654 results found

1. Rename the 'Typing' history step for auto-bullet conversion to a clearer label (e.g., AutoFormat)

   Using Undo to roll back the auto conversion of bullets now works as it should (thanks to this report: http://illustrator.uservoice.com/forums/333657/suggestions/46954429), but the history step is just called with general 'Typing', and it doesn’t add clarity.

   Compare it with something like Microsoft Word, where the step is called 'AutoFormat' — still a broad name, but much easier to spot!
   Plus, Word offers to undo the auto-formatting right there in text when typing with a widget... and it offers a way to disable it completely right THERE.
   Ai’s solution is rather blunt and cheap and lacks elegancy in this current form. Please make it better.

   Using Undo to roll back the auto conversion of bullets now works as it should (thanks to this report: http://illustrator.uservoice.com/forums/333657/suggestions/46954429), but the history step is just called with general 'Typing', and it doesn’t add clarity.

   Compare it with something like Microsoft Word, where the step is called 'AutoFormat' — still a broad name, but much easier to spot!
   Plus, Word offers to undo the auto-formatting right there in text when typing with a widget... and it offers a way to disable it completely right THERE.
   Ai’s solution is rather blunt and cheap and lacks elegancy in this current form.… more

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   1 comment  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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2. Make Smart Guides work consistently with Symbols

   Precise work with Symbols is difficult/impossible because it's treated differently by Smart Guides than normal artwork.

   • Anchor/Path Labels are not displayed on Symbol-ized artwork
   • It's not possible to grab Symbol-ized artwork by a path segment (only anchors) making precise alignment impossible
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   1 comment  ·  Snapping  ·  Delete…  ·  Admin →
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3. File synchronization fails for ai files saved with CC 2018

   I sync my files across several computers using Unison (an rsync command line tool). Since updating, .ai files will not synchronize. I am running macOS High Sierra 10.13.1 and CC 2018 v 22.0.0 on the computers that I am syncing.

   Steps to reproduce:
   1. make ai file. A4 RGB layout with one text item. Save.
   2. run Unison.
   3. synchronization fails with message that the ai file does not exist on the other computer because it could not be renamed from the tmp version of the ai file that unison pulls from the other computer.

   Not sure if this is a High Sierra problem, a CC problem or both.

   I sync my files across several computers using Unison (an rsync command line tool). Since updating, .ai files will not synchronize. I am running macOS High Sierra 10.13.1 and CC 2018 v 22.0.0 on the computers that I am syncing.

   Steps to reproduce:
   1. make ai file. A4 RGB layout with one text item. Save.
   2. run Unison.
   3. synchronization fails with message that the ai file does not exist on the other computer because it could not be renamed from the tmp version of the ai file that unison pulls from the other computer.

   Not sure if this is… more

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   2 comments  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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   Added to Backlog  ·  Ashutosh Chaturvedi responded

   Illustrator currently doe snot support network drives or operations. However, the issue you describe seems to be operating system issue. Moving this as a feature request to support

   KB: https://helpx.adobe.com/illustrator/kb/illustrator-support-networks-removable-media.html

4. Please allow the width of the Info Panel to be adjustable.

   I believe users around the world would prefer to keep palettes as compact as possible in order to maximize the display area for their artwork.
   However, the "Info Palette," which is frequently referenced, is too wide, and when docked, it dictates the overall width of the palette area.
   I would greatly appreciate it if the Info Palette could be made more compact—perhaps by allowing a vertical layout or similar adjustments.

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   0 comments  ·  User Interface  ·  Delete…  ·  Admin →
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5. Interaction in graphic styles, with several inputs

   Graphic styles is only something you apply. I would like some interactions possibilities with the graphic styles, so that you for example could get an interactions panel that told you what kind of interactions you could do (insert photo/graphic/text etc). And that when you clicked on each possible interaction in the panel, then a pin, marked box or something would highlight in the graphic where the input would take place. Like many web images have, with hot spots. Would be one way to do it. The important thing is not how it is done, but that you get to have more interaction with graphic styles, and several input possibilities under one graphic style via appearance.

