4749 results found

1. Allow to color code attributes (fills, strokes, effects) in Appearance Panel

   Sometimes we create very complex appearance stacks, and navigating the Appearance panel becomes rather hard (especially given the fact it tries to unfurl the items in it all the time — look at this bug report: http://illustrator.uservoice.com/forums/601447/suggestions/49257335)

   So with a lot of fills and strokes and effects given we would like to assign colors to the rows, the same way the Actions panel allows (for its button mode).

   Another similar requests would be an ability to rename them (http://illustrator.uservoice.com/forums/333657/suggestions/34309852) and to make folders (http://illustrator.uservoice.com/forums/333657/suggestions/49257353)

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2. Oval Radial Repeat

   It would be very useful to be able to adjust the radial repeat to an oval radial repeat. Just like how you can change a radial gradient from a circular shape to an oval shape. Opens for lots of more possibilities and will be a huge time saver. Doing this manually is hard.

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   1 comment  ·  Repeats  ·  Delete…  ·  Admin →
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3. Clip to key object

   Illustrator allows to set a key object in a selection with a click. The object gets thick edge and can be used for aligning and distributing operation, to stay in place.

   This simple way of marking an object is used only for these, and it’s a waste.
   We need to be able to use key objects for other operations as well.

   For example, why not allow users to clip into the key object, if it’s set? Currently we would have to move it above other objects in a selection, reselect them together, and hope we didn’t mess it up... or cut the objects we need to clip, select the one to be a mask, toggle Draw Inside mode, Paste in Place (works if we need to save the appearance of the clipping path).

   Why just not
   1. Select objects
   2. Click one to make it a key
   3. Run Object > Clipping Mask > Make command (Cmd/Ctrl+7)?
   Zero extra steps. No problems with 'should it be at top or bottom'.

   Illustrator allows to set a key object in a selection with a click. The object gets thick edge and can be used for aligning and distributing operation, to stay in place.

   This simple way of marking an object is used only for these, and it’s a waste.
   We need to be able to use key objects for other operations as well.

   For example, why not allow users to clip into the key object, if it’s set? Currently we would have to move it above other objects in a selection, reselect them together, and hope we didn’t mess it up... or… more

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   0 comments  ·  Clipping, Intertwine  ·  Delete…  ·  Admin →
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4. Display artboard captions when exporting artboards

   Every time when i have multiple artboards and hit Save As, Ii don't know exactly which artboards i want to include, cause i don't know the specific number.
   So i go back out of the save as dialog, pick the Artboard Tool and save again, now able to see which numbers i want to include. I would be less time consumption if it would show the numbers of the artboards always no matter which tool is selected, when there is a save as or export dialog started.

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   1 comment  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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5. Round Corners effect works wrong with curved paths

   The native Round Corners effect (not the corner widget!) can work well only with all-straight segments.
   It doesn’t round anything for points connecting straight and curved segments, straightens up curved segments, and hardly fit rounded corners within original paths.

   This is embarrassing. Fix it!

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6. Add Focus Fill and Focus Stroke commands we can assign hotkeys to

   Illustrator focuses either a fill or a stroke to be set.
   We can control the focus with the hardcoded X key, that toggles fill and stroke, but it also requires to know which is active at the moment to know if we should press it.

   It’d be faster for professional user to actually force the stroke or the fill to be active, with dedicated absolute keys instead of relative ones.

   I’d use something Alt+X and Alt+Shift+X (these are free), or remapped them to something even more simpler.

   There is a related request:
   Absolute mode that always sets a fill a single click and stroke with the Alt+click/right click
   http://illustrator.uservoice.com/forums/333657/suggestions/44104935

   Illustrator focuses either a fill or a stroke to be set.
   We can control the focus with the hardcoded X key, that toggles fill and stroke, but it also requires to know which is active at the moment to know if we should press it.

   It’d be faster for professional user to actually force the stroke or the fill to be active, with dedicated absolute keys instead of relative ones.

   I’d use something Alt+X and Alt+Shift+X (these are free), or remapped them to something even more simpler.

   There is a related request:
   Absolute mode that always sets a fill a… more

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7. Allow to make sharp transitions using Width Tool

   Width Tool allows us to set width markers on a path, to make its stroke’s outline blend between set cross-sections. We have some limited controls over these markers, we can make each side have its own width, we can snap them to points, but that’s it.

   What we also need is way to make this transitions sharp, rather than smooth.
   Look at the image attached.

   The path on the top is a stroke with a variable stroke profile.
   The path on the bottom is a demonstration of what we want (an art brush actually).

   Sure, we can fake this behavior duplicating an existing marker close the the original (fighting the Ai’s urge to merge them). But if we expand these, this fake sharp transition generates a ton of points we don’t need, and it’s not actually a sharp point at all.

   At the meantime, Ai has the Curvature tool, that allows to quickly toggle sharp/smooth for points with a double-click or Ot/Alt-click. Double click for Width tool opens Width Point Edit dialog, but Opt/Alt does nothing — make it toggle the transition type.

