4401 results found

1. Allow to hold Opt/Alt while using Lasso tool to toggle freeform / polygonal modes, like in Photoshop

   Make lasso tool like Photoshop so you can use the Option click with more detail.

   2 votes

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   3 comments  ·  Selection  ·  Delete…  ·  Admin →
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2. 斜線と直交する正円中心点の距離を寸法記入したい

   「真っ直ぐな斜線」と直交する「正円の中心点」の距離を寸法ツールで記入できないので、簡単に記入できる機能を追加して欲しいです。

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3. Print current artboard

   If my file has more than one artboard and I want to print the selected artboard, I have to press (shift + o) to see number of the artboard, then (Ctrl + P) then I have to write the number of the artboard I want to print.
   This actually so boring especially if my file work requires to print a lot.
   Please if you add an option to print dialog which is (print current artboard) that will help a lot.
   Thank you

   2 votes

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   1 comment  ·  Print  ·  Delete…  ·  Admin →
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4. 当拖入（粘贴）到illustrator的图片或对象大于默认画布尺寸

   当拖入或粘贴到illustrator的图片或对象大于默认画布尺寸时，应该以大尺寸画布显示，而不是现在的超出画布显示，当超出画布显示时，接下来的很多操作都无法完成；
   另外，还有一种情况，当导入PDF文件时，PDF尺寸大、页数多，也会提示“超出画布”，无法完成导入。

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   2 votes

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   0 comments  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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5. Magic Wand: Remember default values, restrict to active artboard, fine tune values, ...

   The magic wand seems to got old. It is missing so much functions.

   • Remember settings from previous sessions
   • Restrict selection to active artboards
   • Restrict selection to view

   • Restrict to main active layer

   • Add all the possibilities you can find under "select > same"

   • fine tune the values

   • explain the tolerance value (e.g. for fill colour)

   • add selections by tint, by hue, ...

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6. When pasting into photoshop, masked objects should be defined by / constrain mask size. Objects / pixels outside the mask should be ignored.

   When pasting a masked object from AI to Photoshop, the size of the object is determined by everything inside and outside of the mask. It should be determined by the size of the mask only. Photoshop interprets the clipboard size based on the entire object size rather than the masked size. The result is that the desired final cropped artwork is pasted pasted too small.

   I believe this is a bug or design error. I am pretty sure much (much!) older versions of AI didnt do this.
   I dont know of a scenario where the current action would be desirable. I work in packaging, web, illustration. print ads and have never once been thankful for the current action.

   When pasting a masked object from AI to Photoshop, the size of the object is determined by everything inside and outside of the mask. It should be determined by the size of the mask only. Photoshop interprets the clipboard size based on the entire object size rather than the masked size. The result is that the desired final cropped artwork is pasted pasted too small.

   I believe this is a bug or design error. I am pretty sure much (much!) older versions of AI didnt do this.
   I dont know of a scenario where the current action would be desirable.… more

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   5 comments  ·  Clipping, Intertwine  ·  Delete…  ·  Admin →
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7. Ability to backup fonts from Adobe Fonts locally

   Recommendations on where to download fonts that wont disappear? I have t-shirts I'm selling and cant find fonts I used so I have to change all the websites imp marketing on.

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   0 comments  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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8. Increase levels of smoothing for paintbrush or pencil

   To have control on stabilization of small form or

   4 votes

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   4 comments  ·  Strokes  ·  Delete…  ·  Admin →
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9. Ai形式でクイック書き出し　が機能しない。

   Ai形式でクイック書き出し　ボタンを押しても先に進めず、無反応。

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   2 comments  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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10. Variable Width point distribution advanced controls

    The standard distribution of the width points and number of width points needs a toggle to advanced controls where the width points can be locked to (or between specified) anchor points on the path.
    I hypothesize that this would fix the glitch where the movement, addition or subtraction of anchor points throws the width distribution out of wack.

    • Would also like to see more pronounced the location of all width points when the path is selected instead of fumbling along the path; perhaps secondary color to standard layer color.

    • Within the "Width Point Edit" dialogue, buttons to advance to next width point or previous.

    • Ability to lock/unlock the anchor point and width point, and if they are overlapping, add additional embellishment to the anchor point icon, like an outline for the addition of a width point or a diagonal strike if it is locked.

    • Numeric control over number of width points at start, perhaps some occasion to reduce number of width points later, especially if the path was created the old (current) way.

    • Curve control over ins and outs

    • And for complex bends maybe toggle a way to fill in the holes created by the overlaps in the generated boundary.

