Illustrator (Desktop) Feature Requests
When entering a new feature request, please provide:
- Description
- Why is this valuable to you?
- or
No existing idea results
- ~ No ideas found ~
4699 results found
-
Transform by Reference Line Numerically
I would love to see a "Transform by Reference Line Numerically" feature where user draws a line across an object in any direction, then is able to specify the size they want. This is helpful for raster images where there is no actual vector line to accurately resize to. I use embroidery digitizing software and this is a cool feature. Wilcom Software Transform by Reference Line Numerically.
I've included a screen shot of the Wilcom Manual to hopefully explain better than i can articulate.
7 votes -
Please give us better Transparency tool like in CorelDraw and Affinity Designer
I'm fighting between working in Affinity Designer and Illustrator, AD has much better drawing tools, it's faster than Ai, but I love the familiarity of Ai. If you can give us better Gradient and Transparency tools like in AD that would be amazing! It would help speed up the coloring process when making more realistic artwork. See Screen shot from AD.
7 votes -
Spreads
It would be very helpful to be able to make a PDF and set it to "spreads" as you can in InDesign. When designing large display graphics that are made up of individual slices being assembled after printing, it makes proofing more difficult when art boards stay separate pages in the resulting PDF.
Thanks!
Page7 votes -
When a layer is locked don't ask me if I want to unlock it. Instead give me a drop down list of all the layers to choose from
Usually when pasting something in Illustartor if the layer is locked it means I didn't select the right layer. If I could choose which layer to paste to I wouldn't have to cancel, select the correct layer and paste again
7 votes -
Remove Local Overrides button for Paragraph and Character Styles
InDesign has it, Illustrator should too.
Just a single local change, like font colour, and the text looses its paragraph style. The link might still be active since there is a + shown in the paragraph styles window, but changes in the style does not effect the locally changed text anymore.
Maybe this is wanted, but I would love a Remove Local Overrides button like the one in InDesign. It resets all local changes and forces the paragraph style back on the text. Even with multiple textboxes with multiple styles selected.
7 votes -
Export Symbols
There should be a way to export symbols as png. svg. jpg. etc. In a similar way as the Asset export. Ideally using the name of the symbol.
7 votes -
When embedding images flatten all images option without having to scroll through each one
When embedding my links to go to press I have multiple links and it is redundant to ask everytime if I want to flatten each image one by one. There should be an option to flatten all highlighted images in one shot. If I have 70 documents to go to press with 30 links each it can get very time consuming.
7 votes -
Fix warp type effects
This has probably be stated before, but has long been an issue with warping text. It plain sucks, especially on an arc unless you use the type on a path tool.
Many moons ago there was a plug-in called Kai's Power Tools, KPT Vector Tools. It worked perfectly with one click and than for those that know Kai the creator vanished and updates were never made. It stopped working at Illustrator 9 for me.
I am sure at Adobe there are many programming geniuses that can make the current warp effects work much better.
7 votes -
Import SVG fill-rule="evenodd"
This is a major problem for having SVG look correct.
Please import fill-rule="evenodd" properly. Test case of an "O" that imports incorrectly (as fill-rule="nonzero") without the hole in the middle. Illustrator gets this wrong, but XD imports it properly. Some additional issues:
- Ref-ing the same mask crashes Illustrator.
- Nested masks don't import properly.
- Gradient and image transforms and patterns (fit/fill/tile) don't import
<svg width="90" height="90" viewBox="0 0 90 90" version="1.1" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink">
<title>O</title>
<use xlink:href="#path1_fill" fill="#C4C4C4"/>
<defs>
<path id="path1_fill" fill-rule="evenodd" d="M 67.0157 46.007C 68.8447 34.502 61.8237 24 48.1947 24C 33.9167 24 25.0667 34.03 23.2967 44.945C 21.4677 56.45 28.1347 66.952 42.1767 66.952C 56.6317 66.952 65.3047 56.922 67.0157 46.007ZM 47.6047 32.201C 38.8727 32.201 33.3857 38.16 32.1467 45.712C 31.0847 52.497 34.2707 58.751 42.6487 58.751C 51.4397 58.751 56.9267 52.792 58.1067 45.24C 59.1687 38.455 55.9827 32.201 47.6047 32.201Z"/>
</defs>
</svg>This is a major problem for having SVG look correct.
Please import fill-rule="evenodd" properly. Test case of an "O" that imports incorrectly (as fill-rule="nonzero") without the hole in the middle. Illustrator gets this wrong, but XD imports it properly. Some additional issues:
- Ref-ing the same mask crashes Illustrator.
- Nested masks don't import properly.
