885 results found

1. allow the editing/removal of the "Touch Calligraphic Brush"

   Concise problem statement:

   An uneditable, undeletable “Touch Calligraphic Brush” appears at the top of the Brush palette for every single document, including ones that predate touch devices. On my Macbook Air, which is not a touch device, with files that have never been loaded on a touch device.

   Steps to reproduce bug:

   1. Start Illustrator on a computer with no touchscreen.
   2. Load a file or create a new one.
   3. Try to edit the “Touch Calligraphic Brush”.
   4. Try to delete the “Touch Calligraphic Brush”.

   Results:

   The Touch Calligraphic Brush stays there at the top of your brushes palette. It refuses to move. Refuses to let you change its settings. It mocks you every time you look at the brush palette, an unasked-for, unwanted squatter in the middle of your tools, like a toad that’s plopped itself down in the middle of your pencil box. It’s polite, as toads go. It doesn’t demand you feed it flies, it doesn’t excrete all over a work in progress and ruin it, it doesn’t even croak. But it’s always there right in the middle of where your tools are. And sometimes you put your hand on it when you reach for a pencil without really looking, and it’s all clammy, and gross, and why is this toad in the middle of my pencil box, taking up space I could keep drawing tools instead? When you call the people who make the pencil box, they tell you that, oh, yes, the toad has to be there for the benefit of people working in the exciting new medium of toad secretions, so that when they try to use a toad to draw with, there’s always a toad there, and this just leaves you (as an artist working in the medium of pen and ink) rather baffled as to why this means everyone has to have a toad in their pencil case now.

   I mean, also sometimes the pencil box summons this five inch tall giraffe made of fire who burns your drawing up, and that’s something both you and the people who made this magical pencil box are more concerned with, but still. I just keep on putting my hand on this toad sometimes, and it’s just moderately annoying on a constant low level.

   Expected results:

   The Touch Calligraphic Brush acknowledges that its presence may be unnecessary or unwanted for some people, and lets you edit and delete it.

   Or even better, perhaps the Touch Calligraphic Brush never even appears if you’re not on a touch device.

   Concise problem statement:

   An uneditable, undeletable “Touch Calligraphic Brush” appears at the top of the Brush palette for every single document, including ones that predate touch devices. On my Macbook Air, which is not a touch device, with files that have never been loaded on a touch device.

   Steps to reproduce bug:

   1. Start Illustrator on a computer with no touchscreen.
   2. Load a file or create a new one.
   3. Try to edit the “Touch Calligraphic Brush”.
   4. Try to delete the “Touch Calligraphic Brush”.

   Results:

   The Touch Calligraphic Brush stays there at the top of your brushes palette. It refuses to move.… more

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   1 comment  ·  Brushes  ·  Delete…  ·  Admin →
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2. "Masking" as a live effect

   I think it would be very useful to have a Mask live effect, so that individual fills/strokes in the appearance panel could be masked. The actual mask could come from a specific layer/group in the current file, imported from a file on your HD, or from a new type of Mask library.

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   0 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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3. Save Ai file to a working svgz

   Goodmorning, I refer to the following issue: https://forums.adobe.com/message/9978412#9978412

   I am working daily on a professional basis with Adobe Illustrator. I find it very disturbing that this issue isn't solved yet. I hope you can fix it.

   Kind regards,
   Suzanne Cornelis
   Haynespro

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4. Update packaged contents

   To be able to PACKAGE a file and it's contents/fonts is obviously essential, however - this should not be a end to a means. Once you package you file, and then have to make changes to the file you had open (this happens a lot), the PACKAGED contents is now out of date. Could be just the .ai, or .ai and links and fonts.

   Once you've PACKAGED once, there should be an UPDATE PACKAGE function. This should also be implemented in InDesign and Photoshop.

