4722 results found

1. Contextual Eyedropper Tool

   Currently, the Eyedropper Tool is an underutilized and often counter-intuitive tool that needlessly increases the complexity of a workflow because of its limitations. This- combined with Illustrator's poor color tools- often adds unnecessary time and effort to what should and could be more simplified tasks.

   For example, a common situation is that I have a shape with a fill color that I like, and I want another shape that has a stroke to also use that color, except only for the stroke. Currently, if I use the eyedropper tool on the filled shape, it will completely remove the stroke and add a fill, although the desired result is neither action. The workaround, of course, is to create a new swatch of that color, then make sure the stroke is selected, and then apply the swatch color to that stroke (as the other color tools are essentially useless for matching colors, given no live preview).

   This, of course, can get incredibly tedious when dealing with lots of colors and lots of fills and strokes, and it is not always desirable (nor, I would argue, should it be necessary) to always create swatches for working with colors.

   This situation is of course not limited to shapes. Often I will have text that I want to have a stroke with particular cap conditions, but want the color from another stroke. However, the current process of using the eyedropper tool strips the formatting of the stroke (or whatever properties) and takes on the properties of the selected object, even though all that was wanted was the color.

   A more elegant solution would be to make the eyedropper tool contextual, so that specific properties of the sampled object could applied without completely changing the selected object’s properties to conform entirely to the sampled object.

   I would suggest the following that the eyedropper tool be modified to work contextually much like the Pen Tool works contextually.

   The default state of the Eyedropper Tool would work as it currently does. However, there would then be different options that could be cycled through in the Eyedropper Tool, analogous to how there is the Pen Tool, the Add Vertex Tool, Subtract, Convert, etc.

   In this usage, holding a modifier key or choosing a different function of the eyedropper tool would allow one to decide which aspects of the sampled object to apply to the selected object.

   For example, if I have a circle with a red stroke and a box with a blue fill, and I want the circle to have the stroke be the same color as the box’s blue fill, I could hold Alt/Opt (as an example) to switch to the Color Sample Tool which would then sample only the color of the sampled object and apply it to either:

   1. Whichever property is currently active (e.g., Fill or Stroke)
   2. If the object has ONLY a Fill or ONLY a Stroke, it would automatically default to applying it to whichever is already extant.

   This could be extended to sample the color of the pixel sampled, or the entirety of the fill or stroke (e.g., for gradients, styles, etc.)

   Another option (perhaps by holding Alt+Cmd/Ctrl) would be the Stroke Style Sample Tool, which would sample the style of sampled object’s Stroke. This could even be given some further options (perhaps accessed by up or down arrows) to select only weight, weight and Caps style, Weight, Caps Style and Color, etc., all delineated by changes in the icon state.

   I think that a contextual Eyedropper Tool would be a more elegant way of handling color and style sampling in Illustrator and eliminate the current workarounds necessary for an efficient workflow.

   Currently, the Eyedropper Tool is an underutilized and often counter-intuitive tool that needlessly increases the complexity of a workflow because of its limitations. This- combined with Illustrator's poor color tools- often adds unnecessary time and effort to what should and could be more simplified tasks.

   For example, a common situation is that I have a shape with a fill color that I like, and I want another shape that has a stroke to also use that color, except only for the stroke. Currently, if I use the eyedropper tool on the filled shape, it will completely remove the stroke and… more

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   1 comment  ·  User Interface  ·  Delete…  ·  Admin →
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   Resolved (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

   The solution to that would be to activate a stroke if you want to apply a color to it, then to hold Shift when clicking a color — does not matter where this color is on a stroke or a fill. Illustrator then applies the picked color to the active fill/stroke, ignoring the source nature. There are two things to know — the cursor does not inform you about this mode (unlike the Alt-mode, should be addressed), and if you pick a color from a swatch — you’d get a screen representation of the color... harmless for RGB documents (if your color settings are in order), but crucial for CMYK documents (should be addressed too). Pleas comment back.

2. Create New Layers by Dragging and Dropping Groups or Objects from Original Layers

   Please give us the ability to drag and drop Objects in-between Layers in order to create new Layers--without having to "Collect in New Layer."

   On top of that, please retain the object's name as the Layer name when doing this action.

   2 votes

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   1 comment  ·  User Interface  ·  Delete…  ·  Admin →
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3. Count objects

   Count objects when using Select-->Same, Select-->Object, and "Start editing similar shapes together" commands. Sometimes "Start editing similar shapes together" does not select all similar shapes; therefore, an edit made using this feature may not edit all similar shapes, unbeknownst to the user. However, if I know how many shapes I have, then I can confirm that all shapes are selected when using these commands throughout the editing process. This is valuable because confirming the count of selections builds confidence that edits are made to all objects. Likewise, it also saves the editor time by mitigating the need to count all selected objects manually to ensure that all objects are selected.

