4804 results found

1. [UXP, ExtendScript] API access to Link Info

   Idea: to provide simple script API access to placed image information as displayed in the Link Info section of the Links Panel. Especially pixel dimensions, PPI, scale and rotation. Currently there are no simple ways to get this information via script.

   Note: if too late for ExtendScript, please consider this while implementing UXP.

   I posted this here because this information is something I have wanted for my own scripts, and we get quite a few questions about this on the user forum, too, so it seems like a considerable lack at the moment.

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   0 comments  ·  SDK and Scripting  ·  Delete…  ·  Admin →
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2. As introduced in Photoshop the Warp option for Cylinder should be in illustrator

   It will be much easier to use the warp on a cylinder in vector art, it was introduced in Photoshop. If I’m working on a design in Adobe illustrator and want to warp some text or a label on a bottle
   why not stay in vector art, instead of using photoshop?

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   1 comment  ·  Other...  ·  Delete…  ·  Admin →
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   AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

   There is a way to do the same exact distortion in Illustrator, using a free MeshTormentor plugin (please see the full instruction in the comments).

   However, an easier native way to do it is still welcome (as the general improvements over mesh distortion capabilities) — so please keep voting for this if you want it to happen.

3. Add performance scripting options

   Currently the options to increase scripting performance are limited. Please add ...
   - the ability to process documents without openingen them visually. The documents should remain hidden during processing
   - an option to disable screen redraw
   - an option to minimize the application window

   These scripting options would be useful ...

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   0 comments  ·  SDK and Scripting  ·  Delete…  ·  Admin →
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4. Mesh tool hold and drag

   When we click a shape with the Mesh tool, a node gets immediately applied to the shape/mesh, a new row and a column get instantly inserted. If I keep holding the mouse button / pen, it won’t help me anymore to position my node precisely. So the insertion should not happen immediately on a mouse click, but on a mouse release, drawing all the possible results while the button / pen is held down.

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   0 comments  ·  Meshes, Distortion, Mockup  ·  Delete…  ·  Admin →
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5. A brush that places elements on anchors

   I would like a brush that places its elements along the path but rather than just distributing the elements or scattering them, it places the elements exactly on the anchors of the path. It should not distort the elements.
   It would be great if it could have individual elements for the endpoints and for the inner points. More control would be possible if it could allow separate elements for corner points and for smooth points. That way objects could be placed along a path precisely.

   Use case: maps, metro lines maps infographics

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   3 comments  ·  Brushes  ·  Delete…  ·  Admin →
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6. Add a new API to delete the swatch

   There is a problem with global gradient swatches, described at https://illustrator.uservoice.com/forums/908050/suggestions/44461230

   Illustrator applies changes to all copies of a gradient in a document when this gradient is changed via a script. It makes sense from a practical point of view, but is devastating for scripts in general.

   We can’t duplicate gradients with a script properly, like we can do with any other swatch, because when it's done, the gradient swatch get forcibly added to Swatches and then corrupt the art which uses them when deleted... and it does not break this global link anyway.

   At the moment we copy a gradient into the swatch, it will be associated with the first object. If we repaint the swatch to use it for another object, the first object will change its fill momentarily. Just like the video from the issue above shows — https://illustrator.uservoice.com/assets/235626175/linked-gradients-bug.mp4

   So we 'instance' gradients instead of 'duplicating' them.
   Creating a new gradient via script also creates a new swatch. Deleting either the new gradient or the new swatch also deletes the other. If the need is to get rid of the swatch but not the gradient, that doesn’t look to be possible via with the current APIs. Perhaps we need a new API to delete just the swatch and not the associated global (gradient, pattern etc.).

   Having this will allow us to keep gradient changes on one object from affecting other objects. To duplicate, a new gradient will be created and a copy of all gradient properties (type, number of stops, stops) will be performed, via existing app.activeDocument.gradients.add()
   Then we will be able to delete the swatch with a new API without crashing Illustrator.

   There is a problem with global gradient swatches, described at https://illustrator.uservoice.com/forums/908050/suggestions/44461230

   Illustrator applies changes to all copies of a gradient in a document when this gradient is changed via a script. It makes sense from a practical point of view, but is devastating for scripts in general.

   We can’t duplicate gradients with a script properly, like we can do with any other swatch, because when it's done, the gradient swatch get forcibly added to Swatches and then corrupt the art which uses them when deleted... and it does not break this global link anyway.

   At the moment we copy a… more

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   0 comments  ·  SDK and Scripting  ·  Delete…  ·  Admin →
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7. Allow clipping paths to have complex appearances.

   Currently, a clipping path can only have one stroke, one fill, no effects, no brushes, no multiple fills/strokes. Well, it can have all the fills, strokes, effects, and other stuff your heart desires, but only one fill and one stroke will be displayed.

   I would really like this to change. I use a lot of complex appearance stacks and working around this makes things complicated.

   To make this play nicely with existing art, there probably needs to be a switch somewhere for backwards compatibility with existing art that may have a lot of complex appearances on clipping masks.

