4800 results found

1. Actions panel

   Everything is so tiny, and the actions panel is too. When you run an action you see all steps, and if you want to try another of your actions you have to scroll a mile to get there. It's very difficult to get an overview of the actions you have. So I would like to see the steps of the action in a separate window, so that you don't loose the overview of your actions. You shouldn't see all steps in the same list as the actions that you have. Also I would like to be able to have some little icons or something that make me see the difference between actions. I don't always remember name of all actions. I think the same applies to all your brushes, tools, patterns swatches presets etc. It's so difficult to get a proper overview, a visual overview that makes sense. I want that.

   Everything is so tiny, and the actions panel is too. When you run an action you see all steps, and if you want to try another of your actions you have to scroll a mile to get there. It's very difficult to get an overview of the actions you have. So I would like to see the steps of the action in a separate window, so that you don't loose the overview of your actions. You shouldn't see all steps in the same list as the actions that you have. Also I would like to be able to have some… more

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   0 comments  ·  Other...  ·  Delete…  ·  Admin →
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2. Support layers in patterns

   I want to be able to make patterns in layers. So if I use layers when I make a pattern, then I get a pattern that is editable in layers. It would save much time if you want to make variations.

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   3 comments  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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3. Copy parts from multiple layers into multiple layers

   I work with a lot of parts that I need to keep separated for output. A simple example is a complex, compound shape with 20 elements. I have 10 on a "cut" layer and 10 on a "print" layer. If I copy and paste them, I can only paste them into one layer. I might want them to go back into the same layers or into 2 new layers. I never want them in the same layer. I now have to go in and separate them all into the proper layers.

   This is important because the layers tell our output machines what to do with the files.

   I work with a lot of parts that I need to keep separated for output. A simple example is a complex, compound shape with 20 elements. I have 10 on a "cut" layer and 10 on a "print" layer. If I copy and paste them, I can only paste them into one layer. I might want them to go back into the same layers or into 2 new layers. I never want them in the same layer. I now have to go in and separate them all into the proper layers.

   This is important because the layers tell our output… more

   6 votes

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   1 comment  ·  User Interface  ·  Delete…  ·  Admin →
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   Resolved (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

   You can enable Paste Remembers Layers in the panel’s menu to make Illustrator remember layers your objects were copied from and insert them on layers with same name when pasted. If these layers don’t exist, Illustrator will create them. Be careful and disable it when not needed, if might make a mess when not needed. Also note that with this option enable everything copied from an isolation mode creates a separate 'Isolation mode' layer, which is stupid — vote here if you think this should be addressed: https://illustrator.uservoice.com/forums/601447-illustrator-desktop-bugs/suggestions/37935496-paste-remembers-layers-bug-with-isolation-mode

4. Auto-generate an opacity mask from the Appearance palette

   I've been experimenting with ways to create soft edges and stylized natural textures in my work. I find myself wishing for this to be able to quickly and easily create, say, an erratically faded and mottled edge to a filled path by giving it an opacity mask made up of a jagged white-to-black fade pattern brush, plus some black spots from a scatter brush.

   I would like to be able to add strokes and/or fills to a path via the Appearance palette, and have these paths show up in an auto-generated opacity mask for the path instead.

   Possibly this might be done by having a 'create opacity mask' live effect, with the 'clip' and 'invert mask' options available, that I could then place additional strokes and fills within.

   Alternatively there might be a way to say 'this fill/stroke goes in the opacity mask' - probably also a live effect.

   Multiple strokes/fills set to go into the opacity mask should all end up in the same mask.

   I've been experimenting with ways to create soft edges and stylized natural textures in my work. I find myself wishing for this to be able to quickly and easily create, say, an erratically faded and mottled edge to a filled path by giving it an opacity mask made up of a jagged white-to-black fade pattern brush, plus some black spots from a scatter brush.

   I would like to be able to add strokes and/or fills to a path via the Appearance palette, and have these paths show up in an auto-generated opacity mask for the path instead.

   Possibly this might… more

   6 votes

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   3 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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5. Brush Groups

   I would like to be able to select several brushes in the Brush palette, then press a 'make brush group' button on the palette.

   I would then be able to choose this brush group as if it were a brush. Drawing with this brush group would choose a different brush in the group at random for every new path I created.

