AdminEgor Chistyakov
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2 votesAdminEgor Chistyakov
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2 votesAdminEgor Chistyakov
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2 votes
An error occurred while saving the comment AdminEgor Chistyakov
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Brush strokes get displaced from their paths in large canvas documents
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Screen Shot 2022-12-08 at 12.11.30 PM.png 80 KB -
Screenshot 2021-03-29 at 20.17.51.png 164 KB -
Large Canvas Art Brush.ai 97 KB -
Screenshot 2020-11-17 at 10.17.43.png 290 KB -
Screenshot 2020-11-17 at 10.17.43.png 290 KB -
Screen Shot 2020-10-22 at 10.55.36 AM.png 297 KB -
Screen Shot 2020-10-22 at 10.55.36 AM.png 297 KB
31 votesAdminEgor Chistyakov
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An error occurred while saving the comment However, I can’t confirm this problem to not exist in versions prior to 2023.
26.5.2 shows the same behaviour.Upon investigation, I see that the brush you are using is a giant path, 98.0938 inches long and 5.3154 inches tall, in the document’s units.
However, the scale option chosen for the art brush is 'Stretch to Fit Stroke Length'. So it means that Illustrator should maintain the 5.3154 height of it (that it a width or 'weight' of the stroke) across the line, which is not the case nor in 2022, neither in 2023 versions!
If we rebuild the same giant brush in an much older version, such as CS6, Illustrator maintains the original height of the artwork used — as intended.
So it’s not 2023 got broken, but 2022 before it!This needs further investigation.
Meanwhile — what was the latest version you say you were able to use this specific 'fat brush' succefully? Are you sure in that? It can’t be 2022.An error occurred while saving the comment DG, thanks for the file.
I confirm this issue. -
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38 votes
The problem is not fixed, alas, despite the previous fix, and everybody who tried to pick a Gradient tool after selecting a region with the Live Paint Selection tool can see this... OK, back to work with this.
An error occurred while saving the comment Tell me, Isael :) The frustration and the desire to have better tools is what motivates me here. Sometimes I feel an extreme rage, and some of my messages are even more venomous. Argh! It's completely OK to discuss it, and no offence is ever taken.
Perhaps I should have phrased the status differently, to avoid confusion...
As for importance options — no control whatsoever over these, since it's a standard UV's choices.
Having Live Paint in Inkscape would be nice to have as an alternative (it always is), but I doubt it's an easy challenge. Requires a lot of math and familiarity with Beziers. I'd not venture into it myself.
And CS5 is impossible to legally purchase, true :(An error occurred while saving the comment Isael, sadly, it's not me who makes these fixes. The very little I can do here is to change the status back to 'unfixed' (and I did) and make a report to the team (which I made). Alas, 'an administrator' is not 'a developer' :( it's up to product managers to make decisions on what to pick for fixing, and UserVoice is a tool they use to prioritize things, among other reasons.
An error occurred while saving the comment Related to a problem with resetting a stroke of an object inside of a Live Paint objects when you try to use Gradient tool to edit the fill (and with no useful result, as this report states): https://illustrator.uservoice.com/forums/601447/suggestions/45342700
AdminEgor Chistyakov
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An error occurred while saving the comment In fact, I believe this is a bug....
When Live Paint selection is done, we can pick Gradient tool, but it won't affect 'Live Paint Select' object we have. Voted.An error occurred while saving the comment It's Live Paint object, right?
How are you trying to do it?
You need to pick Live Paint Selection tool (Shift+L is default hotkey), click the area with a gradient (it will highlighted with a dotted pattern) and then set an angle you want in the Gradient panel.
Does it work for you this way?An error occurred while saving the comment It works for me. I select the part with Live Paint Selection Tool and change angle in Gradient palette. You can't use Gradient tool, that is correct, it would be nice if you could. Is this what you meant?
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2 votes
An error occurred while saving the comment Yes, this would be a great addition to this tool as well, I agree.
And surely there is a request for that: https://illustrator.uservoice.com/forums/333657-illustrator-desktop-feature-requests/suggestions/37809568-transform-effect-with-manually-adjustable-anchor-p
Please vote!An error occurred while saving the comment Sorry, forgot to attach the file
An error occurred while saving the comment Andreas, well it can be done with blends, but the way might seem not that clear. Take a look at the file attached. It's not an exact replica of the thing you wanted, but you can get the idea.
Some notes:
— an ellipse is cut at a top point
— a simple blend is created first, and then both the blend and the cut circles are selected together, and then Replace command is called
— each path blended is a compound path with a point-helper, to help Ai to maintain the relative positions
It does not meant the idea you proposed is bad, on the contrary :)AdminEgor Chistyakov
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An error occurred while saving the comment OK, this is more clear now.
Some details are still not. Like what if I set 10 copies, customized each and the reduced the number of copies to 2, and then decided to make it 10 again — should these new copies remember settings they predecessors used to have...I get the idea, but still do not understand why this thing is needed.
However, I definitely know that this is similar to the ability I want, to pick a child from the the generated art (Transform is one) and apply next effect to this child (or a range of children) only.What do you think of it?
An error occurred while saving the comment How should it work and what customizations offer?
Please expand your idea further. -
4 votesAdminEgor Chistyakov
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4 votesAdminEgor Chistyakov
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6 votes
An intended way of picking up the hidden Zone Marker tool via a script is to enter the Intertwine mode using these commands:
app.executeMenuCommand('Partial Rearrange Make') — when an intertwine object is not created yet, and
app.executeMenuCommand('Partial Rearrange Edit') — when the object already exists, as per comments by the OP.
An error occurred while saving the comment You are correct, the tool gets picked automatically once the mode is entered.
Since the discussion in fact is pretty useful for those who might search for it, I will rather mark it as 'Resolved' and quote you in the status.An error occurred while saving the comment Mer, the same applies to making edits into an intertwine.
You have to call for the Edit command and then call the hidden tool.
This is an intended way, the developer says, and not a workaround.
Please confirm it works for you.An error occurred while saving the comment I guess the correct way of using this would be to create an intertwine object first and only then to call a specific hidden tool that is designed to work with intertwines only.
Remember that you can create one with the menu command and not specify zones at all, and it still will be a valid intertwine object.
So it's not a tool that creates it, but a separate command you forgot to call.AdminEgor Chistyakov
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3 votesAdminEgor Chistyakov
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2 votesAdminEgor Chistyakov
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2 votesAdminEgor Chistyakov
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8 votesAdminEgor Chistyakov
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2 votesAdminEgor Chistyakov
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7 votesAdminEgor Chistyakov
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12 votesAdminEgor Chistyakov
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2 votesAdminEgor Chistyakov
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4 votesAdminEgor Chistyakov
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2 votes
An error occurred while saving the comment Not a once I had to use duplicated global swatches in my job. So yeah.
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166 votesAdminEgor Chistyakov
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Can reproduce with the .ai file attached.
1. Select the only text object in the file
2. Pick Eyedropper tool
3. You don't have to change any settings of it, you can leave both Appearance options unchecked
4. Click the text object with the Eyedropper tool
The text become orange, the tracking gets changed.
The text has a basic appearance, so I have no clue where does it come from.