575 results found

1. Contextual Eyedropper Tool

   Currently, the Eyedropper Tool is an underutilized and often counter-intuitive tool that needlessly increases the complexity of a workflow because of its limitations. This- combined with Illustrator's poor color tools- often adds unnecessary time and effort to what should and could be more simplified tasks.

   For example, a common situation is that I have a shape with a fill color that I like, and I want another shape that has a stroke to also use that color, except only for the stroke. Currently, if I use the eyedropper tool on the filled shape, it will completely remove the stroke and add a fill, although the desired result is neither action. The workaround, of course, is to create a new swatch of that color, then make sure the stroke is selected, and then apply the swatch color to that stroke (as the other color tools are essentially useless for matching colors, given no live preview).

   This, of course, can get incredibly tedious when dealing with lots of colors and lots of fills and strokes, and it is not always desirable (nor, I would argue, should it be necessary) to always create swatches for working with colors.

   This situation is of course not limited to shapes. Often I will have text that I want to have a stroke with particular cap conditions, but want the color from another stroke. However, the current process of using the eyedropper tool strips the formatting of the stroke (or whatever properties) and takes on the properties of the selected object, even though all that was wanted was the color.

   A more elegant solution would be to make the eyedropper tool contextual, so that specific properties of the sampled object could applied without completely changing the selected object’s properties to conform entirely to the sampled object.

   I would suggest the following that the eyedropper tool be modified to work contextually much like the Pen Tool works contextually.

   The default state of the Eyedropper Tool would work as it currently does. However, there would then be different options that could be cycled through in the Eyedropper Tool, analogous to how there is the Pen Tool, the Add Vertex Tool, Subtract, Convert, etc.

   In this usage, holding a modifier key or choosing a different function of the eyedropper tool would allow one to decide which aspects of the sampled object to apply to the selected object.

   For example, if I have a circle with a red stroke and a box with a blue fill, and I want the circle to have the stroke be the same color as the box’s blue fill, I could hold Alt/Opt (as an example) to switch to the Color Sample Tool which would then sample only the color of the sampled object and apply it to either:

   1. Whichever property is currently active (e.g., Fill or Stroke)
   2. If the object has ONLY a Fill or ONLY a Stroke, it would automatically default to applying it to whichever is already extant.

   This could be extended to sample the color of the pixel sampled, or the entirety of the fill or stroke (e.g., for gradients, styles, etc.)

   Another option (perhaps by holding Alt+Cmd/Ctrl) would be the Stroke Style Sample Tool, which would sample the style of sampled object’s Stroke. This could even be given some further options (perhaps accessed by up or down arrows) to select only weight, weight and Caps style, Weight, Caps Style and Color, etc., all delineated by changes in the icon state.

   I think that a contextual Eyedropper Tool would be a more elegant way of handling color and style sampling in Illustrator and eliminate the current workarounds necessary for an efficient workflow.

   Currently, the Eyedropper Tool is an underutilized and often counter-intuitive tool that needlessly increases the complexity of a workflow because of its limitations. This- combined with Illustrator's poor color tools- often adds unnecessary time and effort to what should and could be more simplified tasks.

   For example, a common situation is that I have a shape with a fill color that I like, and I want another shape that has a stroke to also use that color, except only for the stroke. Currently, if I use the eyedropper tool on the filled shape, it will completely remove the stroke and… more

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   Resolved (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

   The solution to that would be to activate a stroke if you want to apply a color to it, then to hold Shift when clicking a color — does not matter where this color is on a stroke or a fill. Illustrator then applies the picked color to the active fill/stroke, ignoring the source nature. There are two things to know — the cursor does not inform you about this mode (unlike the Alt-mode, should be addressed), and if you pick a color from a swatch — you’d get a screen representation of the color... harmless for RGB documents (if your color settings are in order), but crucial for CMYK documents (should be addressed too). Pleas comment back.

2. SVG Import Notification and/or debug log

   Short back story: My company is an online supplier of custom printed products. Customers design their order on our website which we translate into an SVG file. Our production team imports that SVG file into AI for final processing of the customers order.

   When importing SVG files to AI sometimes entire parts of the design are not imported without any notification or log of the event.

