4719 results found

1. UNSAVED DOCUMENT ASTERISK - *

   Sometimes we need to know if we changed a document, or if something moved without us realizing it. And the only way to know is to look at that tiny asterisk next to the document file name to see if it was modified.

   My idea is to make that asterisk a little bit bigger, so people can easily spot it. I am attaching a screenshot with a rough concept.

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2. Paste svg content from clipboard, not underlying xml content

   There are several design tools that can put SVG text on the clipboard including Illustrator. Please support pasting that content from the clipboard as content, not xml text. XD does this correctly, so Illustrator should too.

   3 votes

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   Completed (Comments Open)  ·  Ashutosh Chaturvedi responded

   We have the fix available in the latest release. Please update Illustrator using Adobe Creative Cloud application to the latest build for version Illustrator CC 22.1.
   Please refer to our knowledge base FAQ – https://illustrator.uservoice.com/knowledgebase/articles/1844590 if you face difficulty in update.
   Or get in touch with us at any of the other support channels – https://helpx.adobe.com/support.html

   Warm Regards,
   Ashutosh Chaturvedi | Sr. Quality Engineering Manager – Illustrator
   Adobe. Make It an Experience.

3. Reinstate The Functionality Of The Swatches Panel In CS 5.5

   I’d like to see the functionality of the Swatch panel that was in (Windows) Ai CS 5.5 reinstated. Specifically, when the panel was opened, I used to be able to toggle through the Color Modes by holding Shift and clicking on the color square (thumbnail). If I held Cntrl, it would toggle to the color compliment. These were two great features that were eliminated with CS 6 through to the current version of CC 2017. Bring these back!!

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4. Double Click last point to close a shape with the pen tool.

   When making a shape with the pen tool, double clicking the last point made should close the shape, instead of having to go to the first point manually.

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5. New Tool Idea: "Drag Draw"

   I've developed a novel way of drawing vector shapes using a delayed "drag point" method which at first seems counter-intuitive, but is actually closer to the way people draw with pens and brushes, because the drawing point is distanced from the moving point by a controlled amount (as if drawing with a chain), smoothing out the resulting line. My working demo was built in Javascript and can be observed in the attached video, but would be much more powerful within Illustrator and Photoshop. The tool I created allows me to export SVGs and gives me the ability to create smooth organic shapes quickly. The tool also has a few "organic closure" options that finish off the closure of a shape smoothly or with a point, but various other programs are already capable of that.

   I'm discussing the licensing of this with Astute Graphics currently (I think it fits well into their suite of vector tools), but no agreement has been worked out yet. I didn't bother to patent this (if it's even patent-able) so I'm probably making a mistake by posting here where anyone can just steal the idea, but there it is. I'd be interested in knowing what artists think of this approach/style and whether it would be desirable within Illustrator as a new drawing tool. Your thoughts?

   The demo:
   https://www.youtube.com/watch?v=i4jELmeMQEE

   Brian Hauge
   12/27/2017

   I've developed a novel way of drawing vector shapes using a delayed "drag point" method which at first seems counter-intuitive, but is actually closer to the way people draw with pens and brushes, because the drawing point is distanced from the moving point by a controlled amount (as if drawing with a chain), smoothing out the resulting line. My working demo was built in Javascript and can be observed in the attached video, but would be much more powerful within Illustrator and Photoshop. The tool I created allows me to export SVGs and gives me the ability to create smooth… more

   2 votes

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6. Actions panel

   Everything is so tiny, and the actions panel is too. When you run an action you see all steps, and if you want to try another of your actions you have to scroll a mile to get there. It's very difficult to get an overview of the actions you have. So I would like to see the steps of the action in a separate window, so that you don't loose the overview of your actions. You shouldn't see all steps in the same list as the actions that you have. Also I would like to be able to have some little icons or something that make me see the difference between actions. I don't always remember name of all actions. I think the same applies to all your brushes, tools, patterns swatches presets etc. It's so difficult to get a proper overview, a visual overview that makes sense. I want that.

   Everything is so tiny, and the actions panel is too. When you run an action you see all steps, and if you want to try another of your actions you have to scroll a mile to get there. It's very difficult to get an overview of the actions you have. So I would like to see the steps of the action in a separate window, so that you don't loose the overview of your actions. You shouldn't see all steps in the same list as the actions that you have. Also I would like to be able to have some… more

   6 votes

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7. What is the minimum size of artboard for exporting PDF from Illustrator?
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8. Memorize Size & Position Tick Box of an Object

   I would like to have memorized the size or position of some object by some tick box in the properties of AI this will help me compare with other object or move it later back where it was before.
   Currently i must create 2 objects and align them by X/Y with main object so when i move the main object i must use those 2 objects to move back main object.
   I hope you understand what i mean.
   Also if this is in wrong category please move it in the proper one.

   2 votes

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9. Placeholder text relative to your document

   When you choose the type tool and click, the placeholder text defaults to 12pt. This means that the text is tiny if you have a large artboard (see attached). It would be cool if the placeholder text was sized relative to your artboard instead, so that it's easy to see and work with.

