643 results found

1. Magic Grid

   Hi!

   I would like to have a new tool: a kind of semi-elastic placement aid. Our team designs packagings and often has to adapt layouts to new die cuts, so objects often have to be moved, but must not change in size themselves. Sometimes a logo exists in three different sizes, which must be chosen depending on the total height. In addition, they must adhere to minimum distances, which may also not be scaled. However, the design often follows a grid, e.g. a logo must be on the vertical at 5/13 of the total height. So I imagine a kind of grid that, when scaled, adheres to a set of rules. With options if and how as well as how far something is scaled or not.
   Although this is all logical and mathematical, we currently have to create it manually. A new "magic grid" would be a great help here.

   I look forward to feedback and ideas,

   Thanks!

   Hi!

   I would like to have a new tool: a kind of semi-elastic placement aid. Our team designs packagings and often has to adapt layouts to new die cuts, so objects often have to be moved, but must not change in size themselves. Sometimes a logo exists in three different sizes, which must be chosen depending on the total height. In addition, they must adhere to minimum distances, which may also not be scaled. However, the design often follows a grid, e.g. a logo must be on the vertical at 5/13 of the total height. So I imagine a kind… more

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2. transform again tool glitch

   In Adobe Illustrator, I use the transform again tool a lot during my day to day and seemingly recently, it hasn’t been affecting live or outlined type* when it will affect any other regular object. Has anyone come across this on their own or know how to fix it? It will continue to transform the text if you scale up or down as well repeating moves but when scaling objects to certain sizes using the guides and then replicating the same growth on the text object doesn’t work.

   I’ve tried ungrouping, releasing the compound path, tried intersecting the shapes, the menu command

   https://www.graphicdesignforum.com/t/adobe-illustrator-transform-again-on-the-fritz/8810/2

   In Adobe Illustrator, I use the transform again tool a lot during my day to day and seemingly recently, it hasn’t been affecting live or outlined type* when it will affect any other regular object. Has anyone come across this on their own or know how to fix it? It will continue to transform the text if you scale up or down as well repeating moves but when scaling objects to certain sizes using the guides and then replicating the same growth on the text object doesn’t work.

   I’ve tried ungrouping, releasing the compound path, tried intersecting the shapes, the… more

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3. An ability to have an exact width without tracking

   The width should be based on the actual vectors and not the letters with Tracking (Kerning). If I add 100 tracking to the text, it is wider then the actual vectors and that creates issues with making sure the letters will fit on a wall that they would be attached to.

   2 votes

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   3 comments  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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4. Need Better (and Less-Hidden) Accessibility Tagging Options

   Please make it much easier to add accessible alt-text to InDesign documents. There should be an accessibility panel and pre-check to make it very easy for designers.

   As it is now, it's too hidden: https://www.adobe.com/accessibility/products/indesign/alt-text.html

   Posted in reference to my tweet, at the request of Adobe Support: https://twitter.com/exkclamation/status/1424788475698499585

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   0 comments  ·  Other...  ·  Delete…  ·  Admin →
   Declined  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

   You were right making this request in InDesign’s UserVoice as well: https://indesign.uservoice.com/forums/601021-adobe-indesign-feature-requests/suggestions/43967871-need-better-and-less-hidden-accessibility-taggin
   Please vote there!

   As for this one — I have to close it, because it is irrelevant for Illustrator.

   But please add other requests for Ai if you use it. Thanks!

5. Automated/AI-powered file names in Asset Export

   Asset Export needs more options to automate and/or use variables. Designers often need to export large groups of files (e.g. variations of a logo in multiple colours and sizes, with/without a claim or other element) which then have to be tediously and manually renamed and sorted to reflect things like size, color.
   It would be great if there were more option to automate the output by adding variables such as dimensions custom text fields, names of swatches used, etc This could even be an area where the use of AI might be useful to automatically detect the content and create a system of short, descriptive filenames

   Asset Export needs more options to automate and/or use variables. Designers often need to export large groups of files (e.g. variations of a logo in multiple colours and sizes, with/without a claim or other element) which then have to be tediously and manually renamed and sorted to reflect things like size, color.
   It would be great if there were more option to automate the output by adding variables such as dimensions custom text fields, names of swatches used, etc This could even be an area where the use of AI might be useful to automatically detect the content and create… more

   2 votes

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6. Contextual Eyedropper Tool

   Currently, the Eyedropper Tool is an underutilized and often counter-intuitive tool that needlessly increases the complexity of a workflow because of its limitations. This- combined with Illustrator's poor color tools- often adds unnecessary time and effort to what should and could be more simplified tasks.

