962 results found

1. When opening a file with missing links and fonts, add an option to the warning dialog to...

   Place the image rather than trying to open it natively/embedded. In my screenshot here the idea is you could choose to Cancel, open a new document and Place in new document, as those are always my next steps when this issue arises.

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   0 comments  ·  Images, Links  ·  Delete…  ·  Admin →
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2. Add a "move/copy art with artboard" switch to the artboard options, or the main prefs.

   Currently the only place the "move/copy art with artboard" switch exists is a button on the Control bar. I have never liked the Control bar and have hidden it since it was first added to Illustrator back in CS3.

   In my workflow, I almost never want to move/copy art with artboard, and for some reason this switch constantly turns itself back on, so it's extra annoying to have to either lock all my layers, or dig around this part of the interface I never use.

   If I hit return with the Artboard tool selected, I'll bring up the current artboard's options. And in these options there's also a "global' section that would be a perfect place to add this switch so it's quickly accessible in that moment when I perform my regular workflow of "switch to artboard tool, move an artboard, realize I didn't lock every single layer in my file beforehand, swear, undo, lock everything, make the artboard change I wanted, unlock the layers I was working on". A switch there would let me shorten thos to "switch to artboard tool, move an artboard, swear because stuff moved along with it, undo, hit return, turn off move/copy with artboard, stop worrying about this until Illustrator decides to flip this switch on its own again".

   Currently the only place the "move/copy art with artboard" switch exists is a button on the Control bar. I have never liked the Control bar and have hidden it since it was first added to Illustrator back in CS3.

   In my workflow, I almost never want to move/copy art with artboard, and for some reason this switch constantly turns itself back on, so it's extra annoying to have to either lock all my layers, or dig around this part of the interface I never use.

   If I hit return with the Artboard tool selected, I'll bring up the current artboard's… more

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   0 comments  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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3. Make font searching better for designers

   Hi Adobe team,

   I’m a working designer, and choosing a typeface is one of the most time-consuming parts of nearly every project I do. The font menu has changed very little in twenty years, and I think there’s a real opportunity to make this part of the workflow much better.

   The problems I run into every day

   The list is hard to browse. The menu window is small, so I can’t see the font names and the results on the page at the same time. Weights and styles shift depending on the family, which makes comparing difficult.
   The menu doesn’t remember my place. After I pick a font and reopen the list, I’m back at the top of the alphabet. When I’m comparing candidates, I lose my place every time.
   Alphabetical order is not actually a helpful sort. I’m usually looking for a feeling or a function (a warm serif, a tight grotesque, something for a long caption), and the alphabet doesn’t help with that.
   Comparing options means duplicating work. To test candidates, I end up making copy after copy of a line of type and swapping fonts one at a time. A project can easily eat hours this way.

   What I’d love to see

   A side-by-side comparison view, where I can pin several fonts and preview them on my own text at the same time.
   “Find similar” from any font, so once I’m close, I can explore neighbours instead of starting over.
   A choice between large families and single typefaces, since the two often serve very different needs.
   A persistent scroll position and recent or shortlisted fonts in the menu, so I don’t lose my place.
   A larger, resizable font panel that shows names and live previews together.

   I appreciate the filters and previews that already exist. They’re useful, and I think they could be the foundation for something much stronger. Anything that makes finding the right font faster would give designers back real time on every job.

   Thanks for considering it. I’d be glad to share more about my workflow or test early versions if that would help.

   Hi Adobe team,

   I’m a working designer, and choosing a typeface is one of the most time-consuming parts of nearly every project I do. The font menu has changed very little in twenty years, and I think there’s a real opportunity to make this part of the workflow much better.

   The problems I run into every day

   The list is hard to browse. The menu window is small, so I can’t see the font names and the results on the page at the same time. Weights and styles shift depending on the family, which makes comparing difficult.
   The menu doesn’t… more

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   1 comment  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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4. When I open a CMYK file, color panel turns RGB mode. It should be CMYK mode.
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   0 comments  ·  Colors, Swatches, Patterns  ·  Edit…  ·  Delete…  ·  Admin →
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5. The invisible 'stroke path' effect in the Appearance stacks of strokes should be made visible.

   There is an invisible effect in an Appearance stack on a stroke wherein the stroke is actually rendered along the path. It is possible to place effects above or below this invisible effect by dropping the effect on the stroke's entry or within the stroke's expanded entry.

   It is very useful to be able to place effects before or after strokes are rendered, but it's very confusing to deal with when a crucial effect is invisible. If you create and place the effects the wrong way then a list of steps that used to work, or that work for the person who wrote them because they habitually set up effects the other way, then it's insanely frustrating.

   I propose that this invisible step should be made visible. I should not have two paths with seemingly-identical appearance stacks and radically different renderings.