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   1 comment  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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10. Copy parts from multiple layers into multiple layers

    I work with a lot of parts that I need to keep separated for output. A simple example is a complex, compound shape with 20 elements. I have 10 on a "cut" layer and 10 on a "print" layer. If I copy and paste them, I can only paste them into one layer. I might want them to go back into the same layers or into 2 new layers. I never want them in the same layer. I now have to go in and separate them all into the proper layers.

    This is important because the layers tell our output machines what to do with the files.

    I work with a lot of parts that I need to keep separated for output. A simple example is a complex, compound shape with 20 elements. I have 10 on a "cut" layer and 10 on a "print" layer. If I copy and paste them, I can only paste them into one layer. I might want them to go back into the same layers or into 2 new layers. I never want them in the same layer. I now have to go in and separate them all into the proper layers.

    This is important because the layers tell our output… more

    6 votes

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    Resolved (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    You can enable Paste Remembers Layers in the panel’s menu to make Illustrator remember layers your objects were copied from and insert them on layers with same name when pasted. If these layers don’t exist, Illustrator will create them. Be careful and disable it when not needed, if might make a mess when not needed. Also note that with this option enable everything copied from an isolation mode creates a separate 'Isolation mode' layer, which is stupid — vote here if you think this should be addressed: https://illustrator.uservoice.com/forums/601447-illustrator-desktop-bugs/suggestions/37935496-paste-remembers-layers-bug-with-isolation-mode

11. Auto-generate an opacity mask from the Appearance palette

    I've been experimenting with ways to create soft edges and stylized natural textures in my work. I find myself wishing for this to be able to quickly and easily create, say, an erratically faded and mottled edge to a filled path by giving it an opacity mask made up of a jagged white-to-black fade pattern brush, plus some black spots from a scatter brush.

    I would like to be able to add strokes and/or fills to a path via the Appearance palette, and have these paths show up in an auto-generated opacity mask for the path instead.

    Possibly this might be done by having a 'create opacity mask' live effect, with the 'clip' and 'invert mask' options available, that I could then place additional strokes and fills within.

    Alternatively there might be a way to say 'this fill/stroke goes in the opacity mask' - probably also a live effect.

    Multiple strokes/fills set to go into the opacity mask should all end up in the same mask.

    I've been experimenting with ways to create soft edges and stylized natural textures in my work. I find myself wishing for this to be able to quickly and easily create, say, an erratically faded and mottled edge to a filled path by giving it an opacity mask made up of a jagged white-to-black fade pattern brush, plus some black spots from a scatter brush.

    I would like to be able to add strokes and/or fills to a path via the Appearance palette, and have these paths show up in an auto-generated opacity mask for the path instead.

    Possibly this might… more

    5 votes

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    2 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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12. Brush Groups

    I would like to be able to select several brushes in the Brush palette, then press a 'make brush group' button on the palette.

    I would then be able to choose this brush group as if it were a brush. Drawing with this brush group would choose a different brush in the group at random for every new path I created.

    I might have a 'brush group options' dialogue box wherein I could choose the relative frequencies of the different brushes in the group, switch it between random choice and cycling between brushes in order, give it a name, and... whatever other features seem to need to be in there once it starts taking shape, really.

    Ideally, I would be able to have a brush in multiple groups. I would also be able to have brushes of different types in one group - if I wanted to mix an art brush with a scatter brush, for instance, I could.

    And ideally, altering the brush group would alter existing paths drawn using the brush group. This might be a choice similar to how changing the settings of a brush that's in use asks if you want to apply the changes to all existing paths that use it.

    I've been dabbling with a more 'natural media' look in Illustrator. For my purposes, art brushes seem to be working best, but I'll often start to notice the same repeated features of an art brush sticking out of my drawings. If I could make, say, ten "dry brush" brushes, and have Illustrator constantly swapping between them, this would make the illusion of real media a lot easier to keep up.

    Similarly, I use a lot of scatter brushes for things like trees or grass. It would be useful to be able to have several different 'leaf' scatter brushes and just scribble in a few overlapping strokes that automatically pick between them.

    I would also be able to create Graphic Styles that call for the use of a brush group on a stroke instead of a single brush.

    I would like to be able to select several brushes in the Brush palette, then press a 'make brush group' button on the palette.

    I would then be able to choose this brush group as if it were a brush. Drawing with this brush group would choose a different brush in the group at random for every new path I created.

    I might have a 'brush group options' dialogue box wherein I could choose the relative frequencies of the different brushes in the group, switch it between random choice and cycling between brushes in order, give it a name, and...… more

    6 votes

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13. Layer freezing

    When doing very complicated artwork, sometimes Illustrator's live preview starts to become impossibly slow. Distorted dense fill patterns, lots of art brushes full of translucent shapes, complicated high-res bitmap effects… I can do some stunning things with these but I’m reluctant to use them, because I need to have fast response time in my drawing tool.

    Currently, layers can be locked, or unlocked. I would like to have a third mode: 'frozen', where the layer is locked, and a bitmap of the entire layer is cached. This bitmap is then used for rendering the preview, until such time as the layer is unfrozen.

