4728 results found

1. Support noise effect from SVG exported from Figma

   <svg width="255" height="255" viewBox="0 0 255 255" fill="none" xmlns="http://www.w3.org/2000/svg">
   <g filter="url(#filter0_n_1_5)">
   <circle cx="127.021" cy="127.021" r="127.021" fill="#FF7575"/>
   </g>
   <defs>
   <filter id="filter0_n_1_5" x="0" y="0" width="254.042" height="254.042" filterUnits="userSpaceOnUse" color-interpolation-filters="sRGB">
   <feFlood flood-opacity="0" result="BackgroundImageFix"/>
   <feBlend mode="normal" in="SourceGraphic" in2="BackgroundImageFix" result="shape"/>
   <feTurbulence type="fractalNoise" baseFrequency="0.71641594171524048 0.71641594171524048" stitchTiles="stitch" numOctaves="3" result="noise" seed="7505" />
   <feColorMatrix in="noise" type="luminanceToAlpha" result="alphaNoise" />
   <feComponentTransfer in="alphaNoise" result="coloredNoise1">
   <feFuncA type="discrete" tableValues="1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 "/>
   </feComponentTransfer>
   <feComposite operator="in" in2="shape" in="coloredNoise1" result="noise1Clipped" />
   <feFlood flood-color="rgba(0, 0, 0, 0.25)" result="color1Flood" />
   <feComposite operator="in" in2="noise1Clipped" in="color1Flood" result="color1" />
   <feMerge result="effect1_noise_1_5">
   <feMergeNode in="shape" />
   <feMergeNode in="color1" />
   </feMerge>
   </filter>
   </defs>
   </svg>
   

   <svg width="255" height="255" viewBox="0 0 255 255" fill="none" xmlns="http://www.w3.org/2000/svg">
   <g filter="url(#filter0_n_1_5)">
   <circle cx="127.021" cy="127.021" r="127.021" fill="#FF7575"/>
   </g>
   <defs>
   <filter id="filter0_n_1_5" x="0" y="0" width="254.042" height="254.042" filterUnits="userSpaceOnUse" color-interpolation-filters="sRGB">
   <feFlood flood-opacity="0" result="BackgroundImageFix"/>
   <feBlend mode="normal" in="SourceGraphic" in2="BackgroundImageFix" result="shape"/>
   <feTurbulence type="fractalNoise" baseFrequency="0.71641594171524048 0.71641594171524048" stitchTiles="stitch" numOctaves="3" result="noise" seed="7505" />
   <feColorMatrix in="noise" type="luminanceToAlpha" result="alphaNoise" />
   <feComponentTransfer in="alphaNoise" result="coloredNoise1">
   <feFuncA type="discrete" tableValues="1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

   … more
   3 votes

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   2 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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2. Support background blur in SVGs exported from Figma

   <svg width="367" height="255" viewBox="0 0 367 255" fill="none" xmlns="http://www.w3.org/2000/svg">
   <rect x="150.75" y="18.5726" width="216" height="216.897" fill="#7580FF"/>
   <foreignObject x="-51.0876" y="-51.0876" width="356.218" height="356.218"><div xmlns="http://www.w3.org/1999/xhtml" style="backdrop-filter:blur(25.54px);clip-path:url(#bgblur_0_1_16_clip_path);height:100%;width:100%"></div></foreignObject><circle data-figma-bg-blur-radius="51.0876" cx="127.021" cy="127.021" r="127.021" fill="#FF7575" fill-opacity="0.7"/>
   <defs>
   <clipPath id="bgblur_0_1_16_clip_path" transform="translate(51.0876 51.0876)"><circle cx="127.021" cy="127.021" r="127.021"/>
   </clipPath></defs>
   </svg>
   

   (I'm sympathetic that general <foreignObject> support is nigh impossible 🙂 Figma uses this only for background blurs and angular gradients)

   3 votes

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   2 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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3. Turn off artboard names / labels when using Artboard Tool

   When using the Artboard tool, the artboard label can interfere with the artboard content. Can there be an option to turn the artboard name off or move it to be above the artboard and not within the boundary?