   For example, when our production team imports SVGs where the text contains an emoji we sometimes (maybe always?) find that the entire text block is no longer included in the design. This is not obvious and it requires going back and comparing the import to the original JPG rendering to notice a difference.

   Much more transparency from Adobe on how SVG importing works in general would be greatly appreciated. Right now it's incredibly painful to debug import issues.

   Thanks!
   Brent

   Short back story: My company is an online supplier of custom printed products. Customers design their order on our website which we translate into an SVG file. Our production team imports that SVG file into AI for final processing of the customers order.

   When importing SVG files to AI sometimes entire parts of the design are not imported without any notification or log of the event.

   For example, when our production team imports SVGs where the text contains an emoji we sometimes (maybe always?) find that the entire text block is no longer included in the design. This is not… more

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   0 comments  ·  File Save, Import and Export  ·  Edit…  ·  Delete…  ·  Admin →
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3. Keep link when placing DXF/DWG file

   Hi,

   Could it be possible to keep the link to the original file when placing a DXF or a DWG in Illustrator?
   The goal is to be able to update the view if the external file change...
   having the geometry active like it's done for text glyph in order to be able to snap to geometry could be the cherry on the cake.

   Many thanks

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4. Ability to rotate an image 90 degrees when exported for screens

   Having the ability to rotate an image 90 degrees when exported for screens would save a step when saving some art for the web.

   Some artwork with text is saved built so the type is horizontal for ease of typing/reading. Current exports require the art to be built and then rotated 90 degrees in Photoshop.

   The ability to rotate saves a step.
   It is a small nice improvement for Illustrator.

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5. Select all the value at once

   Is it possible when clicking on a value such the shape, dimensions or text height etc. to select all the value so it can be replaced faster. Right now I have to delete the values number by number or select all with Ctrl-A then delete.
   It would be appreciated if you have the option to select all when clicking on it.
   It will save a lot of time.
   Thank you

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   Resolved (Comments Open)  ·  1 comment  ·  User Interface  ·  Delete…  ·  Admin →
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6. Type on a Path Options

   Type on a Path needs significant improvements.

   • The Preview button should be sticky and the default position should be on.
   • There need to be more alignment options including Cap Height and x Height.
   • The options should be a panel not a dialogue.
   • The options should be included in a style, perhaps by adding InDesign like object styles.
   • The margins added when a path is converted to a type path should always start out at the ends of the path, not some arbitrary points along the path.

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   1 comment  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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7. Power Efficiency

   Since I've moved to working remotely entirely, I've noticed how quickly using several Adobe programs burns through my laptop battery. I'm running a brand new 16" Macbook Pro with the latest MacOS Catalina version, and I'm lucky if I get an hour and a half of battery life while running InDesign and Illustrator at the same time. When I review what is using the most battery life, my Mac lists InDesign, Illustrator, and Core Sync as the main culprits.

   Now, I understand that these programs at times are fairly graphically intensive, but the battery life I'm getting is absymal, and I'm not even currently working on artwork that is using a lot of complex effects; we're talking basic shape and stroke icons and simple text and shape layouts.

   Can you please work on optimizing the programs to prevent excessive battery draining? Core Sync in particular is really confusing; what exactly is it doing? I've even paused file syncing, but that hasn't seemed to do anything.

   Since I've moved to working remotely entirely, I've noticed how quickly using several Adobe programs burns through my laptop battery. I'm running a brand new 16" Macbook Pro with the latest MacOS Catalina version, and I'm lucky if I get an hour and a half of battery life while running InDesign and Illustrator at the same time. When I review what is using the most battery life, my Mac lists InDesign, Illustrator, and Core Sync as the main culprits.

   Now, I understand that these programs at times are fairly graphically intensive, but the battery life I'm getting is absymal, and… more

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   0 comments  ·  Performance, Enhancements  ·  Delete…  ·  Admin →
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8. Allow the bullet behavior to be turned ON or OFF

   I would very much like to have the option to turn the Bullet behavior ON or OFF. - Part of why I use Illustrator as much as I do is that I like to have complete control of my design. I use InDesign in a very limited, specific way, even with book layout, i.e. TOC & pagination. - For example, I'm trying to make headers for a short PDF and I can't add numbers before my headers without loosing control of the styling. They've been gobbled up by the bullet functionality and I can't even change the color. I can't stand the bullet function... I'm going to have to have 2 separate text boxes to make a simple numbered header. And I'm not going to set up a style for a short PDF, it's not worth my time. - I can see that some people want that InDesign bullet behavior in AI.. I'm fine with that, just give me the option to DISABLE the bullet feature - PLEASE!!

