4700 results found

1. Feature Request: Manual Adjustment for Pattern Brush Guide Path

   I am a batik illustrator from Indonesia who uses Adobe Illustrator daily for creating intricate and detailed designs. Pattern Brush is one of the key features I rely on to develop seamless and repetitive motifs.

   However, I have encountered a significant limitation: when creating a Pattern Brush, Illustrator automatically places the guide path (the green line) exactly at the vertical center of the artwork’s bounding box, without offering any option to reposition it manually.

   This becomes a challenge when creating traditional batik designs, where the repeated elements need to follow a specific base line or custom flow rather than being centered. In many cases, the pattern must align to the bottom or other precise points, not the center, to maintain visual consistency and technical accuracy.

   Therefore, I would like to suggest that Illustrator include a feature that allows users to manually set or adjust the position of the guide path within the Pattern Brush. This could be done either through a simple control (such as choosing Top / Center / Bottom) or by allowing users to define a custom guide path manually.

   Having this control would greatly improve flexibility, especially for artists, textile designers, and pattern creators who require exact positioning of repeated elements. It would enhance the precision and open new creative possibilities for Illustrator users around the world.

   Thank you very much for considering this improvement.

   I am a batik illustrator from Indonesia who uses Adobe Illustrator daily for creating intricate and detailed designs. Pattern Brush is one of the key features I rely on to develop seamless and repetitive motifs.

   However, I have encountered a significant limitation: when creating a Pattern Brush, Illustrator automatically places the guide path (the green line) exactly at the vertical center of the artwork’s bounding box, without offering any option to reposition it manually.

   This becomes a challenge when creating traditional batik designs, where the repeated elements need to follow a specific base line or custom flow rather than being… more

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   1 comment  ·  Brushes  ·  Delete…  ·  Admin →
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2. Korean text can't wrap cleanly at syllable boundaries

   In InDesign, Korean text can wrap cleanly at syllable boundaries, but in Illustrator and Photoshop it still can’t. We’re simply asking for the same “syllable‑by‑syllable” line‑break option that InDesign already has. Who on earth wants to type Korean like “인‑디‑자‑인‑처‑럼,” with every syllable forced onto its own line? We just need consistent letter‑spacing and neat line breaks.

   Korean users have been requesting this for more than ten years. Adobe, please—could you finally make it happen?

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   0 comments  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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   Under Review  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

   The team is working on this, but it’d take some time for this change to land into all apps

3. Gradient Tools Lack Customizability

   For a $20/month program, it's really frustrating that I've tested it's limited capabilities multiple times.
   1. Radial gradient: Should have the option to be deformed to shape. For instance, if I wanted a butterfly shaped radial gradient, the radial gradient should be able to act more like a proportional subdivision. Otherwise, the closes thing there is to what I'm looking for is the Gradient mesh because..

   1. Gradient Mesh: The Gradient Mesh has a severe lack of customizability. Everytime I use that tool for any complex shape, I always get a jumbled mess of lines and subdivisions that are overlapping and completely chaotic. We should have the option to adjust the anchor points of the mesh, but that's impossible without warping the vector shape. The tool is a nightmare to work with and practically impossible to get the results I'm looking for. You should have the option to start with a simple perpendicular grid and freely adjust the curves and anchor points without altering the vector shape. If you're not going to allow for this simple capability then don't bother having the gradient mesh at all.

   2. Free form gradient: The other alternative to a gradient mesh would be free form gradient. While this tool is definitely a lot better and more customizable than the gradient mesh, it's not without it's frustrating parts For one, it only ever allows you to draw curves. You can't do straight lines. between 3 points on the same line and there doesn't appear to be a hot key to allow for that capability. And simply using dots without lines turns the dots into radial gradients instead of a linear gradient when the points are connected by lines and you don't get the same effect. The tool is also incredibly tedious to use. Anytime I accidentally click a hotkey like Ctrl I for eyedropper it kicks me out of the tool, or I'll accidentally click an extra gradient dot instead of clicking on one that was already placed.