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   3 votes

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   4 comments  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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   AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

   To hide the permanent captions for artboards, go to Preferences > Selection & Anchor Display and disable the new 'Show Artboard name on canvas' option.

   This would restore the previous behavior with labels being displayed only when Artboard Tool / mode is active, and shown above the artwork.

   This feature was added because of this request

4. Please add a shortcut for 'Enter Isolation Mode' for layers.

   Please add a shortcut for 'Enter Isolation Mode' for layers. This is a very useful command, and accessing it by clicking a tiny icon is difficult.

   3 votes

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   3 comments  ·  Layers  ·  Delete…  ·  Admin →
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5. Bi-color contour brush

   I want to suggest to the Adobe Illustrator developers the creation of a brush that allows for precise adjustments of both the line width and the outline width in millimeters, and that, when lines intersect or overlap, it combines the elements and creates a continuous outline around them. This would allow you to create patches for milling machines.

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   2 votes

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   3 comments  ·  Brushes  ·  Delete…  ·  Admin →
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6. Make Select Art button more evident

   I periodically see designers, with serious (albeit cheerful) faces, boldly clicking the 'round button' in Layers to 'select everything on the layer.'

   And while the button indeed 'selects' everything on a layer, it also selects the layer itself — targets it really, for applying a layer-specific appearance.

   Take a look at this GIF attached.
   If I select Layer 2 (with the green squares) like this, and then apply the Round Corners effect, all the new squares in the layer will have round corners.
   Sure, everything is visible in the Appearance palette.
   Sure, everything is written in the pop-up hints.

   The round ones are for appearance. We need to click to the right of the circle instead, where the square markers are drawn — these are there to mark selection... AND allow selection.

   It’s a very common mistake (like confusing windshield wipers and turn signals)...
   And I think I know why it happens. I’m convinced that it is psychologically easier to click a circle — that looks more like a button, — than an empty space where a square appears (when clicked).
   Recently some accessibility changes were introduced into Ai, and now things we can click in most panels gets highlighted slightly on hover — but not these square-to-be spots! Even when there are square markers there!

   So please make these more pronounced.

   I love appearance dearly, but selecting all in a layer / sublayer / group is a far more common procedure users do. And discovering something called 'appearance' was the source of many problems with art’s colors is not a good way to meet this power.

   I periodically see designers, with serious (albeit cheerful) faces, boldly clicking the 'round button' in Layers to 'select everything on the layer.'

   And while the button indeed 'selects' everything on a layer, it also selects the layer itself — targets it really, for applying a layer-specific appearance.

   Take a look at this GIF attached.
   If I select Layer 2 (with the green squares) like this, and then apply the Round Corners effect, all the new squares in the layer will have round corners.
   Sure, everything is visible in the Appearance palette.
   Sure, everything is written in the pop-up hints.

   The… more

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   7 votes

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   0 comments  ·  User Interface  ·  Delete…  ·  Admin →
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7. Make arrowheads have a dedicated fly-out palette

   Arrowheads are too difficult to select. Having a fly-out panel so I can quickly choose and apply them would be a great addition for technical illustrators.

   4 votes

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   1 comment  ·  Strokes  ·  Delete…  ·  Admin →
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8. Add ability to hyperlink text (properly this time)

   In June of 2023 the Illustrator team fixed a old bug with hyperlinks added through Attributes panel being dropped while exporting as PDF.
   The team thought of it as a solution to this request: http://illustrator.uservoice.com/forums/333657/suggestions/40418827 — and marked it as such.

   I do not agree.
   The solution is nowhere final, done in the most basic way possible, merely a bug fixed, like if no-one in the team did try to make it useful at the level of today's standards.
   — A partial text selection can't be made into a hyperlink.
   — No widgets are given on the canvas to see if an object has a hyperlink assigned or not, and to open the link directly from the canvas (with or without a modifier).
   — Attributes gives no way to jump to a previous/next hyperlink in the document.
   — The 'browser' button uses the IE browser, not the assigned one at the OS level.
   — If I cover an object which has a hyperlink assigned, with another object that has another hyperlink, the area they shared together is overtaken by the one which is below, and not according to their z-order.
   — 'Polygon' image map option does not work, the object gets a rectangle area still. The sacred knowledge about creating polygonal image maps in Ai is long lost, and the only mention the official manual has about it is here (https://helpx.adobe.com/illustrator/using/slices-image-maps.html) — but it never actually tells how to create these. Surely not via rectangular-only slices. It should just happen automatically, and it does not.
   — What about automation? To have the links to be auto-tagged, like this solution for InD does (https://www.id-extras.com/products/hyperlinkpro/)?
   — What about auto styling, like InD provides?
   — Will we be able to fine tune the look of the Character’s 'Underline' option? Nobody places lines this close to text anymore on web.