   There also probably needs to be some support for deciding exactly where the masked art goes with regards to multiple fills. Probably by putting the usual "Contents" entry into the Appearance panel for clipping paths.

   I don't have a feeling right now on how bitmap effects should alter a clipping path's actual clipping area, but I do feel like vector effects applied to the entire path, whether above all the fills/strokes, or below them, should alter the clipping area.

   Currently, a clipping path can only have one stroke, one fill, no effects, no brushes, no multiple fills/strokes. Well, it can have all the fills, strokes, effects, and other stuff your heart desires, but only one fill and one stroke will be displayed.

   I would really like this to change. I use a lot of complex appearance stacks and working around this makes things complicated.

   To make this play nicely with existing art, there probably needs to be a switch somewhere for backwards compatibility with existing art that may have a lot of complex appearances on clipping masks.

   There also… more

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   5 comments  ·  Clipping, Intertwine  ·  Delete…  ·  Admin →
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8. Image Trace Default black and white preset is grayscale after expanding

   When you Image Trace, using the default black and white tracing preset and expand - the black and white are grayscale. When you double click the fill in the toolbar to choose a new color for the black or white, the resulting color is a shade of gray. Then, you have to go to the Color panel and change the sliders to a different color model to be able to see the color you chose. It would be easier if the black and white were aligned with the document color mode, RGB or CMYK instead. You don't encounter this issue if you apply color from a saved swatch, only when using the color picker.

   When you Image Trace, using the default black and white tracing preset and expand - the black and white are grayscale. When you double click the fill in the toolbar to choose a new color for the black or white, the resulting color is a shade of gray. Then, you have to go to the Color panel and change the sliders to a different color model to be able to see the color you chose. It would be easier if the black and white were aligned with the document color mode, RGB or CMYK instead. You don't encounter this issue… more

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   0 comments  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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9. Save Individual PDF's in CMYK from Artboards

   We are able to save the artboards using the "Export for Screens" function, but they export in RGB, even when using a CMYK file.
   It would be great to have an option, whether in the "Save As" window, to be able to save artboards as individual PDF's, with the artboard names, or something similar to "Export for Screens", but for CMYK files.

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   5 comments  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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   Resolved (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

   No longer a problem, the chosen color mode stays when PDFs get exported. Please comment back if this is still a problem for you with a latest release.

10. Please re-add 3D mapping with Symbols to new 3D functionality

    Please re-add 3D mapping with Symbols to the new 3D functionality.
    
    I know it's included in the "3D (Classic)" Effects menu, but it needs to be added to the new 3D functionality. Calling it "Classic" means Adobe is going to abandon it (for something worse). I use 3D mapping with Symbols ALL THE TIME. PLEASE add it back.
    
    Thank you!

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    4 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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    Done (Available in Beta)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    Mapping is now available in Beta. There are some known issues with it, but even more unknown ones, so the team encourages you to try it and write back about your experience with it, to help to make it better.

11. Toggle Off Large Canvas Scaling when Saving as PDF

    Any artboards created larger than 227 x 227 inches are changed to a large canvas setting, which adds a scale factor to the canvas. So Illustrator will say a document that is 300 x 300 is actually 30 x 30 and just scaled by 1/10 of the size. This setting causes issues with my printer software where it reads it as a 30 x 30 and not the true size, it is disregarding the scale factor. I have to take these files and chop them up into smaller panels to print them. When I chop them up it is still keeping that scale factor on the canvas when saving them as pdf, even if the canvas size is smaller than 227 x 227. The only work around I found is to take the large canvas and chop everything up in there then copy and paste it into a completely new document at the smaller panel size as a normal canvas setting and not the large canvas setting. I want the ability to toggle off the scaling feature when saving as a PDF so that when I go to print them on my printer it doesn't read the scaling incorrectly and just reads the actual canvas size. I feel like it could be added in the PDF save settings as a checkbox saying something like "Disregard Large Canvas Scaling" or something.

    Also I want the ability to easily tell if something has been created in the large canvas setting, currently there isn't an easy way to tell if it has been created. Sometimes designers send me something that is less than 227 x 227 so I think it is a normal canvas and when I go to print I find out it was designed as a large canvas and then sized down so it still has a scaling factor put on the artwork.

    Any artboards created larger than 227 x 227 inches are changed to a large canvas setting, which adds a scale factor to the canvas. So Illustrator will say a document that is 300 x 300 is actually 30 x 30 and just scaled by 1/10 of the size. This setting causes issues with my printer software where it reads it as a 30 x 30 and not the true size, it is disregarding the scale factor. I have to take these files and chop them up into smaller panels to print them. When I chop them up it is still… more

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    5 comments  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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12. A Dashed Line tool

    I have seen a few plugins (Nudge, WidthScribe) do things with dashes that suggest there is room for a lot more dashes on a stroke than the three repeating dash/gap entries the Stroke panel lets me create.

    I would like an interactive, on-canvas tool that lets me drag dashes, gaps, and their endpoints around on a selected path. Being able to create and delete dashes/gaps would be nice, too.

