4700 results found

1. Contextual Pie-menus, like Radiant menus by Wacom

   creating a contextual "shortcut" menu overlapping layer to access quickly Tools. This is a kind of Radiant Menu developed by Wacom on their tablet for example or Alias marking menu. This should really improve workflow ergonomics.

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2. Be possible to create a sub-folders at Cloud.

   Be possible to create a folders inside the folders at the cloud.

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3. Pressure Sensitivity added to Pencil Tool

   Variable width strokes are great! What would be even better would be to have variable strokes simply by drawing them in with a pressure sensitive device.

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4. Move (select) multiple artboards with just a mouse

   I just need to be able to select and move multiple artboards.
   Thats so simple. Currently, I can select only 1, but I have 100 of them already and I want move some groups in my document, to easy re-arrange them. But I have to move one by one. AWKWARD.

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   Completed (Comments Open)  ·  Ashutosh Chaturvedi responded

   Hi,
   We are pleased to inform you that your request is available in the latest release of Illustrator version 22.0.
   Visit your Adobe Creative Cloud Application and update. If you do not see an update on the application please check for update from the flyout options on the application after clicking on three vertical dots. For step by step process please visit: https://helpx.adobe.com/in/creative-cloud/help/download-install-app.html#Checkforupdates

   Warm Regards,
   Ashutosh Chaturvedi | Sr. Quality Engineering Manager – Illustrator
   Adobe. Make It an Experience.

5. Retain length of handles when modifying curves and length of path when moving anchor points.

   I'd love an option to retain the length of a handle for an anchor point. It would be nice to keep the curvature equal on both sides of an anchor point. There are many times I would have liked this option to create symmetrical graphics.

   Similarly, I'd also like the option to retain the length of a path when moving an anchor point. Sometimes I use lines/paths as arms of characters. If I need to change the position of an arm there ends up being a lot of guess work modifying the path.

   7 votes

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6. Add an artboard size prefix in Export for Screens dialog

   It would be useful to add the option to also export the size of the artboard

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7. Annoying "learn more"

   Your instruction and tutorial always pop up and ask me to "learn more". I know the functions already. It is very annoying and I don't want to use Illustrator anymore if I have any alternative.

   I cannot find how to close the pop-up and it affects my efficiency a lot. Disturb me every 5 min. It is a very very poor UX experience.

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8. Pin individual color chips in Recent Colors sections

   Recently Ai added Recent Color sections (the request: http://illustrator.uservoice.com/forums/333657/suggestions/44772598) to Swatches and Color panels (with an ability to disable them — thanks!)

   Some choices these remember are more important than others — but not enough to be included into the actual Swatches panel. For example, I have a Magenta global color I sometimes want to be added into certain projects, when needed. Pinning it in Recent would allow me to quickly grab it, without dancing with Persistent panels.
   Or I could have pinned a brand color of a client I often work with, and have it there.

   I’d like to have an ability to hold Opt/Alt or Shift and pin a recent chip with a click.
   There is a second related request, about deleting one/all chips, so it can use the other modifier — http://illustrator.uservoice.com/forums/333657/suggestions/50279421

   Recently Ai added Recent Color sections (the request: http://illustrator.uservoice.com/forums/333657/suggestions/44772598) to Swatches and Color panels (with an ability to disable them — thanks!)

   Some choices these remember are more important than others — but not enough to be included into the actual Swatches panel. For example, I have a Magenta global color I sometimes want to be added into certain projects, when needed. Pinning it in Recent would allow me to quickly grab it, without dancing with Persistent panels.
   Or I could have pinned a brand color of a client I often work with, and have it there.

   I’d like… more

   6 votes

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9. Delete all / individual color chips in Recent Colors sections

   Recently Ai added Recent Color sections (the request: http://illustrator.uservoice.com/forums/333657/suggestions/44772598) to Swatches and Color panels (with an ability to disable them — thanks!)
   Unfortunately, we have no control over the section. Once a color gets added, it stays until Prefs reset.

   Sometimes I misclick and create almost identical colors and have to hover later to understand which one is correct... or want to remove some chips to keep some older ones... or wipe everything to be less distracted, because I switch projects.

   I’d like to have an ability to hold Opt/Alt or Shift and delete these chips with a click. An ability to 'wipe the row' )at least with a panel’s menu command) would be great as well.

   There is a second related request, about pinning a chip, so it can use the other modifier — http://illustrator.uservoice.com/forums/333657/suggestions/50279430

   Recently Ai added Recent Color sections (the request: http://illustrator.uservoice.com/forums/333657/suggestions/44772598) to Swatches and Color panels (with an ability to disable them — thanks!)
   Unfortunately, we have no control over the section. Once a color gets added, it stays until Prefs reset.