   I might have a 'brush group options' dialogue box wherein I could choose the relative frequencies of the different brushes in the group, switch it between random choice and cycling between brushes in order, give it a name, and... whatever other features seem to need to be in there once it starts taking shape, really.

   Ideally, I would be able to have a brush in multiple groups. I would also be able to have brushes of different types in one group - if I wanted to mix an art brush with a scatter brush, for instance, I could.

   And ideally, altering the brush group would alter existing paths drawn using the brush group. This might be a choice similar to how changing the settings of a brush that's in use asks if you want to apply the changes to all existing paths that use it.

   I've been dabbling with a more 'natural media' look in Illustrator. For my purposes, art brushes seem to be working best, but I'll often start to notice the same repeated features of an art brush sticking out of my drawings. If I could make, say, ten "dry brush" brushes, and have Illustrator constantly swapping between them, this would make the illusion of real media a lot easier to keep up.

   Similarly, I use a lot of scatter brushes for things like trees or grass. It would be useful to be able to have several different 'leaf' scatter brushes and just scribble in a few overlapping strokes that automatically pick between them.

   I would also be able to create Graphic Styles that call for the use of a brush group on a stroke instead of a single brush.

   I would like to be able to select several brushes in the Brush palette, then press a 'make brush group' button on the palette.

   I would then be able to choose this brush group as if it were a brush. Drawing with this brush group would choose a different brush in the group at random for every new path I created.

   I might have a 'brush group options' dialogue box wherein I could choose the relative frequencies of the different brushes in the group, switch it between random choice and cycling between brushes in order, give it a name, and...… more

   6 votes

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   1 comment  ·  Brushes  ·  Delete…  ·  Admin →
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6. An option to Consider End Handles when filling open paths

   In illustrator we can to adjust start and end point handles in open path, but it have not much sense. What about to consider this handles to adjust shape of the object fill. Not on strait line like usual, but in way like we want. By the way, if we decide to close the path, Ai should make it in that way too.
   So, we doesn't need two objects with stroke and shape separately, it will be one object with adjustable end handles.

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   2 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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7. All the features of Adobe XD are presented in Adobe Illustrator CC

   All the features of Adobe XD are presented in Adobe Illustrator CC (allowing Illustrator to make designs for website and apps prototypes quickly and easily). Increase process speed in opening large files from Adobe Illustrator and save large files in Adobe Illustrator CC.

   6 votes

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   3 comments  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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8. Support single one line fonts

   Hi,

   I have tried Illustrator to design name tags to engrave on our engraving machine. Unfortunately single line fonts, which are essential for some engravings, isn't working properly. Bought them from onelinefonts.com and they are working flawless in most other apps, but none of Adobe's so far.

   6 votes

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   2 comments  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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9. Assets Export - add "Find" option by asset name

   I'm looking for just option to filter assets at Asset Panel. It's easy to select some assets, for example I have objects names "ground_xx.png" and I want just export them now, so I can type in filter "ground" and it will be filtered from all other my assets, and yes, better to add option select filtered.

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   0 comments  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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10. Show Artboard name on canvas in Outline mode too

    Thanks to this feature request () we got the ability to display numbers and names for artboards always, not only when the Artboard tool is picked... But it Outline mode these are absent — please fix it.
    Thanks to Dina Gundersen for the idea.

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    0 comments  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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11. Global on/off feature switches

    I'm a design professional and I've been using Photoshop and Illustrator for decades.

    I have no use for AI features. I do not want them. I do not need them.
    I never need to "Share for Review" or "Edit in Firefly Boards."
    I have no desire to see / manage notifications.

    I can add/remove tools from the tool panel. I can customize all the things that appear in the control bar. But I cannot hide / remove features like share, notifications, and generative AI.

    My pencil tool has a blue "notification" dot on it, which I cannot get rid of.

    I'm begging you all to reconsider the implementation of new features, new UI, and changing any decade+ paradigms. I know how to use this app, and I don't want to keep re-learning it.

    I've actively started looking at alternative design tools for the first time in my life, all because this seems to show no sign of slowing. Prove me wrong and keep my subscription, or keep risking it with every release.

    I'm a design professional and I've been using Photoshop and Illustrator for decades.

    I have no use for AI features. I do not want them. I do not need them.
    I never need to "Share for Review" or "Edit in Firefly Boards."
    I have no desire to see / manage notifications.