   At the moment we have to build strokes like this with art brushes, which can’t be edited interactively on canvas, it’s a trial and error process. Adding sharp transitions to the Width Tool will make it much easier.

   Width Tool allows us to set width markers on a path, to make its stroke’s outline blend between set cross-sections. We have some limited controls over these markers, we can make each side have its own width, we can snap them to points, but that’s it.

   What we also need is way to make this transitions sharp, rather than smooth.
   Look at the image attached.

   The path on the top is a stroke with a variable stroke profile.
   The path on the bottom is a demonstration of what we want (an art brush actually).

   Sure, we can fake this behavior… more

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   1 comment  ·  Strokes  ·  Delete…  ·  Admin →
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8. Change the cursor for Artboard Tool when a click is going to create a new object-sized artboard

   When using Artboard Tool, you can do several things with a simple click.
   1. Select an artboard under the cursor
   2. Deselect an artboard if there is no artboards under the cursor
   3. Create an artboard which size is the same as the object you click — but ONLY if the object is inside of the already selected artboard OR if the place you click is not inside of any artboard.

   This #3 case prevents deselecting artboards efficiently in cases when you don’t have 'naked canvas' inside of the viewport. And clicking is the only way to deselect artboards, since Deselect All command does not conform the mode — you can see details and upvote the problem here: http://illustrator.uservoice.com/forums/601447/suggestions/47070349

   And because of that (and not only that), we need Ai to signal a click is going to create an artboard. Ai should modify the cursor to indicate this — and now it does not, AT ALL.

   When using Artboard Tool, you can do several things with a simple click.
   1. Select an artboard under the cursor
   2. Deselect an artboard if there is no artboards under the cursor
   3. Create an artboard which size is the same as the object you click — but ONLY if the object is inside of the already selected artboard OR if the place you click is not inside of any artboard.

   This #3 case prevents deselecting artboards efficiently in cases when you don’t have 'naked canvas' inside of the viewport. And clicking is the only way to deselect artboards, since… more

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9. Buttons in Pathfinder panel should be disabled when nothing is selected

   If you have nothing selected, Pathfinder still have all buttons active, despite clicking one will give out an error message.
   What’s a point? Why shout? Why not display a shallow message (like the one we get when a live shape gets expanded)?
   Why not disable the buttons in the first place when a selection is empty?

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   1 comment  ·  Pathfinder and Compounds  ·  Delete…  ·  Admin →
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10. Show 'Can’t join a path' message as a soft one

    Modal dialogs are very dated. They grab attention, they interrupt workflows, they yell at you. Most times we don’t need these as loud as they are — a whisper is nice.
    And Ai actually now has these, 'soft' messages, like the one we get when we modify a live shape — 'Shape expanded', at the top of the view, in a gray rectangle. Calm, non-intrusive, with auto-destruction timer. Nice!

    But there are other, legacy warnings and screams.
    The most annoying for me persoanlly is the one I get when I try to join a closed path (just in case, to be sure it is closed), but Ai yells at me — 'you caaaaan't' — with a ding and a message and a text... just show the 'Path is already closed' soft message.

    Perhaps don’t mix all the cases together and display it as a huge page like you do. A user has a compound path within the selection? Tell it, and only if the user really has it. Same for other art types users can’t join.
    I see an educational benefit in having it like this now... but look, if I enable 'don’t show this again' checkmark in this alert box, I won’t be able to see if I should join more or is it just enough.

    Modal dialogs are very dated. They grab attention, they interrupt workflows, they yell at you. Most times we don’t need these as loud as they are — a whisper is nice.
    And Ai actually now has these, 'soft' messages, like the one we get when we modify a live shape — 'Shape expanded', at the top of the view, in a gray rectangle. Calm, non-intrusive, with auto-destruction timer. Nice!

    But there are other, legacy warnings and screams.
    The most annoying for me persoanlly is the one I get when I try to join a closed path (just in case, to… more

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11. Allow Transform effect applied to an object to transform its the opacity mask also

    If I apply Transform effect to an object with an opacity mask (to move or scale it parametrically, for example), only the object will be transformed — but not the contents of its opacity mask.
    This is not consistent with the destructive method, when you actually move or scale this object...

    The workaround is to apply the same effect to the contents of the opacity mask, but it does not always have the same effect, since the contents can have different bounds, and the transformation points will differ.

    There should be an 'Affect Opacity Mask' option in the Transform effect dialog.

    If I apply Transform effect to an object with an opacity mask (to move or scale it parametrically, for example), only the object will be transformed — but not the contents of its opacity mask.
    This is not consistent with the destructive method, when you actually move or scale this object...

    The workaround is to apply the same effect to the contents of the opacity mask, but it does not always have the same effect, since the contents can have different bounds, and the transformation points will differ.

