4520 results found

1. Make raster brushes in Ai work as brushes in Photoshop and Affinity Designer do

   I think you should change the brush type and make it as same as the Photoshop, as the brush of Photoshop is much convinient.
   Like we can use a soft brush or we can lower the opacity of the brush easily and same with the eraser tool.
   Now, Photoshop is raster based software whereas Illustrator is a vector based which is the positive point a for Illustrator.
   File made in Illustrator is much more useful and file made in Photoshop is much more on the attractive side.
   So we need Illustrator to be easy and convenient to use.
   Or else make a new software which will be the combination of both Illustrator as well as Photoshop.

   I think you should change the brush type and make it as same as the Photoshop, as the brush of Photoshop is much convinient.
   Like we can use a soft brush or we can lower the opacity of the brush easily and same with the eraser tool.
   Now, Photoshop is raster based software whereas Illustrator is a vector based which is the positive point a for Illustrator.
   File made in Illustrator is much more useful and file made in Photoshop is much more on the attractive side.
   So we need Illustrator to be easy and convenient to use.
   Or else… more

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   3 comments  ·  Brushes  ·  Delete…  ·  Admin →
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2. Copy the style of stroke when using eyedropper tool

   When I use the eyedropper tool on a stroke with arrowhead, the full style does not get copied - only color and weight (not arrowhead). I think it is expected for the arrowhead to get copied too, just like the color AND font get copied when you use the eyedropper tool on text.

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   Resolved (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

   As mentioned in comments, arrowheads are strangely the part of Appearance and not the basic stroke, and to get it copied you should tick 'Appearance' in Eyedropper tool settings (hit Enter when the tool is chosen). Then everything works. Please comment back if it does not for you.

3. New Document dialog should not be so slow to appear or react to input

   Creating a new doc via the keyboard is so slow that several other commands can unwittingly be executed before the dialog/settings panel appears. The fact that this clunky panel was introduced relatively recently as a "feature" is even more irritating.

   Alternately provide an option to create a new document from default or current settings so that I can adjust it later when I need to.

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4. Select non-default eGPU for hardware acceleration

   We use external GPUs as provided to us by Apple in the External Graphics Development Kit and want to use these eGPUs instead of default GPUs built into the MacBooks.

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   3 comments  ·  Performance, Enhancements  ·  Delete…  ·  Admin →
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   Completed (Comments Open)  ·  Ashutosh Chaturvedi responded

   We have the fix available in the latest release. Please update Illustrator using Adobe Creative Cloud application to the latest build for version Illustrator CC 23.0.
   Please refer to our knowledge base FAQ – https://illustrator.uservoice.com/knowledgebase/articles/1844590 if you face difficulty in update.
   Or get in touch with us at any of the other support channels – https://helpx.adobe.com/support.html

   Warm Regards,
   Ashutosh Chaturvedi | Sr. Quality Engineering Manager – Illustrator
   Adobe. Make It an Experience.

5. Illustrator - PDF Export Cropmarks

   Illustrator really needs a usefull cropmark export option in the pdf export dialougue. just like InDesign. I mean it looks similar to InDesign but its simply not working! who needs cropmarks up to 15 mm long?? why cant i edit the length, width.. etc?. Please make this function usefull!! asap

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6. Allow to show contents (unfurl) of compound paths in Layers

   Illustrator treats a compound path as a single entity, no matter how many singular paths it has inside.

   Layers panel does not display '>' next to the name of it, and does not allow to unfurl the item to see what it has inside.

   It makes sense in a way, since the order of items does not matter (it is for a Compound Shapes, where it matters a lot, with e.g. 'Minus Front').

   At the same time, we can still select a subpath of a compound path with the Group Selection tool, and use Object > Arrange commands (even though there is no visible result when we do that).

   But having these in a Layers tree can help.
   We can quickly evaluate the number of children objects, their own shapes with thumbnail previews rendered, quickly select one we need there and not on canvas... after all, it’s not something like a Dimension Object, which is a complex construct, not intended for direct editing, but a basic universal object, created to be edited!

   There are other limitations with subpaths of a compound path...
   ...like the inability to Allow to set key object inside compound path:
   http://illustrator.uservoice.com/forums/333657/suggestions/34270678

   Illustrator treats a compound path as a single entity, no matter how many singular paths it has inside.

   Layers panel does not display '>' next to the name of it, and does not allow to unfurl the item to see what it has inside.

   It makes sense in a way, since the order of items does not matter (it is for a Compound Shapes, where it matters a lot, with e.g. 'Minus Front').

   At the same time, we can still select a subpath of a compound path with the Group Selection tool, and use Object > Arrange commands (even though… more

   8 votes

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7. Increase number of recent files

   Please increase the maximum number of recent files from 30 to 50 or 100 like Photoshop (both in Home Screen and File > Recent).

