4747 results found

1. Make arrowheads have a dedicated fly-out palette

   Arrowheads are too difficult to select. Having a fly-out panel so I can quickly choose and apply them would be a great addition for technical illustrators.

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   1 comment  ·  Strokes  ·  Delete…  ·  Admin →
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2. A mode for Free Transform tool to hug selected points tightly

   Affinity has Transform mode for selected points (see the GIF).
   Figma recently announced a similar thing — https://x.com/figma/status/2018778936482935124

   Illustrator meanwhile allows to use Scale, Rotate, and other dedicated transform tools for a partial selection. No bounding box is allowed when Direct Selection is active.
   We can pick Free Transform and use a familiar frame to transform the partial selection... but this frame hugs the entire object. This can be useful in some cases, but not that handy in others -—like when you need to work with a rather small part of a larger artwork.
   Perhaps there should be a way to may the frame hug the selection snuggly?

   Affinity has Transform mode for selected points (see the GIF).
   Figma recently announced a similar thing — https://x.com/figma/status/2018778936482935124

   Illustrator meanwhile allows to use Scale, Rotate, and other dedicated transform tools for a partial selection. No bounding box is allowed when Direct Selection is active.
   We can pick Free Transform and use a familiar frame to transform the partial selection... but this frame hugs the entire object. This can be useful in some cases, but not that handy in others -—like when you need to work with a rather small part of a larger artwork.
   Perhaps there should be a way… more

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   3 votes

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3. Schriftanzeigeaktualisierungen beim Nachladen von fehlenden Schriften inclusive Aktualisierung bei Texten mit Silbentrennung.

   Wenn Schriften nachgeladen werden, sei es manuell oder durch PlugIns, wird die Anzeige in Textfeldern mit Silbentrennung bezüglich der nachgeladenen Schrift NICHT aktualisiert.
   Für die Anzeige ist die aktive Schrift + die eingestellte Sprache + das Wörterbuch von Bedeutung. Bei Änderung der aktiven Schrift durch nachladen, wird die Silbentrennung nicht automatisch aktualisiert.
   Was zu falschen Umbrüchen im Dokument führen kann, welche nicht immer sofort bemerkt werden.
   Eine Aktualisieren auch der Silbentrennung nach Laden einer Schrift bei einem geöffneten Dokument ist daher wünschenswert.

   3 votes

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   Need More Info  ·  5 comments  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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4. Artboard titles should not be covered by bleeds, when 'Show Artboard name on canvas' is enabled

   Use Bleed Size When Showing the Artboard Title and When Applying an Artboard Background Color

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   5 votes

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   1 comment  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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5. Please bring back the search function for "Shared with you" files in Adobe Illustrator 2026

   My team uses the Adobe cloud to store and share files across the team. Looking up for older files shared is now very inconvenient as the search function for "Shared with you" files in Adobe Illustrator 2026 has been removed.

   Please bring it back.

   3 votes

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   0 comments  ·  User Interface  ·  Delete…  ·  Admin →
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   Under Review  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

   The Home Screen team has been informed

6. Make UI text size scalable

   Allow for scaling of text in the UI, especially the Layers panel.
   I have to strain to read the layer descriptions. Since I work a lot in After Effects I have to name all my layers. It would be easier to work if I could just glance over instead of working hard to read the little font sizes. I should note that I have a super high definition screen.

   Also, make thumbnail size in Layers panel to save between launches: http://illustrator.uservoice.com/forums/333657/suggestions/33328054

   4 votes

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   0 comments  ·  User Interface  ·  Delete…  ·  Admin →
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7. DATA MERGE . File Names from CSV

   REPEATEDLY NOTICED NOT YET AVAILABLE FEATURE
   It would be tremendously helpful, if we could name exported files via the CSV-file used for data merge, so we can have actual full names, instead „Data Set 1“, … „Data Set 217“.