    I imagine this being invoked by shift- or control-clicking on the layer's visibility eye in the layers palette; the eye would be replaced by a snowflake or some other indication of it being 'frozen'.

    Frozen bitmaps are not saved along with the rest of the file; they’re regenerated when you load it.

    (This idea shamelessly swiped from the late lamented Expression, which let me play around with natural media effects at workable speed back around 2005.)

    When doing very complicated artwork, sometimes Illustrator's live preview starts to become impossibly slow. Distorted dense fill patterns, lots of art brushes full of translucent shapes, complicated high-res bitmap effects… I can do some stunning things with these but I’m reluctant to use them, because I need to have fast response time in my drawing tool.

    Currently, layers can be locked, or unlocked. I would like to have a third mode: 'frozen', where the layer is locked, and a bitmap of the entire layer is cached. This bitmap is then used for rendering the preview, until such time as the… more

    5 votes

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    2 comments  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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14. Use Key Object to allow precise control for in-back and in-front level changes

    Allow Key Object to define which object is moved and which object is used to define movement. If I select two objects and then highlight one as a key object, it would be nice to use the same hotkeys for "send to back" and "send to front" and have it only work in relation to the two selected objects, putting the keyed object either directly in front of or behind in the layer order of the other object.

    As it is now, the hotkeys either work too much by sending objects all they way to the back or front, or too little by requiring a one layer change per use. On builds with many objects/layers this just feels inefficient and clumsy. Adding in the Key Object feature would allow users to have a second level of functionality and quickly place a layer exactly where they want it quickly, using a feature that is already in place to give them more precise control over object placement.

    Thanks for a great product and the years of creative expression it has provided!

    Allow Key Object to define which object is moved and which object is used to define movement. If I select two objects and then highlight one as a key object, it would be nice to use the same hotkeys for "send to back" and "send to front" and have it only work in relation to the two selected objects, putting the keyed object either directly in front of or behind in the layer order of the other object.

    As it is now, the hotkeys either work too much by sending objects all they way to the back or front, or… more

    7 votes

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15. Ability to export to PSD but retain folders and layers

    Ability to export to PSD but retain folders and layers. Critical for taking artwork prepared for Character Animator from Illustrator to Photoshop in order to use tools such as puppet warp to create easy frame by frame animations.

    11 votes

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16. A 'Remove Duplicate/Wholly Obscured Objects' feature

    A 'Remove Duplicate/Wholly Obscured Objects' feature

    I can pay for a plugin that removes duplicate objects that are immediately above/below a copy. I need something more sophisticated; an option to clean up a drawing by removing all duplicate objects and all wholly obscured objects.

    3 votes

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17. Change Selection tool back to the way it was.

    The selection tool on an object is now really annoying. I have to zoom in really close to a small object to move it otherwise I get too many options and it just ends up spinning or resizing the object. Please fix!!!

    2 votes

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18. Move (select) multiple artboards with just a mouse

    I just need to be able to select and move multiple artboards.
    Thats so simple. Currently, I can select only 1, but I have 100 of them already and I want move some groups in my document, to easy re-arrange them. But I have to move one by one. AWKWARD.

    7 votes

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    Completed (Comments Open)  ·  Ashutosh Chaturvedi responded

    Hi,
    We are pleased to inform you that your request is available in the latest release of Illustrator version 22.0.
    Visit your Adobe Creative Cloud Application and update. If you do not see an update on the application please check for update from the flyout options on the application after clicking on three vertical dots. For step by step process please visit: https://helpx.adobe.com/in/creative-cloud/help/download-install-app.html#Checkforupdates

    Warm Regards,
    Ashutosh Chaturvedi | Sr. Quality Engineering Manager – Illustrator
    Adobe. Make It an Experience.

19. Add Expand Image Trace button in Properties

    When you do an image trace of an image there is no button to expand it.

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    Completed (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    Expand button is now available in Properties for Image Trace objects from version 27.6.1

20. Adjusting the curve of the "type on the path" and be able to keep the type from distorting

    This was actually a feature that USED to work on previous illustrators, since this month's update (October 2018), it stopped working. Basically, you make a circle shape, then you type on a path. But sometimes you want to be able to adjust/transform the curve (while keeping the Type same size and proportion) to see how it would lay without distorting the type. *Not the same as holding shift because that just keeps the curve the same shape, and it also make the type bigger or smaller. See image for a mock up of what it should look like in action. In yes row, if you transform A - B, see how the type stays the same size and proportion? It's just how it lays on the curve that changes. There use to be a command you can hold to do that. The "no" row is what is happening now when you try to adjust the curve with the type on it. Please bring this feature back!

    This was actually a feature that USED to work on previous illustrators, since this month's update (October 2018), it stopped working. Basically, you make a circle shape, then you type on a path. But sometimes you want to be able to adjust/transform the curve (while keeping the Type same size and proportion) to see how it would lay without distorting the type. *Not the same as holding shift because that just keeps the curve the same shape, and it also make the type bigger or smaller. See image for a mock up of what it should look like in action.… more

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    4 votes

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