   Graphic styles is only something you apply. I would like some interactions possibilities with the graphic styles, so that you for example could get an interactions panel that told you what kind of interactions you could do (insert photo/graphic/text etc). And that when you clicked on each possible interaction in the panel, then a pin, marked box or something would highlight in the graphic where the input would take place. Like many web images have, with hot spots. Would be one way to do it. The important thing is not how it is done, but that you get to… more

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   1 comment  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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6. Dynamic Bezier Stroke Corner Join

   Illustrator offers 3 types of stroke corner joins: Miter, Round, Bevel (same 3 as Offset Path filter/effect do).

   Miter one just extends the edges of a stroke with straight lines and then cuts the pointy portion off according to Miter Limit value. This works in a majority of cases when we need a sharp corner, but when curvy segments meet at an angle... the straight join becomes obvious.

   Meanwhile, Ai has Join Tool.
   Here, at the left side of the image a result of expanding a stroke, with a straight mitered join is rather obvious.
   So I select the point where the straight segments meet, delete it, and then use the Joint Tool to... well, to join them, following the natural Bezier extensions of the segments.

   This gives me a better looking smoother join, with no obvious 'ah, that's a thick stroke expanded'. I can use this method when I have a handful of these... but it’s not convenient to treat hundreds of these, expanding your artwork.

   Another solution would be to use inside/outside stroke alignment...
   But:
   1. it still doesn’t work for open paths — http://illustrator.uservoice.com/forums/333657/suggestions/33963553 (100 votes!)
   2. it won’t be helpful anyway if sharp connections happen from both sides of a line, both at inside and outside one

   So — please introduce the fourth type of a stroke corner join. Make it fall back to just simple Miter if the curvature of the lines doesn’t allow for them to meet properly (or cheat by changing the curvature just a bit).

   Illustrator offers 3 types of stroke corner joins: Miter, Round, Bevel (same 3 as Offset Path filter/effect do).

   Miter one just extends the edges of a stroke with straight lines and then cuts the pointy portion off according to Miter Limit value. This works in a majority of cases when we need a sharp corner, but when curvy segments meet at an angle... the straight join becomes obvious.

   Meanwhile, Ai has Join Tool.
   Here, at the left side of the image a result of expanding a stroke, with a straight mitered join is rather obvious.
   So I select the point… more

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   0 comments  ·  Strokes  ·  Delete…  ·  Admin →
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7. Allow to embed spreadsheets to control graphs, like in InDesign for tables

   Most of the time I work on creating charts, sometimes which will be recurring charts. So my request is if we can embed spreadsheet just like in Indesign for tables, it would save time and also if we have option to add values on top of column chart and at the same time controlling alignment would be much helpful.

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   0 comments  ·  Other...  ·  Delete…  ·  Admin →
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8. Add an option to hide the color spectrum bar at the bottom of the Color panel

   I would like to request an option to hide the color spectrum bar located at the bottom of the Color panel.

   For users who input colors using CMYK or RGB percentages, the color spectrum bar becomes an obstruction. This is particularly problematic when switching to a smaller panel docked below the Color panel, as the spectrum can display with an excessively tall vertical height. Having to manually resize the Color panel every time just to make the color spectrum smaller is cumbersome.

   Please consider implementing this feature.

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   0 comments  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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9. Add Biology & Scientific Diagram Tools for Easy Cell and Medical Illustrations

   As an illustrator specializing in biology, microbiology, and scientific educational diagrams, I often find it time-consuming and challenging to create natural-looking cells, organelles, biological textures, and clean labels within Adobe Illustrator. To improve workflow and accuracy, I propose that Adobe adds a dedicated set of toolbar tools designed specifically for biological and scientific illustrations, focusing on ease of use, organic shapes, and diagramming features.