   So yes, this should be made BETTER.

   In June of 2023 the Illustrator team fixed a old bug with hyperlinks added through Attributes panel being dropped while exporting as PDF.
   The team thought of it as a solution to this request: http://illustrator.uservoice.com/forums/333657/suggestions/40418827 — and marked it as such.

   I do not agree.
   The solution is nowhere final, done in the most basic way possible, merely a bug fixed, like if no-one in the team did try to make it useful at the level of today's standards.
   — A partial text selection can't be made into a hyperlink.
   — No widgets are given on the canvas to see… more

   49 votes

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   4 comments  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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9. Allow Recent Colors to include tints for global and spot swatches

   Illustrator allows tinting non-process swatches.
   However, recently introduced Recent Colors strips in Color and Swatches panels don’t include these.
   Please include them.

   Original idea by Simon Bowland

   5 votes

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   1 comment  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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10. Schriftanzeigeaktualisierungen beim Nachladen von fehlenden Schriften inclusive Aktualisierung bei Texten mit Silbentrennung.

    Wenn Schriften nachgeladen werden, sei es manuell oder durch PlugIns, wird die Anzeige in Textfeldern mit Silbentrennung bezüglich der nachgeladenen Schrift NICHT aktualisiert.
    Für die Anzeige ist die aktive Schrift + die eingestellte Sprache + das Wörterbuch von Bedeutung. Bei Änderung der aktiven Schrift durch nachladen, wird die Silbentrennung nicht automatisch aktualisiert.
    Was zu falschen Umbrüchen im Dokument führen kann, welche nicht immer sofort bemerkt werden.
    Eine Aktualisieren auch der Silbentrennung nach Laden einer Schrift bei einem geöffneten Dokument ist daher wünschenswert.

    3 votes

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    Need More Info  ·  5 comments  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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11. "Width Profile" option to Select Same menu

    Can we add "Width Profile" option to Select Same menu

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    2 votes

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    2 comments  ·  Selection  ·  Delete…  ·  Admin →
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12. Make Intertwine into a tool, available from a tool panel

    Objects on Path is a tool, and it creates a dedicated object... and does nothing else! all the operations with this new object are performed using the Selection tool...
    Meanwhile, an Intertwine object would need a command, Object > Intertwine > Edit (or a button in the Control panel) to be edited — which just enabled the hidden tool! Make it a real one!

    5 votes

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    0 comments  ·  Clipping, Intertwine  ·  Delete…  ·  Admin →
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13. Support angular gradients exported from Figma

    Example:
    