   Count objects when using Select-->Same, Select-->Object, and "Start editing similar shapes together" commands. Sometimes "Start editing similar shapes together" does not select all similar shapes; therefore, an edit made using this feature may not edit all similar shapes, unbeknownst to the user. However, if I know how many shapes I have, then I can confirm that all shapes are selected when using these commands throughout the editing process. This is valuable because confirming the count of selections builds confidence that edits are made to all objects. Likewise, it also saves the editor time by mitigating the need to count all… more

   11 votes

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   6 comments  ·  Selection  ·  Delete…  ·  Admin →
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4. Allow ZOOM when using spacebar while scrolling

   When holding spacebar to pan over the document, please allow ZOOMING by scrolling on the mouse. Rather than having two separate keys. Quite tedious.

   2 votes

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   0 comments  ·  User Interface  ·  Delete…  ·  Admin →
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5. Long (Block) Shadow effect / Oblique Projection

   the addition of the "long shadow" effect, which is popular in recent times, will greatly benefit the user.

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   59 votes

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   24 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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6. Expand selection

   when I have something selected, I can shift+option click the art board somewhere else to expand my selection box and select everything between.

   1 vote

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   Need More Info  ·  1 comment  ·  Other...  ·  Delete…  ·  Admin →
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7. More desciptive warning

   When switching to CMYK in the New Document panel, a yellop triangle with an exclamation mark appears.
   Why? No further info is given.

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   1 vote

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   1 comment  ·  Learning and Help  ·  Delete…  ·  Admin →
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8. .DXF compound shape support

   Illustrator doesn't seem to support exporting compound shapes in a .DXF file. Corel does so it must be possible. This lack of support means that you cannot have text in a DXF file.

   2 votes

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   0 comments  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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9. Close tabs to the right

   Internet browsers have this option to "close tabs to the right" when right clicking on an open tab. I feel like this could be a nice extra to all of the Adobe programs, where one can work with tabs.

   2 votes

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   0 comments  ·  User Interface  ·  Delete…  ·  Admin →
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10. Illustrator can not save with Apple SMB and show column preview on

    Hi
    On Mac, Illustrator can not save with Apple SMB and "show column preview" turned on.

    File says "Illustrator is unable to save this document... due to some unexpected errors"

    Illustrator and photoshop, please change your code to work on Apple SMB. Apple confirmed they will not change their code to fix Adobe cross platform app issues saving.

    1 vote

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    0 comments  ·  File Save, Import and Export  ·  Edit…  ·  Delete…  ·  Admin →
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11. Full Alignment Center Option (both horizontally and vertically)

    Instead of having two tools (Horizontal and Vertical Align Center), can we get a tool that does both in one called something like Fully Align Center. I've included an image of what the tool might look like.

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    78 votes

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    16 comments  ·  Align, Distribute  ·  Delete…  ·  Admin →
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    Started (Available in Beta)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    The latest Beta 30.4.0.80 build adds an additional button in the Align panel.

    This is a first iteration (I hope), so please try and comment to steer it in the proper direction.

12. Save A Copy Action with current name of file

    Currently, if you create an Action and go to File > Save A Copy... with a PDF Preset and in specific folder or desktop etc., it saves the file name that you create the Action with in the Action.
    It doesn't update to the new file you are applying the action to. So if you run this action on several documents they all save over each other unless you manually change the file name in the operating system.
    It would be nice if there was an option that lets you add the file name to which the action is being applied to. Additionally in that same interface within actions it would be nice if we could add a suffix within instead of always having to save with the same file name in the same exact location.

    Currently, if you create an Action and go to File > Save A Copy... with a PDF Preset and in specific folder or desktop etc., it saves the file name that you create the Action with in the Action.
    It doesn't update to the new file you are applying the action to. So if you run this action on several documents they all save over each other unless you manually change the file name in the operating system.
    It would be nice if there was an option that lets you add the file name to which the action is being… more

    11 votes

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    2 comments  ·  Actions  ·  Delete…  ·  Admin →
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13. the splash screen for the 2020 AI wont go away ???

    the splash screen for the 2020 AI wont go away ???

    1 vote

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    0 comments  ·  User Interface  ·  Edit…  ·  Delete…  ·  Admin →
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14. Feature to be able to edit class name of SVG file. We faced some issue, when using svg of same class names in a single page.

    If we are able to edit class name of SVG files, there wont be any class override and style overide issues.