- Gradient and image transforms and patterns (fit/fill/tile) don't import
<svg width="90" height="90" viewBox="0 0 90 90" version="1.1" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink">
<title>O</title>
<use xlink:href="#path1_fill" fill="#C4C4C4"/>
<defs>
<path id="path1_fill" fill-rule="evenodd" d="M 67.0157 46.007C 68.8447 34.502 61.8237 24 48.1947 24C 33.9167 24 25.0667 34.03 23.2967 44.945C 21.4677 56.45 28.1347 66.952 42.1767…7 votesWe have the fix available in the latest release. Please update Illustrator using Adobe Creative Cloud application to the latest build for version Illustrator CC 23.0.
Please refer to our knowledge base FAQ – https://illustrator.uservoice.com/knowledgebase/articles/1844590 if you face difficulty in update.
Or get in touch with us at any of the other support channels – https://helpx.adobe.com/support.htmlWarm Regards,
Ashutosh Chaturvedi | Sr. Quality Engineering Manager – Illustrator
Adobe. Make It an Experience. -
Contextual Pie-menus, like Radiant menus by Wacom
creating a contextual "shortcut" menu overlapping layer to access quickly Tools. This is a kind of Radiant Menu developed by Wacom on their tablet for example or Alias marking menu. This should really improve workflow ergonomics.
7 votes -
Be possible to create a sub-folders at Cloud.
Be possible to create a folders inside the folders at the cloud.
7 votes -
Pressure Sensitivity added to Pencil Tool
Variable width strokes are great! What would be even better would be to have variable strokes simply by drawing them in with a pressure sensitive device.
7 votes -
Move (select) multiple artboards with just a mouse
I just need to be able to select and move multiple artboards.
Thats so simple. Currently, I can select only 1, but I have 100 of them already and I want move some groups in my document, to easy re-arrange them. But I have to move one by one. AWKWARD.7 votesHi,
We are pleased to inform you that your request is available in the latest release of Illustrator version 22.0.
Visit your Adobe Creative Cloud Application and update. If you do not see an update on the application please check for update from the flyout options on the application after clicking on three vertical dots. For step by step process please visit: https://helpx.adobe.com/in/creative-cloud/help/download-install-app.html#CheckforupdatesWarm Regards,
Ashutosh Chaturvedi | Sr. Quality Engineering Manager – Illustrator
Adobe. Make It an Experience. -
Retain length of handles when modifying curves and length of path when moving anchor points.
I'd love an option to retain the length of a handle for an anchor point. It would be nice to keep the curvature equal on both sides of an anchor point. There are many times I would have liked this option to create symmetrical graphics.
Similarly, I'd also like the option to retain the length of a path when moving an anchor point. Sometimes I use lines/paths as arms of characters. If I need to change the position of an arm there ends up being a lot of guess work modifying the path.
7 votes -
Make Select Art button more evident
I periodically see designers, with serious (albeit cheerful) faces, boldly clicking the 'round button' in Layers to 'select everything on the layer.'
And while the button indeed 'selects' everything on a layer, it also selects the layer itself — targets it really, for applying a layer-specific appearance.
Take a look at this GIF attached.
If I select Layer 2 (with the green squares) like this, and then apply the Round Corners effect, all the new squares in the layer will have round corners.
Sure, everything is visible in the Appearance palette.
Sure, everything is written in the pop-up hints.The round ones are for appearance. We need to click to the right of the circle instead, where the square markers are drawn — these are there to mark selection... AND allow selection.
It’s a very common mistake (like confusing windshield wipers and turn signals)...
And I think I know why it happens. I’m convinced that it is psychologically easier to click a circle — that looks more like a button, — than an empty space where a square appears (when clicked).
Recently some accessibility changes were introduced into Ai, and now things we can click in most panels gets highlighted slightly on hover — but not these square-to-be spots! Even when there are square markers there!So please make these more pronounced.
I love appearance dearly, but selecting all in a layer / sublayer / group is a far more common procedure users do. And discovering something called 'appearance' was the source of many problems with art’s colors is not a good way to meet this power.
I periodically see designers, with serious (albeit cheerful) faces, boldly clicking the 'round button' in Layers to 'select everything on the layer.'
And while the button indeed 'selects' everything on a layer, it also selects the layer itself — targets it really, for applying a layer-specific appearance.
Take a look at this GIF attached.
If I select Layer 2 (with the green squares) like this, and then apply the Round Corners effect, all the new squares in the layer will have round corners.
Sure, everything is visible in the Appearance palette.
Sure, everything is written in the pop-up hints.The…
6 votes -
Add an artboard size prefix in Export for Screens dialog
It would be useful to add the option to also export the size of the artboard
6 votes -
Annoying "learn more"
Your instruction and tutorial always pop up and ask me to "learn more". I know the functions already. It is very annoying and I don't want to use Illustrator anymore if I have any alternative.