   Suggested Tools Include:

   Organic Blob Tool: Create irregular, smooth cell shapes with adjustable wobble and roundness.

   Cell Chain Tool: Draw linked cells or bacteria chains with customizable spacing and size.

   Pseudopod Tool: Add flowing, arm-like extensions for visualizing amoebas or cellular movement.

   Membrane Ripple Tool: Generate subtle wavy edges to mimic membranes or cell walls.

   Cell Texture Fill Tool: Fill cells with natural biological textures like cytoplasm or granules.

   Nucleus Tool: Easily place nuclei or organelles centered inside cells.

   Cilia Brush Tool: Paint fine hair-like cilia or flagella projections from edges.

   Cross Section Tool: Draw dashed sectional lines with arrows and labels for anatomy diagrams.

   Label Connector Tool: Create snapping leader lines with easy label placement for diagrams.

   Microscope View Tool: Apply circular magnification overlays with blur outside for micrographs.

   Force Vector Tool: Draw arrows representing flows or directional forces scaled by magnitude.

   Data Plot Brush: Sketch rough graphs that snap cleanly to axis-aligned charts.

   Molecular Cluster Tool: Generate clusters of atoms or molecules with bonded shapes.

   Field Line Tool: Illustrate magnetic, electric, or fluid flow lines around objects smoothly.

   Radiation Emission Tool: Show particle or wave emissions radiating from points.

   Circuit Path Tool: Draw technical flow lines with snap-to-grid elbows for pathways.

   Axis Label Tool: Quickly create labeled graph axes with ticks and units.

   Tissue Matrix Tool: Fill areas with fibrous or mesh-like biological textures.

   Vein & Branch Tool: Create branching structures like veins, roots, or neural networks with adjustable density and angles.

   Specimen Label Tool: Add smart snapping labels with leader lines for specimens or cell parts.

   Benefits:

   Speeds up the creation of scientific and biological illustrations

   Reduces reliance on manual anchor editing or complicated plugins

   Enables clear, professional, and natural diagrams for education and publication

   Supports educators, researchers, and medical illustrators with specialized tools

   Please consider adding these toolbar tools to Illustrator to make it the go-to app for biological and scientific illustrations

   As an illustrator specializing in biology, microbiology, and scientific educational diagrams, I often find it time-consuming and challenging to create natural-looking cells, organelles, biological textures, and clean labels within Adobe Illustrator. To improve workflow and accuracy, I propose that Adobe adds a dedicated set of toolbar tools designed specifically for biological and scientific illustrations, focusing on ease of use, organic shapes, and diagramming features.

   Suggested Tools Include:

   Organic Blob Tool: Create irregular, smooth cell shapes with adjustable wobble and roundness.

   Cell Chain Tool: Draw linked cells or bacteria chains with customizable spacing and size.

   Pseudopod Tool: Add flowing, arm-like… more

   3 votes

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   10 comments  ·  Tools  ·  Delete…  ·  Admin →
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10. Snap Bézier handles to consistent lengths

    Would it be possible to add more precise settings regarding the snap behavior of the Pen tool’s anchor points, especially for the handles? This feature exists in Figma and is very useful for ensuring that handles have the same length, distance, and alignment.

    In addition, these handles are often difficult to click. They should be made more accessible, either by increasing their size or by enlarging them by hover.

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    Need More Info  ·  1 comment  ·  Snapping  ·  Delete…  ·  Admin →
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11. Metadata on ASE

    For me and many designers, color is an asset with information associated with it that I need to follow this asset as it moves from different design programs. With metadata attached to file, I would be able to utilize the features in InDesign and other programs to auto populate this information into text fields. Additionally if this metadata ASE file was a library shared between many users and the any of the tagged information on a color was changed, this update would shoot out to any documents using this color. It would reduce:
    -errors by relying on one source of truth for all the color information.
    -time spent typing in this information and free up time for design instead of administrative tasks.
    -time spent tracking down where colors were used to update any changes.