   For example, a common situation is that I have a shape with a fill color that I like, and I want another shape that has a stroke to also use that color, except only for the stroke. Currently, if I use the eyedropper tool on the filled shape, it will completely remove the stroke and add a fill, although the desired result is neither action. The workaround, of course, is to create a new swatch of that color, then make sure the stroke is selected, and then apply the swatch color to that stroke (as the other color tools are essentially useless for matching colors, given no live preview).

   This, of course, can get incredibly tedious when dealing with lots of colors and lots of fills and strokes, and it is not always desirable (nor, I would argue, should it be necessary) to always create swatches for working with colors.

   This situation is of course not limited to shapes. Often I will have text that I want to have a stroke with particular cap conditions, but want the color from another stroke. However, the current process of using the eyedropper tool strips the formatting of the stroke (or whatever properties) and takes on the properties of the selected object, even though all that was wanted was the color.

   A more elegant solution would be to make the eyedropper tool contextual, so that specific properties of the sampled object could applied without completely changing the selected object’s properties to conform entirely to the sampled object.

   I would suggest the following that the eyedropper tool be modified to work contextually much like the Pen Tool works contextually.

   The default state of the Eyedropper Tool would work as it currently does. However, there would then be different options that could be cycled through in the Eyedropper Tool, analogous to how there is the Pen Tool, the Add Vertex Tool, Subtract, Convert, etc.

   In this usage, holding a modifier key or choosing a different function of the eyedropper tool would allow one to decide which aspects of the sampled object to apply to the selected object.

   For example, if I have a circle with a red stroke and a box with a blue fill, and I want the circle to have the stroke be the same color as the box’s blue fill, I could hold Alt/Opt (as an example) to switch to the Color Sample Tool which would then sample only the color of the sampled object and apply it to either:

   1. Whichever property is currently active (e.g., Fill or Stroke)
   2. If the object has ONLY a Fill or ONLY a Stroke, it would automatically default to applying it to whichever is already extant.

   This could be extended to sample the color of the pixel sampled, or the entirety of the fill or stroke (e.g., for gradients, styles, etc.)

   Another option (perhaps by holding Alt+Cmd/Ctrl) would be the Stroke Style Sample Tool, which would sample the style of sampled object’s Stroke. This could even be given some further options (perhaps accessed by up or down arrows) to select only weight, weight and Caps style, Weight, Caps Style and Color, etc., all delineated by changes in the icon state.

   I think that a contextual Eyedropper Tool would be a more elegant way of handling color and style sampling in Illustrator and eliminate the current workarounds necessary for an efficient workflow.

   Currently, the Eyedropper Tool is an underutilized and often counter-intuitive tool that needlessly increases the complexity of a workflow because of its limitations. This- combined with Illustrator's poor color tools- often adds unnecessary time and effort to what should and could be more simplified tasks.

   For example, a common situation is that I have a shape with a fill color that I like, and I want another shape that has a stroke to also use that color, except only for the stroke. Currently, if I use the eyedropper tool on the filled shape, it will completely remove the stroke and… more

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   Resolved (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

   The solution to that would be to activate a stroke if you want to apply a color to it, then to hold Shift when clicking a color — does not matter where this color is on a stroke or a fill. Illustrator then applies the picked color to the active fill/stroke, ignoring the source nature. There are two things to know — the cursor does not inform you about this mode (unlike the Alt-mode, should be addressed), and if you pick a color from a swatch — you’d get a screen representation of the color... harmless for RGB documents (if your color settings are in order), but crucial for CMYK documents (should be addressed too). Pleas comment back.

7. The Flip buttons in the Properties panel should copy objects

   In the Transform section of the Properties panel there are Flip vertical and Flip horizontal buttons.

   When holding down Alt while pressing the buttons it would be convenient if they could copy the object, like InDesign does.

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   3 votes

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8. Hide Numbers Option for Dimension Tool

   Hello,

   I'd like to add the hide option for the numbers. I'm actually doing a floor plan, I want people to input by hand the numbers they see on the design by measuring with the real dimensions and have to hide the numbers by adding a shape over the numbers so people won't get confused with the numbers.

   I think it can come handy also for maths teachers for example, when they want to edit their drawing with a version for students and one for solutions. they can also edit with flying text with X, Y, Z or else for their subjects without having to cover the numbers artificially with a with rectangle.

   Thanks a lot

   Hello,

   I'd like to add the hide option for the numbers. I'm actually doing a floor plan, I want people to input by hand the numbers they see on the design by measuring with the real dimensions and have to hide the numbers by adding a shape over the numbers so people won't get confused with the numbers.

