932 results found

1. Restore a way to copy the value from another filed with a click on the input’s caption in dialogs

   Please bring back the one-click way to duplicate a value from one input field into another for dialogs.

   This was available from version 8 through CS5.
   Make it a toggle in Preferences.

   For example, if i wanted to make a square 100mm x 100mm I would select the rectangle tool (M) and then click once in the work area... the dialogue box would come up... I would then only have to enter 100mm into the Width,
   then click on the Height descriptor (not the white entry portion) and my dimension would be automatically duplicated in the entry portion of the height dimension.

   Please bring back the one-click way to duplicate a value from one input field into another for dialogs.

   This was available from version 8 through CS5.
   Make it a toggle in Preferences.

   For example, if i wanted to make a square 100mm x 100mm I would select the rectangle tool (M) and then click once in the work area... the dialogue box would come up... I would then only have to enter 100mm into the Width,
   then click on the Height descriptor (not the white entry portion) and my dimension would be automatically duplicated in the entry portion of the… more

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2. Support video placement for UX design

   Being able to import videos and make a design on top of a looping video would be super helpful for all of us product designers that need to see how the movement of the video impact on a design. This can help in websites and apps, and for presentation purposes it would be nice to be able to export the video.
   Right now to test a background video on a design you have to export the design and work on a new file inside a video editor.

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   2 comments  ·  Images, Links  ·  Delete…  ·  Admin →
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3. Better control over position of symbol in mapped classic 3d art

   When placing symbols for image maps in the classic 3D palette, I'd like to have more control over the position of the symbol to be mapped.

   Example: I'm using this function for mockups of labels on bottles. There are a number of bottles, each a different flavor, let's say 4. (The bottles are placed images.) I create a cylinder sized to the bottle image's label area, and map a label symbol to the cylinder for each flavor. The labels need to be in the same place on each cylinder, both size and position. And those 4 bottles with labels are multiplied by 2 or 3, depending on how many concepts there are. So, lots of noodling with the mapped symbols sizes and positions.

   This could take the form of, at the very least, a larger window for placement so you can actually see what you're doing, or fields for x/y and w/h values similar to how they are displayed for transform (but inside the mapping module).

   Another thought about expected behavior: if I copy/paste a mapped cylinder, and then go into the copy and change the mapped symbol to different symbol of another label of the same dimensions, the new symbol would be in the exact same size and position.

   I know you are working on adding mapped graphics to the "new" 3D effect, so maybe this will be added functionality? I know there are others who would appreciate it. When can we expect to try out this functionality in the "new" 3D effect?

   (FYI, I cannot share my company files in public, they're proprietary. But if someone wants to contact me I am happy to send screen shots or share my screen.)

   When placing symbols for image maps in the classic 3D palette, I'd like to have more control over the position of the symbol to be mapped.

   Example: I'm using this function for mockups of labels on bottles. There are a number of bottles, each a different flavor, let's say 4. (The bottles are placed images.) I create a cylinder sized to the bottle image's label area, and map a label symbol to the cylinder for each flavor. The labels need to be in the same place on each cylinder, both size and position. And those 4 bottles with labels are… more

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4. Ability to change measurement type under "Art Board Options"

   When an artboard is selected, and ART BOARD OPTIONS menu is active, you can only see measurement in whatever type is already selected DOCUMENT SETUP - i.e. if you get a file that someone built under millimeters, but you work in pixels, inches etc, you have to close the OPTIONS and go back to DOCUMENT SETUP and start over. I have to check art board sizes dozens of times a day and I have to back up many times. A drop down menu under ARTBOARD OPTIONS to change measurement type would be helpful.

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5. Allow us to control the saving of cached copies of raster effects.

   I use a lot of raster effects in my work. A lot. I can easily have several thousand paths with effects on them. (Mostly Gaussian Blur, thanks for speeding that one up a few versions ago!)

   Some experimentation with saving multiple copies of an effect-heavy file with different raster effects resolutions confirmed my suspicion that the file size varies greatly with the effect PPI:

   300ppi: 70.8MB
   150ppi: 28.8MB
   72ppi: 14.4MB
   2ppi: 5.4MB

   Reloading the 300ppi copy made it obvious that there's a cache of raster effects in the file, as I didn't have to wait through a half a minute of progress bars while AI rendered a few thousand gaussian blurs like I did a little earlier when I bumped the resolution up.

