Illustrator (Desktop) Feature Requests
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4701 results found
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5 votes
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Distribute / align on edges of an artboard or a shape
A request to add two buttons to the "Align" options :
distributing shapes on an artboard in order to have equal spaces between those two shapes AND the edges of the artboard.
This could work with more than two shapes, and artboard could also be replaced by another shape (like a background color...).This should be clearer with a picture...
5 votes -
Improved curve tools: splines
I think curve drawing in illustrator could learn a lot from 3d design software like Fusion360 but particularly Rhino: the options to draw curves there are very very advanced and allow for extreme precision and manipulability
5 votes -
Change values of recorded actions
It would be great if the values of recorded actions can be changed in the actions panel.
5 votes -
Highlight Pantone swatch in Pantone palette
It used to be when you selected a pantone swatch in your palette, it would highlight the same pantone swatch in the pantone pallete. Somehow in the last couple years, this feature has been lost. The reason it is helpful is I can quickly find my pantone and pick a color deeper or lighter than it by looking to the left or right of that swatch. Right now, to find a pantone color, I need to type in the color and of course the only result is going to be that color. I can't see what is to the right (darker) or left (lighter).
It used to be when you selected a pantone swatch in your palette, it would highlight the same pantone swatch in the pantone pallete. Somehow in the last couple years, this feature has been lost. The reason it is helpful is I can quickly find my pantone and pick a color deeper or lighter than it by looking to the left or right of that swatch. Right now, to find a pantone color, I need to type in the color and of course the only result is going to be that color. I can't see what is to the right…
5 votes -
Open the color picker with a single click
In Photoshop and XD the color pickers open with a single click. I can't think of any reason why we need to double click in illustrator
5 votes -
Toggle Lasso tool
When using the direct select tool, use a key modifier to toggle the lasso tool rather than always having to completely switch tools to get the lasso tool.
5 votes -
Remove Onboarding features as they get in the way of me trying to do my job
It can be extremely frustrating to have popover windows introduce features or to say "hey let's start designing". I'm already trying to design by firing up illustrator and opening a file. I'm busy and just need to get some work done for a deadline. I don't need you asking the obvious or interrupting me from completing my job.
I get that you want to help me know that new features exist, but please, please, do that in a way that doesn't force me to acknowledge your popover when I open up a file that already exists. Or even if i don't open a new file. You can assume I know that I can use illustrator to start designing...
It can be extremely frustrating to have popover windows introduce features or to say "hey let's start designing". I'm already trying to design by firing up illustrator and opening a file. I'm busy and just need to get some work done for a deadline. I don't need you asking the obvious or interrupting me from completing my job.
I get that you want to help me know that new features exist, but please, please, do that in a way that doesn't force me to acknowledge your popover when I open up a file that already exists. Or even if i…
5 votes -
Enhanced Miter Join with Obelisk/Chisel options for shortening spikes スパイクを短縮するためのオベリスク/チゼルオプションによるマイター結合の強化
Instead of Miter Joins just defaulting to Bevel Joints when the Miter Limit is too low, Obelisk/Chisel options can give a whole range of symmetric/asymmetric shortening of spikes, for the whole path through the Stroke palette and/or as a more flexible feature like live Corners applicable to one/more/all joins.
Described and shown in the thread below where just a few possible shapes and uses are included.
マイターリミットが低すぎるときにマイターコーナーをデフォルトでベベルコーナーにする代わりに、オベリスク/チゼルオプションは、スパイクの対称/非対称短縮の全範囲を提供できます。ストロークパレットを通るパス全体に対して、および/またはより柔軟な機能として 1つ/複数/すべての結合に適用可能 ライブコーナーのように、
いくつかの可能な形状と使用法が含まれる以下のスレッドで説明および表示されます。
https://community.adobe.com/t5/illustrator/ai-2020-stroke-path-won-t-do-anything/td-p/10798159
5 votes -
Illustrator Bug save file copy and paste
When saving the file, it is impossible to paste information into the title to put what I copied with the keyboard shortcuts. It is also impossible to copy information from the title
5 votes -
Z depth / 3D space for points on path.
I do medical illustration for suture techniques. I use a path with a stroke to illustrate the suture (like a string), which need to overlap and show depth. I add a drop shadow to the path, but it simply goes around the entirety of the path's stroke shape, and doesn't apply above segments of the path which should appear below the higher sections.
There needs to be a z-axis system where I can assign a z-depth to each point on a path, which allows the drop shadow effect to apply to the same path on depths below it.
5 votes -
Overhaul of Illustrator's 3D capabilities.
Illustrator's 3D effects are hugely outdated. Something that matches or even exceeds After Effects would be a would boost to the program.
Heck, even something that allows you to easily rotate and move the shapes around in 3D space like AE would be great. Illustrator's current 3D tool are clumsy and cumbersome.
5 votesIllustrator introduced a new panel for creating 3D shapes in October 2021 — '3D and Materials'. Older effects are still available as 'Classic 3D'.
If you want to give feedback about this feature, you can do it here: https://illustrator.uservoice.com/forums/938463/suggestions/44254299
or log in a separate report/request
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Allow gradients in brushes
AI forbids to use gradients in brushes. It definitely should.
5 votes -
Hide/Unhide an object or a layer should not require UNDO command
Undo command should not affect toggling object/layer visibility.
