4781 results found

1. Don’t force creating a dedicated layer for Swatch Info objects

   When we create a Swatch Info object, a new layer named 'Swatch Info Layer' gets created automatically. I don’t need it. I want to be able to choose if I need this layer, and what name it should use. My layer structure is something I prefer to have control over, and the way Ai thinks I need to have a singular group this creates in a separate layer is insulting.

   Same goes for Dimensions — why do you think I mustn’t choose the layer’s name?
   http://illustrator.uservoice.com/forums/333657/suggestions/48236954

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   0 comments  ·  Layers  ·  Delete…  ·  Admin →
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2. Add Preview option when creating a Swatch Info object

   When we create a Swatch Info object, using a dedicated command from the Swatches panel’s menu, the dialog is missing Preview option we can enable and see how the parameters work in real-time.

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   0 comments  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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3. Add Black and White color chips in Color Picker dialog in Color Models mode

   For some reason, the Color Picker dialog is the default way of setting a color in several color induced effects: Drop Shadow, Inner and Outer Glow.

   Most of times these effects are used, we need to toggle between black and white. These are more or less OK to pick quickly, if we change the mode of the dialog to Color Swatches.

   But each time this dialog is called when editing a color for the effect, the dialog open in the first mode, Color Models.
   And to set black or white in this mode we need to click the spectrum field and drag the point into a corner. You get accustomed to this, and realize you can move the mouse beyond the the dialog, making the precision gesture 'infinite' — and this is what MANY users do, if you watch tutorials or timelapses.

   But this is bullshit. We just need black and white, without fiddling with the spectrum. More of it, in a CMYK document setting black like this would make it rich black, and not K100 — which one would have to set manually, by typing it.

   Since there is a request about adding Recent Colors, perhaps into Swatches or Color (http://illustrator.uservoice.com/forums/333657/suggestions/44772598), perhaps we should be given an option to see these in Color Picker as well (a lot of users prefer it to Color+Swatches panels). In this case, just make Black and White always there, as a fixed choices.

   Another solution would be just to display the same 'Color UI' used for any other place in Ai, the Swatches + Color Mixer (minus Gradient and Generative Pattern, obviously).

   For some reason, the Color Picker dialog is the default way of setting a color in several color induced effects: Drop Shadow, Inner and Outer Glow.

   Most of times these effects are used, we need to toggle between black and white. These are more or less OK to pick quickly, if we change the mode of the dialog to Color Swatches.

   But each time this dialog is called when editing a color for the effect, the dialog open in the first mode, Color Models.
   And to set black or white in this mode we need to click the spectrum field… more

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4. Asset/Object export needs more options

   I wanted to export multiple assets/objects with their artboard position and quickly realized they will get cropped and there isn't an option to change that.
   The possible naming is also quite limited. Every professional program should have wildcards for naming files.
   It boils down to missing batch features. I found a developer who gave it a try once (TomByrne IllustratorSmartExport). That's everything the batch export could and should be and it should be an official inspiration for how the export in Illustrator should look/feel like. Unfortunately it's not longer under development and the core functionality is broken. Still it's a good example where Illustrator should turn it's head to.

   I wanted to export multiple assets/objects with their artboard position and quickly realized they will get cropped and there isn't an option to change that.
   The possible naming is also quite limited. Every professional program should have wildcards for naming files.
   It boils down to missing batch features. I found a developer who gave it a try once (TomByrne IllustratorSmartExport). That's everything the batch export could and should be and it should be an official inspiration for how the export in Illustrator should look/feel like. Unfortunately it's not longer under development and the core functionality is broken. Still it's a… more

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   Need More Info  ·  1 comment  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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5. Migrate Pattern fill to iPad

   It would be great to have that computer feature as well on that device as not a lot of people do not have Ai on all of their devices

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   Need More Info  ·  1 comment  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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6. Show Live Shape controls for grouped objects as before

   The shape option in the Transform panel is lost when grouping or compounding rectangular or star shape objects.

   This is very difficult to use because it used to be possible to change the shape object's radius all at once, even when grouped together.

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   1 comment  ·  Other...  ·  Delete…  ·  Admin →
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7. Display Active Modifier-Key Command on Screen when holding Control, Shift, or Alt

   When holding down any combination of Ctrl, Shift, or Alt, Illustrator should display on-screen text indicating which command is being invoked.

