4714 results found

1. Allow other units of measurement for “Tolerance” and “Snap to Point” settings (Selection & Anchor Display)

   For the “Tolerance” and “Snap to Point” settings in “Illustrator > Settings… > Selection & Anchor Display… > Selection,” it would be very helpful if other units of measurement, with a specific request for millimeters (mm), could be specified. Currently, the only option is a integer “px” (pixel) value, which is not precise enough for some of the high-precision work that our teams perform.

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   4 comments  ·  Selection  ·  Delete…  ·  Admin →
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2. Simplifying Object Size Adjustments

   Please make it easier (again) to change the size of objects. I'm not sure whether it's a bug in the new version or a new "feature," but it would be much easier if I could just click on an object and then click and pull on the edge to change its height or width.

   I mean, yes, it's possible to use the direct selection tool and select the corners to change it, but as soon as this object (for example, a square) is slightly rotated, it's hard to keep the object straight while changing its "height" (it's not really the height anymore if the object is rotated, but I don't know how else to describe it).

   It's a pretty standard function every program has it, I believe even Photoshop does. Would be very cool if it could become easier

   Please make it easier (again) to change the size of objects. I'm not sure whether it's a bug in the new version or a new "feature," but it would be much easier if I could just click on an object and then click and pull on the edge to change its height or width.

   I mean, yes, it's possible to use the direct selection tool and select the corners to change it, but as soon as this object (for example, a square) is slightly rotated, it's hard to keep the object straight while changing its "height" (it's not really the… more

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3. Rotation of Subset of Shape Anchor Points via Direct Select

   Once you select multiple anchors on a path (but not all of them) you should be able to rotate only those anchors. Currently it's possible to move the anchors but not rotate them.
   Ex: You have a path creating a shape of a full body silhouette of a person with the face in profile. The face is looking straight left. You want to adjust the face to be looking more upward. Select the anchors that make up the head then new feature rotate those anchors so the head is tilted upward. Bonus Once you're in the rotate interface, have the ability to place a rotation anchor point around which the selected path anchors rotate.

   Once you select multiple anchors on a path (but not all of them) you should be able to rotate only those anchors. Currently it's possible to move the anchors but not rotate them.
   Ex: You have a path creating a shape of a full body silhouette of a person with the face in profile. The face is looking straight left. You want to adjust the face to be looking more upward. Select the anchors that make up the head then new feature rotate those anchors so the head is tilted upward. Bonus Once you're in the rotate interface, have the… more

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4. Gradient Tools Lack Customizability

   For a $20/month program, it's really frustrating that I've tested it's limited capabilities multiple times.
   1. Radial gradient: Should have the option to be deformed to shape. For instance, if I wanted a butterfly shaped radial gradient, the radial gradient should be able to act more like a proportional subdivision. Otherwise, the closes thing there is to what I'm looking for is the Gradient mesh because..

   1. Gradient Mesh: The Gradient Mesh has a severe lack of customizability. Everytime I use that tool for any complex shape, I always get a jumbled mess of lines and subdivisions that are overlapping and completely chaotic. We should have the option to adjust the anchor points of the mesh, but that's impossible without warping the vector shape. The tool is a nightmare to work with and practically impossible to get the results I'm looking for. You should have the option to start with a simple perpendicular grid and freely adjust the curves and anchor points without altering the vector shape. If you're not going to allow for this simple capability then don't bother having the gradient mesh at all.

   2. Free form gradient: The other alternative to a gradient mesh would be free form gradient. While this tool is definitely a lot better and more customizable than the gradient mesh, it's not without it's frustrating parts For one, it only ever allows you to draw curves. You can't do straight lines. between 3 points on the same line and there doesn't appear to be a hot key to allow for that capability. And simply using dots without lines turns the dots into radial gradients instead of a linear gradient when the points are connected by lines and you don't get the same effect. The tool is also incredibly tedious to use. Anytime I accidentally click a hotkey like Ctrl I for eyedropper it kicks me out of the tool, or I'll accidentally click an extra gradient dot instead of clicking on one that was already placed.

   3. Linear Gradients: This tool is great, but just like with what I talked about in regards to a radial gradient tool, this tool has it's frustrating limits. For one, the gradient it produces is not at all constrained by the bounding box of the vector and it's impossible to accurately reflect the gradient of a shape with this tool. There should be an option to have the linear gradient warped to accurately reflect the shape. For instance, if I have a trapezoid with a base that is much larger than the top, I want the proportions of the gradient to be proportionate the length of the top side and the bottom side, that way it actually reflects how lighting on that object should be.