   I would very much like to have the option to turn the Bullet behavior ON or OFF. - Part of why I use Illustrator as much as I do is that I like to have complete control of my design. I use InDesign in a very limited, specific way, even with book layout, i.e. TOC & pagination. - For example, I'm trying to make headers for a short PDF and I can't add numbers before my headers without loosing control of the styling. They've been gobbled up by the bullet functionality and I can't even change the color. I can't… more

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   1 comment  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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9. When snapping to a point please take edges of object into consideration

   "When snapping to a point, the snapping alignment depends on the position of the pointer, not the edges of the dragged object." -- A. Illustrator

   ...but if I could put my pointer exactly where I need it in order to get the edge of an object exactly on the margin, what's the point of the snap to feature? That is a pain in the butt. And really hard to do. I need the option of snapping the edges of the object to the margin. Spart guides do not help.

   3 votes

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   1 comment  ·  Snapping  ·  Delete…  ·  Admin →
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10. Top toolbar should display true length and width of shapes, not the "properties" of the shape.

    It's very confusing when you reference the top toolbar to see the length and width of a shape only to realize the values are completely wrong. This is because the top toolbar displays the "properties" of a shape for whatever reason. The length of an object should always be the longest horizontal measurement, and the height should always be the longest vertical measurement, regardless of rotation. Despite not displaying true length and width, the toolbar uses symbols which clearly indicate length and width: a double ended horizontal arrow first, then a double ended vertical arrow second. Unless a user clicks 'Transform' in the toolbar or opens the Transform panel, there's no way to quickly reference the length and width of a live object. Why has the assumption been made that this information is less valuable than the rectangle "properties"?
    I've included two screenshots: one shows the exact scenario mentioned above. The second screenshot shows an even more bizarre instance where I've selected two identical squares that are aligned edge to edge to create a rectangle. Instead of showing the length and width of the entire shape, it simply displays the original dimensions of each individual square. This information does not aid the design or illustration process in any way!

    It's very confusing when you reference the top toolbar to see the length and width of a shape only to realize the values are completely wrong. This is because the top toolbar displays the "properties" of a shape for whatever reason. The length of an object should always be the longest horizontal measurement, and the height should always be the longest vertical measurement, regardless of rotation. Despite not displaying true length and width, the toolbar uses symbols which clearly indicate length and width: a double ended horizontal arrow first, then a double ended vertical arrow second. Unless a user clicks… more

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11. Mirror Buttons

    Mirror buttons (vertical and horizontal) directly on the control bar.
    Also, implement this feature in Photoshop.
    ...instead of "image/transform/flip..." overtime we need to mirror an image.

    2 votes

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12. Distribute non-uniform objects equally

    Would love to have a function that would arrange/distribute different non-uniform objects evenly within a prescribed area. This would be similar to how the current horizontal and vertical "distribute spacing" works but across a two dimensional area rather than just one dimension. The spacing should based on the edge of each object, not from the bounding box.

    This function would be valuable for:
    -creating unique patterns
    -quickly arranging objects for a layout involving many individual objects
    -maximizing space for printing/die cutting individual custom pieces such as stickers

    User defined parameters could include:
    -apply to selected objects
    -fit within artboard
    -fit within custom shape
    -uniformly scale objects to fit area
    -overlap objects when necessary
    -expand beyond border when necessary
    -rotate objects
    -rotation limit (degrees)
    -minimum space between object edges
    -outside edge of objects (ragged/aligned)
    -optical spacing (more space between large objects, less between smaller objects)

    Would love to have a function that would arrange/distribute different non-uniform objects evenly within a prescribed area. This would be similar to how the current horizontal and vertical "distribute spacing" works but across a two dimensional area rather than just one dimension. The spacing should based on the edge of each object, not from the bounding box.