    For me and many designers, color is an asset with information associated with it that I need to follow this asset as it moves from different design programs. With metadata attached to file, I would be able to utilize the features in InDesign and other programs to auto populate this information into text fields. Additionally if this metadata ASE file was a library shared between many users and the any of the tagged information on a color was changed, this update would shoot out to any documents using this color. It would reduce:
    -errors by relying on one source of… more

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    0 comments  ·  Colors, Swatches, Patterns  ·  Edit…  ·  Delete…  ·  Admin →
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12. 29.7.1 macOS - PDF Export- Critical Parser failure: Unknown character in content stream

    In the macOS version of Adobe Illustrator 29.7.1, there is indeed a critical bug. When exporting files containing a large amount of text that has been converted to outlines, the resulting PDF file becomes corrupted.

    To verify the issue, please follow the steps below using the attached file:
    1. Launch Adobe Illustrator on macOS (I use Sequoia 15.6)
    2. Open the attached .ai file
    3. Export the file as a PDF using the “High Quality Print” preset

    Result: The exported PDF will appear corrupted, just like the attached example. Furthermore, when attempting to open the PDF in Acrobat Pro, the following error is displayed:
    Critical Parser failure: Unknown character in content stream.

    This issue does not occur on the Windows version of Illustrator. Could one of you confirm this bug? If this is indeed a reproducible problem, the development team should fix it as soon as possible.

    In the macOS version of Adobe Illustrator 29.7.1, there is indeed a critical bug. When exporting files containing a large amount of text that has been converted to outlines, the resulting PDF file becomes corrupted.

    To verify the issue, please follow the steps below using the attached file:
    1. Launch Adobe Illustrator on macOS (I use Sequoia 15.6)
    2. Open the attached .ai file
    3. Export the file as a PDF using the “High Quality Print” preset

    Result: The exported PDF will appear corrupted, just like the attached example. Furthermore, when attempting to open the PDF in Acrobat Pro, the… more

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    2 comments  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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13. Eyedropper doesn't include the arrow heads on a line

    If I have a line selected and I use the eyedropper on a different line with a stroke and arrow heads, it only copies the stroke not the arrow heads.

    Please make it include the arrow heads.

    Also, the most useful arrow head is number 27, it should be number 1 not number 27.

    In fact, if there was a checkbox you could click in the stroke properties window that automatically changed a line to a measurement label so it put an arrowhead 27 on each end, changed the stroke to like 4pt yellow, and a text box half way along the line with the length of the line in millimetres, that would be so good! There is a tool in Sketchup with a measuring tape icon that does exactly this if you need a reference point.

    If I have a line selected and I use the eyedropper on a different line with a stroke and arrow heads, it only copies the stroke not the arrow heads.

    Please make it include the arrow heads.

    Also, the most useful arrow head is number 27, it should be number 1 not number 27.

    In fact, if there was a checkbox you could click in the stroke properties window that automatically changed a line to a measurement label so it put an arrowhead 27 on each end, changed the stroke to like 4pt yellow, and a text box half way… more

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    1 comment  ·  Tools  ·  Delete…  ·  Admin →
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    Resolved (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    The Eyedropper tool’s options can be configured to transfer arrowheads, which are treated as 'complex appearance'.

    See comments for details.

14. Add a setting for "Solid" in the leading field of the type panel

    Illustrator defaults to "Auto" in regards to leading - about 120% of the point size of the type. When using display faces, I often find I set type a lot tighter - usually around the same leading as the point size. It would be really helpful if there were a setting for that in the type panel, so that as I change the point size of the type (say from 24 pts to 72 pts) the leading would also change automatically from 24 pts to 72 pts - just as it would from one size to another when the leading is set to "Auto."

