Illustrator (Desktop) Feature Requests
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4702 results found
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Please add an ability to align points using the Align panel
Please add an ability to align individual points using the Align panel. This has always been an option, but it seems to have been removed.
8 votes -
Add an option to allow to snap to and by linked art, a similar one to Snap to Glyphs option
Could it be possible to get some help to align to a graphic imported? Something like "Snap to Glyph"?
It could help a lot to work precisely, without "embedding" the placed artwork...Originally by Jean-Michel Le Goff
8 votes -
Make Shadow bounds for 3D and Materials to auto-match the actual shadow bounds
Please eliminate the shadow bounds for 3D objects, or make it infinite, or at least something more generous than 400%: 4000% perhaps? 40,000%
8 votes -
Multi page PDF import: needs to respect original document color space
Hi,
Now when selecting "All" for page range, Illustrator creates a document with default color space, e.g. now CMYK.
It would be nice if PDF importer was a bit smarter and could check and respect original PDF's color space, and set up the document in Illustrator to match.E.g. when importing an RGB pdf, it would use RGB color space; and CMYK for CMYK.
8 votes -
Dimension Tool Ungroup to edit
To be able to ungroup the dimension, created with the dimension tool so it can be edited. The only way I have found how to edit it is expand appearance. And that duplicates it a number of times so you need to delete the duplicates first.
8 votesRecent builds offer a native way to hide units in live dimensions, so there is no need to expand these to hide them manually or use the Find and Replace hack anymore
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Generate Proper Filenames and Layer Names Instead of Untitled-1 and Layer-1
We need Generate Name button for saving a file depending on its content, format and target project folder. Also layers could be named properly.
Also it seems obvious that, besides generating a new name, the system could also use information from the document's presets, such as the document type (e.g., web, phone, book, etc.), document size (e.g., A4, 291x210mm, 1920x1080px, etc.), and colour and bit depth (e.g., CMYK, RGB, LAB, 8-bit, 16-bit, etc.).
8 votes -
Rotate with arrow keys. Hold R to turn nudge in to rotate.
I love being able to nudge the selected object with the arrow keys, I want a modifyer key that allows rotation in the same way. example: R key + arrow key rotates. Left and right arrows might be one degree increments. Up/ down could be 15 degree - which quickly gets people to the super common angles 30, 45, 60
8 votes -
Add menu items and tools to custom panels
I find I frequently got to Menu/Object/Path/Offset Path or Menu/Object/Path/Outline Stroke along with Envelope distort and Expand.
It would be great to have these functions available as Clickable Tools that I could add to a Toolbar.
8 votes -
Treat all objects as filled for selection tools (like in Corel Draw)
Corel Draw has an option, 'Treat all objects as filled', which allows select objects with no fills with just a click inside. While it’s 'not the Ai way' — this can be useful in some cases.
Just make sure it works properly in the Outline view( that is does not get applied at all).8 votes -
Make Layers show which operation a compound shape uses, like 'Compound Shape (Subtract)'
Compound shapes have 4 different modes, and sometimes it’s important to be able to see which one is used when you work with the resulting shapes in Layers — especially if you nest shapes in several layers.. But at the moment Illustrator just display all of them as just 'Compound Shape'.
Compare these two structures:
Compound Shape
...> Compound Shape
......> Rectangle
......> Ellipse
...> Compound Shape
......> Rectangle
......> EllipseCompound Shape (Unite)
...> Compound Shape (Subtract)
......> Rectangle
......> Ellipse
...> Compound Shape (Intersect)
......> Rectangle
......> EllipseDon’t you agree the one at the bottom is easier to navigate, when you need to make a change?
Compound shapes have 4 different modes, and sometimes it’s important to be able to see which one is used when you work with the resulting shapes in Layers — especially if you nest shapes in several layers.. But at the moment Illustrator just display all of them as just 'Compound Shape'.
Compare these two structures:
Compound Shape
...> Compound Shape
......> Rectangle
......> Ellipse
...> Compound Shape
......> Rectangle
......> EllipseCompound Shape (Unite)
...> Compound Shape (Subtract)
......> Rectangle
......> Ellipse
...> Compound Shape (Intersect)
......> Rectangle
......> EllipseDon’t you agree the one at the bottom is easier…
8 votes -
Select Same Fill Color & Stroke Color
'Select Same Fill & Stroke' command from Select > Same menu also includes stroke weight. But sometimes we need to ignore it and search only by colors.
So basically we have no 'Select Same Fill Color & Stroke Color' command...
....no wait. We do have this command!
It is just well hidden.For some reason it is available only as an option in the dropdown menu for the Select Similar Objects button — but not in the menu. Please make these two sources match and combine both lists.
8 votes -
LAB Decimal values
Illustrator only supports integer values for LAB. It'd be amazing if there will be support for decimal values for LAB swatches.
8 votes -
As introduced in Photoshop the Warp option for Cylinder should be in illustrator
It will be much easier to use the warp on a cylinder in vector art, it was introduced in Photoshop. If I’m working on a design in Adobe illustrator and want to warp some text or a label on a bottle
why not stay in vector art, instead of using photoshop?8 votesThere is a way to do the same exact distortion in Illustrator, using a free MeshTormentor plugin (please see the full instruction in the comments).
However, an easier native way to do it is still welcome (as the general improvements over mesh distortion capabilities) — so please keep voting for this if you want it to happen.
