4697 results found

1. Need Save As... in Edit Toolbar options

   I use saved toolbars, but they are tedious to create because when you click New toolbar... you get a blank toolbar and then have to add each tool one by one. I would like to open an existing toolbar (like Advanced) and have the option to Save As... under a new name - then, I can remove the tools I don't want and save it. Better to work from a starting point, than have to start from scratch.

   3 votes

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   0 comments  ·  Tools  ·  Delete…  ·  Admin →
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2. Add Catalan to the available languages ​​of Illustrator (as InDesign already has)
   4 votes

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   1 comment  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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3. Create a symbol without replacing art with the symbol.

   I would like a switch in the New Symbol dialogue to allow me to leave the original art on the canvas instead of replacing it with a symbol.

   Also it would be nice to be able to make a symbol out of the entire contents of a layer nested in another layer without the entire layer being replaced by the symbol.

   I use symbols in weird ways and both of these behaviors annoy the heck out of me.

   4 votes

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   1 comment  ·  Symbols  ·  Delete…  ·  Admin →
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4. Remove quantization / rounding for the Curvature tool

   Curvature tool is handy, but it places new points based on a hidden grid. The grid is screen-spaced, and it means the step of it stays the same on the screen, no matter what level of zoom we have.

   Once a point is places and the mouse button / pen is released, we can move this point freely, with no rounding!
   Why can’t we have this behavior for new points? Why limit new points in precision?

   •  

   5 votes

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5. Add an option for Curvature tool to prioritize the currently selected path

   Curvature is one of the more recent tools Illustrator introduced (well, in 2014... time flies). Unlike older tools, it tries to be smart. One of this 'smart' behaviors is an ability to both select and edit paths. It prevents us from placing the next point of the currently selected path right above an existing unselected path — the tool treats it as an attempt to select the latter.

   There is an existing request to tweak the continuation tolerance, similar to what Pencil has: https://illustrator.uservoice.com/forums/333657/suggestions/34578331

   But to be fair, I’d love more options for the tool in general. So far it has ONE only, and it’s hidden within Preferences > Selection & Anchor Display: Enable Rubber Band... it should not be an app-level option! it’s a tool’s option! and it should be put in Curvature Tool Options dialog, called by Enter or double-click on the tool’s icon, just like every other tool allows...

   And another option it should get must be 'Prefer selected path'.
   With this checked, when nothing is selected — allow the tool to select path... but is something is already selected, prevent it from selecting, until I choose to. I’d even recommend to make this the default behavior.

   Curvature is one of the more recent tools Illustrator introduced (well, in 2014... time flies). Unlike older tools, it tries to be smart. One of this 'smart' behaviors is an ability to both select and edit paths. It prevents us from placing the next point of the currently selected path right above an existing unselected path — the tool treats it as an attempt to select the latter.

   There is an existing request to tweak the continuation tolerance, similar to what Pencil has: https://illustrator.uservoice.com/forums/333657/suggestions/34578331

   But to be fair, I’d love more options for the tool in general. So far it… more

   6 votes

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6. Local Artboard Editing Mode

   Illustrator already notionally works on one artboard at a time... the one that's zoomed to with Cmd-0, or pasted to with Cmd-V...

   Perhaps there could be a mode switch, similar to the 'Draw Inside' mode where all operations are confined to objects on the current artboard. Useful for Cmd-A for example. This would override unlocked artboards of course!

   This mode of operation is already familiar in InDesign where only current spread-object appear in the Layers.

   3 votes

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   2 comments  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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7. Lock Highlight (Unlock) mode

   I've always wanted some kind of Lock Highlight feature:

   Much like editing a Group after double-click (which grays out all other artboard objects while you edit only that grouped object), I'd like to be able to see a grayed out preview of all the locked objects.

   With a keyboard shortcut (e.g. Ctrl + Shift + Alt + Click), you could Unlock individual elements, then exit Lock Highlight mode and keep working.

   That would keep you from needing to go back around and relock other elements you didn't want to disturb.