   ISSUE
   Data Merge exports are being exported without customized file names, which is a major time issue, when dealing with large scale data merge exports.

   SUGGESTED SOLUTION
   Giving users in the VARIABLES -> VARIABLE OPTIONS menu the option to assign „FILE NAME“ to a variable via TYPE, and make this accessible to the ACTIONS when exporting via BATCH.

   WHY
   More effective and efficient turnaround, faster delivery to systems or clients using predetermined/required file naming conventions.

   REPEATEDLY NOTICED NOT YET AVAILABLE FEATURE
   It would be tremendously helpful, if we could name exported files via the CSV-file used for data merge, so we can have actual full names, instead „Data Set 1“, … „Data Set 217“.

   ISSUE
   Data Merge exports are being exported without customized file names, which is a major time issue, when dealing with large scale data merge exports.

   SUGGESTED SOLUTION
   Giving users in the VARIABLES -> VARIABLE OPTIONS menu the option to assign „FILE NAME“ to a variable via TYPE, and make this accessible to the ACTIONS when exporting via BATCH.

   WHY
   More effective… more

   2 votes

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   0 comments  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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8. "Width Profile" option to Select Same menu

   Can we add "Width Profile" option to Select Same menu

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   2 votes

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   2 comments  ·  Selection  ·  Delete…  ·  Admin →
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9. Make Intertwine into a tool, available from a tool panel

   Objects on Path is a tool, and it creates a dedicated object... and does nothing else! all the operations with this new object are performed using the Selection tool...
   Meanwhile, an Intertwine object would need a command, Object > Intertwine > Edit (or a button in the Control panel) to be edited — which just enabled the hidden tool! Make it a real one!

   5 votes

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   0 comments  ·  Clipping, Intertwine  ·  Delete…  ·  Admin →
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10. Zig Zag effect Ridges per Path option

    Illustrator allows us to set ridges per segment when applying a live Zig Zag effect.
    Cool, we can use it creatively... sometimes... in very rare occasions...

    But most of times we need the frequency to be uniform for the whole path, like Roughen does.
    We can’t use a brush to do it really, and we can’t make Ai to re-divide a path into segments of equal length (a cool request on its own, but it won’t solve the problem anyway... but I ahve to mention the PathScribe plugin allows this).

    There is this cool Random Zig Zag script that that does this and more as a filter (https://www.youtube.com/watch?v=FHEAk6s9NcE — definitely worth buying), but it’d be great to just have it from the box as an option for the effect.

    Illustrator allows us to set ridges per segment when applying a live Zig Zag effect.
    Cool, we can use it creatively... sometimes... in very rare occasions...

    But most of times we need the frequency to be uniform for the whole path, like Roughen does.
    We can’t use a brush to do it really, and we can’t make Ai to re-divide a path into segments of equal length (a cool request on its own, but it won’t solve the problem anyway... but I ahve to mention the PathScribe plugin allows this).

    There is this cool Random Zig Zag script that that… more

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    5 votes

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    0 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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11. Support angular gradients exported from Figma

    Example:
    