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5. Sign in concomitantly with different accounts:

   Please - Adobe - remember that what you think is your "user" takes many forms. Please, also remember that we are pulled and pushed by all competing platforms that try desperately to create hindrances in the pursuit of their own ecosystem.
   We may need to have two different accounts running on the same computer due to legacy files - programmed obsolescence at it's best, hopefully soon unethical.
   We may need to have two different accounts running on the same computer because of ethical issues (personal professional use vs. company's professional use). Some of us designers / photographers work on location environments, and should not be using precious productive time dealing with an artificially created hindrances on switching accounts + should be able to manage accounts and contents in a segregated and controlled manner.

   Very seldom you've produced quantum leaps worthy of this mess you're creating with unneeded upgrades and ecosystem buildups. Remember a typical user nowadays deals with these competing ecosystems (in my case, MS, Google, Adobe, Autodesk) daily.

   Thanks

   Please - Adobe - remember that what you think is your "user" takes many forms. Please, also remember that we are pulled and pushed by all competing platforms that try desperately to create hindrances in the pursuit of their own ecosystem.
   We may need to have two different accounts running on the same computer due to legacy files - programmed obsolescence at it's best, hopefully soon unethical.
   We may need to have two different accounts running on the same computer because of ethical issues (personal professional use vs. company's professional use). Some of us designers / photographers work on location… more

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6. Print option to select which artboard(s) to rotate

   I have an illustrator file open with 2 artboards in it. I am trying to print them both on 1 page (double sided). I can do that, however, I am having problems with one side of the page being upside down. Is there a way to fix this; other than manually flipping one of the artboards 180 degrees prior to printing?

   My thought would be to have a feature in Illustrator (& other Adobe programs) in the print dialog box under the orientation section. Utilizing the auto-rotate checkbox, if you uncheck it you could have an option to select which artboard(s) to rotate (currently all artboards are rotated at the same time)? I know we can select certain artboards to print, so would it be possible to add this in where we could select which artboard(s) to rotate? I understand that 1) this is easy to ask, but harder to implement & 2) you might feel like the issue is a printer issue, but I feel like it could be solved in Illustrator & I have not found anything in my printer settings that can fix this problem either.

   I have an illustrator file open with 2 artboards in it. I am trying to print them both on 1 page (double sided). I can do that, however, I am having problems with one side of the page being upside down. Is there a way to fix this; other than manually flipping one of the artboards 180 degrees prior to printing?

   My thought would be to have a feature in Illustrator (& other Adobe programs) in the print dialog box under the orientation section. Utilizing the auto-rotate checkbox, if you uncheck it you could have an option to select which… more

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   1 comment  ·  Print  ·  Delete…  ·  Admin →
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7. Share and Review for Illustrator (email notification designation)

   Hi Adobe team,

   I Co-own and Creative Direct at a small design agency of about 12 people. Myself and my design team are loving the Share and Review feature as it is saving us so much time in our presentation prep on client work. There is one thing though that would make our lives even better (and the life of our project manager). We would love for there to be a feature where you can designate where the notification emails go to when comments are made. Currently it goes to the person who generated the link (usually a designer), or the client has to directly tag someone who is on the share file to receiver the email (good luck training them to do so lol). Now, our PM is generally handling getting feedback and updates from clients into our Asana making it so design team does not have to bounce all over from emails, to asana, to designs again...and can just focus on what we do best...designing. So by having a setting where, regardless of who generated the link, it funnels to our PM's email she could constantly have real time updates and better manage the progression of the project. Thank you again for implementing the share feature, and I hope maybe this additional feature someday makes it way into a build :)

   Hi Adobe team,

   I Co-own and Creative Direct at a small design agency of about 12 people. Myself and my design team are loving the Share and Review feature as it is saving us so much time in our presentation prep on client work. There is one thing though that would make our lives even better (and the life of our project manager). We would love for there to be a feature where you can designate where the notification emails go to when comments are made. Currently it goes to the person who generated the link (usually a designer), or… more

   3 votes

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8. Auto Leading is changed to 0,1 pt when saving a paragraph style to a CC library

   1. Set up the style
   2. Save it to the library
   3. Apply the style in a different file
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9. SVG export: Universally-unique class names for internal CSS or option for prefix token.