    I can add/remove tools from the tool panel. I can customize all the things that appear in the control bar. But I cannot hide / remove features like share, notifications, and generative AI.

    My pencil tool has a blue "notification" dot on it, which I cannot get rid of.

    … more

    5 votes

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    8 comments  ·  User Interface  ·  Delete…  ·  Admin →
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12. macOS makes relinking missing links harder

    On Windows, when opening a file with missing linked images, the user can simply select the target folder in the file dialog and click the active Replace button. The system automatically locates the first missing image by name within that folder. (See: windows-missing-links.mp4)

    On macOS, however, the behavior differs significantly: after selecting the folder, the Replace button remains inactive. The user is then forced to manually locate and select the exact file by name from within the folder in order to activate the button — an unnecessary extra click.

    This becomes a major productivity bottleneck in projects with dozens of missing links, especially when folder contents include numerous image files with alphanumeric names. macOS users must spend considerable time visually scanning and matching filenames from the dialog header. (See: macos-missing-links.mp4)

    For comparison, even basic third-party scripts handle this far more efficiently: you select a folder, and the script automatically updates all links by matching filenames — without requiring explicit file selection on macOS. (See: script-missing-links.jpg)

    On Windows, when opening a file with missing linked images, the user can simply select the target folder in the file dialog and click the active Replace button. The system automatically locates the first missing image by name within that folder. (See: windows-missing-links.mp4)

    On macOS, however, the behavior differs significantly: after selecting the folder, the Replace button remains inactive. The user is then forced to manually locate and select the exact file by name from within the folder in order to activate the button — an unnecessary extra click.

    This becomes a major productivity bottleneck in projects with dozens of… more

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    0 comments  ·  Images, Links  ·  Delete…  ·  Admin →
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13. Please add an option for the Recolor panel / dialog to remember the chosen settings

    Proposed by Daté Tetegan

    It would also be useful to maintain all the Recolor Artwork panel’s active preferences when it is closed.
    For example, when you choose to load a colour palette to limit colour changes to the colours in that palette, if you close the panel and then reopen it, the preference is lost, and you have to reselect the palette every time.
    This is a waste of time that is frustrating and reduces productivity. I have noticed that all the panel’s options are not preserved when the panel is closed.
    This recolor artwork panel is a great powerful tool, with many options, so what's the point of being able to modify several options if you cannot preserve the changes?

    Proposed by Daté Tetegan

    It would also be useful to maintain all the Recolor Artwork panel’s active preferences when it is closed.
    For example, when you choose to load a colour palette to limit colour changes to the colours in that palette, if you close the panel and then reopen it, the preference is lost, and you have to reselect the palette every time.
    This is a waste of time that is frustrating and reduces productivity. I have noticed that all the panel’s options are not preserved when the panel is closed.
    This recolor artwork panel is a great powerful… more

    5 votes

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    2 comments  ·  User Interface  ·  Delete…  ·  Admin →
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14. Keep the Spacing value active when you have 1 artboard in New Document dialog

    I often start with 1 artboard only in a new document (and I create these using classic dialog, because it’s faster than the modern one). There is a bug with the value used from a previous session (like 20 mm I love) looses precision (becoming 19.999 mm)... I reported this problem here — http://illustrator.uservoice.com/forums/601447/suggestions/51116116

    But even with this bug fixed, I don’t see why this field should be disabled.
    I can see why Columns is, and other options in these section... but the Spacing GETS used when you create a new artboard LATER — and Ai offers now way to set one (and I requested to be able to here: http://illustrator.uservoice.com/forums/333657/suggestions/43218936)

    The only way to tweak this value after a document is created is to Rearrange... and it’s allowed only with at least 2 artboards. So I have to create one with a wrong spacing first, and then perform rearranging I don’t need, risking to ruin my layout and design and grid, only to change a value?

    This is stupid.

    I often start with 1 artboard only in a new document (and I create these using classic dialog, because it’s faster than the modern one). There is a bug with the value used from a previous session (like 20 mm I love) looses precision (becoming 19.999 mm)... I reported this problem here — http://illustrator.uservoice.com/forums/601447/suggestions/51116116

    But even with this bug fixed, I don’t see why this field should be disabled.
    I can see why Columns is, and other options in these section... but the Spacing GETS used when you create a new artboard LATER — and Ai offers now way to… more

    5 votes

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15. Add opacity slider to guides settings

    Please add an opacity slider to the guides settings.