   3 votes

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   1 comment  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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8. ZWNJ (Zero Width Non-Joiner)

   Please enable the shortcut for ZWNJ (Zero Width Non-Joiner), It's commonly used in Arabic and Persian Language. In other programs, we can type it by Ctrl+Shift+2 or Shift+Space ...
   کتاب‌ها
   Between "کتاب" and "ها" is a ZWNJ character, without that it will join:
   کتابها

   2 votes

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   2 comments  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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9. Add Black and White color chips in Color Picker dialog in Color Models mode

   For some reason, the Color Picker dialog is the default way of setting a color in several color induced effects: Drop Shadow, Inner and Outer Glow.

   Most of times these effects are used, we need to toggle between black and white. These are more or less OK to pick quickly, if we change the mode of the dialog to Color Swatches.

   But each time this dialog is called when editing a color for the effect, the dialog open in the first mode, Color Models.
   And to set black or white in this mode we need to click the spectrum field and drag the point into a corner. You get accustomed to this, and realize you can move the mouse beyond the the dialog, making the precision gesture 'infinite' — and this is what MANY users do, if you watch tutorials or timelapses.

   But this is bullshit. We just need black and white, without fiddling with the spectrum. More of it, in a CMYK document setting black like this would make it rich black, and not K100 — which one would have to set manually, by typing it.

   Since there is a request about adding Recent Colors, perhaps into Swatches or Color (http://illustrator.uservoice.com/forums/333657/suggestions/44772598), perhaps we should be given an option to see these in Color Picker as well (a lot of users prefer it to Color+Swatches panels). In this case, just make Black and White always there, as a fixed choices.

   Another solution would be just to display the same 'Color UI' used for any other place in Ai, the Swatches + Color Mixer (minus Gradient and Generative Pattern, obviously).

   For some reason, the Color Picker dialog is the default way of setting a color in several color induced effects: Drop Shadow, Inner and Outer Glow.

   Most of times these effects are used, we need to toggle between black and white. These are more or less OK to pick quickly, if we change the mode of the dialog to Color Swatches.

   But each time this dialog is called when editing a color for the effect, the dialog open in the first mode, Color Models.
   And to set black or white in this mode we need to click the spectrum field… more

   6 votes

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   0 comments  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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10. Force swatches when directly opening an image

    When we drag-n-drop / open an image into Illustrator, a new document is created with an artboard created to fit the image (when possible), and the image is put there.

    The Swatches panel in this case is empty (as well as Brushes, Symbols, Graphics Styles).

    While it makes sense (image have no presets stored within), for some users it’s extremely irritating — they treat this workflow as a way to quickly create a new document based on an image, with the fitting document profile used (even though if they have no idea about document profiles — thanks to the modern New Document dialog, concealing this aspect pretty well).

    Perhaps Ai should allow importing default swatches: RGB for an RGB image, and CMYK if it happens to be in CMYK.
    I can assume people might need to prefer their own swatch sources also.

    I doubt it should apply to other presets (styles, symbols, etc.), but perhaps someone in comment could argue.

    Finally, there is a similar request about native .ai files, generated with non-native applications:
    Global Swatches for Imported Files
    http://illustrator.uservoice.com/forums/333657/suggestions/33527599

    I’d advise to treat them togehter.

    When we drag-n-drop / open an image into Illustrator, a new document is created with an artboard created to fit the image (when possible), and the image is put there.

    The Swatches panel in this case is empty (as well as Brushes, Symbols, Graphics Styles).

    While it makes sense (image have no presets stored within), for some users it’s extremely irritating — they treat this workflow as a way to quickly create a new document based on an image, with the fitting document profile used (even though if they have no idea about document profiles — thanks to the modern… more

    7 votes

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    1 comment  ·  Images, Links  ·  Delete…  ·  Admin →
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11. Show gradient annotator for Live Paint selections

    Version 29.3 finally allows to adjust gradients for individual Live Paint regions on canvas: http://illustrator.uservoice.com/forums/601447/suggestions/35930962

    While these can indeed be adjusted now, the annotator is still missing.
    I suppose it requires more hacking to make it work, but still I’d like to see the controls on canvas, to tweak the look and not remaking it from scratch each time.