   I would love to be able to reclaim a ton of disc space by saving my files without all these images. I am perfectly happy to accept the tradeoff of it taking a moment to render them all when I load in a file.

   I envision another checkbox in the Save dialogue, probably right under the 'PDF compatibility' checkbox. "Include raster effect cache"? Defaults to on for new documents, will come up as off if I do a Save As on a file that I've already saved with it off, just like all the other checkboxes in there.

   I use a lot of raster effects in my work. A lot. I can easily have several thousand paths with effects on them. (Mostly Gaussian Blur, thanks for speeding that one up a few versions ago!)

   Some experimentation with saving multiple copies of an effect-heavy file with different raster effects resolutions confirmed my suspicion that the file size varies greatly with the effect PPI:

   300ppi: 70.8MB
   150ppi: 28.8MB
   72ppi: 14.4MB
   2ppi: 5.4MB

   Reloading the 300ppi copy made it obvious that there's a cache of raster effects in the file, as I didn't have to wait through a half a… more

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6. Missing link visual preference option

   Allow an option in preferences for missing links to be view or show an empty image box. The visual image can be an issue with some industries dealing with a variety of clients and file volume.

   Previewed file with the image
   Printed file without the image

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7. Is there a way to change the state of the page information line when exporting from Illustrator to a PDF?

   Is there a way to change the state of the page information line when exporting from Illustrator to a PDF.
   We need it closer to the bleed box (or right on it) and much further to the left.
   We need it closer to the bleed frame (or right on it) and much further to the left.
   I can't find anything in Illustrator's settings (of course). This will probably be defined in some file. I would like to edit this file with an editor to adapt it to our needs. Or is that perhaps possible via a script?

   The background is as follows: Several of these (quite small) files are built up on one printed sheet. We have extended the bleed of several frames in our imposition software in order to be able to see these lines in the case of individual benefits. This makes it much easier to distinguish between the individual types - some of which differ only in details - during further processing. In addition, the time, date and the correction status noted in the file name are very helpful in case of complaints.
   In order to avoid unnecessary work - and human errors - we would like to have this line offset directly at output. So much for the background.

   Is there a way to change the state of the page information line when exporting from Illustrator to a PDF.
   We need it closer to the bleed box (or right on it) and much further to the left.
   We need it closer to the bleed frame (or right on it) and much further to the left.
   I can't find anything in Illustrator's settings (of course). This will probably be defined in some file. I would like to edit this file with an editor to adapt it to our needs. Or is that perhaps possible via a script?

   The background is… more

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8. Adding Pages/Sheets like in Excel for better organization of large jobs

   Adding Pages/Sheets like in Excel for better organization of large jobs. I work at a sign company and frequently come across large jobs that I would like to keep organized.

   For example let's use a job I am on right now. It is a job for hospital signage. Over 500 signs in total and let's say 15 departments. Some departments have upto 20 signs. While artboards work well in this instance it would be nice if I could have the option to organize the departments with "sheets" instead of individual files. My reasoning behind this is when I have to make global changes, (let's use color for example) it would be easier to have the option to select color on all sheets and change it to a new color.

   Adding Pages/Sheets like in Excel for better organization of large jobs. I work at a sign company and frequently come across large jobs that I would like to keep organized.

   For example let's use a job I am on right now. It is a job for hospital signage. Over 500 signs in total and let's say 15 departments. Some departments have upto 20 signs. While artboards work well in this instance it would be nice if I could have the option to organize the departments with "sheets" instead of individual files. My reasoning behind this is when I have… more

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9. Add "Layer" to the application menu like File, Edit, Object... like Photoshop has.

   Add "Layer" to the application menu like File, Edit, Object, Type, Select, Effect, View, Help.

   Like Photoshop has.

   Explanation: Reading through the menu items is much more intuitive when learning about the application capabilities in regards to many features. Going from Photoshop to Illustrator, there are many similarities however the unique separations of the features such as accessing and interacting with the layers is one of the main inhibitors during my orientation to using illustrator to the degree to which I use photoshop.