   Original idea by Junior Rocha

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8. Allow to nudge or rotate individual elements along the path for Objects on Path

   Objects on Path needs more options and in its current setup is very limited in its usefulness. This tool feels like it's still in beta. Whilst it's good at doing the one thing it's designed to do, it's missing a lot of useful capabilities.

   One of missing bits is the ability to nudge or rotate individual elements along the path.

   Other two requests are:
   1. Objects on Path needs an ability to keep orientation of objects relative to page/path, similar to blends — http://illustrator.uservoice.com/forums/333657/suggestions/48984890
   2. Add an option to measure gaps between objects in Objects on Path by their bounds, not between centers — http://illustrator.uservoice.com/forums/333657/suggestions/48987905

   (Originally by Lewis Tsalis)

   Objects on Path needs more options and in its current setup is very limited in its usefulness. This tool feels like it's still in beta. Whilst it's good at doing the one thing it's designed to do, it's missing a lot of useful capabilities.

   One of missing bits is the ability to nudge or rotate individual elements along the path.

   Other two requests are:
   1. Objects on Path needs an ability to keep orientation of objects relative to page/path, similar to blends — http://illustrator.uservoice.com/forums/333657/suggestions/48984890
   2. Add an option to measure gaps between objects in Objects on Path by their bounds,… more

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9. Allow to use point-specific controls and functions when all points of a path are selected

   There is a limitation in Adobe Illustrator with aligning anchor points.
   When using the Direct Selection tool to highlight anchor points on a path the options to align anchor points disappears in the Align palette if all points on a path are selected.
   That can be a problem if I'm trying to align two points on a simple two point path. I either have to add additional points or manually align the path using smart guides. It would be really nice if one anchor point could have key object like behavior and stay locked in place. Certain rival vector graphics applications make it pretty easy to align anchor points in this kind of controlled manner.

   There is a limitation in Adobe Illustrator with aligning anchor points.
   When using the Direct Selection tool to highlight anchor points on a path the options to align anchor points disappears in the Align palette if all points on a path are selected.
   That can be a problem if I'm trying to align two points on a simple two point path. I either have to add additional points or manually align the path using smart guides. It would be really nice if one anchor point could have key object like behavior and stay locked in place. Certain rival vector graphics… more

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10. Clip to key object

    Illustrator allows to set a key object in a selection with a click. The object gets thick edge and can be used for aligning and distributing operation, to stay in place.

    This simple way of marking an object is used only for these, and it’s a waste.
    We need to be able to use key objects for other operations as well.

    For example, why not allow users to clip into the key object, if it’s set? Currently we would have to move it above other objects in a selection, reselect them together, and hope we didn’t mess it up... or cut the objects we need to clip, select the one to be a mask, toggle Draw Inside mode, Paste in Place (works if we need to save the appearance of the clipping path).

    Why just not
    1. Select objects
    2. Click one to make it a key
    3. Run Object > Clipping Mask > Make command (Cmd/Ctrl+7)?
    Zero extra steps. No problems with 'should it be at top or bottom'.

    Illustrator allows to set a key object in a selection with a click. The object gets thick edge and can be used for aligning and distributing operation, to stay in place.

    This simple way of marking an object is used only for these, and it’s a waste.
    We need to be able to use key objects for other operations as well.

    For example, why not allow users to clip into the key object, if it’s set? Currently we would have to move it above other objects in a selection, reselect them together, and hope we didn’t mess it up... or… more

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11. Highlight objects to unlock when choosing one from Unlock in context menu

    Previously Illustrator introduced a way to unlock specific objects under cursor: http://illustrator.uservoice.com/forums/333657/suggestions/34950421

    See the screenshot for example.
    However, when you have objects unnamed, this list doesn’t really help, and Ai does nothing to highlight the object in focus and help to distinguish from other locked ones.

    Ai should make the edge of the object to be unlocked with a thick line, similar to one we see on key objects, or a somewhat similar look it is used for Objects on Path picking mode (now in Beta).

    Look how Figma highlights objects (see the attached video).
    Why Ai can’t do the same?

    Previously Illustrator introduced a way to unlock specific objects under cursor: http://illustrator.uservoice.com/forums/333657/suggestions/34950421

    See the screenshot for example.
    However, when you have objects unnamed, this list doesn’t really help, and Ai does nothing to highlight the object in focus and help to distinguish from other locked ones.

    Ai should make the edge of the object to be unlocked with a thick line, similar to one we see on key objects, or a somewhat similar look it is used for Objects on Path picking mode (now in Beta).

    Look how Figma highlights objects (see the attached video).
    Why Ai can’t do the… more

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12. Make Illustrator inform users about the live shape nature of the path used for area type and provide associated controls for it

    Currently, when we use a live rectangle as a path for an area type, it secretly stays live shape inside, and it allows us to scale the object with the round corners honored. If we round corners for a rectangle-looking path (not live shape), corners will get stretched.

