed Solution: Introduce a dedicated Color Harmony Tool that offers:
Predefined Color Schemes:…
4 votes -
Multiple Libraries Open and Docked as panels at the same time
Right now we can only have 1 library open at once in illustrator. Please make it so we can have multiple libraries open at the same time similar to the way we can have multiple swatch libraries open at the same time...
4 votes -
Menu and Tool UI text, sliders, buttons and fields should be easier to click. larger clickable area around each tool options.
The clickable area of many UI elements are smaller than they appear making the process tedious an needlessly taxing.
In my pic my cursor is clearly inside the opacity field but I cannot yet activate it. As it is currently design, I need to be unnecessarily precise. Makes no sense.
The entire UI could stay the same size but clickable areas should become larger.
Text based buttons like opacity should be treaded like buttons with a large clickable area (opacity in a box with ample padding).There would only be improvements to the UX, no downsides.
If anyone has suggestions on how to better articulate or title, I'm open.The clickable area of many UI elements are smaller than they appear making the process tedious an needlessly taxing.
In my pic my cursor is clearly inside the opacity field but I cannot yet activate it. As it is currently design, I need to be unnecessarily precise. Makes no sense.
The entire UI could stay the same size but clickable areas should become larger.
Text based buttons like opacity should be treaded like buttons with a large clickable area (opacity in a box with ample padding).There would only be improvements to the UX, no downsides.
If anyone has suggestions…4 votes -
Actual Status Bar instead of Spinning Beach Ball
When working with larger images or complex art I can imagine that Illustrator or macOS need caching or need to write temp files somewhere.
I work in the sign business so we work with very large images frequently, for car wraps or large wall art for instance.
Often the infamous Spinning Beach Ball appears when moving or copying fairly large images. This can take several minutes.
It would be nice to have an actual status bar instead of the Spinng Beach Ball so that we can see what Illustrator is actually doing and how long it would take to finish its tasks.
In the enclosed screen recording the cursor is a Spinning Beach Ball — this doesn't show however and I don't know how to record it.
The length of this screen recording (about a minute) is representative of how long this process takes; often it takes longer to waait until it is finished.
There's no clue of what Illustrator actually is doing. I just have to wait until it is ready so I can continue working, until the Spinnng Beach Ball starts again.
As a sidenote, we don't see the spinning macOS beach ball when doing some light work. Mostly, it happens when working with large images — I understand that Illustrator is not a dedicated image editor.
When working with larger images or complex art I can imagine that Illustrator or macOS need caching or need to write temp files somewhere.
I work in the sign business so we work with very large images frequently, for car wraps or large wall art for instance.
Often the infamous Spinning Beach Ball appears when moving or copying fairly large images. This can take several minutes.
It would be nice to have an actual status bar instead of the Spinng Beach Ball so that we can see what Illustrator is actually doing and how long it would take to finish…
4 votes -
Add metric units in 3D
When generating 3D, even if 2D path could be very precise in dimension, the 3D volume is most often expressed in proportion (from 0 to 100%)
When you try to export for 3D printing it could be more usable to be able to express in metric units...
Like it has been done in Photoshop some times (years) ago ;-)4 votes -
Add Enclosed mode for Lasso tool (for full objects)
建议增强或调整“E选择模式”。
目前的“E选择模式”非常棒,但是当选择复杂背景上的对象时存在不足。
选择工具(V):“E选择模式”是在拖动后触发,拖动就会移动点击对象,可以考虑调整为鼠标按下时,按下“E键”进入选择模式(不选择点击对象,只选择选框内的对象),原因是选择工具无法在非锁定的对象上拖动选择(锁定复杂背景也不是一件容易的事情),只能把选择工具移动到背景外再拖动选择,这会增加选择范围,有时候会把不需要选择的对象选中;
另外,可以考虑套索工具增加“E选择模式”,因为套索工具可以在任意对象上拖动选择。4 votes -
4 votes
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Make more improvements to Dimensions
Some add'l improvements that would be greatly appreciated:
• Higher precision settings. At least to 1/8" but 1/16" would be great as well.
• More formatting options for foot inch/ e.g. 7" instead of 0'-7"
• Dimension text centered with the dimensions line as option, with a break in the line to accommodate the text.
• Scale options (custom as well) in architectural format in addition to engineering format (e.g. 1/2" = 1'-0" in addition to 1:24)
• Options to show dimension text rotated 90° - separate options for vertical, vs horizontal dimensions.