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10. "Duplicate artboard" command should have option to create duplicate artwork on its own layer, not double all the assets in the file structur

    Currently when user chooses "Duplicate artboard" command, all of the assets on all layers and sub-layers get duplicated where they are within that layer hierarchy. To make for better asset organization, "Duplicate artboard" should have an option to create a new layer and put all of the duplicated assets in the same layer/sub-layer hierarchy there so then both sets of assets are independent in the layers window.

    should have option to create duplicate artwork on its own layer.

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11. Eliminate the 2 different size canvas modes

    There are scaling issues in large size canvas mode. For instance, when creating a file in large size canvas mode and saving as PDF with trim marks, the trim marks will be scaled up 1000%. Instead of them remaining .375", they scale up to 3.75" (http://illustrator.uservoice.com/forums/601447/suggestions/44115801)

    Additionally, several third party plug ins do not work properly in large size canvas mode because of this scaling issue.

    Ideally, Illustrator should eliminate the 2 different canvas modes and simply allow any document to be scaled up to the same dimensions as "large size canvas" mode but leave all scaling as it is in the normal size canvas mode.

    CorelDRAW does not have this limitation. Why does Illustrator?

    There are scaling issues in large size canvas mode. For instance, when creating a file in large size canvas mode and saving as PDF with trim marks, the trim marks will be scaled up 1000%. Instead of them remaining .375", they scale up to 3.75" (http://illustrator.uservoice.com/forums/601447/suggestions/44115801)

    Additionally, several third party plug ins do not work properly in large size canvas mode because of this scaling issue.

    Ideally, Illustrator should eliminate the 2 different canvas modes and simply allow any document to be scaled up to the same dimensions as "large size canvas" mode but leave all scaling as… more

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12. Search filed is focused by itself

    Every time I go back into Illustrator, the current version, my cursor automatically appears in the search area in the upper right hand corner. This was never the case in the past. This is problematic because, when I go back into Illustrator, I may want to select a tool or paste an object and unless I click on the artboard first, it pastes into the search window. Just one more simple glitchy thing that SLOWS DOWN WORKFLOW!

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    Resolved (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    In the latest release this search filed is gone, and it now has a button instead. Most probably it does solve the problem. Please comment back if it does not.

13. Menu TYPE no Illustrator

    Creio que seria muito interessante inverter a ordem no Menu Type:
    "Fontes Recentes" ficar antes da opção "Fontes".
    Porquê:
    Ao levar o ponteiro do mouse para o menu "Fontes Recentes", quase sempre o mouse atinge a opção "Fontes", o que trava momentaneamente o programa (carregando as fontes). Então, o que deveria ser uma coisa rápida, prática, acaba ficando lenta. A troca na ordem dessas opções acabaria com esse incoveniente.

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14. Streamline the Fresco To Illustrator Export Process

    Like many I use Illustrator for its Vector properties in order to animate within After Effects, with the agility to scale up assets infinitely when clients change their minds about shots & movements.

    iPads Adobe Draw, meant my assets could become so much more detailed. Which was great! While the push to desktop feature was glitchy for me at best it still mostly resulted with having a neat AI file version of the Draw one. That I could Import into AE with ease. Update with ease. etc.

    It's also useful that I can bring in AI assets to PS as smart objects & add textures etc. while still retaining some agility to scale the asset up if need be.

    So when Fresco came along with the ability to have vector & bitmap layers in one document, all on my iPad i was so excited.

    However I'm disappointed that it only comes up as an option for me to open within PS. Even when the layers are saved as smart objects, I have just wasted my morning trying to understand how changing the colour of my smart object in AI, then moves it's anchor point within PS. Moving all my colour work out of sync with my line work & shade work etc.

    I was excited to tell a client that his colour change requests wouldn't take very long and am now so genuinely shocked at how clunky this process has become.

    The suggested option of saving the Fresco file as a PDF to open in Illustrator is not sufficient.

    Even when not using just bitmaps it flattens my layers and makes unnecessary clipping masks, which make even slight alterations in AI a nightmare.

    Furthermore, all my layers are now named - clipping mask.