   3. Linear Gradients: This tool is great, but just like with what I talked about in regards to a radial gradient tool, this tool has it's frustrating limits. For one, the gradient it produces is not at all constrained by the bounding box of the vector and it's impossible to accurately reflect the gradient of a shape with this tool. There should be an option to have the linear gradient warped to accurately reflect the shape. For instance, if I have a trapezoid with a base that is much larger than the top, I want the proportions of the gradient to be proportionate the length of the top side and the bottom side, that way it actually reflects how lighting on that object should be.

   4. Multiple Linear functions: Still in regards to the linear tool, I really wish there was the ability to have multiple linear gradients affecting the same vector shape. This would be useful in examples like buildings. Imagine you're looking down the road through a city. Buildings farther from your view are going to appear brighter or darker than the buildings closer to your vision. (That would be one gradient). But than the tops of the buildings are also, more than likely, going to appear brighter than the bottom of the buildings because it's closer to the sky. In cases like these, it is extremely practical to have linear gradients overlapping.
      Another thing in regards to linear tools is the ability to transfer the same gradient to other objects. For example, to keep with the building example, the sun is setting on the horizon of the city and you see the reflections of the sun's light on the windows. The windows closer to the sun will have a brighter reflection than the windows closer to your view. But because all the windows are parallel to each other and are effected by the sun's reflections the same way, you should be able to draw a linear gradient from Point A to Point B and transfer those exact enpoints and slider coordinates to all the windows. I've been able to use the eyedropper tool to copy the colors in the gradient, but most of the time the length and location of the gradient line tool resets and I would have to manually manipulate the gradient lines to match for every single window and that's just plain time consuming and tedious not to mention it would not be a perfect continuity when it comes to accurately reflecting the window reflections.

   When it comes to these additional features, I'm not asking you to completely get rid of the features that already exist as those are still useful applications, but all I'm asking is for all these tools to be customizable and as integral as possible. These numerous incapabilities is frustrating and stunts my creative process enough that I wish I could get a job at Adobe just to have these features added.
   Thank you!

   For a $20/month program, it's really frustrating that I've tested it's limited capabilities multiple times.
   1. Radial gradient: Should have the option to be deformed to shape. For instance, if I wanted a butterfly shaped radial gradient, the radial gradient should be able to act more like a proportional subdivision. Otherwise, the closes thing there is to what I'm looking for is the Gradient mesh because..

   1. Gradient Mesh: The Gradient Mesh has a severe lack of customizability. Everytime I use that tool for any complex shape, I always get a jumbled mess of lines and subdivisions that are overlapping and… more

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   2 comments  ·  Gradients  ·  Delete…  ·  Admin →
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4. Add color to toolbar icons.

   The new 'Objects on a Path' tool has brought color to the toolbar. It now stands out a lot.

   I have a bunch of plugins that add tools to the toolbar, and have a bunch of cryptic monochromatic icons. Perhaps it is time for both Adobe and plugin developers to bring some color to the toolbar so we have one more thing to help us remember which extremely specialized tool we use once in a blue moon is which?

   (This also may require a switch in the prefs to revert to largely monochromatic icons for people who are colorblind and/or just hate change.)

   The new 'Objects on a Path' tool has brought color to the toolbar. It now stands out a lot.

   I have a bunch of plugins that add tools to the toolbar, and have a bunch of cryptic monochromatic icons. Perhaps it is time for both Adobe and plugin developers to bring some color to the toolbar so we have one more thing to help us remember which extremely specialized tool we use once in a blue moon is which?

   (This also may require a switch in the prefs to revert to largely monochromatic icons for people who are colorblind and/or… more

   3 votes

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   1 comment  ·  User Interface  ·  Delete…  ·  Admin →
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5. Add Catalan to the available languages ​​of Illustrator (as InDesign already has)
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   1 comment  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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6. Create a symbol without replacing art with the symbol.

   I would like a switch in the New Symbol dialogue to allow me to leave the original art on the canvas instead of replacing it with a symbol.

   Also it would be nice to be able to make a symbol out of the entire contents of a layer nested in another layer without the entire layer being replaced by the symbol.

   I use symbols in weird ways and both of these behaviors annoy the heck out of me.