    1 vote

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    0 comments  ·  File Save, Import and Export  ·  Edit…  ·  Delete…  ·  Admin →
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15. Tangent Constraint or Advanced snapping system

    I work in Illustrator all the time and I ask my self why or how can I snap a line or a shape to the tangent of another shape like Autodesk AutoCAD's "Tangent Constraint", some say that I can start with the Line Segment tool and go from there building the shape, but this option will give me a limited movement and it's not practical like if we have a tangent constraint in Illustrator so we can build logos and shapes more easier and that will make illustrator go to perfection more and more.

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    67 votes

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    30 comments  ·  Snapping  ·  Delete…  ·  Admin →
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    Done (Available in Beta)  ·  AdminSaurav Agrawal (Admin, Adobe Illustrator) responded

    Hi everyone,

    We’re excited to announce that the Snap to Tangent feature is now available in BETA (starting with version 30.0).

    To use it, simply create a line with the Line Tool or Pen Tool and drag it toward the curve you want it to be tangent to. Once aligned, a “Tangent” label will appear.

    Along with tangential snapping, we’re also introducing Snap to Perpendicular, which makes it easy to draw lines that are perfectly perpendicular to existing straight lines.

    Both Snap to Tangent and Snap to Perpendicular are enabled by default. If you prefer not to use them, you can disable them anytime in Preferences > Smart Guides > Geometric Guides.

    Please try out the features and let us know what you think!

16. Tabs panel doesn't work well with multiple-area text

    Draw a pair of text areas side-by-side (e.g., a two-page spread). Link them and fill with placeholder text. Open the Tabs panel.

    The Tabs panel wants to be the width of both columns if you click the "Position Panel above Text" magnet icon. This probably means that much of it is shooting off-screen in one direction or another, as I would typically zoom in to work with a single column of text at a time.

    Go somewhere in the second area and type a line like:
    "foo bar stuff"
    with tabs between the words. My desire is to have the three words left, center, and right aligned with respect to their column. This is tricky given the way the Tabs panel wants to align to the text.

    The panel should align and be sized to reflect the current text block (i.e., the text block containing the cursor), not all of the linked blocks.

    Draw a pair of text areas side-by-side (e.g., a two-page spread). Link them and fill with placeholder text. Open the Tabs panel.

    The Tabs panel wants to be the width of both columns if you click the "Position Panel above Text" magnet icon. This probably means that much of it is shooting off-screen in one direction or another, as I would typically zoom in to work with a single column of text at a time.

    Go somewhere in the second area and type a line like:
    "foo bar stuff"
    with tabs between the words. My desire is to have the… more

    3 votes

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    3 comments  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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17. Blob brush ability to do a size smaller than 1 pt and make it more interactive

    I often need a blob that is smaller than 1 point. The ability to go smaller would be wonderful!

    I use it a lot to "paint" wispy calligraphic lines.

    I often use the brush with equal width and height because any other setting slows me down as I change the angle I "paint in". If there was a way to interact without going back to the dialogue box it would be more efficient. It is slow and "clunky" otherwise.

    4 votes

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    2 comments  ·  Brushes  ·  Delete…  ·  Admin →
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18. Show linked file page number and change page of PDF easily

    For example, I have a multi-page PDF file in my hand.
    I choose PDF file in illustrator and I can't understand which page of PDF.
    How I can understand which page of PDF file.
    And I would like to be able to change the pages like the photo below.

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    7 votes

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    0 comments  ·  Images, Links  ·  Delete…  ·  Admin →
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19. Do not change the order of characters in the Glyphs panel

    Problem Description:
    If I've highlighted a character, and choose a different variation of that character in the Glyphs panel, the newly chosen variation moves to the left of the glyphs, changing the order of all the glyphs. This is really annoying. If, instead of the order of the glyphs changing, the blue highlight just moved on to the selected glyph, that would be far less confusing.

    Steps to Reproduce:
    1. Select a character in some text
    2. Open the Glyphs panel to see the variations of that character
    3. Select a different variation

    Actual Result:
    The ordering of the variations of that character changes in the Glyphs panel so the currently chosen variation is on the left

    Expected Result:
    Order should remain, and the blue highlight should move.

    Problem Description:
    If I've highlighted a character, and choose a different variation of that character in the Glyphs panel, the newly chosen variation moves to the left of the glyphs, changing the order of all the glyphs. This is really annoying. If, instead of the order of the glyphs changing, the blue highlight just moved on to the selected glyph, that would be far less confusing.

    Steps to Reproduce:
    1. Select a character in some text
    2. Open the Glyphs panel to see the variations of that character
    3. Select a different variation

    Actual Result:
    The ordering of the variations… more

    2 votes

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    0 comments  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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20. Export Individual Layers separately

    Now we can only export the multiple art boards on one layer at a time. Please make it possible to select more than one layer and export those to files.

    It would save a ton of time when we have multiple images to export from like dartboards stacked up on multiple layers.

    9 votes

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    6 comments  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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