<svg width="255" height="255" viewBox="0 0 255 255" fill="none" xmlns="http://www.w3.org/2000/svg">
<g clip-path="url(#paint0_angular_21_6_clip_path)" data-figma-skip-parse="true"><g transform="matrix(0 0.127021 -0.127021 0 127.021 127.021)"><foreignObject x="-1021.98" y="-1021.98" width="2043.96" height="2043.96"><div xmlns="http://www.w3.org/1999/xhtml" style="background:conic-gradient(from 90deg,rgba(255, 116, 116, 1) 0deg,rgba(255, 222, 116, 1) 360deg);height:100%;width:100%;opacity:1"></div></foreignObject></g></g><circle cx="127.021" cy="127.021" r="127.021" data-figma-gradient-fill="{&#34;type&#34;:&#34;GRADIENT_ANGULAR&#34;,&#34;stops&#34;:[{&#34;color&#34;:{&#34;r&#34;:1.0,&#34;g&#34;:0.45723783969879150,&#34;b&#34;:0.45723783969879150,&#34;a&#34;:1.0},&#34;position&#34;:0.0},{&#34;color&#34;:{&#34;r&#34;:1.0,&#34;g&#34;:0.87335550785064697,&#34;b&#34;:0.45723783969879150,&#34;a&#34;:1.0},&#34;position&#34;:1.0}],&#34;stopsVar&#34;:[{&#34;color&#34;:{&#34;r&#34;:1.0,&#34;g&#34;:0.45723783969879150,&#34;b&#34;:0.45723783969879150,&#34;a&#34;:1.0},&#34;position&#34;:0.0},{&#34;color&#34;:{&#34;r&#34;:1.0,&#34;g&#34;:0.87335550785064697,&#34;b&#34;:0.45723783969879150,&#34;a&#34;:1.0},&#34;position&#34;:1.0}],&#34;transform&#34;:{&#34;m00&#34;:1.5555609304460614e-14,&#34;m01&#34;:-254.04237365722656,&#34;m02&#34;:254.04237365722656,&#34;m10&#34;:254.04237365722656,&#34;m11&#34;:1.4210854715202004e-14,&#34;m12&#34;:-1.4883232856864256e-14},&#34;opacity&#34;:1.0,&#34;blendMode&#34;:&#34;NORMAL&#34;,&#34;visible&#34;:true}"/>
<defs>
<clipPath id="paint0_angular_21_6_clip_path"><circle cx="127.021" cy="127.021" r="127.021"/></clipPath></defs>
</svg>


    3 votes

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    1 comment  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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12. Função Encostar

    Deveria ser adicionada a função "ENCOSTAR" para não ter que ficar mexendo as coisas com o mouse pra elas ficarem ENCOSTADAS

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    1 comment  ·  Align, Distribute  ·  Delete…  ·  Admin →
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    Need More Info  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    The current description is too brief, please elaborate: what should it do exactly (some before / after images would help), where should it appear, what’s the reason behind it.

13. Color swatch mapping with presets for print production

    I made this script using ChatGPT, it does mostly everything I need, but I ran into the issue that the option "Merge Swatches" in the Swatches panel, cannot be used/accessed with JavaScript.

    I work as Prepress designer and I have to constantly change spot colors to match the swatches that the print operators need to match the colors the client need (Pantone match or paint swatches). Most of these colors are saved in an .ASE file and I have to manually merge them multiple times.

    I thought my script was going to fix this for me until I hit that wall.

    Can you guys make something like this that is reliable for the printing industry.

    I would really appreciate.

    Thanks!

    I made this script using ChatGPT, it does mostly everything I need, but I ran into the issue that the option "Merge Swatches" in the Swatches panel, cannot be used/accessed with JavaScript.

    I work as Prepress designer and I have to constantly change spot colors to match the swatches that the print operators need to match the colors the client need (Pantone match or paint swatches). Most of these colors are saved in an .ASE file and I have to manually merge them multiple times.

    I thought my script was going to fix this for me until I hit that… more

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    2 votes

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    11 comments  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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14. Create a time code

    Create a time code for tracking time on any product (Illustrator, InDesign, etc.) on file or folder?

    2 votes

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    1 comment  ·  Other...  ·  Delete…  ·  Admin →
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15. Improve Trim Mark Settings When Exporting PDFs

    Posted using Illustrator 2025 (29.4)

    In the Japanese printing industry, it is common practice to require both corner crop marks and center crop marks when exporting PDFs.

    Currently, in Illustrator’s PDF export settings, enabling the “Trim Marks” option only adds corner marks. To include center crop marks, users must also check the “Registration Marks” option, which results in registration marks being added as well.

    However, these registration marks are generally disliked and considered unnecessary in Japanese print workflows. There needs to be an option to add only corner and center crop marks without registration marks.