• For "Line Type", give us all the standard stroke options.
• Add an option to dimension a center line - centerline line style - maybe as an option key when pulling the dimension to turn it on/off for one or both of the extension lines.Thank you for finally adding this as an alternative to expensive plugins! It is greatly appreciated!
Some add'l improvements that would be greatly appreciated:
• Higher precision settings. At least to 1/8" but 1/16" would be great as well.
• More formatting options for foot inch/ e.g. 7" instead of 0'-7"
• Dimension text centered with the dimensions line as option, with a break in the line to accommodate the text.
• Scale options (custom as well) in architectural format in addition to engineering format (e.g. 1/2" = 1'-0" in addition to 1:24)
• Options to show dimension text rotated 90° - separate options for vertical, vs horizontal dimensions.
• For "Line Type", give us…4 votes -
Copy and paste formatting to text
Please add a very important abbreviation
It is paste formatting
(And copy the same text)
I suggest its shortcut is ctrl + shift + V
and
ctrl + shift + C copy shortcut
As in MS Word
It's an important shortcut and makes it much easier at work. Please let me know when it's activated4 votes -
Issue exporting PDF larger than 227 inches - compression ppi not at 100%
When exporting a large document in PDF/X-4 2008 for example, and the compression is set to 100 ppi, the image gets exported at 10 dpi instead, and has to be set at 1,000 ppi for the pdf actually read as 100 ppi. ( this happens with any number not just 100 dpi)
This whoever doesn't happen when exporting as Tiff, just when saving as .PDF
I have attached 2 set of screenshots when exporting at 100 dpi and 1,000 dpi and getting the results I was explaining.
4 votes -
Can we have nicer gradient when we use spot color to gradient?
Look like the tone was mixed with desaturated tone at the middle part when we use pantone / spot colour we created.
When we output to print, the desaturated tone is still visible.
Attached the screenshot for your reference. Thank you!4 votes -
Layer Tags, Virtual Layer Groups and Regex Search
I want to be able to keep layer names simple in projects with large numbers of layers, but I also want to be able to search for those layers in specific circumstances quickly and easily. To do this, I would like to be able to add "tags" to the layer properties (when you double click the layer), and then to have those tags searchable in the layer search.
Further, I often have to toggle between two layers amongst a longer group of layers at the same level, and right now I have to do a layer search for one, turn off those layers, then do another search and turn on the new layers. I would like to be able to use a REGEX search to be able to search for two terms at the same time.
Lastly, once tags are implemented, I would like to have a new tool where I can register a number of tags under a toggle, so that when I turn on/off the toggle, all layers with the tags assigned to the toggle are in turn toggled as a group. Call it a virtual layer if you will, or a layer group that doesn't require layers to be in the same branch.
I want to be able to keep layer names simple in projects with large numbers of layers, but I also want to be able to search for those layers in specific circumstances quickly and easily. To do this, I would like to be able to add "tags" to the layer properties (when you double click the layer), and then to have those tags searchable in the layer search.
Further, I often have to toggle between two layers amongst a longer group of layers at the same level, and right now I have to do a layer search for one, turn…
4 votes -
Trigger "view guides" when adding one from rulers
Hey everyone, this might be a little request coming from a silly designer, let me explain :
When I was using illustrator guides lately, I found something that bugged me out, I tried to drag a new guide from the "rulers" on the corner of the canvas, I placed it where I wanted to, and to my surprise it wasn't showing, then I quickly remembered the "show guides" option inside the "view" tab was on "hide".
Of course it displayed every guide that I previously dragged in when I switched it to "show", but speaking in UX terms, it should be ideal to trigger 'show guides' option whenever this one is the opposite whilst adding a new guide from the rulers like is shown on the pictures below, freshers in illustrator could get lost easily ! (Speaking from personal experience lol )
Best Regards,
Tamir - UX/UI Student
Hey everyone, this might be a little request coming from a silly designer, let me explain :
When I was using illustrator guides lately, I found something that bugged me out, I tried to drag a new guide from the "rulers" on the corner of the canvas, I placed it where I wanted to, and to my surprise it wasn't showing, then I quickly remembered the "show guides" option inside the "view" tab was on "hide".
Of course it displayed every guide that I previously dragged in when I switched it to "show", but speaking in UX terms, it should…
4 votes
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