At least it would reduce the list of UNDOs... as most time I just toggle visibility to preview outcome.
5 votes -
Envelope Distort in Effect > Distort menu, to be compatible with Appearance
Wouldn't it be logical to add the Envelope Distort to the Effect > Distort & Transform menu (as well)?
5 votes -
別のタブを選択しても表示している画面が変わらない時が発生する。
別のタブを選択しても表示している画面が変わらない時が発生する。
すでに開いているタブを選択しても、表示が変わらない。新しいデータを開いても画面が変わらないトラブルあり。
タブをドラッグして並んでいるところから切り離すと表示される。
再起動すると治る。
以前にも同じ現象があった。5 votes -
Locking and unlocking objects on a current artboard only
Discussed in our team is the annoying way Illustrator unlocks EVERYTHING on the pasteboard - why can unlocking be isolated to the artboard you are working on? Like indesign. I use locked objects a lot when I am creating concepts and use layers when creating final artwork. Using layers slows down the way you work.
5 votes -
Combine color and stroke in one palette
Older versions of ai had color and stroke in one palette... since in almost 100% of the cases when you draw an object you will need to modify both. This could be be an option under both current palettes.
5 votes -
Contextual Eyedropper Tool
Currently, the Eyedropper Tool is an underutilized and often counter-intuitive tool that needlessly increases the complexity of a workflow because of its limitations. This- combined with Illustrator's poor color tools- often adds unnecessary time and effort to what should and could be more simplified tasks.
For example, a common situation is that I have a shape with a fill color that I like, and I want another shape that has a stroke to also use that color, except only for the stroke. Currently, if I use the eyedropper tool on the filled shape, it will completely remove the stroke and add a fill, although the desired result is neither action. The workaround, of course, is to create a new swatch of that color, then make sure the stroke is selected, and then apply the swatch color to that stroke (as the other color tools are essentially useless for matching colors, given no live preview).
This, of course, can get incredibly tedious when dealing with lots of colors and lots of fills and strokes, and it is not always desirable (nor, I would argue, should it be necessary) to always create swatches for working with colors.
This situation is of course not limited to shapes. Often I will have text that I want to have a stroke with particular cap conditions, but want the color from another stroke. However, the current process of using the eyedropper tool strips the formatting of the stroke (or whatever properties) and takes on the properties of the selected object, even though all that was wanted was the color.
A more elegant solution would be to make the eyedropper tool contextual, so that specific properties of the sampled object could applied without completely changing the selected object’s properties to conform entirely to the sampled object.
I would suggest the following that the eyedropper tool be modified to work contextually much like the Pen Tool works contextually.
The default state of the Eyedropper Tool would work as it currently does. However, there would then be different options that could be cycled through in the Eyedropper Tool, analogous to how there is the Pen Tool, the Add Vertex Tool, Subtract, Convert, etc.
In this usage, holding a modifier key or choosing a different function of the eyedropper tool would allow one to decide which aspects of the sampled object to apply to the selected object.
For example, if I have a circle with a red stroke and a box with a blue fill, and I want the circle to have the stroke be the same color as the box’s blue fill, I could hold Alt/Opt (as an example) to switch to the Color Sample Tool which would then sample only the color of the sampled object and apply it to either:
- Whichever property is currently active (e.g., Fill or Stroke)
- If the object has ONLY a Fill or ONLY a Stroke, it would automatically default to applying it to whichever is already extant.
This could be extended to sample the color of the pixel sampled, or the entirety of the fill or stroke (e.g., for gradients, styles, etc.)
Another option (perhaps by holding Alt+Cmd/Ctrl) would be the Stroke Style Sample Tool, which would sample the style of sampled object’s Stroke. This could even be given some further options (perhaps accessed by up or down arrows) to select only weight, weight and Caps style, Weight, Caps Style and Color, etc., all delineated by changes in the icon state.
I think that a contextual Eyedropper Tool would be a more elegant way of handling color and style sampling in Illustrator and eliminate the current workarounds necessary for an efficient workflow.
Currently, the Eyedropper Tool is an underutilized and often counter-intuitive tool that needlessly increases the complexity of a workflow because of its limitations. This- combined with Illustrator's poor color tools- often adds unnecessary time and effort to what should and could be more simplified tasks.
For example, a common situation is that I have a shape with a fill color that I like, and I want another shape that has a stroke to also use that color, except only for the stroke. Currently, if I use the eyedropper tool on the filled shape, it will completely remove the stroke and…
5 votesThe solution to that would be to activate a stroke if you want to apply a color to it, then to hold Shift when clicking a color — does not matter where this color is on a stroke or a fill. Illustrator then applies the picked color to the active fill/stroke, ignoring the source nature. There are two things to know — the cursor does not inform you about this mode (unlike the Alt-mode, should be addressed), and if you pick a color from a swatch — you’d get a screen representation of the color... harmless for RGB documents (if your color settings are in order), but crucial for CMYK documents (should be addressed too). Pleas comment back. -
Make Black Swatch really Black in RGB mode
An old annoyance: in many occasions, in RGB Document mode the Default Black Swatch is not black, but 15,15,15 gray.
This problem shows up in every new version.
Please make sure that when a document is in RGB mode, the Black and White swatches are 0,0,0 and 255,255,255 - just as we may expect.5 votes
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