    InDesign allows users to configure “inner crop marks,” “outer crop marks,” and “center crop marks” individually, offering much greater flexibility. We strongly request that Illustrator provide similar options for more precise control over crop marks when exporting PDFs.

    ---

    PDF書き出し時のトンボ設定を改善してほしい

    投稿時のバージョン：Illustrator 2025 (29.4)

    日本の印刷現場では、PDF書き出し時に「角トンボ」と「センタートンボ」の両方が必要とされることが一般的です。

    しかし、現在のIllustratorのPDF書き出し設定では、「トンボ」にチェックを入れると角トンボのみが追加されます。センタートンボを付けるためには「レジストレーションマーク」にチェックを入れる必要があり、レジストレーションマークも同時に追加されてしまいます。

    日本ではこのレジストレーションマークが好まれないため、実務では使いにくいのが現状です。角トンボとセンタートンボのみを、レジストレーションマークなしで追加できる設定が必要です。

    InDesignでは「内トンボ」「外トンボ」「センタートンボ」を個別に設定できるため、Illustratorにも同様の柔軟な設定が導入されることを強く希望します。

    Posted using Illustrator 2025 (29.4)

    In the Japanese printing industry, it is common practice to require both corner crop marks and center crop marks when exporting PDFs.

    Currently, in Illustrator’s PDF export settings, enabling the “Trim Marks” option only adds corner marks. To include center crop marks, users must also check the “Registration Marks” option, which results in registration marks being added as well.

    However, these registration marks are generally disliked and considered unnecessary in Japanese print workflows. There needs to be an option to add only corner and center crop marks without registration marks.

    InDesign allows users to… more

    21 votes

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    1 comment  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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16. Smoothing a selected portion of a path converts the extreme points in the selection into sharp from smooth

    Here I have a path with all the points being smooth (all handles are at 180°), but one portion of the path is particularly bumpy. I want to smooth only this portion.
    I select it (using Lasso), I make sure these are smooth, I pick Pencil, hold Opt/Alt, drag the slider... and it makes the selected portion of the path connected to the rest of it in the sharp manner. There is no tension at the star/end points, it just flops.
    While this can be useful, being blind like this, I’d love for it to at least give me the choice. An option, perhaps?

    Here I have a path with all the points being smooth (all handles are at 180°), but one portion of the path is particularly bumpy. I want to smooth only this portion.
    I select it (using Lasso), I make sure these are smooth, I pick Pencil, hold Opt/Alt, drag the slider... and it makes the selected portion of the path connected to the rest of it in the sharp manner. There is no tension at the star/end points, it just flops.
    While this can be useful, being blind like this, I’d love for it to at least give me the… more

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    5 votes

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    0 comments  ·  Tools  ·  Delete…  ·  Admin →
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17. Bring object forward (and back etc.) within selection only

    Sometimes I will be working in a document with many different objects and as an example, I might want to add something between two different objects. I would like a way to select just the three objects and send the new object forward or back relative to what I have selected instead of to the whole document.

    I know I can just group the objects and arrange within the group but it would be nice to have a quicker way to achieve this.

    2 votes

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    3 comments  ·  Selection  ·  Delete…  ·  Admin →
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18. Add Biology & Scientific Diagram Tools for Easy Cell and Medical Illustrations

    As an illustrator specializing in biology, microbiology, and scientific educational diagrams, I often find it time-consuming and challenging to create natural-looking cells, organelles, biological textures, and clean labels within Adobe Illustrator. To improve workflow and accuracy, I propose that Adobe adds a dedicated set of toolbar tools designed specifically for biological and scientific illustrations, focusing on ease of use, organic shapes, and diagramming features.

    Suggested Tools Include:

    Organic Blob Tool: Create irregular, smooth cell shapes with adjustable wobble and roundness.