    • I surely missed some good suggestions in previously posted requests, the advanced control dialog would be a good place for that stuff too.

    Would love if this could transfer over to After Effects shape layers, or on mask paths convert this data to feathered mask points

    I love using the width point control to layout character storyboards, its good for adding the muscle contour between anchor points (joints). It could be faster than sketching, but it needs to be better, the shift and the unnecessary points that are added for reasons unknown to me are very frustrating, I've played with saving the width profiles to toggle between characters on the same pose, shows promise.

    The standard distribution of the width points and number of width points needs a toggle to advanced controls where the width points can be locked to (or between specified) anchor points on the path.
    I hypothesize that this would fix the glitch where the movement, addition or subtraction of anchor points throws the width distribution out of wack.

    • Would also like to see more pronounced the location of all width points when the path is selected instead of fumbling along the path; perhaps secondary color to standard layer color.

    • Within the "Width Point Edit" dialogue, buttons to advance… more

    3 votes

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11. Make Envelope Distort to ignore the clipped part of a clipping group

    I would like it to be possible to perform an envelope distort operation so that only what is in the clipping is taken into account in the calculation of object bending. At the moment, if I have, for example, objects (like circle) in a clipping rectangle and I use the "Make with Mesh" or "Make with Top Object" option to bend the whole thing to a different shape, the bend sizes are not only limited to the clipping but to all objects that are not visible and hidden under the clipping, causing it to be badly deformed. It would be wonderful if Envelope Distort would only bend what is visible in the clipping and not outside it. If something like this could be introduced it would have a hugely positive impact on the file preparation process for the whole company I work for (packaging).

    I would like it to be possible to perform an envelope distort operation so that only what is in the clipping is taken into account in the calculation of object bending. At the moment, if I have, for example, objects (like circle) in a clipping rectangle and I use the "Make with Mesh" or "Make with Top Object" option to bend the whole thing to a different shape, the bend sizes are not only limited to the clipping but to all objects that are not visible and hidden under the clipping, causing it to be badly deformed. It would be… more

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    5 votes

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    1 comment  ·  Meshes, Distortion  ·  Delete…  ·  Admin →
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12. Faciliter les masques d'écrêtage sur des formes complexes

    J'ai réussi une seule fois à le faire et depuis impossible, j'ai passé plusieurs heures mais je n'arrive pas à comprende où est le blocage. Cela devrait être simple et facile car c'est une manipulation facile via pathfinder ou le tracé transparent.
    EN bleu version test réussi et en orange les crash tests. Si vous pouvez m'aider, merci d'avance !

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    1 vote

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    9 comments  ·  Clipping, Intertwine  ·  Delete…  ·  Admin →
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13. Allow to set custom default layer colors, with options

    In 2017 we asked to allow to customize colors for layers, so that edges drawn for object didn’t burn our eyes out: http://illustrator.uservoice.com/forums/333657/suggestions/31535431

    In 2020 Illustrator team removed yellow color from the default 5th color for new layers, shifting the order, but never did anything with cyan, gray, black...

    We need an ability to set up our own order for these colors.

    We need to be able to store these as presets, so we can switch these.

    We need a way to make a certain order preferred in a template or a document profile.

    We need an ability to remap current colors for layers to any other chosen preset order, top deal with imported files.

    We need an ability to lock a certain color as a constant default ones, for those who need a single edge color, but many layers.

    We need a way to ask Illustrator to automatically pick a color based on the layer’s content, to contrast nicely with the art within.

    We need a dynamic 'difference' color, so that an edge could pop no matter the content (except for grays, sadly).

    We need an ability to pick these color no only using ugly OS picker, but our own swatches.

    In 2017 we asked to allow to customize colors for layers, so that edges drawn for object didn’t burn our eyes out: http://illustrator.uservoice.com/forums/333657/suggestions/31535431

    In 2020 Illustrator team removed yellow color from the default 5th color for new layers, shifting the order, but never did anything with cyan, gray, black...

    We need an ability to set up our own order for these colors.

    We need to be able to store these as presets, so we can switch these.

    We need a way to make a certain order preferred in a template or a document profile.

    We need an ability to remap… more

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    29 votes

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    8 comments  ·  Layers  ·  Delete…  ·  Admin →
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14. Please make Illustrator's text compatible with After Effects, just like Photoshop

    Please make Illustrator's text compatible with After Effects, just like Photoshop. It is so basic, why do I have do BUY Overlord for a such basic task?

    2 votes

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    0 comments  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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15. Symbol visibility in Bridge

    What about having Bridge to manage Symbols? Edit parameters, meta data and other things that could be good for such a feature.