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Mesh tool hold and drag
When we click a shape with the Mesh tool, a node gets immediately applied to the shape/mesh, a new row and a column get instantly inserted. If I keep holding the mouse button / pen, it won’t help me anymore to position my node precisely. So the insertion should not happen immediately on a mouse click, but on a mouse release, drawing all the possible results while the button / pen is held down.
8 votes -
A brush that places elements on anchors
I would like a brush that places its elements along the path but rather than just distributing the elements or scattering them, it places the elements exactly on the anchors of the path. It should not distort the elements.
It would be great if it could have individual elements for the endpoints and for the inner points. More control would be possible if it could allow separate elements for corner points and for smooth points. That way objects could be placed along a path precisely.Use case: maps, metro lines maps infographics
8 votes -
Add a new API to delete the swatch
There is a problem with global gradient swatches, described at https://illustrator.uservoice.com/forums/908050/suggestions/44461230
Illustrator applies changes to all copies of a gradient in a document when this gradient is changed via a script. It makes sense from a practical point of view, but is devastating for scripts in general.
We can’t duplicate gradients with a script properly, like we can do with any other swatch, because when it's done, the gradient swatch get forcibly added to Swatches and then corrupt the art which uses them when deleted... and it does not break this global link anyway.
At the moment we copy a gradient into the swatch, it will be associated with the first object. If we repaint the swatch to use it for another object, the first object will change its fill momentarily. Just like the video from the issue above shows — https://illustrator.uservoice.com/assets/235626175/linked-gradients-bug.mp4
So we 'instance' gradients instead of 'duplicating' them.
Creating a new gradient via script also creates a new swatch. Deleting either the new gradient or the new swatch also deletes the other. If the need is to get rid of the swatch but not the gradient, that doesn’t look to be possible via with the current APIs. Perhaps we need a new API to delete just the swatch and not the associated global (gradient, pattern etc.).Having this will allow us to keep gradient changes on one object from affecting other objects. To duplicate, a new gradient will be created and a copy of all gradient properties (type, number of stops, stops) will be performed, via existing app.activeDocument.gradients.add()
Then we will be able to delete the swatch with a new API without crashing Illustrator.There is a problem with global gradient swatches, described at https://illustrator.uservoice.com/forums/908050/suggestions/44461230
Illustrator applies changes to all copies of a gradient in a document when this gradient is changed via a script. It makes sense from a practical point of view, but is devastating for scripts in general.
We can’t duplicate gradients with a script properly, like we can do with any other swatch, because when it's done, the gradient swatch get forcibly added to Swatches and then corrupt the art which uses them when deleted... and it does not break this global link anyway.
At the moment we copy a…
8 votes -
Embedding Linked Illustrator content should embed the native content instead of the PDF version.
When you place a Linked Illustrator object (from a file or from a CC Library) and later decide to Embed it, you actually embed the PDF content of the linked file. This results in many groups, clipping masks, reduced editability (no Appearance effects, Symbols, Brushes) and loss of layers.
The optimal editable way would be to embed the native objects instead of the PDF version, similar to Copy and Paste with the Paste Remembers Layers option turned on.8 votes -
Better grid settings
Inkscape 1.1 has great grid management.
It's embedded with the document: because grid needs vary a lot from a document from another
It's accessible on the lateral panel, while on AI you need to enter the general settings; all while snapping is in the view menu (go figure...)
There a two types of grid.
You can set several grids.
On this lateral panel, and for each grid, you can easily define there enable , visible and snapping status. (no menu spelunking)
You can set the grid origin with coordinates or by alignment to the page (on AI if you modify the canvas size, you take the risk of losing the rest of the work's alignment to the grid)What would be great:
Have a Grid window (the same way there is an Artboard window) that can be placed in the lateral panel or control bar) to easily and rapidly manage grids and there behavior (visibility, snapping, etc.). Also, have grid settings embedded with each file.Inkscape 1.1 has great grid management.
It's embedded with the document: because grid needs vary a lot from a document from another
It's accessible on the lateral panel, while on AI you need to enter the general settings; all while snapping is in the view menu (go figure...)
There a two types of grid.
You can set several grids.
On this lateral panel, and for each grid, you can easily define there enable , visible and snapping status. (no menu spelunking)
You can set the grid origin with coordinates or by alignment to the page (on AI if you modify…8 votes -
Save Individual PDF's in CMYK from Artboards
We are able to save the artboards using the "Export for Screens" function, but they export in RGB, even when using a CMYK file.
It would be great to have an option, whether in the "Save As" window, to be able to save artboards as individual PDF's, with the artboard names, or something similar to "Export for Screens", but for CMYK files.8 votesNo longer a problem, the chosen color mode stays when PDFs get exported. Please comment back if this is still a problem for you with a latest release.
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Please re-add 3D mapping with Symbols to new 3D functionality
Please re-add 3D mapping with Symbols to the new 3D functionality.
I know it's included in the "3D (Classic)" Effects menu, but it needs to be added to the new 3D functionality. Calling it "Classic" means Adobe is going to abandon it (for something worse). I use 3D mapping with Symbols ALL THE TIME. PLEASE add it back.
Thank you!8 votesMapping is now available in Beta. There are some known issues with it, but even more unknown ones, so the team encourages you to try it and write back about your experience with it, to help to make it better.
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