4781 results found

1. In Share for Review - Bleed view control

   Share for review seems to be very glitchy lately, however it would be great to be able to toggle the bleed to be visible or not when sending drafts to clients.

   Right now it's defaulting to show including the bleed but doesn't denote that to the viewer so you can imagine how messy that gets. Use case: when creating banners, signage, wayfinding, etc - one typically would use Illustrator as it handles large format print better. So you can see how the share previewing with the bleed can get a bit confusing for non-designers who don't understand that edge will be trimmed.

   Share for review seems to be very glitchy lately, however it would be great to be able to toggle the bleed to be visible or not when sending drafts to clients.

   Right now it's defaulting to show including the bleed but doesn't denote that to the viewer so you can imagine how messy that gets. Use case: when creating banners, signage, wayfinding, etc - one typically would use Illustrator as it handles large format print better. So you can see how the share previewing with the bleed can get a bit confusing for non-designers who don't understand that edge will… more

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2. Proportional Push & Rotate Tool

   I’m relatively new to Illustrator, not sure if such a feature already exists, but I’d like to suggest a tool that allows selected objects to be proportionally pushed away from the group’s center point or a custom pivot point — without scaling them — and optionally rotate them around that same point. For rotation, it would be great to have options whether the objects keep their own rotation (independent) or rotate as children following the group’s rotation. Additionally, it would be helpful to allow setting horizontal and vertical movement ratios (e.g., move 1 unit horizontally while moving 0.35 units vertically) for the push-away action.

   I’m relatively new to Illustrator, not sure if such a feature already exists, but I’d like to suggest a tool that allows selected objects to be proportionally pushed away from the group’s center point or a custom pivot point — without scaling them — and optionally rotate them around that same point. For rotation, it would be great to have options whether the objects keep their own rotation (independent) or rotate as children following the group’s rotation. Additionally, it would be helpful to allow setting horizontal and vertical movement ratios (e.g., move 1 unit horizontally while moving 0.35 units vertically)… more

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3. Dynamic Bezier Stroke Corner Join

   Illustrator offers 3 types of stroke corner joins: Miter, Round, Bevel (same 3 as Offset Path filter/effect do).

   Miter one just extends the edges of a stroke with straight lines and then cuts the pointy portion off according to Miter Limit value. This works in a majority of cases when we need a sharp corner, but when curvy segments meet at an angle... the straight join becomes obvious.

   Meanwhile, Ai has Join Tool.
   Here, at the left side of the image a result of expanding a stroke, with a straight mitered join is rather obvious.
   So I select the point where the straight segments meet, delete it, and then use the Joint Tool to... well, to join them, following the natural Bezier extensions of the segments.

   This gives me a better looking smoother join, with no obvious 'ah, that's a thick stroke expanded'. I can use this method when I have a handful of these... but it’s not convenient to treat hundreds of these, expanding your artwork.

   Another solution would be to use inside/outside stroke alignment...
   But:
   1. it still doesn’t work for open paths — http://illustrator.uservoice.com/forums/333657/suggestions/33963553 (100 votes!)
   2. it won’t be helpful anyway if sharp connections happen from both sides of a line, both at inside and outside one

   So — please introduce the fourth type of a stroke corner join. Make it fall back to just simple Miter if the curvature of the lines doesn’t allow for them to meet properly (or cheat by changing the curvature just a bit).

   Illustrator offers 3 types of stroke corner joins: Miter, Round, Bevel (same 3 as Offset Path filter/effect do).

   Miter one just extends the edges of a stroke with straight lines and then cuts the pointy portion off according to Miter Limit value. This works in a majority of cases when we need a sharp corner, but when curvy segments meet at an angle... the straight join becomes obvious.

   Meanwhile, Ai has Join Tool.
   Here, at the left side of the image a result of expanding a stroke, with a straight mitered join is rather obvious.
   So I select the point… more

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   0 comments  ·  Strokes  ·  Delete…  ·  Admin →
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4. Can you add a "Recently Updated" and "Recently Resolved" sorting options to web list?

   I want to see what updates occured in feature requests and bug reports.
   Can you add a "Recently Updated" and "Recently Resolved" sorting options to web list?