<svg width="255" height="255" viewBox="0 0 255 255" fill="none" xmlns="http://www.w3.org/2000/svg">
<g clip-path="url(#paint0_angular_21_6_clip_path)" data-figma-skip-parse="true"><g transform="matrix(0 0.127021 -0.127021 0 127.021 127.021)"><foreignObject x="-1021.98" y="-1021.98" width="2043.96" height="2043.96"><div xmlns="http://www.w3.org/1999/xhtml" style="background:conic-gradient(from 90deg,rgba(255, 116, 116, 1) 0deg,rgba(255, 222, 116, 1) 360deg);height:100%;width:100%;opacity:1"></div></foreignObject></g></g><circle cx="127.021" cy="127.021" r="127.021" data-figma-gradient-fill="{&#34;type&#34;:&#34;GRADIENT_ANGULAR&#34;,&#34;stops&#34;:[{&#34;color&#34;:{&#34;r&#34;:1.0,&#34;g&#34;:0.45723783969879150,&#34;b&#34;:0.45723783969879150,&#34;a&#34;:1.0},&#34;position&#34;:0.0},{&#34;color&#34;:{&#34;r&#34;:1.0,&#34;g&#34;:0.87335550785064697,&#34;b&#34;:0.45723783969879150,&#34;a&#34;:1.0},&#34;position&#34;:1.0}],&#34;stopsVar&#34;:[{&#34;color&#34;:{&#34;r&#34;:1.0,&#34;g&#34;:0.45723783969879150,&#34;b&#34;:0.45723783969879150,&#34;a&#34;:1.0},&#34;position&#34;:0.0},{&#34;color&#34;:{&#34;r&#34;:1.0,&#34;g&#34;:0.87335550785064697,&#34;b&#34;:0.45723783969879150,&#34;a&#34;:1.0},&#34;position&#34;:1.0}],&#34;transform&#34;:{&#34;m00&#34;:1.5555609304460614e-14,&#34;m01&#34;:-254.04237365722656,&#34;m02&#34;:254.04237365722656,&#34;m10&#34;:254.04237365722656,&#34;m11&#34;:1.4210854715202004e-14,&#34;m12&#34;:-1.4883232856864256e-14},&#34;opacity&#34;:1.0,&#34;blendMode&#34;:&#34;NORMAL&#34;,&#34;visible&#34;:true}"/>
<defs>
<clipPath id="paint0_angular_21_6_clip_path"><circle cx="127.021" cy="127.021" r="127.021"/></clipPath></defs>
</svg>


    3 votes

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    1 comment  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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14. Make Swatches panel minimal size smaller

    Please, make it possible to reduce the Swatches panel height like it was in Illustrator 2024.

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    3 votes

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    1 comment  ·  User Interface  ·  Delete…  ·  Admin →
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15. Smoothing a selected portion of a path converts the extreme points in the selection into sharp from smooth

    Here I have a path with all the points being smooth (all handles are at 180°), but one portion of the path is particularly bumpy. I want to smooth only this portion.
    I select it (using Lasso), I make sure these are smooth, I pick Pencil, hold Opt/Alt, drag the slider... and it makes the selected portion of the path connected to the rest of it in the sharp manner. There is no tension at the star/end points, it just flops.
    While this can be useful, being blind like this, I’d love for it to at least give me the choice. An option, perhaps?

    Here I have a path with all the points being smooth (all handles are at 180°), but one portion of the path is particularly bumpy. I want to smooth only this portion.
    I select it (using Lasso), I make sure these are smooth, I pick Pencil, hold Opt/Alt, drag the slider... and it makes the selected portion of the path connected to the rest of it in the sharp manner. There is no tension at the star/end points, it just flops.
    While this can be useful, being blind like this, I’d love for it to at least give me the… more

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    5 votes

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    0 comments  ·  Tools  ·  Delete…  ·  Admin →
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16. Enclosed Selection mode should work in isolation using the correct scope

    Illustrator today allows to make Enclosed Selection Mode a permanent option, with with the Select Objects only within Marquee option, in Preferences > Selection & Anchor Display, as was requested here and in a separate request at http://illustrator.uservoice.com/forums/333657/suggestions/49503929

    But I still can’t use it fully today.
    I isolate often, and Selection tool does not allow to use Enclosed mode when isolated. For some strange reason it requires the Group Selection tool to do so, as if my scope stays at the document level, and I’m no in isolation! Make Selection tool work in Enclosed mode in isolation, please.

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    5 votes

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    0 comments  ·  Selection  ·  Delete…  ·  Admin →
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17. Bring object forward (and back etc.) within selection only

    Sometimes I will be working in a document with many different objects and as an example, I might want to add something between two different objects. I would like a way to select just the three objects and send the new object forward or back relative to what I have selected instead of to the whole document.

    I know I can just group the objects and arrange within the group but it would be nice to have a quicker way to achieve this.