   Moving or duplicating artboards requires the artboard toolbar to be selected, and then Shift+Ctrl+Alt keys to be held at once in order to drag a duplicate artboard parallel to the original. A simple on-screen text saying "Drag artboard, Drag parallel, Drag with Contents" or similar would help users intuitively understand which hot‑key action is being triggered, especially when working with multiple modifier keys where memorization can be challenging.

   This can be used not just for artboard commands, but all six (!) different paste commands, too.

   When holding down any combination of Ctrl, Shift, or Alt, Illustrator should display on-screen text indicating which command is being invoked.

   Moving or duplicating artboards requires the artboard toolbar to be selected, and then Shift+Ctrl+Alt keys to be held at once in order to drag a duplicate artboard parallel to the original. A simple on-screen text saying "Drag artboard, Drag parallel, Drag with Contents" or similar would help users intuitively understand which hot‑key action is being triggered, especially when working with multiple modifier keys where memorization can be challenging.

   This can be used not just for artboard commands, but all… more

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   0 comments  ·  User Interface  ·  Delete…  ·  Admin →
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8. Crashes on opening any file when minimized into dock

   Illustrator 29.6 - macOS 15.5 - macmini m2pro

   Opening .SVG file the app crashes. At second try open file correctly. Tried many different SVGs...

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   Need More Info  ·  2 comments  ·  Performance, Enhancements  ·  Delete…  ·  Admin →
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9. Preserve Text Formatting when using Paste

   I would like to suggest adding an option to preserve text formatting when pasting content.
   I’m aware of the Place Text feature, but it doesn’t fully meet the need of retaining the original formatting from copied text.

   This functionality would be especially helpful for my work, as I frequently design leaflets that include both English and Arabic text. Having a paste option that maintains formatting would save time and ensure greater consistency in my projects.

   I would greatly appreciate your consideration of this feature. Thank you for the excellent work you do in developing Illustrator.

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   Need More Info  ·  1 comment  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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10. Turn off Smooth Tool slider

    I'm not sure if this is a bug or I just don't know what I'm doing so apologies if this is no the right place to post.

    A few days ago I chose Object > Path > Smooth rather than using the Smooth tool as I normally do. A slider popped up which was actually rather useful. But now whenever I hold option to use the smooth tool (while using the Pencil), this slider dialog pops up directly over the area I am trying to see. Is there a way to turn this back off? Thanks!

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    18 votes

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    11 comments  ·  Tools  ·  Delete…  ·  Admin →
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    AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    While there is still no way to completely disable the Smooth panel when the Smooth tool is picked, the bar now remembers its position and better picks the initial location.

    Please comment on this behavior and upvote if you think there still should be an option to not show it.

11. Add an option to hide the color spectrum bar at the bottom of the Color panel

    I would like to request an option to hide the color spectrum bar located at the bottom of the Color panel.

    For users who input colors using CMYK or RGB percentages, the color spectrum bar becomes an obstruction. This is particularly problematic when switching to a smaller panel docked below the Color panel, as the spectrum can display with an excessively tall vertical height. Having to manually resize the Color panel every time just to make the color spectrum smaller is cumbersome.

    Please consider implementing this feature.

    2 votes

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12. Gradient Tools Lack Customizability

    For a $20/month program, it's really frustrating that I've tested it's limited capabilities multiple times.
    1. Radial gradient: Should have the option to be deformed to shape. For instance, if I wanted a butterfly shaped radial gradient, the radial gradient should be able to act more like a proportional subdivision. Otherwise, the closes thing there is to what I'm looking for is the Gradient mesh because..

    1. Gradient Mesh: The Gradient Mesh has a severe lack of customizability. Everytime I use that tool for any complex shape, I always get a jumbled mess of lines and subdivisions that are overlapping and completely chaotic. We should have the option to adjust the anchor points of the mesh, but that's impossible without warping the vector shape. The tool is a nightmare to work with and practically impossible to get the results I'm looking for. You should have the option to start with a simple perpendicular grid and freely adjust the curves and anchor points without altering the vector shape. If you're not going to allow for this simple capability then don't bother having the gradient mesh at all.

    2. Free form gradient: The other alternative to a gradient mesh would be free form gradient. While this tool is definitely a lot better and more customizable than the gradient mesh, it's not without it's frustrating parts For one, it only ever allows you to draw curves. You can't do straight lines. between 3 points on the same line and there doesn't appear to be a hot key to allow for that capability. And simply using dots without lines turns the dots into radial gradients instead of a linear gradient when the points are connected by lines and you don't get the same effect. The tool is also incredibly tedious to use. Anytime I accidentally click a hotkey like Ctrl I for eyedropper it kicks me out of the tool, or I'll accidentally click an extra gradient dot instead of clicking on one that was already placed.