    3 votes

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    0 comments  ·  Gradients  ·  Delete…  ·  Admin →
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12. All Inputs / Panels Follow Dimension Tool Scale

    I want to be able to create and edit all of my art in scale.
    Example
    I would like to be able to make a 2" rectangle in 1:2 scale and have it illustrator draw me a 1" square on the page.
    This would be very powerful for things when expanded to the object info box to get area and path dimensions, being able to make a font 3' tall in the character panel.
    Every place that you can control shapes with math, it would be amazing to be able to do it to scale in the program without having to exit to do math elsewhere to get your conversion.

    I want to be able to create and edit all of my art in scale.
    Example
    I would like to be able to make a 2" rectangle in 1:2 scale and have it illustrator draw me a 1" square on the page.
    This would be very powerful for things when expanded to the object info box to get area and path dimensions, being able to make a font 3' tall in the character panel.
    Every place that you can control shapes with math, it would be amazing to be able to do it to scale in the program without having… more

    4 votes

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    2 comments  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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13. Knobs.

    Just more knobs. There should be a knob next to every input that takes an angle value. The Scribble effect has one. The Gradient palette doesn't. The Transform palette has one but it could use another one along with a couple of text input boxes as an option to move an object a specified distance along a particular angle instead of moving it in X and Y. The angle value in the transform section of Properties doesn't have a knob. Scatter brush options have two horizontal sliders and no knobs. Put a knob next to each of those sliders.

    Go through the entire UI and look for angle inputs that don't have knobs and give them knobs. And make this knob an easy-to-use component if it isn't one already. Astute's Phantasm Halftone plugin has an angle input with no knob. Make it trivial for them to fix this.

    Also there's a bunch of feature requests for varying versions of "you can drag a number input and/or the arrows next to it and drag to change the value". Pick one of those. Make every input box work this way.

    Thee's also a pattern where you click on a down-arrow next to a number input and a menu or slider drops down out of it. Sometimes you can drag and hold to go down it - stroke weight's fine for instance. Sometimes you can't - the opacity input box's dropdown gets you a slider, and you have to lift your stylus and click somewhere on the bar. It used to let you just click to bring up the slider, drag to a point on the bar, and release. It should still be doing that but this got lost in the UI rebuild like a decade ago and never came back. Find all of those dropdowns and fix that.

    Just more knobs. There should be a knob next to every input that takes an angle value. The Scribble effect has one. The Gradient palette doesn't. The Transform palette has one but it could use another one along with a couple of text input boxes as an option to move an object a specified distance along a particular angle instead of moving it in X and Y. The angle value in the transform section of Properties doesn't have a knob. Scatter brush options have two horizontal sliders and no knobs. Put a knob next to each of those sliders.

    Go… more

    4 votes

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    1 comment  ·  User Interface  ·  Delete…  ·  Admin →
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14. A Node View mode for the Appearance panel, and a complete revamp of what it can do

    I feel like I have a lot of things I want changed about the Appearance palette that cannot be done in the form of a one-dimensional list of effects.

    I'd like to suggest something inspired by the "node view" in programs like Blender or Toon Boom or Unreal. Give me a 2d canvas upon which I can arrange strokes, fills, and effects, and let me plug them into each other in complex ways. Let me control exactly when a brush is applied to a stroke by moving its effect around. Let me dynamically generate an opacity mask for an entire object, and another one for three of the seven fills and strokes I have on it. Let me generate complex pieces of plumbing that do crazy things based on me drawing one simple path.