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    1 comment  ·  Strokes  ·  Delete…  ·  Admin →
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13. Selection and zoom marquees should be able to be displayed orthogonally when a view is rotated

    When dragging out a selection marquee on a rotated canvas with either of the Selection tools, the marquee is drawn aligned to the canvas instead of the screen.

    The actual selection seems to be done in screen space - see the two attached screenshots, where my marquee was dragged from the lower left point of the marquee to the upper right, resulting in a displayed marquee that would select the sketch of hair above the eye, and an actual selection that only contains parts of the paths in the eye.

    The expected behavior would be that the marquee was drawn aligned to the screen, rather than to the canvas, and that the selection is also performed on a box aligned to the screen rather than to the canvas.

    When dragging out a selection marquee on a rotated canvas with either of the Selection tools, the marquee is drawn aligned to the canvas instead of the screen.

    The actual selection seems to be done in screen space - see the two attached screenshots, where my marquee was dragged from the lower left point of the marquee to the upper right, resulting in a displayed marquee that would select the sketch of hair above the eye, and an actual selection that only contains parts of the paths in the eye.

    The expected behavior would be that the marquee was drawn… more

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    6 comments  ·  Tools  ·  Delete…  ·  Admin →
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14. Preserve Names When Adding Color to Swatches From Library

    If you add a color to Swatches from a Library, the name of the color is lost and defaults to the RGB or CMYK values. It would be nice if those names were preserved.

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    2 comments  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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15. Renaming Layer Shortcut Keys!

    Hello there Illustrator Devs!.

    I just wanted to ask about a very simple feature but until today it hasn't been added to the Illustrator App

    can you add a shortcut to rename a layer?. it is important for motion graphic artists to rename all the layers so it will be clear which layer for each object in after effects.

    double-clicking is ok but it seems to be more efficient if I can bind some hotkeys to rename layers because using hotkeys or shortcuts just requires one hand only rather than using a mouse.

    I will appreciate it if you consider my suggestion for the next update. Thank you very much!.

    Hello there Illustrator Devs!.

    I just wanted to ask about a very simple feature but until today it hasn't been added to the Illustrator App

    can you add a shortcut to rename a layer?. it is important for motion graphic artists to rename all the layers so it will be clear which layer for each object in after effects.

    double-clicking is ok but it seems to be more efficient if I can bind some hotkeys to rename layers because using hotkeys or shortcuts just requires one hand only rather than using a mouse.

    I will appreciate it if you consider… more

    8 votes

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    3 comments  ·  User Interface  ·  Delete…  ·  Admin →
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16. Export Selected Artboards

    Instead of having to note all the artboard ID numbers, it would be nice to select the artboards needed (with Artboard Tool on canvas or in panel) then Export Selected for Screens, or Export As, to have these selected arboards automatically chosen.

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    2 comments  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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17. The ability to create individual strokes for portions of a single path

    Would Love to be able to select path segments with the Direct Select tool and apply, line weight and color assignments to that segment only — WITHOUT cutting the path into myriad, noncontiguous chunks.
    Wishing to retain the editability of the path.

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    15 comments  ·  Strokes  ·  Delete…  ·  Admin →
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18. Add Keyboard Shortcut to Switch Gradient Color Stop

    Hi

    if add a keyboard shortcut to the gradient slider to switch color stops instead of mouse clicks will increase the workflow

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    0 comments  ·  Gradients  ·  Delete…  ·  Admin →
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19. Set default artboard name as file name

    Is it possible to have a setting in preferences to set the default artboard name as the file name?

    Generally I name all my artboards the "file nameCMYK" or "FilenamePantone" for exporting later and it's just a tedious extra step to have to go in and name EVERY artboard what I've already named the file instead of just tacking on a delineation.

    8 votes

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    0 comments  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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20. Gradient following the curve of a shape

    Don't know if this is an original idea but - is it possible to make an feature to make a gradient follow a user-drawn guideline (like with text on line)..? I tried to illustrate it in the attached file - the first shape is the one that should be filled with gradient, the second one is what we can do now (or mesh but that's a bit complicated) and the third one shows the guideline in purple and arrows that the gradient would follow. So the lower left part of the shape would be let's say darkest, the gradient would follow the arrows along the purple guideline and the top left part of the shape would be the lightest...
    I hope that it is possible to make that change...

    Don't know if this is an original idea but - is it possible to make an feature to make a gradient follow a user-drawn guideline (like with text on line)..? I tried to illustrate it in the attached file - the first shape is the one that should be filled with gradient, the second one is what we can do now (or mesh but that's a bit complicated) and the third one shows the guideline in purple and arrows that the gradient would follow. So the lower left part of the shape would be let's say darkest, the gradient would… more

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    8 comments  ·  Gradients  ·  Delete…  ·  Admin →
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    Completed (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    Since version CS6, Illustrator allows to align gradients on strokes with a dedicated set of Align Stroke buttons in the full expanded Stroke panel.