    Cell Chain Tool: Draw linked cells or bacteria chains with customizable spacing and size.

    Pseudopod Tool: Add flowing, arm-like extensions for visualizing amoebas or cellular movement.

    Membrane Ripple Tool: Generate subtle wavy edges to mimic membranes or cell walls.

    Cell Texture Fill Tool: Fill cells with natural biological textures like cytoplasm or granules.

    Nucleus Tool: Easily place nuclei or organelles centered inside cells.

    Cilia Brush Tool: Paint fine hair-like cilia or flagella projections from edges.

    Cross Section Tool: Draw dashed sectional lines with arrows and labels for anatomy diagrams.

    Label Connector Tool: Create snapping leader lines with easy label placement for diagrams.

    Microscope View Tool: Apply circular magnification overlays with blur outside for micrographs.

    Force Vector Tool: Draw arrows representing flows or directional forces scaled by magnitude.

    Data Plot Brush: Sketch rough graphs that snap cleanly to axis-aligned charts.

    Molecular Cluster Tool: Generate clusters of atoms or molecules with bonded shapes.

    Field Line Tool: Illustrate magnetic, electric, or fluid flow lines around objects smoothly.

    Radiation Emission Tool: Show particle or wave emissions radiating from points.

    Circuit Path Tool: Draw technical flow lines with snap-to-grid elbows for pathways.

    Axis Label Tool: Quickly create labeled graph axes with ticks and units.

    Tissue Matrix Tool: Fill areas with fibrous or mesh-like biological textures.

    Vein & Branch Tool: Create branching structures like veins, roots, or neural networks with adjustable density and angles.

    Specimen Label Tool: Add smart snapping labels with leader lines for specimens or cell parts.

    Benefits:

    Speeds up the creation of scientific and biological illustrations

    Reduces reliance on manual anchor editing or complicated plugins

    Enables clear, professional, and natural diagrams for education and publication

    Supports educators, researchers, and medical illustrators with specialized tools

    Please consider adding these toolbar tools to Illustrator to make it the go-to app for biological and scientific illustrations

    As an illustrator specializing in biology, microbiology, and scientific educational diagrams, I often find it time-consuming and challenging to create natural-looking cells, organelles, biological textures, and clean labels within Adobe Illustrator. To improve workflow and accuracy, I propose that Adobe adds a dedicated set of toolbar tools designed specifically for biological and scientific illustrations, focusing on ease of use, organic shapes, and diagramming features.

    Suggested Tools Include:

    Organic Blob Tool: Create irregular, smooth cell shapes with adjustable wobble and roundness.

    Cell Chain Tool: Draw linked cells or bacteria chains with customizable spacing and size.

    Pseudopod Tool: Add flowing, arm-like extensions… more

    3 votes

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    10 comments  ·  Tools  ·  Delete…  ·  Admin →
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19. Give access to Merge Swatches command in ExtendScript

    I manage to develop a script for color mapping using ChatGPT (http://illustrator.uservoice.com/forums/333657/suggestions/50084142), but my biggest road block is that the script has to read every single element in the document to remap the CMYK to the Pantone Colour.

    What are the chances that Adobe will include the Merge swatches to the extend script?

    2 votes

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    0 comments  ·  SDK and Scripting  ·  Delete…  ·  Admin →
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20. Dynamic Stroke Weight for Pencil Tool

    I want to suggest a feature for the Pencil Tool: the ability to automatically apply a Variable Width Profile based on my real-time input.

    Currently, the Pencil Tool only draws lines with a uniform stroke (or with a VSW profile from the selection)

    I propose adding a new option in the Pencil Tool preferences to link stroke weight dynamically to: Pressure Sensitivity (Tablet Users) and Drawing Speed Sensitivity (Mouse/Trackpad Users)

    This single addition would transform the Pencil Tool into a powerful, intuitive instrument for design.

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    2 comments  ·  Tools  ·  Delete…  ·  Admin →
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