   AI's auto-generated class names are only file-unique. Collisions occur if different exported svgs are inlined in the same container (html) document. This prevents a primary way of using SVGs on the web.

   Suggest an option (or default behavior) where class names are universally unique, or where a file-name or user chosen token is prepended to classnames.

   2 votes

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10. Automatically incorporate the .jpeg .png name into the artboard name

    When working with multiple assets (png's and jpegs) and wish to import them in a document for various purposes: resize, remake them as vector for "overwrite" purpose it would be really helpful to:

    When importing a .jpeg or a .png file into a document, by clicking on the .png or .jpeg with the arboard tool, instead of creating a generic name, the artboard tool should "take" the name of the file automatically.

    When working with hundreds of small assets, it is very painful having to rename every single file in order to batch export them.

    Very helpful in, mobile, web games or app development.

    When working with multiple assets (png's and jpegs) and wish to import them in a document for various purposes: resize, remake them as vector for "overwrite" purpose it would be really helpful to:

    When importing a .jpeg or a .png file into a document, by clicking on the .png or .jpeg with the arboard tool, instead of creating a generic name, the artboard tool should "take" the name of the file automatically.

    When working with hundreds of small assets, it is very painful having to rename every single file in order to batch export them.

    Very helpful in, mobile, web… more

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11. Copying a layer in a multi-layer file does not put anything on the clipboard for SVG

    Select the top layer in a multi-layer file
    Copy it to the clipboard
    Use a clipboard viewer to display the "Scalable Vector Graphics" format

    Expected Result: Well-formed SVG content to be on the clipboard.
    Actual Result: The clipboard has no data for the format, even thought it advertises it as being available.

    I am a Microsoft engineer reporting this on behalf of a customer who is attempting to paste a layer from Illustrator into PowerPoint as SVG.

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12. Add CSS color styling option to OpenType-SVG specification, so font colors may be altered in Illustrator

    Currently, OpenType-SVG color fonts come with pre-defined colors.

    To provide glyphs in different shades, additional stylistic sets need to be added to the font, bloating it tremendously.

    I propose to add the ability to OpenType-SVG to have certain colors of a glyph being overwritten by the application (e.g. Illustrator), so text colors can be applied to a range of glyphs just like it's done with standard monochrome glyphs.

    To do so, OpenType-SVG should be able to export a set of color reference names, referenced within the glyph's SVG. An application may then assign alternate colors to those color references, so the glyph will render using these colors.

    For example, an OpenType-SVG glyph may look similar to this:

    (UserVoice scrambles my below code, so I attached a text file with the suggested SVG content.)

    ---

    <svg xmlns="http://www.w3.org/2000/svg">

    <style type="text/css">
      :root
      {
        --base-color: rgba(200, 10, 10, 1);
        --highlight-color: rgba(255, 70, 70, 1);
      }
    
      .gradient-fill
      {
        fill: url(#gradient) #000;
      }
    </style>
    
    <defs>
      <linearGradient id="gradient">
        <stop offset="0" stop-color="var(--base-color)" />
        <stop offset="1" stop-color="var(--highlight-color)" />
      </linearGradient>
    </defs>
    
    <polygon class="gradient-fill" points="0,0 100,0 0,66" />
    

    </svg>

    ---

    Illustrator's swatch for font color may then switch from a single swatch to a list of swatches, representing each of the CSS color variable values (see Properties panel illustration attached).

    Currently, OpenType-SVG color fonts come with pre-defined colors.

    To provide glyphs in different shades, additional stylistic sets need to be added to the font, bloating it tremendously.

    I propose to add the ability to OpenType-SVG to have certain colors of a glyph being overwritten by the application (e.g. Illustrator), so text colors can be applied to a range of glyphs just like it's done with standard monochrome glyphs.

    To do so, OpenType-SVG should be able to export a set of color reference names, referenced within the glyph's SVG. An application may then assign alternate colors to those color references, so… more

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13. Placing via Bridge instead of Windows Explorer

    When I click on File >> Place, I'd like to be able to place directly from Bridge and not from Windows Explorer

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14. How to make home page preview transparent background?