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   2 votes

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   2 comments  ·  User Interface  ·  Delete…  ·  Admin →
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5. Pin individual color chips in Recent Colors sections

   Recently Ai added Recent Color sections (the request: http://illustrator.uservoice.com/forums/333657/suggestions/44772598) to Swatches and Color panels (with an ability to disable them — thanks!)

   Some choices these remember are more important than others — but not enough to be included into the actual Swatches panel. For example, I have a Magenta global color I sometimes want to be added into certain projects, when needed. Pinning it in Recent would allow me to quickly grab it, without dancing with Persistent panels.
   Or I could have pinned a brand color of a client I often work with, and have it there.

   I’d like to have an ability to hold Opt/Alt or Shift and pin a recent chip with a click.
   There is a second related request, about deleting one/all chips, so it can use the other modifier — http://illustrator.uservoice.com/forums/333657/suggestions/50279421

   Recently Ai added Recent Color sections (the request: http://illustrator.uservoice.com/forums/333657/suggestions/44772598) to Swatches and Color panels (with an ability to disable them — thanks!)

   Some choices these remember are more important than others — but not enough to be included into the actual Swatches panel. For example, I have a Magenta global color I sometimes want to be added into certain projects, when needed. Pinning it in Recent would allow me to quickly grab it, without dancing with Persistent panels.
   Or I could have pinned a brand color of a client I often work with, and have it there.

   I’d like… more

   8 votes

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   1 comment  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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6. Make Enclosed Selection Mode a permanent option

   Illustrator now allows to use Enclosed Mode to select objects within the marquee (originally requested here: http://illustrator.uservoice.com/forums/333657/suggestions/31863601), but the only way to do it is tap E key.

   I agree that this basic feature is essential, but I don't agree that any modifier keys or specific dragging directions (like requested here: http://illustrator.uservoice.com/forums/333657/suggestions/49489604) should be required. Shift-drag is already used to add to the selection, so that won't work.

   Opt/Alt toggles duplication, and both can be toggled mid-drag (unlike in Photoshop).

   This should be a selectable selection mode (also with a hotkey), and in fact there should be a way to set it as the default option.

   Illustrator now allows to use Enclosed Mode to select objects within the marquee (originally requested here: http://illustrator.uservoice.com/forums/333657/suggestions/31863601), but the only way to do it is tap E key.

   I agree that this basic feature is essential, but I don't agree that any modifier keys or specific dragging directions (like requested here: http://illustrator.uservoice.com/forums/333657/suggestions/49489604) should be required. Shift-drag is already used to add to the selection, so that won't work.

   Opt/Alt toggles duplication, and both can be toggled mid-drag (unlike in Photoshop).

   This should be a selectable selection mode (also with a hotkey), and in fact there should be a… more

   20 votes

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   6 comments  ·  Selection  ·  Delete…  ·  Admin →
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   Completed (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

   Illustrator today allows to set this mode as a default behavior with the Select Objects only within Marquee option, in Preferences > Selection & Anchor Display.

7. Illustrator and Photoshop show fractional CMYK color values differently

   I have a CMYK document, and it has a linked image in it, with an intentionally chosen profile, with some specific colors set for the background, and these have to be the part of the background, because of blending modes used.
   Now I need to grab those colors form the clear parts of the background to quickly transfer them into vector part of the design. But when I try — Ai lies about values.

   Instead of
   70-15-0-0
   0-35-85-0
   0-95-20-0
   I get
   69.8-14.9-0-0
   0-34.9-85.1-0
   0-94.9-20-0

   Not much, right? Just 0.2%, why are you mad?
   But these would be enough to break Select Same Fill later, duplicate swatches if added next to existing ones in other documents, drop my trust level for the tool and force me cleaning this mess in the time I need I can’t spend. Sure, there are methods to help with this, but it’s not MY error. It’s Ai’s lie.

   ...later Ton Frederiks suggested it’s Photoshop that is rounding numbers.
   To quote: if the placed file gets rasterized, it gives the fractions in Illustrator. But if the file gets exported from Illustrator as .tif, Photoshop will show the same rounded numbers it started with. Photoshop will not allow fractions and force round numbers when we try to enter percentages like 69,8%. CMYK values go from 0-100 while image values have a range from 0-255.