   4 votes

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   1 comment  ·  Symbols  ·  Delete…  ·  Admin →
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7. Remove quantization / rounding for the Curvature tool

   Curvature tool is handy, but it places new points based on a hidden grid. The grid is screen-spaced, and it means the step of it stays the same on the screen, no matter what level of zoom we have.

   Once a point is places and the mouse button / pen is released, we can move this point freely, with no rounding!
   Why can’t we have this behavior for new points? Why limit new points in precision?

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   5 votes

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   0 comments  ·  Tools  ·  Delete…  ·  Admin →
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8. Local Artboard Editing Mode

   Illustrator already notionally works on one artboard at a time... the one that's zoomed to with Cmd-0, or pasted to with Cmd-V...

   Perhaps there could be a mode switch, similar to the 'Draw Inside' mode where all operations are confined to objects on the current artboard. Useful for Cmd-A for example. This would override unlocked artboards of course!

   This mode of operation is already familiar in InDesign where only current spread-object appear in the Layers.

   3 votes

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   2 comments  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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9. Add buttons in a tool panel to directly remove fill or stroke without a need to focus one

   LHS toolbox Stroke/Fill helpful feature
   At the bottom of the LHS Toolbox, have an x inside the stroke coloured square to remove a stroke instead of going to colour swatch box.

   6 votes

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   16 comments  ·  User Interface  ·  Delete…  ·  Admin →
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10. Remove Text to Vector from Properties panel

    Would like an option to remove it from Properties panel as it sometimes opens on its own after I have closed it and it impedes my workflow having to close it again because it obstructs actually useful things Properties panel.

    46 votes

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    27 comments  ·  User Interface  ·  Delete…  ·  Admin →
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    Completed (Comments Open)  ·  AdminAkshaya Saxena (Admin, Adobe Illustrator) responded

    We have released an update (version 28.6) which takes care of this particular ask. Please upgrade your Illustrator application to latest versions and let us know your feedback.

11. 放射状のハーフトーン生成

    次のアドレスで見られる画像のような放射状のハーフトーン生成を希望します。
    https://stock.adobe.com/jp/images/vector-radial-gradient-halftone-sunburst-circle-shape-stippling-design-elements/98278594

    放射状のグラデーションを放射状のハーフトーンに変換したいです。

    1 vote

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    3 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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12. Make USEFUL hover hints for ALL the options, fields, menu commands

    Clearly the team doesn’t really care about making hover hints to be a learning tool.

    Rarely these actually try to say what an option or a field does or controls: like 'Start editing similar shapes together' for the 'Global Edit' button in the Control panel, or 'Click to pick arrowhead to apply to start point of path' in Stroke panel...

    But in most cases the hint is extremely rudimentary.
    Try to hover the 'W' field in Transform panel — you’d get 'W value'. W?! Weight? Wand? Why not say 'Width Value', or even 'Set Width for the selected objects'?

    Then again — why do you caption only icons, but not something like menu commands? Why can’t a new user hover over Select > Start Global Edit and get a short explanation (especially with rich tooltips enabled)?

    Why Scale Corners in Transform has a decent hint, but Scale Strokes & Effects — none at all?

    Why can’t you make hover hints have several lines of text, if needed?
    Take a look at how a carefully written hint for a plugin option suffers from being restricted to one line?

    OK, if you’re afraid of flashing with large cards (the main reason why people hate rich tooltips) — why can’t you make these hints display a shorter version, but give a detailed one after a pause, like the attached GIF shows (from a 3DS Max)? Two second delay is a bit too large, to my taste, but it’s there!

    Why can’t every item in Preferences have a hover hint?
    Actually I requested this here: http://illustrator.uservoice.com/forums/333657/suggestions/46268617

    I hope someone in the team just takes time to hover all the UI items in Ai and think a bit. Or scroll through a list you probably can generate... do something, please!

    Clearly the team doesn’t really care about making hover hints to be a learning tool.

    Rarely these actually try to say what an option or a field does or controls: like 'Start editing similar shapes together' for the 'Global Edit' button in the Control panel, or 'Click to pick arrowhead to apply to start point of path' in Stroke panel...