   Attached: an Illustrator 30.3 file that demonstrates this, documents how to place effects before/after the invisible "stroke path" effect, and has images of how I propose this invisible effect should be made visible.

   If there is a corresponding 'fill path' effect hidden in fills, I have not been able to make effects happen after it. It would be pretty neat to have that visible too, I'm sure there's some neat things that could be done with that ability!

   EDIT: my initial test case is a little confusing since it uses a brush; I went back and recreated the example I helped diagnose that shows that this is going on with simple strokes as well as complex ones. I've also added a couple of images.

   There is an invisible effect in an Appearance stack on a stroke wherein the stroke is actually rendered along the path. It is possible to place effects above or below this invisible effect by dropping the effect on the stroke's entry or within the stroke's expanded entry.

   It is very useful to be able to place effects before or after strokes are rendered, but it's very confusing to deal with when a crucial effect is invisible. If you create and place the effects the wrong way then a list of steps that used to work, or that work for the… more

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   0 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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6. Bring back free assets and the ability to search in CC for them

   Adobe recently took away a feature which was part of the cloud subscription which really sucks!

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   0 comments  ·  Cloud, Libraries  ·  Edit…  ·  Delete…  ·  Admin →
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7. Illustrator or Photoshop for digital drawing??

   I am a digital artist. I didn't see a thread about difference between this two software , and it seemed like no one has given their impressions on this oftware so I wanted to put together something quick to kickstart a discussion or something.

   Illustrator is a vector based application and Photoshop is an image editor. That means Photoshop works with pixels and Illustrator does not. Illustrator drawings can be scaled and printed at any size without loss of image quality. The lines are very clean and sharp, which is great for logo design and illustration. Photoshop drawings can be more similar to drawing with traditional media like pencils, or chalk, or paint, if that's what you want.

   If you draw in Photoshop it is important to plan ahead for final output size. If you want to eventually print your drawing at 16" x 20", then you need to start with a document that big, at a resolution of at least 150 ppi (depending on how it will be printed). When you draw in Illustrator you don't have to worry about any of that in the beginning.

   What kind of drawing are you trying to create? What's the final intent for the drawing? Do you want a super sharp clean edge drawing, or something more organic? You have to answer those questions before you can get the correct answer.

   IF you decide that Photoshop is perfect for your drawing needs, then you must get a pressure sensitive drawing tablet . XP-Pen makes a affordable and well-built graphics tablets.

   https://www.xp-pen.com/goods/lists/catid/118.html

   I combine drawing and photography for my composite art. I start the old fashion way with pencil on paper, then color it in Photoshop. The final look is much different then something created in Illustrator. Here's my most recent drawing composite.

   Von Glitschka is the best Illustrator artist I know. His work has a completely different look and style. He primarily works in Illustrator and has written several books and recorded several Lynda.com courses about his workflow.

   Patrick Lamontagne is a cartoon artist who does all of his work in Photoshop, including the line drawing part. He also does photo realistic paintings completely with Photoshop.

   I hope somebody can find this helpful. Let me know.

   I am a digital artist. I didn't see a thread about difference between this two software , and it seemed like no one has given their impressions on this oftware so I wanted to put together something quick to kickstart a discussion or something.

   Illustrator is a vector based application and Photoshop is an image editor. That means Photoshop works with pixels and Illustrator does not. Illustrator drawings can be scaled and printed at any size without loss of image quality. The lines are very clean and sharp, which is great for logo design and illustration. Photoshop drawings can be… more

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   3 comments  ·  Tools  ·  Delete…  ·  Admin →
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   AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

   This forum is not the best place to held discussions like this. Please raise these here instead: community.adobe.com/t5/illustrator/ct-p/ct-illustrator?&tabid=discussions

   However, if you have a bug report, or a feature request — welcome here.

8. Custom keyboard shortcuts for File Commands should work when no document is open.

   Because custom keyboard shortcuts only work when a file is open, some File Commands like New from Template don't work when you would need it.

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   1 comment  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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9. Export selected artboards using "Exports for Screens" with editing capabilities preserved

   Can you provide a checkbox in Adobe Illustrator that allows exporting the selected artboard from a file with multiple artboards, while preserving editing capabilities? This would ensure that fonts and images are not missing, and that the file size remains small due to only the selected artboard being included.

   I work for a Hindi newspaper, and the fonts I use in the file are not available everywhere. As a result, the fonts get missing on certain systems if the file is exported as a PDF without 'Preserve Editing Capabilities' enabled, which affects the quality of the product. Additionally, if the file size is small, it will be easier to export, and Adobe Illustrator will function more efficiently.

   Can you provide a checkbox in Adobe Illustrator that allows exporting the selected artboard from a file with multiple artboards, while preserving editing capabilities? This would ensure that fonts and images are not missing, and that the file size remains small due to only the selected artboard being included.