   Indeed, I tried to rasterize a rectangle with fractions in CMYK color (55.69) and opened the image in Photoshop — and got integers, 56...
   But then I mix the very same color in Ps, making integers manually, fill half of the image with this new color and try to pick colors from this image in Ai: Ai still picks the original 55.69 from the original half of the image... and 56.08 from the half I flooded with Ps’s 56!
   And Ps SEES them as different color when Color Picker is used, displaying different Lab, RGB, HSB values, but CMYK stays the same, rounded.

   In my experiment below I did a similar thing: created these in Ai first (but no fractions), rasterized it, used to make a composition and placed back into Ai.
   Double conversion and forcing integers (visually) would explain it.

   So Ai is rather precise... but the irritation stays.
   Now the question would be — what to do with the uncomfortable truth? 'Fighting ignorance' is my favorite choice, but...

   I don’t have a clear solution to this — and I invite others to a discussion — but perhaps the Eyedropper can get an option to Emulate Photoshop Eyedropper (round CMYK values)?

   I have a CMYK document, and it has a linked image in it, with an intentionally chosen profile, with some specific colors set for the background, and these have to be the part of the background, because of blending modes used.
   Now I need to grab those colors form the clear parts of the background to quickly transfer them into vector part of the design. But when I try — Ai lies about values.

   Instead of
   70-15-0-0
   0-35-85-0
   0-95-20-0
   I get
   69.8-14.9-0-0
   0-34.9-85.1-0
   0-94.9-20-0

   Not much, right? Just 0.2%, why are you mad?
   But these would be enough to break… more

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   10 votes

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8. Line distortion when vector tracing — joins between strokes distort instead of connecting smoothly

   When using Image Trace or Auto Trace in Illustrator, the traced vector lines often distort at junctions where two strokes should meet cleanly. Instead of forming a natural join, the curves warp or bulge slightly, creating uneven intersections that break the flow of the line.

   It looks like Illustrator is over-smoothing or misinterpreting the corner geometry at those points. A more accurate “preserve joins” or “maintain line continuity” option would help produce cleaner, more natural outlines — especially for minimal line art or hand-drawn illustrations.

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   4 votes

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   1 comment  ·  Performance, Enhancements  ·  Delete…  ·  Admin →
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9. Background Grid Not Displayed Behind Fully Opaque Objects in Illustrator 30.0

   I am experiencing an issue in Illustrator 30.0 where the background grid does not appear behind any objects that have 100% opacity, regardless of fill or effects. This happens even when Overprint Preview is enabled. This kind of phenomenon did not occur while using 28.x and 29.x series.

   • Illustrator version: 30.0
   • OS: macOS Sequoia (15.3.2)
   • Issue: Any object with 100% opacity completely hides the background grid.
   • Troubleshooting steps attempted:
     1. Switching GPU performance ON/OFF
     2. Using CPU preview
     3. Resetting Illustrator preferences
     4. Switching to Outline view and back

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10. Add Transparency/Opacity setting to Stroke panel

    Add Transparency/Opacity setting to Stroke panel.
    Is fast and intuitive, in stead of going through the Appearance hazzlel for a simple setting.
    Strokes should have separate Opacity settings, so a Path can have Fill and Stroke with different Opacities.

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11. Enable continuous work while generating vector graphics

    Currently, when generating a vector graphic within Adobe Illustrator, the entire application becomes unresponsive for approximately 30 seconds (or longer, depending on complexity). This forces users to wait idly without being able to continue their work, significantly disrupting workflow, concentration, and productivity.

    I request that Adobe implement a background processing feature that would allow users to continue drawing, editing, or performing other tasks within Illustrator while vector graphics are being generated in the background.

    Thank you!
    Danny

    5 votes

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12. Auto-toggle Display Print Size at 100% Zoom by RGB/CMYK document; avoid manual Prefs switching

    Illustrator should learn how to pick the proper screen resolution based on the intent of the document... that is auto-disable the 'Display Print Size at 100% Zoom' option perhaps for RGB-based docs for screens and enable it for CMYK-based to-be-print documents.
    I create a lot of BOTH, and I have no idea why should I manually toggle this in Prefs EVERY time I switch between opened documents.

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13. Make the Edit in Photoshop button work for multiple links at once

    Suggest adding the ability to make the edit in Photoshop button in the links panel to be able to work for all the selected links at once. Right now, it only works for one link at a time; otherwise, if multiple are selected, the button is greyed out. This will increase productivity as you will not have to select each link one by one.