    Keeping the Appearance palette around and adding a new Appearance Nodes palette would be fine. Or it could be a new mode in the existing palette. It's also perfectly fine if the existing Appearance palette can't edit Appearance Nodes and just displays a polite apology. There's a simplicity to the existing palette that might be worth retaining, I dunno, when it gets to the point of being in a beta, ask people how they'd feel about losing the old one, and be aggressive about hunting for ways it might break existing appearance stacks - ask us for our craziest piles of native and plugin effects and build a nice set of test cases!

    I am probably asking a lot here. This is feels like a big enough change to be one of the top features of an entire release. Possibly even more. It'll probably involve changing some assumptions that are made deep in the parts of Illustrator nobody understands any more. And it's entirely for the most hardcore users, who're using it in the most esoteric ways. Good luck convincing the people who control the budget that a significant part of Illustrator's development budget for a year or three should be devoted to something that's got zero noob appeal.

    But after about a decade of exploring its possibilities, I'm constantly butting up against the limitations of the Appearance palette. It's time for something to change. Maybe it's just time for me to figure out how to survive a couple months of zero productivity because I'm figuring out how to turn another, younger program into something I can whip out art even half as fast as I can do it in Illustrator. And probably get animation capabilities and some amount of 3d into the bargain. I dunno. I'm fifty years old and I've loved using this program as my main art tool for half my life. Change is complicated.

    I feel like I have a lot of things I want changed about the Appearance palette that cannot be done in the form of a one-dimensional list of effects.

    I'd like to suggest something inspired by the "node view" in programs like Blender or Toon Boom or Unreal. Give me a 2d canvas upon which I can arrange strokes, fills, and effects, and let me plug them into each other in complex ways. Let me control exactly when a brush is applied to a stroke by moving its effect around. Let me dynamically generate an opacity mask for an entire… more

    3 votes

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    1 comment  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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15. Retain original, unexpanded art for pattern swatches.

    "This pattern contains active content (symbols, effects, etc, it's a long list) that must be expanded to create a swatch. If you edit the pattern again, the expanded content will no longer be active."

    There's a lot of clever, well-paid people at Adobe. I bet someone there can figure out how to store the original pattern art along with the expanded pattern art, and edit the former rather than the latter when I double-click on the pattern swatch. I have workarounds for this but they are tedious and annoying ones.

    Also I would like to thank whoever wrote the dialogue text I quoted, it would have been so easy to just say that the pattern contains Forbidden Art and leave me to figure out exactly what triggers the warning.

    "This pattern contains active content (symbols, effects, etc, it's a long list) that must be expanded to create a swatch. If you edit the pattern again, the expanded content will no longer be active."

    There's a lot of clever, well-paid people at Adobe. I bet someone there can figure out how to store the original pattern art along with the expanded pattern art, and edit the former rather than the latter when I double-click on the pattern swatch. I have workarounds for this but they are tedious and annoying ones.

    Also I would like to thank whoever wrote the dialogue… more

    2 votes

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    2 comments  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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16. Correct View > Snap to Grid shortcut from Cmd/Ctrl+" to proper Cmd/Ctrl+'

    My request is a bit nerdy, but hey! I have been using Illustrator for 'ages' and one of the shortcuts is simply not correct. I always think it's cute, in a way, but still.
    The shortcut to show or hide the grid is listed as Ctrl + "
    This is impossible to achieve since you need the 'Shift' key to type the double quotation marks :)
    So, I think it should be Ctrl + ' .
    The shortcut to snap to the grid is fun in this light; it's Ctrl + Shift + "
    So, I was wondering if anyone had ever thought 'Wait a minute...'

    Oh, and this also applies to the shortcut for 'Snap To Point', which is listed as Ctrl + Alt + "
    I am very curious!

    My request is a bit nerdy, but hey! I have been using Illustrator for 'ages' and one of the shortcuts is simply not correct. I always think it's cute, in a way, but still.
    The shortcut to show or hide the grid is listed as Ctrl + "
    This is impossible to achieve since you need the 'Shift' key to type the double quotation marks :)
    So, I think it should be Ctrl + ' .
    The shortcut to snap to the grid is fun in this light; it's Ctrl + Shift + "
    So, I was wondering if anyone… more

    2 votes

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    3 comments  ·  User Interface  ·  Delete…  ·  Admin →
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17. Scale tool with value input and custom anchor

    I'm not necessarily looking for a script—I’m just curious if a tool could be developed to enhance Illustrator’s Scale tool. Specifically, I’d love the ability to input a custom scale value (e.g., uniformly 125%, 100% height, 20% width, etc.) while also being able to position a custom anchor point, as currently available in the Scale tool.