   I think it can come handy also for maths teachers for example, when they want to edit their drawing with a version for students and one for solutions. they can also edit with flying text with X, Y, Z or else for… more

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   3 votes

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9. Provide ability to use polygon tool from the corner of the bounding box

   Most shapes in Illustrator (e.g. the ellipse and rectangle tools) draw from the corner by default or from the centre when holding Option/Alt, but the polygon tool doesn't provide this option.

   When using the polygon tool, holding the Option/Alt key should switch to dragging from the corner of the bounding box, which would make it much easier to draw a polygon of a specific height (allowing the user to lean on features like Smart Guides for alignment).

   4 votes

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10. Font style not applying correctly

    Using the character window.
    When trying to alter pre-typed text, changing using Font Family menu in character window works, but changing using Font Style menu does not (the window states that it has changed, but the preview does not show the change)

    Operating System: Mac OS 11.4
    Illustrator Version: Beta - 25.5 360

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    Completed (Comments Open)  ·  AdminAnkit Goyal(Illustrator Team) (Admin, Adobe Illustrator) responded

    I am happy to share that we have fixed this bug in our latest release – 26.0.0 which is available worldwide now.

    Going forward, our goal is to fix as many top User-Voice bugs as possible and as frequently as possible. Given the nature of the fixes, some of the bugs will take a longer time to fix, but we are on it.

    You can update to the latest release using Creative Cloud desktop App: https://helpx.adobe.com/in/creative-cloud/help/creative-cloud-updates.html

    Thank you for all the feedback. Keep it coming!

11. Type on a Path Options

    Type on a Path needs significant improvements.

    • The Preview button should be sticky and the default position should be on.
    • There need to be more alignment options including Cap Height and x Height.
    • The options should be a panel not a dialogue.
    • The options should be included in a style, perhaps by adding InDesign like object styles.
    • The margins added when a path is converted to a type path should always start out at the ends of the path, not some arbitrary points along the path.

    4 votes

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12. Rotate Artboards

    Enable artboards to be rotated individually. Simple. Here's an example of my currently workflow: if I have a large map with a winding road in illustrator, and I want each of my 5 artboards to be aligned with that road, I have to make rectangles where I wish the artboards could be, and then make the actual artboards encompass the rectangle. Then I export as an image, and rotate and crop in Photoshop to match the rectangle. This becomes especially annoying if the boundaries overlap, and I have to export artboards one by one, turning off the rectangles of other artboards.

    Enable artboards to be rotated individually. Simple. Here's an example of my currently workflow: if I have a large map with a winding road in illustrator, and I want each of my 5 artboards to be aligned with that road, I have to make rectangles where I wish the artboards could be, and then make the actual artboards encompass the rectangle. Then I export as an image, and rotate and crop in Photoshop to match the rectangle. This becomes especially annoying if the boundaries overlap, and I have to export artboards one by one, turning off the rectangles of… more

    4 votes

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13. When snapping to a point please take edges of object into consideration

    "When snapping to a point, the snapping alignment depends on the position of the pointer, not the edges of the dragged object." -- A. Illustrator

    ...but if I could put my pointer exactly where I need it in order to get the edge of an object exactly on the margin, what's the point of the snap to feature? That is a pain in the butt. And really hard to do. I need the option of snapping the edges of the object to the margin. Spart guides do not help.

    4 votes

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14. Uniform dashes at end of paths

    It would be great to have uniform dashes at the end of paths when
    "Aligns dashes to corners and path ends, adjusting lengths to fit" is on.

    Currently we seem to get half sized dashes with this option on

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    3 votes

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    3 comments  ·  Strokes  ·  Delete…  ·  Admin →
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15. Ai Feels Old and Unintuitive Next to New Adobe Products

    Illustrator feels old. I find myself trying to do more and more vector work in XD or Photoshop simply because Ai feels like something from the 90s. There is very little consistency in how things work in Ai versus the other adobe apps. Swatches from CC are endlessly frustrating. Too many tools appear to do the same thing slightly differently. The app seems to assume everything will eventually be printed.
    I know this is very general, but perhaps a new vector creation tool is needed in the lineup. I've tried Draw and Sketch on the iPad but they also feel lost in the past. What I need is an app that lets me quickly create and manipulate shapes, text, and paths. Ai is just too cumbersome.