   I work for a Hindi newspaper, and the fonts I use in the file are not available everywhere. As a result, the fonts get missing on certain systems if the file is exported as a PDF without 'Preserve Editing Capabilities' enabled, which affects the quality of the product. Additionally, if the… more

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10. Add a Save Preset button into the legacy File New dialog

    Illustrator recently added a button to save the current New Document settings as a preset: https://illustrator.uservoice.com/forums/333657/suggestions/35253820
    Please add a similar one into the legacy dialog too.

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    0 comments  ·  User Interface  ·  Edit…  ·  Delete…  ·  Admin →
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11. Sticky swatches, patterns, gradients, brushes and symbols.

    I get so very tired of having to re-create what I've made or added earlier, or find the original file that contains things I've created earlier. It's starting from zero every time I open a new file.

    It would be so nice to have things I added to panels be there for the next file.

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    Resolved (Comments Open)  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    There are several options to make resources sticky.

    1. Save your swatches/brushes/etc. library as user defined one on a disk, using the dedicated panel’s menu. Open each then from same menu in User Defined sub-folder. When the separate palette appears, mark is as Persistent in this panel’s menu, This will make these palettes stick after Illustrator relaunches.

    2. You can locate document profiles (Print.ai, Web.ai, etc.) on your machine (in New Document Profiles folder), edit their predefined presets, and resave them. This will make every new document based on these profile to have your resources.

    3. Save a current document with the resources as a template, and later call them File > New from template. This will fixate the artboards settings though, unlike method 2.

    But be careful with methods, because Ai can reset document profiles when updates.

12. Cursor at the end of document name field during "Save as"

    When you "Save as," the cursor automatically appears at the end of the document name in the document name field - i.e. right after the file name extension. I never need to edit the file name extension, as I can do that in the dropdown menu, but I DO need to edit the name of the document. This, combined with the fact that there's now a lag of a few seconds before you can type in the document name field (submitted in separate comment), is making saving different versions of the same file veeeery annoying.

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13. curved pdf

    ask curved or text when opening pdf file

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    0 comments  ·  Type, Fonts, Text  ·  Edit…  ·  Delete…  ·  Admin →
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14. Being able to export an object with a mesh tool as a obj design from Ai to use as a model in Adobe Dimension

    I created a mesh design and illustrator as a plastic bag with wrinkles was not able to export as an OBJ file to use in adobe dimension. Now that Photoshop does not have full fledge 3-D tools., I am not sure if it’s possible to create an OBJ file that has mesh in it.
    Thanks
    Yasir

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    5 comments  ·  Meshes, Distortion, Mockup  ·  Delete…  ·  Admin →
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15. Allow links to be embedded when link is missing, rather than showing an empty box

    If a link is missing from my file, rather than hunt down the link, I create a new file, and embed the file with the missing link in it. Once it's been embedded I have the high res raster image, just not necessarily with the same name. Much like photoshop tells you raster info will be used for fonts, or missing links use raster info it would be great if Illustrator gave you the option to embed. It may only be possible for images with full PDF compatibility, but it'd be a great improvement!

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    0 comments  ·  File Save, Import and Export  ·  Edit…  ·  Delete…  ·  Admin →
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16. Export for screens with subfolders organized by artboard

    Often I am having to export multiple file formats for all artboards in a single working file. E.g. when sending a group of signs to a printer, they will want an individual native .AI file, a PNG full-res preview, and a JPG thumbnail. Currently, you can create subfolders based on Scale or Filetype, but it would be immensely helpful if there was the ability to create subfolders based off of Artboard Name, since it is often the specific design that someone is looking for.

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    1 comment  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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17. Recognize the Develop settings applied in Camera Raw

    When I drag a jpg image from Bridge to Illustrator, I would like for Illustrator to recognize the Develop settings that I applied in Camera Raw without first saving the image as a separate file.
    Later changes to the Develop settings would then prompt an update in Illustrator like it does currently when a file is changed.

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    0 comments  ·  Images, Links  ·  Edit…  ·  Delete…  ·  Admin →
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18. Suddenly Crashing and then Reopening with a Text Import Options pop up. Please fix. What is going on?

    There are many instances mentioned on the web of illustrator file suddenly crashing and a text import options pop up appearing when you try to reopen. The file is then blank. It doesn't matter how many times you have saved it. There is nothing in layers. Please fix

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    0 comments  ·  Performance, Enhancements  ·  Edit…  ·  Delete…  ·  Admin →
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19. Make already existing templates visible while saving a file as a template, so you can see the names of templates in case you want to write

    see above

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    Need More Info  ·  1 comment  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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20. Create a time code

    Create a time code for tracking time on any product (Illustrator, InDesign, etc.) on file or folder?

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