    I understand that the Transform Each function allows users to select individual objects, input values, and place an anchor point. However, this feature has limitations:

    The anchor point can only be placed within the object's bounds.
    To uniformly scale multiple objects, users must group them first, apply scaling, and then ungroup—adding unnecessary steps.
    I see a clear opportunity for improvement by integrating Transform Each features directly into the Scale tool. A simple checkbox allowing users to scale objects individually from their centers would make the tool significantly more powerful. Of course, I say "simple" without knowing the underlying complexities of Illustrator’s scaling system—perhaps that’s why these tools are separate in the first place.

    That said, I rarely use the Scale Options panel because Transform Each is generally more useful. The only reason I still use the Scale tool is its anchor feature. An additional note and one quite important, since Transform Each is only accessible through the right-click menu, many newcomers might overlook it, assuming the side panel contains all available scaling options.

    Would love to hear thoughts on whether this kind of enhancement would be feasible!

    I'm not necessarily looking for a script—I’m just curious if a tool could be developed to enhance Illustrator’s Scale tool. Specifically, I’d love the ability to input a custom scale value (e.g., uniformly 125%, 100% height, 20% width, etc.) while also being able to position a custom anchor point, as currently available in the Scale tool.

    I understand that the Transform Each function allows users to select individual objects, input values, and place an anchor point. However, this feature has limitations:

    The anchor point can only be placed within the object's bounds.
    To uniformly scale multiple objects, users must group… more

    3 votes

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    6 comments  ·  Tools  ·  Delete…  ·  Admin →
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18. should be able to copy, save, share and upload personal keysets or shortcuts yet may reset to default anytime
    1 vote

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    1 comment  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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19. Local saves with Version control

    We need an option to create a project file that cannot be saved over. The reason for this is that when working with a client who has many options, we sometimes need to step back in time or recover older versions from unexpected changes.

    Similar to an Illustrator template file (.ait), we could have a format like .aiv or .aivi. This way, when I save flyer.aiv, every save will generate a backup file flyer-250204817.ai next to the current file.

    It would also be useful to have an option in a settings pane to save a backup every other save and retain backups for a maximum of three days or up to ten saves. Whatever option we choose should control the local .aiv file.

    I do store files on my local nas server, where every save gets a snapshot. However, when working on my local system (laptop), I don’t have that function, nor do I always have Wi-Fi. This means working in Adobe Cloud is not an option.
    Please provide an option so we do not loose our work or we have the option to recover from edits we desided were not what we want.
    https://community.adobe.com/t5/illustrator-discussions/save-localy-with-version-control/m-p/15132526#M434461

    We need an option to create a project file that cannot be saved over. The reason for this is that when working with a client who has many options, we sometimes need to step back in time or recover older versions from unexpected changes.

    Similar to an Illustrator template file (.ait), we could have a format like .aiv or .aivi. This way, when I save flyer.aiv, every save will generate a backup file flyer-250204817.ai next to the current file.

    It would also be useful to have an option in a settings pane to save a backup every other save and… more

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    1 comment  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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20. Make the font selection panel less intrusive by making it editable and moveable

    The font selection panel currently takes up a large portion of the center screen, making it difficult to see the font changes on a large scale. It would be nice if the panel could be editable and moveable, like other panels on Illustrator. Also, it could be positioned on the right side of the screen by default and made slightly transparent, to see through.

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    0 comments  ·  User Interface  ·  Delete…  ·  Admin →
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    Resolved (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    Illustrator has a dedicated panel you can open via Window > Type > Character.