    But in most cases the hint is extremely rudimentary.
    Try to hover the 'W' field in Transform panel — you’d get 'W value'. W?! Weight? Wand? Why not say 'Width Value', or even 'Set Width for the selected objects'?

    Then… more

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    6 votes

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    0 comments  ·  User Interface  ·  Delete…  ·  Admin →
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13. Portability or cross-device synchronization of Illustrator workspace organization.

    Portability or cross-device synchronization of Illustrator workspace organization.

    I have a standard way of working and organizing windows, icons, and other tools in the Illustrator workspace, and I'd like these settings to be synchronized across my devices, given that I work on my laptop and desktop in different locations at different times of the day.

    1 vote

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    0 comments  ·  User Interface  ·  Edit…  ·  Delete…  ·  Admin →
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14. Merge some features of Color window into Swatches window

    I've always wished the "Color" window and "Swatches" were sort of merged... I wont' bother explaining why its useful to keep the Swatches window open, as i have to assume everybody is constantly using this. I toggle over to the Color window when i'm viewing the color name and swapping the color/fill. In the latest update of Illustrator, they've updated Swatches to include a stroke and fill selector (as well as a list of recent colors, which is pretty cool). they've not however included the swapping arrow, display name of color, or that little default fill selection. can we please just add this little section to the top of swatches and i can pretty much be done with the Color window! I've attached a doctored example of what it might look like.

    I've always wished the "Color" window and "Swatches" were sort of merged... I wont' bother explaining why its useful to keep the Swatches window open, as i have to assume everybody is constantly using this. I toggle over to the Color window when i'm viewing the color name and swapping the color/fill. In the latest update of Illustrator, they've updated Swatches to include a stroke and fill selector (as well as a list of recent colors, which is pretty cool). they've not however included the swapping arrow, display name of color, or that little default fill selection. can we please… more

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    1 vote

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    0 comments  ·  Colors, Swatches, Patterns  ·  Edit…  ·  Delete…  ·  Admin →
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15. Knobs.

    Just more knobs. There should be a knob next to every input that takes an angle value. The Scribble effect has one. The Gradient palette doesn't. The Transform palette has one but it could use another one along with a couple of text input boxes as an option to move an object a specified distance along a particular angle instead of moving it in X and Y. The angle value in the transform section of Properties doesn't have a knob. Scatter brush options have two horizontal sliders and no knobs. Put a knob next to each of those sliders.

    Go through the entire UI and look for angle inputs that don't have knobs and give them knobs. And make this knob an easy-to-use component if it isn't one already. Astute's Phantasm Halftone plugin has an angle input with no knob. Make it trivial for them to fix this.

    Also there's a bunch of feature requests for varying versions of "you can drag a number input and/or the arrows next to it and drag to change the value". Pick one of those. Make every input box work this way.

    Thee's also a pattern where you click on a down-arrow next to a number input and a menu or slider drops down out of it. Sometimes you can drag and hold to go down it - stroke weight's fine for instance. Sometimes you can't - the opacity input box's dropdown gets you a slider, and you have to lift your stylus and click somewhere on the bar. It used to let you just click to bring up the slider, drag to a point on the bar, and release. It should still be doing that but this got lost in the UI rebuild like a decade ago and never came back. Find all of those dropdowns and fix that.

    Just more knobs. There should be a knob next to every input that takes an angle value. The Scribble effect has one. The Gradient palette doesn't. The Transform palette has one but it could use another one along with a couple of text input boxes as an option to move an object a specified distance along a particular angle instead of moving it in X and Y. The angle value in the transform section of Properties doesn't have a knob. Scatter brush options have two horizontal sliders and no knobs. Put a knob next to each of those sliders.

    Go… more

    4 votes

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    1 comment  ·  User Interface  ·  Delete…  ·  Admin →
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16. Correct View > Snap to Grid shortcut from Cmd/Ctrl+" to proper Cmd/Ctrl+'

    My request is a bit nerdy, but hey! I have been using Illustrator for 'ages' and one of the shortcuts is simply not correct. I always think it's cute, in a way, but still.
    The shortcut to show or hide the grid is listed as Ctrl + "
    This is impossible to achieve since you need the 'Shift' key to type the double quotation marks :)
    So, I think it should be Ctrl + ' .
    The shortcut to snap to the grid is fun in this light; it's Ctrl + Shift + "
    So, I was wondering if anyone had ever thought 'Wait a minute...'