   4. Multiple Linear functions: Still in regards to the linear tool, I really wish there was the ability to have multiple linear gradients affecting the same vector shape. This would be useful in examples like buildings. Imagine you're looking down the road through a city. Buildings farther from your view are going to appear brighter or darker than the buildings closer to your vision. (That would be one gradient). But than the tops of the buildings are also, more than likely, going to appear brighter than the bottom of the buildings because it's closer to the sky. In cases like these, it is extremely practical to have linear gradients overlapping.
      Another thing in regards to linear tools is the ability to transfer the same gradient to other objects. For example, to keep with the building example, the sun is setting on the horizon of the city and you see the reflections of the sun's light on the windows. The windows closer to the sun will have a brighter reflection than the windows closer to your view. But because all the windows are parallel to each other and are effected by the sun's reflections the same way, you should be able to draw a linear gradient from Point A to Point B and transfer those exact enpoints and slider coordinates to all the windows. I've been able to use the eyedropper tool to copy the colors in the gradient, but most of the time the length and location of the gradient line tool resets and I would have to manually manipulate the gradient lines to match for every single window and that's just plain time consuming and tedious not to mention it would not be a perfect continuity when it comes to accurately reflecting the window reflections.

   When it comes to these additional features, I'm not asking you to completely get rid of the features that already exist as those are still useful applications, but all I'm asking is for all these tools to be customizable and as integral as possible. These numerous incapabilities is frustrating and stunts my creative process enough that I wish I could get a job at Adobe just to have these features added.
   Thank you!

   For a $20/month program, it's really frustrating that I've tested it's limited capabilities multiple times.
   1. Radial gradient: Should have the option to be deformed to shape. For instance, if I wanted a butterfly shaped radial gradient, the radial gradient should be able to act more like a proportional subdivision. Otherwise, the closes thing there is to what I'm looking for is the Gradient mesh because..

   1. Gradient Mesh: The Gradient Mesh has a severe lack of customizability. Everytime I use that tool for any complex shape, I always get a jumbled mess of lines and subdivisions that are overlapping and… more

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   2 comments  ·  Gradients  ·  Delete…  ·  Admin →
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5. Add color to toolbar icons.

   The new 'Objects on a Path' tool has brought color to the toolbar. It now stands out a lot.

   I have a bunch of plugins that add tools to the toolbar, and have a bunch of cryptic monochromatic icons. Perhaps it is time for both Adobe and plugin developers to bring some color to the toolbar so we have one more thing to help us remember which extremely specialized tool we use once in a blue moon is which?

   (This also may require a switch in the prefs to revert to largely monochromatic icons for people who are colorblind and/or just hate change.)

   The new 'Objects on a Path' tool has brought color to the toolbar. It now stands out a lot.

   I have a bunch of plugins that add tools to the toolbar, and have a bunch of cryptic monochromatic icons. Perhaps it is time for both Adobe and plugin developers to bring some color to the toolbar so we have one more thing to help us remember which extremely specialized tool we use once in a blue moon is which?

   (This also may require a switch in the prefs to revert to largely monochromatic icons for people who are colorblind and/or… more

   3 votes

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   1 comment  ·  User Interface  ·  Delete…  ·  Admin →
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6. Double-click with Direct Selection to enter Isolation mode.

   You can only enter Isolation mode by double-clicking with the Selection tool. Why doesn't the Direct Selection tool work for this? Or the Group Selection tool, for that matter? Was there ever even an explicit design decision made that only the Selection tool should be able to do this?

   I do the vast majority of my selecting with the Direct Selection tool, and about 50% of the time when I want to isolate something I just try double-clicking on it with the arrow-shaped tool I'm currently using, and grumble because it doesn't work, and hit the hotkey for the unloved Selection tool and double-click and do whatever I wanted to do.

   You can only enter Isolation mode by double-clicking with the Selection tool. Why doesn't the Direct Selection tool work for this? Or the Group Selection tool, for that matter? Was there ever even an explicit design decision made that only the Selection tool should be able to do this?

   I do the vast majority of my selecting with the Direct Selection tool, and about 50% of the time when I want to isolate something I just try double-clicking on it with the arrow-shaped tool I'm currently using, and grumble because it doesn't work, and hit the hotkey for the unloved… more

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   1 comment  ·  Isolation  ·  Delete…  ·  Admin →
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7. Allow more modeling options for 3D extrusions

   Give us more extrusion options. It's crazy that you can make a cylinder, but no possible way to make cuts through. I have attached examples to where I made the type of structure I'd need in Blender. In AI you can create a cylinder but no way to make holes through the structure. You can do this with an extruded rectangle but not cylindrical objects.