    However, there is no way to distinguish these two cases with UI, or to convert a rectangular path used for the area type into live rectangle shape, or to have shape-sepcific controls.

    Please refer to the discussion in comments for the details.

    This request is based on the original declined bug report below. Full text is given below.

    Area type rounded corners distort when resizing.
    Is it possible to make the corners remain live so they don't distort? See attached image.

    Currently, when we use a live rectangle as a path for an area type, it secretly stays live shape inside, and it allows us to scale the object with the round corners honored. If we round corners for a rectangle-looking path (not live shape), corners will get stretched.

    However, there is no way to distinguish these two cases with UI, or to convert a rectangular path used for the area type into live rectangle shape, or to have shape-sepcific controls.

    Please refer to the discussion in comments for the details.

    This request is based on the original declined bug report… more

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13. Please add an ability to align points using the Align panel

    Please add an ability to align individual points using the Align panel. This has always been an option, but it seems to have been removed.

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14. Add an option to allow to snap to and by linked art, a similar one to Snap to Glyphs option

    Could it be possible to get some help to align to a graphic imported? Something like "Snap to Glyph"?
    It could help a lot to work precisely, without "embedding" the placed artwork...

    Originally by Jean-Michel Le Goff

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15. Press Shift to constrain the angle of a radius / diameter dimension

    Shift is universally used to constrain a drawn art to 0-45-90° angles when using a tool. This applies to lines, rectangles, other shapes, anything that can be clearly oriented.

    The Dimension tool breaks the paradigm — we can’t hold shift to constraint the angle of the drawn dimension line when creating radii or dimeters.

    Some standards require us to have these lines too use integer steps, like 15° or 30°... this is very hard to comply now.

    Please either make the tool to respect angles set in Preferences > Smart Guides, or make it a separate setting in the tool’s options.

    Shift is universally used to constrain a drawn art to 0-45-90° angles when using a tool. This applies to lines, rectangles, other shapes, anything that can be clearly oriented.

    The Dimension tool breaks the paradigm — we can’t hold shift to constraint the angle of the drawn dimension line when creating radii or dimeters.

    Some standards require us to have these lines too use integer steps, like 15° or 30°... this is very hard to comply now.

    Please either make the tool to respect angles set in Preferences > Smart Guides, or make it a separate setting in the tool’s… more

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16. More precision options for Dimension Tool

    Please add: 0"-0 1/8" & 0"-0 1/16" to Unit precision. I really need 3/8", 5/8", 7/8"...

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17. Make Shadow bounds for 3D and Materials to auto-match the actual shadow bounds

    Please eliminate the shadow bounds for 3D objects, or make it infinite, or at least something more generous than 400%: 4000% perhaps? 40,000%

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    1 comment  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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18. Allow new Smooth command (not the tool) to be a live effect also

    New Smooth is quite handy to deal with rugged shapes. But it is also introduces the new 'dialog-less' approach, when we are basically given a dialog that auto-commits on dropping a selection. Once it is dropped, the change is applied. We will get accustomed to that.

    But imagine I smoothed something, then get distracted, and returned to the smoothed path a while after. To undo and reapply this I’d have to go back in History (at least we finally have it).

    What if we can apply this as an effect to an object, rather than a immediate filter? It means we can later go back to settings and change the value, and Expand Appearance of it when needed.

    Both approaches are usable, so please add it as an effect also.

    New Smooth is quite handy to deal with rugged shapes. But it is also introduces the new 'dialog-less' approach, when we are basically given a dialog that auto-commits on dropping a selection. Once it is dropped, the change is applied. We will get accustomed to that.

    But imagine I smoothed something, then get distracted, and returned to the smoothed path a while after. To undo and reapply this I’d have to go back in History (at least we finally have it).

    What if we can apply this as an effect to an object, rather than a immediate filter? It means… more

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19. Generate Proper Filenames and Layer Names Instead of Untitled-1 and Layer-1

    We need Generate Name button for saving a file depending on its content, format and target project folder. Also layers could be named properly.

    Also it seems obvious that, besides generating a new name, the system could also use information from the document's presets, such as the document type (e.g., web, phone, book, etc.), document size (e.g., A4, 291x210mm, 1920x1080px, etc.), and colour and bit depth (e.g., CMYK, RGB, LAB, 8-bit, 16-bit, etc.).

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20. Don’t drop the current character selection in text when I switch between documents

    If you select a portion of a text in Illustrator and switch to a different app and back — the selection stays in place.
    But if I switch between Illustrator documents/tabs — the selection gets lost. This makes editing of two or more documents at the same time very inconvenient, effectively loosing my data about the selection made.

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