    This function would be valuable for:
    -creating unique patterns
    -quickly arranging objects for a layout involving many individual objects
    -maximizing space for printing/die cutting individual custom pieces such as stickers

    User defined parameters could include:
    -apply to selected objects
    -fit within artboard
    -fit… more

    2 votes

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    3 comments  ·  Align, Distribute  ·  Delete…  ·  Admin →
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13. Hiperlinks

    Right now you must use Acrobat or Indesign to integrate hiperlinks in the file. You can do the 0% opacity trick (putting a hiperlink in 0% opacity on top of the text you want to link) but it's not usable or efficient.
    I have so many files that are 90% illustracions, so it's the best for me to use Illustrator, but I would love to include the links in the file, not having to edit it in other softwares afterwards...

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14. 3D Materials Inflate: taper volume, change direction of taper

    I love the taper feature! It would be helpful to change the direction vertical/horizontal. Also the ability to also taper volume to create squeeze bottles that are round at the base but flat at the top.

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15. I want simple features like "path-continuation" or a simple way to color shapes that were made by paths.

    Okay im super new to Illustrator and just got kind of used to Photoshop but now I try to make some stuff with Illustrator and run in constant issues.
    I actually spent more time looking up extremely basic things that should simply work but are hidden somewhere or not possible? in Illustrator than I got to work on the things I tried to make.
    For example I created a detailed image with thousands of paths, tried to fit it into After Effects for an animation just to find out its much to bright. I went back to Illustrator and found no option to make the paths darker or how to color individual shapes and not the whole image in one color! I searched online and found that there is no function to just select a bunch of shapes and turn them all down a few shades in one go. Each has his own shade of grey so it would be similar to Word when you select your whole text and click the little button to change the size of every letter no matter the individual sizedifferences.

    Im so ******* angry every time I use Illustrator ._.
    its the most frustrating piece of software I ever had to use!

    Okay im super new to Illustrator and just got kind of used to Photoshop but now I try to make some stuff with Illustrator and run in constant issues.
    I actually spent more time looking up extremely basic things that should simply work but are hidden somewhere or not possible? in Illustrator than I got to work on the things I tried to make.
    For example I created a detailed image with thousands of paths, tried to fit it into After Effects for an animation just to find out its much to bright. I went back to Illustrator and found… more

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    2 comments  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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16. Radial interface (popup) for previewing ALL THE SWATCHES.... S I M U L T A N E O U S L Y.

    If a user wants to preview ALL the swatches in the swatch library at once, the time and sequence of events to do so is extremely unnecessarily tedious.

    "Preview all swatches" button -> BAM: radial view of all swatches on screen. (doesn't even have to be legible. text can be upside down. Maybe rotate it with the mouse wheel. Click one swatch set -> then Bam! That's the swatch docked to the panel. All the others dissapear. or "Unsummon the swatches" button.

    "Smithers Release the hounds"

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17. Locked Object as Key Object

    It would be very helpful to have the option to enable a locked object to be selected as a key object. I would make aligning object workflows to be slightly more efficient.

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    5 comments  ·  Selection  ·  Delete…  ·  Admin →
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18. Edit multiple identical objects real-time

    Hello!
    Would be cool to have a feature where for example when editing 2 identical objects, you can convert one object into main object and other into "mirrored" one through layer system/window and then mirrored one will show same changes real-time whenever I'm editing the main one. Afterwards when turning off the feature, all the "mirrored" ones turn into seperate objects (as if rasterized).
    This would be a game changer when I'm editing text that is turned into object and I want same edits to be applied to all other identical letters.

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19. Rotate objects around an anchor point but each object stays in it's original orientation

    See attached image to help make sense of my ramblings.

    This may already be an option that I'm not aware of but I'd love the ability to rotate objects around a point but those objects NOT to be rotated but just repositioned. In the example I attached, I want to be able to rotate the outer orange circles around the centre point of the blue circle. When I do this, the circles and text rotate. This is a simple example but I think it's got potential on more complex things.

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20. Move & Scale by small decrease/increment of mouse wheel in properties

    The idea is that when i use CTRL + Mouse Wheel to scale or move in properties any object or text the numbers are something like Y: 550.624 px when doing this they change to Y: 550.7 px i would like to be able it changes at small phase Y: 550.625 px or Y: 550.63 px so there will be 2 additional increments. Else i have to type this numbers manually.
    I would assign them to some keyboard numbers like hold 1, 2 or 3 + mouse wheel for each increment.

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