I cannot find how to close the pop-up and it affects my efficiency a lot. Disturb me every 5 min. It is a very very poor UX experience.
6 votes -
Pin individual color chips in Recent Colors sections
Recently Ai added Recent Color sections (the request: http://illustrator.uservoice.com/forums/333657/suggestions/44772598) to Swatches and Color panels (with an ability to disable them — thanks!)
Some choices these remember are more important than others — but not enough to be included into the actual Swatches panel. For example, I have a Magenta global color I sometimes want to be added into certain projects, when needed. Pinning it in Recent would allow me to quickly grab it, without dancing with Persistent panels.
Or I could have pinned a brand color of a client I often work with, and have it there.I’d like to have an ability to hold Opt/Alt or Shift and pin a recent chip with a click.
There is a second related request, about deleting one/all chips, so it can use the other modifier — http://illustrator.uservoice.com/forums/333657/suggestions/50279421Recently Ai added Recent Color sections (the request: http://illustrator.uservoice.com/forums/333657/suggestions/44772598) to Swatches and Color panels (with an ability to disable them — thanks!)
Some choices these remember are more important than others — but not enough to be included into the actual Swatches panel. For example, I have a Magenta global color I sometimes want to be added into certain projects, when needed. Pinning it in Recent would allow me to quickly grab it, without dancing with Persistent panels.
Or I could have pinned a brand color of a client I often work with, and have it there.…
6 votes -
Illustrator and Photoshop show fractional CMYK color values differently
I have a CMYK document, and it has a linked image in it, with an intentionally chosen profile, with some specific colors set for the background, and these have to be the part of the background, because of blending modes used.
Now I need to grab those colors form the clear parts of the background to quickly transfer them into vector part of the design. But when I try — Ai lies about values.Instead of
70-15-0-0
0-35-85-0
0-95-20-0
I get
69.8-14.9-0-0
0-34.9-85.1-0
0-94.9-20-0Not much, right? Just 0.2%, why are you mad?
But these would be enough to break Select Same Fill later, duplicate swatches if added next to existing ones in other documents, drop my trust level for the tool and force me cleaning this mess in the time I need I can’t spend. Sure, there are methods to help with this, but it’s not MY error. It’s Ai’s lie....later Ton Frederiks suggested it’s Photoshop that is rounding numbers.
To quote: if the placed file gets rasterized, it gives the fractions in Illustrator. But if the file gets exported from Illustrator as .tif, Photoshop will show the same rounded numbers it started with. Photoshop will not allow fractions and force round numbers when we try to enter percentages like 69,8%. CMYK values go from 0-100 while image values have a range from 0-255.Indeed, I tried to rasterize a rectangle with fractions in CMYK color (55.69) and opened the image in Photoshop — and got integers, 56...
But then I mix the very same color in Ps, making integers manually, fill half of the image with this new color and try to pick colors from this image in Ai: Ai still picks the original 55.69 from the original half of the image... and 56.08 from the half I flooded with Ps’s 56!
And Ps SEES them as different color when Color Picker is used, displaying different Lab, RGB, HSB values, but CMYK stays the same, rounded.In my experiment below I did a similar thing: created these in Ai first (but no fractions), rasterized it, used to make a composition and placed back into Ai.
Double conversion and forcing integers (visually) would explain it.So Ai is rather precise... but the irritation stays.
Now the question would be — what to do with the uncomfortable truth? 'Fighting ignorance' is my favorite choice, but...I don’t have a clear solution to this — and I invite others to a discussion — but perhaps the Eyedropper can get an option to Emulate Photoshop Eyedropper (round CMYK values)?
I have a CMYK document, and it has a linked image in it, with an intentionally chosen profile, with some specific colors set for the background, and these have to be the part of the background, because of blending modes used.
Now I need to grab those colors form the clear parts of the background to quickly transfer them into vector part of the design. But when I try — Ai lies about values.Instead of
70-15-0-0
0-35-85-0
0-95-20-0
I get
69.8-14.9-0-0
0-34.9-85.1-0
0-94.9-20-0Not much, right? Just 0.2%, why are you mad?
But these would be enough to break…6 votes -
Add Axis Constraints, to restrict transformations to a chosen axis
Some 3D editors allow to limit moving to a chosen axis/axes.
3DS Max has a dedicated floating panel with buttons, and Blender allows to hold a key to force it: https://docs.blender.org/manual/en/latest/scene_layout/object/editing/transform/control/axis_locking.htmlIn Ai we can hold Shift, but the axis chosen depends on the position of the cursor, and it’s not the same.
Please make it possible to use X/Y keys (similar to the recent E key for Enclosed selection Mode) to actually choose a preferred axis. Perhaps Z can be used for 45°? :)Original idea by Junior Rocha
6 votes
- Don't see your idea?