   Sometimes I misclick and create almost identical colors and have to hover later to understand which one is correct... or want to remove some chips to keep some older ones... or wipe everything to be less distracted, because I switch projects.

   I’d like to have an ability to hold Opt/Alt or Shift and delete these chips with a click.… more

   6 votes

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10. Illustrator and Photoshop show fractional CMYK color values differently

    I have a CMYK document, and it has a linked image in it, with an intentionally chosen profile, with some specific colors set for the background, and these have to be the part of the background, because of blending modes used.
    Now I need to grab those colors form the clear parts of the background to quickly transfer them into vector part of the design. But when I try — Ai lies about values.

    Instead of
    70-15-0-0
    0-35-85-0
    0-95-20-0
    I get
    69.8-14.9-0-0
    0-34.9-85.1-0
    0-94.9-20-0

    Not much, right? Just 0.2%, why are you mad?
    But these would be enough to break Select Same Fill later, duplicate swatches if added next to existing ones in other documents, drop my trust level for the tool and force me cleaning this mess in the time I need I can’t spend. Sure, there are methods to help with this, but it’s not MY error. It’s Ai’s lie.

    ...later Ton Frederiks suggested it’s Photoshop that is rounding numbers.
    To quote: if the placed file gets rasterized, it gives the fractions in Illustrator. But if the file gets exported from Illustrator as .tif, Photoshop will show the same rounded numbers it started with. Photoshop will not allow fractions and force round numbers when we try to enter percentages like 69,8%. CMYK values go from 0-100 while image values have a range from 0-255.

    Indeed, I tried to rasterize a rectangle with fractions in CMYK color (55.69) and opened the image in Photoshop — and got integers, 56...
    But then I mix the very same color in Ps, making integers manually, fill half of the image with this new color and try to pick colors from this image in Ai: Ai still picks the original 55.69 from the original half of the image... and 56.08 from the half I flooded with Ps’s 56!
    And Ps SEES them as different color when Color Picker is used, displaying different Lab, RGB, HSB values, but CMYK stays the same, rounded.

    In my experiment below I did a similar thing: created these in Ai first (but no fractions), rasterized it, used to make a composition and placed back into Ai.
    Double conversion and forcing integers (visually) would explain it.

    So Ai is rather precise... but the irritation stays.
    Now the question would be — what to do with the uncomfortable truth? 'Fighting ignorance' is my favorite choice, but...

    I don’t have a clear solution to this — and I invite others to a discussion — but perhaps the Eyedropper can get an option to Emulate Photoshop Eyedropper (round CMYK values)?

    I have a CMYK document, and it has a linked image in it, with an intentionally chosen profile, with some specific colors set for the background, and these have to be the part of the background, because of blending modes used.
    Now I need to grab those colors form the clear parts of the background to quickly transfer them into vector part of the design. But when I try — Ai lies about values.

    Instead of
    70-15-0-0
    0-35-85-0
    0-95-20-0
    I get
    69.8-14.9-0-0
    0-34.9-85.1-0
    0-94.9-20-0

    Not much, right? Just 0.2%, why are you mad?
    But these would be enough to break… more

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11. Add Axis Constraints, to restrict transformations to a chosen axis

    Some 3D editors allow to limit moving to a chosen axis/axes.
    3DS Max has a dedicated floating panel with buttons, and Blender allows to hold a key to force it: https://docs.blender.org/manual/en/latest/scene_layout/object/editing/transform/control/axis_locking.html

    In Ai we can hold Shift, but the axis chosen depends on the position of the cursor, and it’s not the same.
    Please make it possible to use X/Y keys (similar to the recent E key for Enclosed selection Mode) to actually choose a preferred axis. Perhaps Z can be used for 45°? :)

    Original idea by Junior Rocha

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12. Allow to customize color of text used by Distance Guides

    Recently Illustrator received Distance Guides (can be disabled in Preferences > Smart Guides > Invoke Distance Guides), thanks to this request: http://illustrator.uservoice.com/forums/333657/suggestions/34302196 (it uses Opt/Alt, not Cmd/Ctrl)

    For some reason the color of text in these is black — while the lines use the one set for object guides (magenta by default today). It makes it very hard to see when working with dark designs.

    Dimension Tool uses magenta color for the same text... I think it should be either magenta as well, or a separate option should be used to set the color.

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13. Configurable Trim Marks

    TL/DR: It would be incredibly helpful and relatively simple for AI's developers to let users configure the parameters of auto-generated trim marks.