    Oh, and this also applies to the shortcut for 'Snap To Point', which is listed as Ctrl + Alt + "
    I am very curious!

    My request is a bit nerdy, but hey! I have been using Illustrator for 'ages' and one of the shortcuts is simply not correct. I always think it's cute, in a way, but still.
    The shortcut to show or hide the grid is listed as Ctrl + "
    This is impossible to achieve since you need the 'Shift' key to type the double quotation marks :)
    So, I think it should be Ctrl + ' .
    The shortcut to snap to the grid is fun in this light; it's Ctrl + Shift + "
    So, I was wondering if anyone… more

    2 votes

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    3 comments  ·  User Interface  ·  Delete…  ·  Admin →
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17. Non-destructive clipping mask options

    An option where you take a whole object or group and use it's whole area(including strokes) as a clipping mask for other layers. Similar to what you can do in Photoshop.

    So you can create for instance, a shape with stroke and set it as the clipping mask for an underlying texture. Without the need to flatten it, so you can experiment with it, or keep a text live for later editting it.

    Or have multiple shapes working as the clipping mask while you are choosing the appropriate combination or later need to adapt to a different format.

    4 votes

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    5 comments  ·  Clipping, Intertwine  ·  Delete…  ·  Admin →
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18. Add an option to measure gaps between objects in Objects on Path by their bounds, not between centers

    Objects on Path needs more options and in its current setup is very limited in its usefulness. This tool feels like it's still in beta. Whilst it's good at doing the one thing it's designed to do, it's missing a lot of useful capabilities.

    If the objects are different sizes it doesn't space them evenly. Spacing currently is determined only by the center points of the objects rather than its bounding box. At least make it an option.

    1. Objects on Path needs an ability to keep orientation of objects relative to page/path, similar to blends — http://illustrator.uservoice.com/forums/333657/suggestions/48984890
    2. Allow to nudge or rotate individual elements along the path for Objects on Path — http://illustrator.uservoice.com/forums/333657/suggestions/48987899

    Objects on Path needs more options and in its current setup is very limited in its usefulness. This tool feels like it's still in beta. Whilst it's good at doing the one thing it's designed to do, it's missing a lot of useful capabilities.

    If the objects are different sizes it doesn't space them evenly. Spacing currently is determined only by the center points of the objects rather than its bounding box. At least make it an option.

    1. Objects on Path needs an ability to keep orientation of objects relative to page/path, similar to blends — http://illustrator.uservoice.com/forums/333657/suggestions/48984890
    2. Allow to nudge… more
    11 votes

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    0 comments  ·  Align, Distribute  ·  Delete…  ·  Admin →
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19. Improving Processing Performance for Large ESP Format Images

    I am a scientific researcher who frequently uses this software to process images in ESP format. Overall, the software performs very well, but it becomes noticeably sluggish when handling scatter plots with a large number of data points, such as EPR spectra and fluorescence lifetime plots. Based on my experience, this may be due to limited compatibility in processing such datasets, as my Mac computer has 32 GB of RAM, which should be sufficient. I hope this issue can be addressed and optimized soon. Thank you very much!

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    0 comments  ·  Performance, Enhancements  ·  Delete…  ·  Admin →
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    Need More Info  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    Please share some of your files with the team to investigate them. Add them in comments if you are OK with sharing them publicly, or send directly to sharewithai@adobe.com (in this case add the link to the request for fast tracking, http://illustrator.uservoice.com/forums/333657/suggestions/50309937).

    Thank you!

20. Bring in PDF's without changing the formatting

    PDF's, sometimes, when brought in, NOT as an image, but embedded, changes font style widths, etc. This was another issue for me, with a client who built their file in ID and saved as a PDF and I brought it in and embedded it. I did not catch it, but it's clearly changed. I have the font, so that was not an issue, it just change the "BOLD" to "REGULAR". Picture attached shows the "original" PDF as a pic on the right. I have it at 50% opacity as I was comparing.

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    2 comments  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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