    3. Linear Gradients: This tool is great, but just like with what I talked about in regards to a radial gradient tool, this tool has it's frustrating limits. For one, the gradient it produces is not at all constrained by the bounding box of the vector and it's impossible to accurately reflect the gradient of a shape with this tool. There should be an option to have the linear gradient warped to accurately reflect the shape. For instance, if I have a trapezoid with a base that is much larger than the top, I want the proportions of the gradient to be proportionate the length of the top side and the bottom side, that way it actually reflects how lighting on that object should be.

    4. Multiple Linear functions: Still in regards to the linear tool, I really wish there was the ability to have multiple linear gradients affecting the same vector shape. This would be useful in examples like buildings. Imagine you're looking down the road through a city. Buildings farther from your view are going to appear brighter or darker than the buildings closer to your vision. (That would be one gradient). But than the tops of the buildings are also, more than likely, going to appear brighter than the bottom of the buildings because it's closer to the sky. In cases like these, it is extremely practical to have linear gradients overlapping.
       Another thing in regards to linear tools is the ability to transfer the same gradient to other objects. For example, to keep with the building example, the sun is setting on the horizon of the city and you see the reflections of the sun's light on the windows. The windows closer to the sun will have a brighter reflection than the windows closer to your view. But because all the windows are parallel to each other and are effected by the sun's reflections the same way, you should be able to draw a linear gradient from Point A to Point B and transfer those exact enpoints and slider coordinates to all the windows. I've been able to use the eyedropper tool to copy the colors in the gradient, but most of the time the length and location of the gradient line tool resets and I would have to manually manipulate the gradient lines to match for every single window and that's just plain time consuming and tedious not to mention it would not be a perfect continuity when it comes to accurately reflecting the window reflections.

    When it comes to these additional features, I'm not asking you to completely get rid of the features that already exist as those are still useful applications, but all I'm asking is for all these tools to be customizable and as integral as possible. These numerous incapabilities is frustrating and stunts my creative process enough that I wish I could get a job at Adobe just to have these features added.
    Thank you!

    For a $20/month program, it's really frustrating that I've tested it's limited capabilities multiple times.
    1. Radial gradient: Should have the option to be deformed to shape. For instance, if I wanted a butterfly shaped radial gradient, the radial gradient should be able to act more like a proportional subdivision. Otherwise, the closes thing there is to what I'm looking for is the Gradient mesh because..

    1. Gradient Mesh: The Gradient Mesh has a severe lack of customizability. Everytime I use that tool for any complex shape, I always get a jumbled mess of lines and subdivisions that are overlapping and… more

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    3 votes

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    3 comments  ·  Gradients  ·  Delete…  ·  Admin →
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13. Path Eraser tool option to keep the path closed

    Maybe while holding Opt/Alt, could be a good way to do it.

    I often use the Pencil tool, especially Smooth option while holding Opt/Alt, to clean points when there are too many of them and it works well on curves but not on straight lines (they become wavy).
    Sometimes I use the Path Eraser tool, but as its name tells it, it erases the path and then I have to select points and Ctrl+J to join. I just want an option to give us the choice to keep the path closed or not. It would require many less steps to clean an illustration than making a selection of the points i want to clean and use simplify or smooth tool after isolating the object when there are many object close.

    Maybe while holding Opt/Alt, could be a good way to do it.

    I often use the Pencil tool, especially Smooth option while holding Opt/Alt, to clean points when there are too many of them and it works well on curves but not on straight lines (they become wavy).
    Sometimes I use the Path Eraser tool, but as its name tells it, it erases the path and then I have to select points and Ctrl+J to join. I just want an option to give us the choice to keep the path closed or not. It would require many less steps to… more

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    Need More Info  ·  1 comment  ·  Tools  ·  Delete…  ·  Admin →
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14. Make Create Gradient from swatches command to respect the order of selection

    Recently Illustrator added a dedicated command to create a gradient form selected swatches, following this request: http://illustrator.uservoice.com/forums/333657/suggestions/38592196

    While the function works, there is no way to create a gradient respecting the selection order of swatches — the gradient will always use their order in the panel. I wish it worked! If we need the direct order of swatches, we’d just selected like this.