    5 votes

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    1 comment  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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16. Share for review needs rotate tool in the web cooperation mode

    I use the share for review usually for the very complex packaging designs.

    In many cases the package has text on all sides and that means that the texts are sometimes 180 or 90 degrees rotated. Its very inconvenient for the client to comment those texts. So the web interface definitely needs a simple 180-90 degrees rotation tool.

    5 votes

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    2 comments  ·  Other...  ·  Delete…  ·  Admin →
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17. Make Intertwine into a tool, available from a tool panel

    Objects on Path is a tool, and it creates a dedicated object... and does nothing else! all the operations with this new object are performed using the Selection tool...
    Meanwhile, an Intertwine object would need a command, Object > Intertwine > Edit (or a button in the Control panel) to be edited — which just enabled the hidden tool! Make it a real one!

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    0 comments  ·  Clipping, Intertwine  ·  Delete…  ·  Admin →
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18. Smoothing a selected portion of a path converts the extreme points in the selection into sharp from smooth

    Here I have a path with all the points being smooth (all handles are at 180°), but one portion of the path is particularly bumpy. I want to smooth only this portion.
    I select it (using Lasso), I make sure these are smooth, I pick Pencil, hold Opt/Alt, drag the slider... and it makes the selected portion of the path connected to the rest of it in the sharp manner. There is no tension at the star/end points, it just flops.
    While this can be useful, being blind like this, I’d love for it to at least give me the choice. An option, perhaps?

    Here I have a path with all the points being smooth (all handles are at 180°), but one portion of the path is particularly bumpy. I want to smooth only this portion.
    I select it (using Lasso), I make sure these are smooth, I pick Pencil, hold Opt/Alt, drag the slider... and it makes the selected portion of the path connected to the rest of it in the sharp manner. There is no tension at the star/end points, it just flops.
    While this can be useful, being blind like this, I’d love for it to at least give me the… more

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    0 comments  ·  Tools  ·  Delete…  ·  Admin →
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19. Artboard titles should not be covered by bleeds, when 'Show Artboard name on canvas' is enabled

    Use Bleed Size When Showing the Artboard Title and When Applying an Artboard Background Color

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    1 comment  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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20. Dynamic Bezier Stroke Corner Join

    Illustrator offers 3 types of stroke corner joins: Miter, Round, Bevel (same 3 as Offset Path filter/effect do).

    Miter one just extends the edges of a stroke with straight lines and then cuts the pointy portion off according to Miter Limit value. This works in a majority of cases when we need a sharp corner, but when curvy segments meet at an angle... the straight join becomes obvious.

    Meanwhile, Ai has Join Tool.
    Here, at the left side of the image a result of expanding a stroke, with a straight mitered join is rather obvious.
    So I select the point where the straight segments meet, delete it, and then use the Joint Tool to... well, to join them, following the natural Bezier extensions of the segments.

    This gives me a better looking smoother join, with no obvious 'ah, that's a thick stroke expanded'. I can use this method when I have a handful of these... but it’s not convenient to treat hundreds of these, expanding your artwork.

    Another solution would be to use inside/outside stroke alignment...
    But:
    1. it still doesn’t work for open paths — http://illustrator.uservoice.com/forums/333657/suggestions/33963553 (100 votes!)
    2. it won’t be helpful anyway if sharp connections happen from both sides of a line, both at inside and outside one

    So — please introduce the fourth type of a stroke corner join. Make it fall back to just simple Miter if the curvature of the lines doesn’t allow for them to meet properly (or cheat by changing the curvature just a bit).

    Illustrator offers 3 types of stroke corner joins: Miter, Round, Bevel (same 3 as Offset Path filter/effect do).

    Miter one just extends the edges of a stroke with straight lines and then cuts the pointy portion off according to Miter Limit value. This works in a majority of cases when we need a sharp corner, but when curvy segments meet at an angle... the straight join becomes obvious.

    Meanwhile, Ai has Join Tool.
    Here, at the left side of the image a result of expanding a stroke, with a straight mitered join is rather obvious.
    So I select the point… more

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    0 comments  ·  Strokes  ·  Delete…  ·  Admin →
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