    ---

    I've been using AI for three decades and somehow, even though I have been doing this the hard way that entire time, it never dawned on me until today to request this: configurable Trim Marks, both in Object: Create Trim Marks and Effect: Trim Marks. This is similar to the following request except that that one doesn't include the why that I feel is important:
    https://illustrator.uservoice.com/forums/333657-illustrator-desktop-feature-requests/suggestions/41926273-set-the-size-and-offset-of-effect-crop-marks-whi

    AI specifically creates trim marks in one very specific way: .5" .3pt lines that are .25" from the boundary of the selected element. That's fine for typical press output and "good enough" for most home/in-office usage, but far from great. That combined distance of .75" is pretty significant overkill for anyone printing a lot of small to-be-cut items on a single printed page (i.e., small designed pieces on a 13x19 sheet), forcing someone who wants to maximize their usage of the media and knows they only need very small marks/offsets for that purpose. When that person is me, for example, I will typically cut the marks down to .15" long with a .07" offset, vastly shrinking the footprint of the combined object.

    A great set of configurable parameters would be:
    - trim mark length
    - trim mark offset
    - trim mark stroke weight
    - save/edit/delete presets (including Default, which would be what you currently have)

    Thanks for your time!

    TL/DR: It would be incredibly helpful and relatively simple for AI's developers to let users configure the parameters of auto-generated trim marks.

    ---

    I've been using AI for three decades and somehow, even though I have been doing this the hard way that entire time, it never dawned on me until today to request this: configurable Trim Marks, both in Object: Create Trim Marks and Effect: Trim Marks. This is similar to the following request except that that one doesn't include the why that I feel is important:
    https://illustrator.uservoice.com/forums/333657-illustrator-desktop-feature-requests/suggestions/41926273-set-the-size-and-offset-of-effect-crop-marks-whi

    AI specifically creates trim marks in one very specific way: .5" .3pt… more

    6 votes

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14. Allow to snap to middles of straight and curved segments in paths

    We need middles to get detected with Smart Guides.
    The latest Beta 29.5.0.15 got this report fixed — http://illustrator.uservoice.com/forums/333657/suggestions/39380149 — and now allows to detect these for straight two-point lines (as 'intersect', not 'middle') but it doesn’t work for straight segments within a larger path or curved segments at all.

    The team ignored the rest of the comments and did the bare minimum the report stated :( Hope this will get more votes to prove we need it still.

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    1 comment  ·  Snapping  ·  Delete…  ·  Admin →
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15. Add an option for Curvature tool to prioritize the currently selected path

    Curvature is one of the more recent tools Illustrator introduced (well, in 2014... time flies). Unlike older tools, it tries to be smart. One of this 'smart' behaviors is an ability to both select and edit paths. It prevents us from placing the next point of the currently selected path right above an existing unselected path — the tool treats it as an attempt to select the latter.

    There is an existing request to tweak the continuation tolerance, similar to what Pencil has: https://illustrator.uservoice.com/forums/333657/suggestions/34578331

    But to be fair, I’d love more options for the tool in general. So far it has ONE only, and it’s hidden within Preferences > Selection & Anchor Display: Enable Rubber Band... it should not be an app-level option! it’s a tool’s option! and it should be put in Curvature Tool Options dialog, called by Enter or double-click on the tool’s icon, just like every other tool allows...

    And another option it should get must be 'Prefer selected path'.
    With this checked, when nothing is selected — allow the tool to select path... but is something is already selected, prevent it from selecting, until I choose to. I’d even recommend to make this the default behavior.

    Curvature is one of the more recent tools Illustrator introduced (well, in 2014... time flies). Unlike older tools, it tries to be smart. One of this 'smart' behaviors is an ability to both select and edit paths. It prevents us from placing the next point of the currently selected path right above an existing unselected path — the tool treats it as an attempt to select the latter.

    There is an existing request to tweak the continuation tolerance, similar to what Pencil has: https://illustrator.uservoice.com/forums/333657/suggestions/34578331

    But to be fair, I’d love more options for the tool in general. So far it… more

    6 votes

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16. Add Black and White color chips in Color Picker dialog in Color Models mode

    For some reason, the Color Picker dialog is the default way of setting a color in several color induced effects: Drop Shadow, Inner and Outer Glow.

    Most of times these effects are used, we need to toggle between black and white. These are more or less OK to pick quickly, if we change the mode of the dialog to Color Swatches.

    But each time this dialog is called when editing a color for the effect, the dialog open in the first mode, Color Models.
    And to set black or white in this mode we need to click the spectrum field and drag the point into a corner. You get accustomed to this, and realize you can move the mouse beyond the the dialog, making the precision gesture 'infinite' — and this is what MANY users do, if you watch tutorials or timelapses.

    But this is bullshit. We just need black and white, without fiddling with the spectrum. More of it, in a CMYK document setting black like this would make it rich black, and not K100 — which one would have to set manually, by typing it.

    Since there is a request about adding Recent Colors, perhaps into Swatches or Color (http://illustrator.uservoice.com/forums/333657/suggestions/44772598), perhaps we should be given an option to see these in Color Picker as well (a lot of users prefer it to Color+Swatches panels). In this case, just make Black and White always there, as a fixed choices.