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   1 comment  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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8. Display color values for named swatches when hovering

   Illustrator automatically names swatches by their color values and displays these names when we hover over swatches in panels.
   But if we rename a swatch, Illustrator displays just the name, but not the color formula.
   InDesign does the opposite — always shows the color values when we hover, but not the name.

   I’d like to see both. Yes, I know that for the automatically named swatches it’d mean both the name made of values will be displayed along with the actual values... but you can solve it with the InDesign’s 'Name with Color Value' option for swatches.

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   0 comments  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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9. Make it possible to select objects using a path.

   It would be very useful to be able select individual objects in a document using a path which touches each of those objects or lies entirely within the path, or both, with each option being selectable by the user.

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   2 comments  ·  Selection  ·  Delete…  ·  Admin →
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10. Bigger variety of basic finishes for 3D materials: high gloss, matte, shiny metallic, matte, etc.

    Would be great to have better material adjustment tools — the 'metallic' slider doesn't really do very much except make the colour dull, would love to make it super vibrant metallic finish. A lot of the materials in Substance don't allow colour editing or more than one colour so this makes it really limited. Would love to achieve a bigger variety of basic finishes e.g. high gloss, matte, shiny metallic or matte.

    Would also love to have more extrusion options, it's crazy that you can make a cylinder but no possible way to make cuts through. I don't want to have to move to Blender for structures.

    Would be great to have better material adjustment tools — the 'metallic' slider doesn't really do very much except make the colour dull, would love to make it super vibrant metallic finish. A lot of the materials in Substance don't allow colour editing or more than one colour so this makes it really limited. Would love to achieve a bigger variety of basic finishes e.g. high gloss, matte, shiny metallic or matte.

    Would also love to have more extrusion options, it's crazy that you can make a cylinder but no possible way to make cuts through. I don't want to… more

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11. 放射状のハーフトーン生成

    次のアドレスで見られる画像のような放射状のハーフトーン生成を希望します。
    https://stock.adobe.com/jp/images/vector-radial-gradient-halftone-sunburst-circle-shape-stippling-design-elements/98278594

    放射状のグラデーションを放射状のハーフトーンに変換したいです。

    1 vote

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    3 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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12. Allow to exclude handles from being snapped to grid

    I remember it being a bug, when handles were not snapping to grid... but sometimes it’s actually useful! Currently we have to undo, disable the grid, and tweak the handle.
    There should either be a hard option we can toggle (preferably with an ability to assign it to a hotkey), or a hotkey to toggle this behavior on the fly, the one we can tap while dragging and disable snapping for this operation only... or both!

    Please take a look at this related request as well:
    Introduce a tolerance for Snap to Grid / Pixel, so that snapping happens only when points are close enough to grid intersections
    https://illustrator.uservoice.com/forums/333657/suggestions/49616738
    This should also apply to handles, of course.

    I remember it being a bug, when handles were not snapping to grid... but sometimes it’s actually useful! Currently we have to undo, disable the grid, and tweak the handle.
    There should either be a hard option we can toggle (preferably with an ability to assign it to a hotkey), or a hotkey to toggle this behavior on the fly, the one we can tap while dragging and disable snapping for this operation only... or both!

    Please take a look at this related request as well:
    Introduce a tolerance for Snap to Grid / Pixel, so that snapping happens only… more

    5 votes

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13. Introduce a tolerance for Snap to Grid / Pixel, so that snapping happens only when points are close enough to grid intersections

    When Snap to Grid is enabled, the snapping is hard — a dragged point is always constrained to the grid intersections. While sometimes it’s handy, at other times is just too rigid, especially if you zoom in and try to make tiny adjustments. Paired with the fact we can’t toggle snapping temporarily on the fly, this makes it into 'try, curse, undo, disable, try again' routine. Same applies to Snap to Pixel.

    Compare how Affinity Designer handles it (the turquoise GIF) with the way Ai uses (the orange GIF).

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    1 comment  ·  Snapping  ·  Delete…  ·  Admin →
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14. Disable geometry size limit for corner widgets

    It seems like there is a hard limit on the object size for corner widgets.
    Take a look at the GIF:
    when my shape is 1.42 px tall — I can see the widgets,
    but if I make it 1.41 px — widgets vanish... and it doesn’t matter if I zoom in, they won’t appear!
    It makes it very inconvenient when designing pixel art, icons, small things... This should be screen-based, not geometry-capped!