    This would save me the trouble of having to reset the leading every time I adjust a block of text. Think of this as a "sand in the swimsuit" issue - just one of those minor annoyances that have a simple solution.

    Illustrator defaults to "Auto" in regards to leading - about 120% of the point size of the type. When using display faces, I often find I set type a lot tighter - usually around the same leading as the point size. It would be really helpful if there were a setting for that in the type panel, so that as I change the point size of the type (say from 24 pts to 72 pts) the leading would also change automatically from 24 pts to 72 pts - just as it would from one size to another when the leading… more

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    0 comments  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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    Resolved (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    We can change the value Illustrator uses as 'auto' in Justification dialog, which you can access via the Paragraph panel’s menu. Change 'Auto Leading' to 100% to get what you want.

    If you want this setting to be applied to all new text objects, you should open Paragraph Styled panel, and edit the [Normal Paragraph Style].

    If you want this to be applied to every new document you make, you should learn about editing document profile files Illustrator uses as core templates. Just don’t forget to backup these.

15. Some way to control the mesh density of generated 3D objects?

    I'm using Illustrator to turn some 2D drawings into 3D objects which I export as OBJ/GLTF to other software. The process is really quick and simple, and produces very smooth and clean mesh objects, however... I'm having trouble with the total lack of control over the geometry density/resolution of the generated 3D model.
    I've experimented with increasing the number of anchor points and size of the drawing to see if I would get a 3D model made of more polygons and vertices, but had no success.
    It would be amazing if there was a proper way to control the generated 3D mesh density. For instance, maybe a dropdown next to a Mesh Density input with a High, Medium and Low option (using the current built-in mesh density as a Medium position)? Thanks.

    I'm using Illustrator to turn some 2D drawings into 3D objects which I export as OBJ/GLTF to other software. The process is really quick and simple, and produces very smooth and clean mesh objects, however... I'm having trouble with the total lack of control over the geometry density/resolution of the generated 3D model.
    I've experimented with increasing the number of anchor points and size of the drawing to see if I would get a 3D model made of more polygons and vertices, but had no success.
    It would be amazing if there was a proper way to control the generated… more

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    0 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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16. An ability to lock the order of layers, but not their content

    On fixing the hierarchy of layers.

    In data with a large number of layers, such as a map, the vertical relationship and stacking order of objects is very important. We are very careful not to make mistakes, but there are times when our hands slip and we end up moving them.
    At the moment we can lock objects, but we can always manipulate the vertical relationship of objects.
    If there is a lot of demand for the ability to lock the vertical relationship other than mine, I would like to see improvements.

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    3 comments  ·  Layers  ·  Delete…  ·  Admin →
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17. Missing languages from character panel for automation

    I need to automate the language parameter from the Character panel on Illustrator. It is already available for most languages but it looks like the recent languages that have been added in Illustrator are not available for automation. We need to set this up to have the correct hyphenation in the text frames. For example, if we activate the hyphenation for illustrator files that contains Thai strings, it won’t hyphenate the strings correctly until we set the language.

    The list available for automation can be found from the Illustrator scripting library on macOS (it contains everything we can use for automation with Illustrator).

    You can find it if you follow these steps:
    1/ Open Script Editor (installed by default on your Mac)
    2/ CMD+SHIFT+L to open the Library
    3/ Click on the + button and add Adobe Illustrator 2019 app (/Applications/Adobe\ Illustrator\ CC\ 2019/Adobe\ Illustrator.app/)
    4/ Double click Adobe Illustrator 2019 to open the library
    5/ Search for the language parameter in the library
    6/ It will show the list available for automation (that is different from the list in the UI on Illustrator)

    For example Thai, or Hebrew are missing for automation.

    I need to automate the language parameter from the Character panel on Illustrator. It is already available for most languages but it looks like the recent languages that have been added in Illustrator are not available for automation. We need to set this up to have the correct hyphenation in the text frames. For example, if we activate the hyphenation for illustrator files that contains Thai strings, it won’t hyphenate the strings correctly until we set the language.