    Illustrator feels old. I find myself trying to do more and more vector work in XD or Photoshop simply because Ai feels like something from the 90s. There is very little consistency in how things work in Ai versus the other adobe apps. Swatches from CC are endlessly frustrating. Too many tools appear to do the same thing slightly differently. The app seems to assume everything will eventually be printed.
    I know this is very general, but perhaps a new vector creation tool is needed in the lineup. I've tried Draw and Sketch on the iPad but they also feel… more

    2 votes

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16. It would be possible that within Adobe Illustrator you could configure web links associating them with certain areas of the screen, with cer

    I edit assignments, quizzes and exams, with musical scores in Illustrator, and add YouTube link symbols to them. For these links to work I have to open the PDF in Acrobat and insert the web links there. But if I later want to edit some text, object, or image and I open it in Illustrator, I lose all the links configuration.

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    1 vote

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17. Remove units from input boxes

    When editing a value in an input box, e.g. the width of an artboard, the unit (px) is still included in the box. This makes it harder to hit the right spot in the text with your mouse, and makes it more prone to error. It's especially annoying when performing arithmetic!

    Trying to avoid this situation: "306 p+34x"

    1 vote

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18. "Multiple Record Layout" data merge feature.

    I love the "Multiple Record Layout" data merge feature in InDesign. However my merged documents are often opened in Illustrator by the end user to make changes. Currently my client wants a full vector file for laser cutting shapes with custom etched names. They do not translate well with strokes becoming their own object and lines of text disconnecting. The idea to data merge 200+ names in IN makes perfect sense, but in this case the client asked they be done in AI and each name and custom info needs to be brought in by hand manually one name at a time. Will the data merge feature be enhanced to be able to put multiple records on one artboard, and have better formatting features?

    I love the "Multiple Record Layout" data merge feature in InDesign. However my merged documents are often opened in Illustrator by the end user to make changes. Currently my client wants a full vector file for laser cutting shapes with custom etched names. They do not translate well with strokes becoming their own object and lines of text disconnecting. The idea to data merge 200+ names in IN makes perfect sense, but in this case the client asked they be done in AI and each name and custom info needs to be brought in by hand manually one name at… more

    2 votes

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19. Set exact dimensions to one object in a group that affects the entire group.

    Example: I have 3 squares. 2 large ones and one small one overlapping the two. (see picture)
    The task is to set the small red square to exactly 140 x 140 mm without losing the proportions in size or position to the blue or green box.
    
    I want an exact scale up where the end result is that the red square is 140 mm x 140 mm.
    I can use rulers, but the small square doesn't snap since it isn't touching the bounding box. Using this I can eyeball it and get a result like 140.062 x 140.062 mm. I need it to be 140 x 140 mm flat. And this method takes time, dragging the size back and forth since the middle square isn’t centered.
    Same issue if I were to draw a 140 x 140 mm square and try to match the red one to it. It will snap in one corner of the drawn 140 x 140 mm square guide, but move away from that corner when scaled.
    In this example I can of course calculate the increase to 140% and scale accordingly. Works great for this simple example, but it is much more tedious when I want to scale a text for instance or objects with uneven numbers, where I need a stack height to be e.g. 100 mm tall. Here the text often is something like 14.532 mm to start and I have to calculate 100/14.532 = scale up of 688,1365%. Just takes a lot of time.
    And for items that needs scaling in two directions I need to make two separate calculations (if I wanted the new dimensions of the square to be e.g 140 x 190 mm)
    What I propose is a tool/possibility to use the same technique as when aligning object, combined with the properties tab.
    1. I select all 3 objects using shift or simply dragging the selection box over
    them.
    2. I then click the red box again without holding shift, making it an indicated selection (like when aligning objects)
    3. I open up the properties tab. Either the W x H is then changed to show the dimensions of the red box, or a new input area opens up so both the entire groups outer dimensions is shown as well as the dimensions of the red square.
    4. I proceed to enter my desired values in the input boxes, setting the new dimensions for the red square
    5. The program scales the entire group according to the new set dimensions of the red square.

    Example: I have 3 squares. 2 large ones and one small one overlapping the two. (see picture)
    The task is to set the small red square to exactly 140 x 140 mm without losing the proportions in size or position to the blue or green box.
    
    I want an exact scale up where the end result is that the red square is 140 mm x 140 mm.
    I can use rulers, but the small square doesn't snap since it isn't touching the bounding box. Using this I can eyeball it and get a result like 140.062 x 140.062 mm. I… more

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    2 votes

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20. Fonts do not displaying on Character panel

    Select the text inside the illustrator and character panel is empty, never show any fonts be using. My computer didn't install the fonts but can display correctly in illustrator.
    When exported to PDF, can check the fonts is using Lora-Bold.

    I'm really frustrated and worries, how to check incoming files if always having this issue.

    Please help on this method.

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    0 comments  ·  Type, Fonts, Text  ·  Edit…  ·  Delete…  ·  Admin →
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