    While you are here, take a look at the related request:
    Make the corner widgets automatically disappear in small objects
    http://illustrator.uservoice.com/forums/333657/suggestions/43661631

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    0 comments  ·  Tools  ·  Edit…  ·  Delete…  ·  Admin →
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15. No puedo cambiar el tamaño de los objetos

    Desde hace unos meses que no he sido capaz de volver a utilizar illustrator porque NO ME DEJA CAMBIAR EL TAMAÑO DE LOS OBJETOS/ELEMENTOS. Esto quiere decir que para mi caso, la palicación se ha vuelto inútil. Supongo yo que es un bug de mi programa pero inlcuso desinstalando y volviendo a instalar. No funciona. Esto es muy frustrante y he tenido que migrar a otras aplicaciones de diseño, y francamente lo odio. Alguien me puede ayudar por Dios??? Eso es DESESPERANTE.

    Video:

    loom.com/share/eb4fdda79c214dd2949228ba34392244

    Comparto video grabado por si no ven el de loom

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    2 votes

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    0 comments  ·  Tools  ·  Delete…  ·  Admin →
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    Completed (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    You’ve accidentally turned off the bounding box it seems, probably with the Ctrl+Shift+B hotkey. Press it again to enable it back or use the menu command for this: View > Show Bounding Box.

    Please comment back if it fixes this for you.

16. Allow to set text format for CMYK values and other data in Swatch Info objects

    The data for CMYK values in cards inside of Swatch Info is formatted with commas.
    I’d like to have the ability to customize it: spaces, hyphens, as C100 M50 Y0 K0, etc.

    3 votes

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    0 comments  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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17. Allow to use custom user templates for Swatch Info objects

    Swatch Info is OK (if completed!), but there is not enough customization currently.
    Take a look what an awesome ColorList script by Katja Bjerrum offers: https://productivista.com/make-a-list-of-colors-from-your-selection/ — we can set our own shapes before making a color legend.
    We could have done it semi-automatically after creating a Swatch Info, with Global Edit, to replace all chips with a custom shape... but for some reason these rectangles are immune to Global Edit (as it often happens, new features get loosely integrated with existing functions...)

    This actually also includes text parameters, but perhaps it’s a separate request... Sure, the font is the one defined by the [Normal Paragraph style], but text formatting is not only the font family...

    Swatch Info is OK (if completed!), but there is not enough customization currently.
    Take a look what an awesome ColorList script by Katja Bjerrum offers: https://productivista.com/make-a-list-of-colors-from-your-selection/ — we can set our own shapes before making a color legend.
    We could have done it semi-automatically after creating a Swatch Info, with Global Edit, to replace all chips with a custom shape... but for some reason these rectangles are immune to Global Edit (as it often happens, new features get loosely integrated with existing functions...)

    This actually also includes text parameters, but perhaps it’s a separate request... Sure, the font is the… more

    3 votes

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18. Layout for Swatch Info should allow to set grid, not only a row or a column

    Creation dialog for Swatch Info object currently allows to choose between having it as a row or a column... great, when you have 5. Not great if there are 20 — it’s either a stupid long row, or a stupid tall column.
    Add another value there to wrap these, to form a grid!
    Make sure you also allow to set the layout order properly, like the Rearrange All Artboards dialog uses (RTL is a thing).

    7 votes

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    1 comment  ·  User Interface  ·  Delete…  ·  Admin →
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19. Allow to quickly enable or disable all Text Options for cards in Swatch Info objects

    Text cards for Swatch Info objects can have a lot of items displayed.
    I found that I either need all of these or none often. The only way to choose between these two major modes is to patiently toggle each one manually.
    ...meanwhile in Asset Export we can easily choose to use All or No Artboards with dedicated buttons. Perhaps there should be a way to do the same thing here?
    It should be allowed both when creating and when editing a Swatch Info object.

    3 votes

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20. Allow to actually drag-n-drop swatches on canvas to create a Swatch Info object

    Von Glitschka originally requested this here — http://illustrator.uservoice.com/forums/333657/suggestions/40192993 — but instead we got a buried menu command we can’t assign to a hotkey (here’s a request about this: http://illustrator.uservoice.com/forums/333657/suggestions/49612313)

    Please allow to create these with the actual drag-n-drop!
    Make it so we can hold a modifier key while doing this to have a dialog (and do it silently by default instead).
    Allow to add dragged swatches into the existing Swatch Info objects, highlight the exact positions these are going to be added, on canvas.

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    1 comment  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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