    2 votes

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    0 comments  ·  Symbols  ·  Delete…  ·  Admin →
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16. Allow appearances to apply to linked files

    Linked documents (i.e. other .ai files) can't have their appearance modified.

    I.e. if I have a vector design.ai, I can place it in another .ai document however no stroke or fill options actually apply to the file.

    This makes scenarios where you have to invert the vector design.ai difficult without custom SVG filters to help try influence the linked document.

    1 vote

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    4 comments  ·  Images, Links  ·  Delete…  ·  Admin →
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17. App moves entirely slow
    1 vote

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    0 comments  ·  Performance, Enhancements  ·  Delete…  ·  Admin →
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18. New Tool Suggestion: Color Harmony Tool

    Dear Adobe Team,

    I hope this message finds you well. I'm writing to propose the development of a new Color Harmony Tool for Adobe Illustrator. As a designer who frequently uses Illustrator for creating artwork, I believe such a tool would greatly enhance the creative process by facilitating better color combinations and harmonies.

    Problem: Illustrators and designers often face challenges in selecting and maintaining color harmonies within Adobe Illustrator. While the existing color tools are robust, they could benefit from integrated features specifically tailored for creating and managing color harmonies.

    Proposed Solution: Introduce a dedicated Color Harmony Tool that offers:

    Predefined Color Schemes: Access to classic color harmony rules such as complementary, triadic, analogous, and more.
    Customizable Harmonies: Ability to create and save custom color palettes based on user-defined harmony rules.
    Real-time Preview: Instant visualization of how selected colors interact within the artwork.

    Benefits:

    Enhanced Creativity: Facilitates exploration and application of harmonious color schemes, fostering more aesthetically pleasing designs.
    Improved Efficiency: Streamlines the color selection process with intuitive tools that save time and effort.
    Consistency: Helps maintain color consistency across projects and ensures cohesive design outcomes.

    Implementation Details:

    The tool could be integrated into Illustrator's Color panel or as a standalone feature, accessible from the toolbar.
    Compatibility with Illustrator's existing color management tools to ensure seamless integration and user familiarity.

    Conclusion: By incorporating a Color Harmony Tool into Adobe Illustrator, you would provide designers with a powerful resource for creating visually compelling artwork while enhancing workflow efficiency.

    Thank you for considering this proposal. I believe this tool would greatly benefit Illustrator users and contribute to Adobe's continued leadership in creative software innovation.

    Best regards,

    Christian Mulcahy

    Dear Adobe Team,

    I hope this message finds you well. I'm writing to propose the development of a new Color Harmony Tool for Adobe Illustrator. As a designer who frequently uses Illustrator for creating artwork, I believe such a tool would greatly enhance the creative process by facilitating better color combinations and harmonies.

    Problem: Illustrators and designers often face challenges in selecting and maintaining color harmonies within Adobe Illustrator. While the existing color tools are robust, they could benefit from integrated features specifically tailored for creating and managing color harmonies.

    Proposed Solution: Introduce a dedicated Color Harmony Tool that offers:

    … more

    3 votes

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    2 comments  ·  Tools  ·  Delete…  ·  Admin →
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19. Batch Generation on Gen Ai (text-to-vector) Features

    Do you know something that would be cool?
    Some script only for testing purposes, or maybe this could be a feature.

    The script could generate all the 5 levels of Detail of Text-to-Vector
    (and/or all levels of any feature that have or will have intensity control)

    I mean generating 5 copies, each one with the one of the 5 levels of the detail. and keep the other settings as the same for all the generations.
    (the same for other gen ai features)

    I do this manually, but I will be very happy with a feature that does this for me.
    I know this will spend a lot of credits. But we can compare faster, instead do it manually.
    What do you think people? Is this possible?

    I know that I will use it.

    Do you know something that would be cool?
    Some script only for testing purposes, or maybe this could be a feature.

    The script could generate all the 5 levels of Detail of Text-to-Vector
    (and/or all levels of any feature that have or will have intensity control)

    I mean generating 5 copies, each one with the one of the 5 levels of the detail. and keep the other settings as the same for all the generations.
    (the same for other gen ai features)

    I do this manually, but I will be very happy with a feature that does this for me.… more

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    3 votes

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20. Please support Hebrew language

    Hi
    I’m using illustrator for first time and learning it in university and I noticed that it not supports on Hebrew language
    That’s make problems when I’m trying to write in Hebrew
    And because of it I need to buy computer … that’s why I think they u need to do Hebrew language support on the illustrator fonts and so…

    If it not support the language going backwards and not as she should .

    1 vote

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