    Hello! I am wondering how to change the preview mode on Illustrator's home page to be transparent instead of white. It just started doing this recently and I can't figure out why. It's nothing much but annoying to me.

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15. Variable data from XML file with Special Character like "&trade"; or "&reg" within a text field does not get populated - this is a BUG ale

    Variable data from XML file with Special Character like "&trade"; or "&reg" within a text field does not get populated - this is a BUG alert

    AI 23.0.3
    WIN 10

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16. Define a default placement option

    Make it possible to define other placement options in preferences. So you can, for example, make complete documents with "File dimensions" as a preference

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17. SVG code for current document visible in non modal view

    When fine-tuning SVG files, the ergonomics of the workflow are far less than optimal. This is especially problematic because SVG supports only a subset of what is possible in Illustrator.

    A round trip to some other app, or viewing code via the export modal feels awkward and is certainly time-consuming. Worse, it takes me away from the main Illustrator editor where my art is actually visible/editable.

    Can't we have a panel which shows the SVG code 'live', without having to visit the file menu. It need not be an editable code view, but 'pretty printing' and perhaps code folding would be extremely useful! This panel would be kept in sync with the current document (when open). The SVG export settings might be present as controls on the panel, but otherwise it could just use what is set in the Save As... dialog box.

    Tightening this feedback loop would take a lot of the guesswork out of SVG production with Illustrator.

    9-slice scaling, for example, is not supported in SVG - and the only way to find out is to try and fail.

    When fine-tuning SVG files, the ergonomics of the workflow are far less than optimal. This is especially problematic because SVG supports only a subset of what is possible in Illustrator.

    A round trip to some other app, or viewing code via the export modal feels awkward and is certainly time-consuming. Worse, it takes me away from the main Illustrator editor where my art is actually visible/editable.

    Can't we have a panel which shows the SVG code 'live', without having to visit the file menu. It need not be an editable code view, but 'pretty printing' and perhaps code folding… more

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18. Use Typographer's Quotes should be more accessible

    "Use Typographer's Quotes" should be added to the Character palette to make it more easily accessible. Sometimes I'm designing a document that uses typographer's quotes, but most of the time I work with documents that reference dimensions in feet and inches, so I need to be able to switch back and forth between typographer's quotes and straight quotes quickly.

    In addition to that, "Use Typographer's Quotes" should be moved from File > Document Setup to Illustrator > Settings > Type to match the way Photoshop and InDesign do it.

    The Photoshop, Illustrator, and InDesign teams (and probably others, but those are the three apps I use the most) should get together and decide if they want to use to word "Settings" or "Preferences" to describe the same thing. Apple recently changed from using "Preferences" to using "Settings", so that's probably the one to use, at least on macOS.

    "Use Typographer's Quotes" should be added to the Character palette to make it more easily accessible. Sometimes I'm designing a document that uses typographer's quotes, but most of the time I work with documents that reference dimensions in feet and inches, so I need to be able to switch back and forth between typographer's quotes and straight quotes quickly.

    In addition to that, "Use Typographer's Quotes" should be moved from File > Document Setup to Illustrator > Settings > Type to match the way Photoshop and InDesign do it.

    The Photoshop, Illustrator, and InDesign teams (and probably others, but those… more

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19. Export revisions only

    When making minor updates to an existing presentation or pdf, option to "Export Revisions Only" to an existing file name or pdf - similar to Adobe Acrobat's new feature to detect changes between similar documents, this feature allows you export/update only the pages with revisions into an existing .pdf file. This saves a lot of export time when a client asks for several small revisions to a 10-20+ page presentation or document.

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20. Variable font substitution (with different number of axis)

    I get a crash when: Having a 3-axis variable font used in a document, I close the file and delete the font from my system . Then I open the file and try to substitute that missing font by another with a different number of axis. Boom.

    I guess the perfect behaviour here would be to ignore the extra axis or use a neutral value for axis added after substitution.

    Thanks!

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