    2 votes

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    3 comments  ·  Selection  ·  Delete…  ·  Admin →
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18. Add Biology & Scientific Diagram Tools for Easy Cell and Medical Illustrations

    As an illustrator specializing in biology, microbiology, and scientific educational diagrams, I often find it time-consuming and challenging to create natural-looking cells, organelles, biological textures, and clean labels within Adobe Illustrator. To improve workflow and accuracy, I propose that Adobe adds a dedicated set of toolbar tools designed specifically for biological and scientific illustrations, focusing on ease of use, organic shapes, and diagramming features.

    Suggested Tools Include:

    Organic Blob Tool: Create irregular, smooth cell shapes with adjustable wobble and roundness.

    Cell Chain Tool: Draw linked cells or bacteria chains with customizable spacing and size.

    Pseudopod Tool: Add flowing, arm-like extensions for visualizing amoebas or cellular movement.

    Membrane Ripple Tool: Generate subtle wavy edges to mimic membranes or cell walls.

    Cell Texture Fill Tool: Fill cells with natural biological textures like cytoplasm or granules.

    Nucleus Tool: Easily place nuclei or organelles centered inside cells.

    Cilia Brush Tool: Paint fine hair-like cilia or flagella projections from edges.

    Cross Section Tool: Draw dashed sectional lines with arrows and labels for anatomy diagrams.

    Label Connector Tool: Create snapping leader lines with easy label placement for diagrams.

    Microscope View Tool: Apply circular magnification overlays with blur outside for micrographs.

    Force Vector Tool: Draw arrows representing flows or directional forces scaled by magnitude.

    Data Plot Brush: Sketch rough graphs that snap cleanly to axis-aligned charts.

    Molecular Cluster Tool: Generate clusters of atoms or molecules with bonded shapes.

    Field Line Tool: Illustrate magnetic, electric, or fluid flow lines around objects smoothly.

    Radiation Emission Tool: Show particle or wave emissions radiating from points.

    Circuit Path Tool: Draw technical flow lines with snap-to-grid elbows for pathways.

    Axis Label Tool: Quickly create labeled graph axes with ticks and units.

    Tissue Matrix Tool: Fill areas with fibrous or mesh-like biological textures.

    Vein & Branch Tool: Create branching structures like veins, roots, or neural networks with adjustable density and angles.

    Specimen Label Tool: Add smart snapping labels with leader lines for specimens or cell parts.

    Benefits:

    Speeds up the creation of scientific and biological illustrations

    Reduces reliance on manual anchor editing or complicated plugins

    Enables clear, professional, and natural diagrams for education and publication

    Supports educators, researchers, and medical illustrators with specialized tools

    Please consider adding these toolbar tools to Illustrator to make it the go-to app for biological and scientific illustrations

    As an illustrator specializing in biology, microbiology, and scientific educational diagrams, I often find it time-consuming and challenging to create natural-looking cells, organelles, biological textures, and clean labels within Adobe Illustrator. To improve workflow and accuracy, I propose that Adobe adds a dedicated set of toolbar tools designed specifically for biological and scientific illustrations, focusing on ease of use, organic shapes, and diagramming features.

    Suggested Tools Include:

    Organic Blob Tool: Create irregular, smooth cell shapes with adjustable wobble and roundness.

    Cell Chain Tool: Draw linked cells or bacteria chains with customizable spacing and size.

    Pseudopod Tool: Add flowing, arm-like extensions… more

    3 votes

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    10 comments  ·  Tools  ·  Delete…  ·  Admin →
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19. Dynamic Stroke Weight for Pencil Tool

    I want to suggest a feature for the Pencil Tool: the ability to automatically apply a Variable Width Profile based on my real-time input.

    Currently, the Pencil Tool only draws lines with a uniform stroke (or with a VSW profile from the selection)

    I propose adding a new option in the Pencil Tool preferences to link stroke weight dynamically to: Pressure Sensitivity (Tablet Users) and Drawing Speed Sensitivity (Mouse/Trackpad Users)

    This single addition would transform the Pencil Tool into a powerful, intuitive instrument for design.

    2 votes

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    2 comments  ·  Tools  ·  Delete…  ·  Admin →
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20. Artboard titles should not be covered by bleeds, when 'Show Artboard name on canvas' is enabled

    Use Bleed Size When Showing the Artboard Title and When Applying an Artboard Background Color

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    4 votes

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    1 comment  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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