    Would much prefer an option to save to AI & have my bitmaps be smart objects & retain my layer hierarchy etc.

    Please & Thank you.

    Like many I use Illustrator for its Vector properties in order to animate within After Effects, with the agility to scale up assets infinitely when clients change their minds about shots & movements.

    iPads Adobe Draw, meant my assets could become so much more detailed. Which was great! While the push to desktop feature was glitchy for me at best it still mostly resulted with having a neat AI file version of the Draw one. That I could Import into AE with ease. Update with ease. etc.

    It's also useful that I can bring in AI assets to PS as… more

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15. Tracing with machine learning, Sensei, or something similar

    My question is: Is there is any program or chance that the illustrator trace will use less points and be more accurate?
    I love using the illustrator and I love tracing pictures with hand, but sometimes I just don't have the time or the energy to do it manually and the available trace solution is just not 10/10 for die cut lines and sometimes logo recreations (when the customer can send only a 100x100 pixel file, because of reasons).
    If there was a chance you made something that would check, analyse, and learn from my (and other volunteers') manual tracings for the pictures used, i would LOVE to be a contributor.

    The point is to use less points, more accurate curves and don't know what else should be more refined. Maybe the colours?

    So please Illustrator team buy strong machines that could learn this by analysing hand tracing!
    (Don't know how these work. Maybe send out 50 BW pictures and 50 coloured ones to the participants and gather the info?)

    Thank you for your attention! And sorry if I misspelled anything. English is not my native language.

    My question is: Is there is any program or chance that the illustrator trace will use less points and be more accurate?
    I love using the illustrator and I love tracing pictures with hand, but sometimes I just don't have the time or the energy to do it manually and the available trace solution is just not 10/10 for die cut lines and sometimes logo recreations (when the customer can send only a 100x100 pixel file, because of reasons).
    If there was a chance you made something that would check, analyse, and learn from my (and other volunteers') manual tracings… more

    3 votes

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16. Make Select Art button more evident

    I periodically see designers, with serious (albeit cheerful) faces, boldly clicking the 'round button' in Layers to 'select everything on the layer.'

    And while the button indeed 'selects' everything on a layer, it also selects the layer itself — for applying a layer-specific appearance.

    Take a look at this GIF attached.
    If I select Layer 2 (with the green squares) like this, and then apply the Round Corners effect, all the new squares in the layer will have round corners.
    Sure, everything is visible in the Appearance palette.
    Sure, everything is written in the pop-up hints.

    The round ones are for appearance. We need to click to the right of the circle instead, where the square markers are drawn — these are there to mark selection... AND allow selection.

    It’s a very common mistake (like confusing windshield wipers and turn signals)...
    And I think I know why it happens. I’m convinced that it is psychologically easier to click a circle — that looks more like a button, — than an empty space where a square appears (when clicked).
    Recently some accessibility changes were introduced into Ai, and now things we can click in most panels gets highlighted slightly on hover — but not these square-to-be spots! Even when there are square markers there!

    So please make these more pronounced.

    I love appearance dearly, but selecting all in a layer / sublayer / group is a far more common procedure users do. And discovering something called 'appearance' was the source of many problems with art’s colors is not a good way to meet this power.

    I periodically see designers, with serious (albeit cheerful) faces, boldly clicking the 'round button' in Layers to 'select everything on the layer.'

    And while the button indeed 'selects' everything on a layer, it also selects the layer itself — for applying a layer-specific appearance.

    Take a look at this GIF attached.
    If I select Layer 2 (with the green squares) like this, and then apply the Round Corners effect, all the new squares in the layer will have round corners.
    Sure, everything is visible in the Appearance palette.
    Sure, everything is written in the pop-up hints.

    The round ones are… more

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17. Make artboards searchable in finder

    Make artboards searchable in finder. If I would like to search for a specific Page/artboard.

    Example:
    Search: Order3 = file: Order2019 will appear in finder as that artboard named Order_3 are located in that file.

    File Name: Order2019
    Artboards:
    Order1
    Order2
    Order3
    Order4
    Order5
    Order_6

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18. .DXF compound shape support

    Illustrator doesn't seem to support exporting compound shapes in a .DXF file. Corel does so it must be possible. This lack of support means that you cannot have text in a DXF file.