    Another solution would be just to display the same 'Color UI' used for any other place in Ai, the Swatches + Color Mixer (minus Gradient and Generative Pattern, obviously).

    For some reason, the Color Picker dialog is the default way of setting a color in several color induced effects: Drop Shadow, Inner and Outer Glow.

    Most of times these effects are used, we need to toggle between black and white. These are more or less OK to pick quickly, if we change the mode of the dialog to Color Swatches.

    But each time this dialog is called when editing a color for the effect, the dialog open in the first mode, Color Models.
    And to set black or white in this mode we need to click the spectrum field… more

    6 votes

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17. Stop covering the document tabs with expanded docked panels

    If I dock panels to sides of the application frame, expanding the ones from the top panel groups will cover the document tabs, like the GIF shows.
    In a situation when it’s important to know what is the current document (they can differ slightly) this is especially irritating.

    Please nudge them down a bit!

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18. Copy and paste with drag and right click mouse like CorelDRAW

    I hope to see in illustrator copy and paste with (drag and right click mouse) like CorelDRAW

    6 votes

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    4 comments  ·  Performance, Enhancements  ·  Delete…  ·  Admin →
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19. Add a 'Single Midpoint Anchor' Tool in Illustrator

    Request: Add a tool or command that allows users to add a single anchor point precisely at the midpoint of any selected path segment without affecting the entire shape.

    Why It’s Needed: Illustrator currently lacks an intuitive way to place an anchor point exactly between two existing anchor points. The "Add Anchor Points" command applies to all segments, and the Smart Guides often fail to indicate an accurate midpoint. Manually calculating coordinates is impractical.

    Suggested Implementation:

    • A new "Add Midpoint Anchor" option in Object > Path that works on a single segment.

    • A modified behavior in the Pen Tool (P) or Add Anchor Point Tool (+) that automatically snaps to the true midpoint of a selected path segment.

    • A shortcut key (e.g., Shift + Click with the Add Anchor Point Tool) that forces an anchor to be placed at the segment’s exact center.

    This is a basic function that would streamline workflows for designers working with precise vector geometry. Other software, such as Affinity Designer, already offers this feature.

    Request: Add a tool or command that allows users to add a single anchor point precisely at the midpoint of any selected path segment without affecting the entire shape.

    Why It’s Needed: Illustrator currently lacks an intuitive way to place an anchor point exactly between two existing anchor points. The "Add Anchor Points" command applies to all segments, and the Smart Guides often fail to indicate an accurate midpoint. Manually calculating coordinates is impractical.

    Suggested Implementation:

    • A new "Add Midpoint Anchor" option in Object > Path that works on a single segment.

    • A modified behavior in the Pen Tool (P)… more

    6 votes

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20. Make USEFUL hover hints for ALL the options, fields, menu commands

    Clearly the team doesn’t really care about making hover hints to be a learning tool.

    Rarely these actually try to say what an option or a field does or controls: like 'Start editing similar shapes together' for the 'Global Edit' button in the Control panel, or 'Click to pick arrowhead to apply to start point of path' in Stroke panel...

    But in most cases the hint is extremely rudimentary.
    Try to hover the 'W' field in Transform panel — you’d get 'W value'. W?! Weight? Wand? Why not say 'Width Value', or even 'Set Width for the selected objects'?

    Then again — why do you caption only icons, but not something like menu commands? Why can’t a new user hover over Select > Start Global Edit and get a short explanation (especially with rich tooltips enabled)?

    Why Scale Corners in Transform has a decent hint, but Scale Strokes & Effects — none at all?

    Why can’t you make hover hints have several lines of text, if needed?
    Take a look at how a carefully written hint for a plugin option suffers from being restricted to one line?

    OK, if you’re afraid of flashing with large cards (the main reason why people hate rich tooltips) — why can’t you make these hints display a shorter version, but give a detailed one after a pause, like the attached GIF shows (from a 3DS Max)? Two second delay is a bit too large, to my taste, but it’s there!

    Why can’t every item in Preferences have a hover hint?
    Actually I requested this here: http://illustrator.uservoice.com/forums/333657/suggestions/46268617

    I hope someone in the team just takes time to hover all the UI items in Ai and think a bit. Or scroll through a list you probably can generate... do something, please!

    Clearly the team doesn’t really care about making hover hints to be a learning tool.

    Rarely these actually try to say what an option or a field does or controls: like 'Start editing similar shapes together' for the 'Global Edit' button in the Control panel, or 'Click to pick arrowhead to apply to start point of path' in Stroke panel...

    But in most cases the hint is extremely rudimentary.
    Try to hover the 'W' field in Transform panel — you’d get 'W value'. W?! Weight? Wand? Why not say 'Width Value', or even 'Set Width for the selected objects'?

    Then… more

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