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    3 votes

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    1 comment  ·  Images, Links  ·  Delete…  ·  Admin →
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14. Add arrow buttons to change the font size or remove type units in Contextual task bar

    Please remove the "pt" from the textbox (if there are no other size descriptors), and/or:
    add +/- buttons for one-click increase/decrease font size.

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    3 votes

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15. Image Trace needs 'Simplify' option we can disable

    Image Trace is still not functioning properly. The 'Simplify' feature is still missing. Forcing Simplify should not be allowed.

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    6 votes

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    4 comments  ·  Tools  ·  Delete…  ·  Admin →
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16. Hiding the artboard (Ctrl+Shift+H) should not change the canvas color.

    Hiding the artboard (Ctrl+Shift+H) should not change the canvas color.
    Now, after hiding the artboard, the canvas color changes to white.

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    2 votes

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17. Linked file is not shown like it should be

    I also found this issue while linking the file between the other apps (InDesign/Premiere Pro).
    Please see the attached pictures for reference.

    I normally linked the file(s) and lay on another size to make a production.
    It's easy to modify the original (one file), and the other linked files will be updated.

    Now I need to export to a photo and re-link the file.

    Why are the advantage functions continuing to disappear?

    Including the Cloud Storage, it is useless. Cannot share or download the file. Modifying the file on the cloud is a nightmare (super lack).
    The old version (shared assets) is very useful for me, the team, and the suppliers.

    I also found this issue while linking the file between the other apps (InDesign/Premiere Pro).
    Please see the attached pictures for reference.

    I normally linked the file(s) and lay on another size to make a production.
    It's easy to modify the original (one file), and the other linked files will be updated.

    Now I need to export to a photo and re-link the file.

    Why are the advantage functions continuing to disappear?

    Including the Cloud Storage, it is useless. Cannot share or download the file. Modifying the file on the cloud is a nightmare (super lack).
    The old version (shared… more

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    1 vote

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18. Help user to show open panels

    Sometimes UI panels are covered by others. When choosing those panels from the menu, a blue outline hints on their position.
    Why not bring it to front? in 99,99 % of the cases, that is what users want.

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    0 comments  ·  User Interface  ·  Edit…  ·  Delete…  ·  Admin →
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19. Background option for thumbnail view when saving vectors, especially white vectors

    When a user goes through the save options on the pop-up window, it would be nice to add a feature that lets one select a background color for the thumbnail image. My reason for this is so my white vector files do not disappear on a white background. That would be great for me as a designer. The real trick would be if this thumbnail could also be viewed by anyone on their computer. White logos and icons I develop are passed off to clients or internal team members. Seeing that thumbnail can eliminate doubt and questions about the image actually being saved.
    If this feature exists, please let me know.
    Thanks for your consideration

    When a user goes through the save options on the pop-up window, it would be nice to add a feature that lets one select a background color for the thumbnail image. My reason for this is so my white vector files do not disappear on a white background. That would be great for me as a designer. The real trick would be if this thumbnail could also be viewed by anyone on their computer. White logos and icons I develop are passed off to clients or internal team members. Seeing that thumbnail can eliminate doubt and questions about the image… more

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    3 votes

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    1 comment  ·  User Interface  ·  Delete…  ·  Admin →
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20. Paste in Front / Back should be disabled while actively editing text

    Ctrl+B and Ctrl+F are still available to paste objects while user is actively editing text. This should not be allowed.
    Ctrl+V does some kind of text only paste in the active text edit field (this makes sense) but hitting Ctrl+B or Ctrl+F (by default, paste in back/front) these will ACTUALLY paste artwork whatever it may be in the location copied from, WHILE the user is in the text edit field. This could mean unexpected behavior and user may not realize they pasted something as it may not even have drawn on screen.
    Editing text should be single threaded, and focused on editing text, or you're just going to limit the keyboard shortcut possibilities or confuse users.

    Ctrl+B and Ctrl+F are still available to paste objects while user is actively editing text. This should not be allowed.
    Ctrl+V does some kind of text only paste in the active text edit field (this makes sense) but hitting Ctrl+B or Ctrl+F (by default, paste in back/front) these will ACTUALLY paste artwork whatever it may be in the location copied from, WHILE the user is in the text edit field. This could mean unexpected behavior and user may not realize they pasted something as it may not even have drawn on screen.
    Editing text should be single threaded, and focused… more

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    3 votes

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    2 comments  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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