    6 votes

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    1 comment  ·  Gradients  ·  Delete…  ·  Admin →
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15. Show list of open files in different menu place / separate panel

    The open files are under Window menu, that is a large list to scroll and locate the files. I think it will be better to have an open files menu only for that. Also could be nice to have a button to browse them all, or a different method, like a panel.

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    6 votes

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    7 comments  ·  User Interface  ·  Delete…  ·  Admin →
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16. Allow to exclude handles from being snapped to grid

    I remember it being a bug, when handles were not snapping to grid... but sometimes it’s actually useful! Currently we have to undo, disable the grid, and tweak the handle.
    There should either be a hard option we can toggle (preferably with an ability to assign it to a hotkey), or a hotkey to toggle this behavior on the fly, the one we can tap while dragging and disable snapping for this operation only... or both!

    Please take a look at this related request as well:
    Introduce a tolerance for Snap to Grid / Pixel, so that snapping happens only when points are close enough to grid intersections
    https://illustrator.uservoice.com/forums/333657/suggestions/49616738
    This should also apply to handles, of course.

    I remember it being a bug, when handles were not snapping to grid... but sometimes it’s actually useful! Currently we have to undo, disable the grid, and tweak the handle.
    There should either be a hard option we can toggle (preferably with an ability to assign it to a hotkey), or a hotkey to toggle this behavior on the fly, the one we can tap while dragging and disable snapping for this operation only... or both!

    Please take a look at this related request as well:
    Introduce a tolerance for Snap to Grid / Pixel, so that snapping happens only… more

    6 votes

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    0 comments  ·  Snapping  ·  Delete…  ·  Admin →
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17. Make an option to never enable Knockout Group for new blend objects

    Illustrator insists on checking "knockout group" on my blends, I never want this, I always have to go in and turn that off every time I make a blend of a couple of objects with complicated appearances. Gimme a switch for that behavior.

    2 votes

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    0 comments  ·  Blends  ·  Delete…  ·  Admin →
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18. Effect dialogs need sliders

    Illustrator's stylized filters need a more practical and dynamic UI.

    Currently, stylized effects such as Drop Shadow, Feather, Inner and Outer Glow have an outdated UI and are not dynamic.

    I remember that Gaussian Blur was not in the past either, but Gaussian Blur was updated years ago and these stylized filters were not.

    I believe that these stylized filters deserve a more practical, faster and dynamic way of being adjusted, and I took the liberty of creating a UI suggestion inspired by the current Gaussian Blur UI.

    What do you think, would it be possible?

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    19 votes

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    1 comment  ·  User Interface  ·  Delete…  ·  Admin →
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19. Allow to control font for Swatch Info objects

    Well... if one wants to choose font size for text in Swatch Info objects while making one — tough luck. We can only set the color chip size.

    Since Preview is completely missing now (here’s the request about it: http://illustrator.uservoice.com/forums/333657/suggestions/49681244), it’s hard to evaluate if text would be large enough to accompany them.
    Even if you change the font size after the Swatch Info is created — won’t do, each text line is a separate type objects, their leading won’t be adjusted, the card background rectangles won’t adapt!

    One can think this font is based on the [Normal Paragraph Style], and we can tweak it (beforehand!) to set the font size...
    But it’s only half-truth. While the font family and the font style indeed follow the style, the font size is always 10 points.

    So, team, if you look how people in different tutorial videos have to dance around this stupid limitation, to guess the card size to fit the font size relatively, and then scale the whole object... I hope you will fill shame at least.

    If you are afraid to overload new users with controls in the dialog — at least make an option to scale font size to fit color chip size... or make it a relative value even.

    Well... if one wants to choose font size for text in Swatch Info objects while making one — tough luck. We can only set the color chip size.

    Since Preview is completely missing now (here’s the request about it: http://illustrator.uservoice.com/forums/333657/suggestions/49681244), it’s hard to evaluate if text would be large enough to accompany them.
    Even if you change the font size after the Swatch Info is created — won’t do, each text line is a separate type objects, their leading won’t be adjusted, the card background rectangles won’t adapt!

    One can think this font is based on the [Normal Paragraph… more

    5 votes

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    0 comments  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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    Resolved (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    Ai today offers dedicated controls for the font inside of Swatch Info objects.. all but the font family — these use the one used by the [Normal Paragraph Style].

20. Keyboard shortcut to cycle through 'Change Case' states

    Allow users to assign a keyboard shortcut to cycle through 'Change Case' settings. This was available on previous versions of Ai, and is a basic functionality that seems to have been removed for absolutely no reason.

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