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19. Print option to select which artboard(s) to rotate

    I have an illustrator file open with 2 artboards in it. I am trying to print them both on 1 page (double sided). I can do that, however, I am having problems with one side of the page being upside down. Is there a way to fix this; other than manually flipping one of the artboards 180 degrees prior to printing?

    My thought would be to have a feature in Illustrator (& other Adobe programs) in the print dialog box under the orientation section. Utilizing the auto-rotate checkbox, if you uncheck it you could have an option to select which artboard(s) to rotate (currently all artboards are rotated at the same time)? I know we can select certain artboards to print, so would it be possible to add this in where we could select which artboard(s) to rotate? I understand that 1) this is easy to ask, but harder to implement & 2) you might feel like the issue is a printer issue, but I feel like it could be solved in Illustrator & I have not found anything in my printer settings that can fix this problem either.

    I have an illustrator file open with 2 artboards in it. I am trying to print them both on 1 page (double sided). I can do that, however, I am having problems with one side of the page being upside down. Is there a way to fix this; other than manually flipping one of the artboards 180 degrees prior to printing?

    My thought would be to have a feature in Illustrator (& other Adobe programs) in the print dialog box under the orientation section. Utilizing the auto-rotate checkbox, if you uncheck it you could have an option to select which… more

    3 votes

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    1 comment  ·  Print  ·  Delete…  ·  Admin →
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20. allow the editing/removal of the "Touch Calligraphic Brush"

    Concise problem statement:

    An uneditable, undeletable “Touch Calligraphic Brush” appears at the top of the Brush palette for every single document, including ones that predate touch devices. On my Macbook Air, which is not a touch device, with files that have never been loaded on a touch device.

    Steps to reproduce bug:

    1. Start Illustrator on a computer with no touchscreen.
    2. Load a file or create a new one.
    3. Try to edit the “Touch Calligraphic Brush”.
    4. Try to delete the “Touch Calligraphic Brush”.

    Results:

    The Touch Calligraphic Brush stays there at the top of your brushes palette. It refuses to move. Refuses to let you change its settings. It mocks you every time you look at the brush palette, an unasked-for, unwanted squatter in the middle of your tools, like a toad that’s plopped itself down in the middle of your pencil box. It’s polite, as toads go. It doesn’t demand you feed it flies, it doesn’t excrete all over a work in progress and ruin it, it doesn’t even croak. But it’s always there right in the middle of where your tools are. And sometimes you put your hand on it when you reach for a pencil without really looking, and it’s all clammy, and gross, and why is this toad in the middle of my pencil box, taking up space I could keep drawing tools instead? When you call the people who make the pencil box, they tell you that, oh, yes, the toad has to be there for the benefit of people working in the exciting new medium of toad secretions, so that when they try to use a toad to draw with, there’s always a toad there, and this just leaves you (as an artist working in the medium of pen and ink) rather baffled as to why this means everyone has to have a toad in their pencil case now.

    I mean, also sometimes the pencil box summons this five inch tall giraffe made of fire who burns your drawing up, and that’s something both you and the people who made this magical pencil box are more concerned with, but still. I just keep on putting my hand on this toad sometimes, and it’s just moderately annoying on a constant low level.

    Expected results:

    The Touch Calligraphic Brush acknowledges that its presence may be unnecessary or unwanted for some people, and lets you edit and delete it.

    Or even better, perhaps the Touch Calligraphic Brush never even appears if you’re not on a touch device.

    Concise problem statement:

    An uneditable, undeletable “Touch Calligraphic Brush” appears at the top of the Brush palette for every single document, including ones that predate touch devices. On my Macbook Air, which is not a touch device, with files that have never been loaded on a touch device.

    Steps to reproduce bug:

    1. Start Illustrator on a computer with no touchscreen.
    2. Load a file or create a new one.
    3. Try to edit the “Touch Calligraphic Brush”.
    4. Try to delete the “Touch Calligraphic Brush”.

    Results:

    The Touch Calligraphic Brush stays there at the top of your brushes palette. It refuses to move.… more

    2 votes

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    1 comment  ·  Brushes  ·  Delete…  ·  Admin →
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