    The list available for automation can be found from the Illustrator scripting library on macOS (it contains everything we can use for… more

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    0 comments  ·  SDK and Scripting  ·  Delete…  ·  Admin →
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18. Swap values in Transform / Move

    Surprised this software still doesn't have a simple toggle arrow button in it's Transform menus.

    Like, swiping values between the Horizontal and Vertical planes with the Move tool.

    Seems like an easy addition!

    2 votes

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    Need More Info  ·  1 comment  ·  Tools  ·  Delete…  ·  Admin →
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19. Alternative 'Object width/height' and gap options under Effect > Transform > Move

    A couple of checkboxes in that panel for the dynamic size of the object could be handy. A gap value would also be great for the static gaps around multiplied objects. I've experienced 2 similar cases where that option could save me time:

    1) Create an object and use 'Effect > Transform' panel to create copies, giving a horizontal or vertical move value. Then edit the object and change its bounding box. They either overlap or the gap between them widens.

    2) Create the left half of a graphic you want dynamically be mirrored onto the right side. To use the same panel first you need to copy the width of the graphic. Then in the panel, you input 1 as the copy amount, select 'Reflect X' option below and finally paste the copied width into the 'Move > Horizontal' area. So far so good. Now alter the graphic in a way the width of its bounding box changes. The duplicated mirror graphic will no longer stick to the left, editable part of the graphic. Again, they will either overlap or there'll be a gap between the two. Each time the bounding box changes you have to copy the width and edit transform values accordingly. Unnecessary time and effort.

    My suggestion: If there was a checkbox next to both move directions indicating 'object width/height' as alternatives, it would be much easier and time saving to accomplish such actions. Alternatively, for those who want to duplicate a graphic n times, a user input with the gap amount could make it easier to retain the gap between copies. I've edited the screenshot of the panel with my suggestion applied.

    A couple of checkboxes in that panel for the dynamic size of the object could be handy. A gap value would also be great for the static gaps around multiplied objects. I've experienced 2 similar cases where that option could save me time:

    1) Create an object and use 'Effect > Transform' panel to create copies, giving a horizontal or vertical move value. Then edit the object and change its bounding box. They either overlap or the gap between them widens.

    2) Create the left half of a graphic you want dynamically be mirrored onto the right side. To use… more

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    2 votes

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    0 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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20. Ability to set line width based on the angle of the line

    I'd like to be able to set the line width based on the angle of the line, so if the line width is 10 pt on horizontal lines, and you set it so it's 90% of that on vertical lines, it automatically sets it to 95% on 45 degree lines etc.

    In the example image you'd just have to draw a circle, set it to a 10 pt line and then set the thickest point (vertical) to 400% of the thinnest part (the horizontal).

    The controls for this would be simple, all you need to be able to do is to set a relative (percentage) value + degree. So in the example image it'd be 400% + 90 degrees = meaning the line becomes 400% thicker at a vertical angle.

    This would be especially useful in fontmaking when you need to optically correct the lines depending on the angle.

    I'd like to be able to set the line width based on the angle of the line, so if the line width is 10 pt on horizontal lines, and you set it so it's 90% of that on vertical lines, it automatically sets it to 95% on 45 degree lines etc.

    In the example image you'd just have to draw a circle, set it to a 10 pt line and then set the thickest point (vertical) to 400% of the thinnest part (the horizontal).

    The controls for this would be simple, all you need to be able to do is… more

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    1 comment  ·  Brushes  ·  Delete…  ·  Admin →
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    Resolved (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    This effect can be achieved with Calligraphy brushes. Set one up in Brushes panel, use angle 0, change the size to be the thickest weight you want, and use the roundness value to change it at thinner horizontal parts. If you want 4x difference, set it to 25% of the set size. Done — apply it to any path you want.