    There should be an 'Affect Opacity Mask' option in the Transform effect… more

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12. Intertwine with Live Paint objects

    It feels like a rare thing to do, but no — this is exactly what I needed recently, and it is forbidden, of course.
    I had to expand my Live Paint group :(

    Please make sure all special plugin objects can work with each other.

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13. Multiline tooltips

    Plugin developers can’t make tooltips go in several lines. Extensive tooltips are forced to be one long line, and it’s hard to read in time.
    Comes along with this request: http://illustrator.uservoice.com/forums/333657/suggestions/46645348

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14. Custom exposure time for hover tooltips for third-party developers

    A narrow enough request. At the moment developers can’t customize the time each hover tooltip gets displayed. When the text is long, it vanishes too soon.
    Comes along with this request: http://illustrator.uservoice.com/forums/333657/suggestions/46645378

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15. Make clickable areas for eye buttons in Layers and Appearance as large as their sections

    As demonstrated in https://www.instagram.com/p/CmhJOBNo-U3/
    Clicking an 'eye' requires aiming, despite the area it is located in is pretty large. What’s a point of limiting the clickable area?

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16. Learn to Rearrange artboards with coinciding or nested coordinates

    Illustrator will not rearrange artboards that are completely overlapping (that is, have the same dimensions and coordinates) and will ignore nested artboards, moving them along with their enclosing artboard.
    It should be able to detect complete copies and give an option to rearrange smaller nested ones.

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17. Remake the Tools / Menu Commands dropdown in Keyboard Shortcuts into two toggle buttons

    Dropdown lists just from two elements are pure evil.
    Illustrator has one in the Keyboard Shortcuts dialog.

    What’s a point of having it? Don’t you have enough space on the x-axis to display both items at once and improve the discoverability of both options?
    As if you were hoping to get another item in that list and never added... in30 years.

    Remake it into two conjoined toggle buttons, or at list in a radio-group (ugh), but just allow users to see both available options at once.

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18. Display command assigned hotkeys in Discover panel’s search results

    When you search for a command in Discover panel, Illustrator gives you the results, but never actually tries to educate a user further with teaching him assigned keyboard shortcuts.
    Figma does it!

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19. Make Properties panel to have the same width as other panels

    Properties is the widest panel among other panels in Illustrator.
    While other panels by default have the same width (and some are resizable), Properties is too wide.

    It gets specifically disgusting whet it get stacked with other panels — they have to conform the minimal width of Properties and start looking ugly.

    At the same time, the main content of Properties does not look like it needs all that minimal width — there is a huge gap on the right visible in 'properties_1.png' attached.

    Sure, when you have some art selected, it look differently, like in 'properties2.png'... but look at the 'properties3.png' — the Transform panel is not that wide in fact! It’s analog in Properties is just bloated!
    Align section can be just reorganized (and include more options and ditch the dropdown, because Align has 3 buttons instead of it now), and this also applies to other sections as well.

    The only problem is the Quick Actions buttons, which are two in a row.
    Some languages use much longer words than English, and these buttons get even longer even, sure.
    But it does not mean you have to bloat! Make them reflow and go stacked, when the width is not enough. See, you have a huge Recolor at the bottom, stick to that way!

    Also, perhaps you want to remove gaps between all bottom buttons in the full Align panel, to make it have the same default width? It got changed when you made Align To options into buttons, and it’s kinda ugly. Buttons are great though!

    This request originates form this bug report, about the unadjustable width of the Properties panel, when it’s stacked with other resizable panels: https://illustrator.uservoice.com/forums/601447/suggestions/32011942

    Properties is the widest panel among other panels in Illustrator.
    While other panels by default have the same width (and some are resizable), Properties is too wide.

    It gets specifically disgusting whet it get stacked with other panels — they have to conform the minimal width of Properties and start looking ugly.

    At the same time, the main content of Properties does not look like it needs all that minimal width — there is a huge gap on the right visible in 'properties_1.png' attached.

    Sure, when you have some art selected, it look differently, like in 'properties2.png'... but look… more

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20. Hitting Escape while creating a shape, an artboard, while using Rotate, Scale, etc., doesn't cancel the process

    When we marquee a selection and hit Escape — it gets canceled.
    When we hit Escape while dragging out a guide — it gets canceled.
    Dragging out a brush on the canvas — works.
    Dragging out a swatch to drop it on a gradient or the canvas — works.
    Dragging the appearance form the Appearance panel — works.
    ...and many other cases

    Escape does NOT work for these cases:
    1. Creating a shape, an artboard, an area text
    2. Rotating, scaling, shearing, free transforming...
    3. Setting up the width with the Width tool
    4. Setting up the gradient with the Gradient tool
    5. Building a shape with the Shape Builder tool
    6. Using the Eyedropper
    ...and many other cases

    Hitting Escape while moving an artboard commits it!

    Can we get Escape to cancel anything we make/control/edit by dragging?

    When we marquee a selection and hit Escape — it gets canceled.
    When we hit Escape while dragging out a guide — it gets canceled.
    Dragging out a brush on the canvas — works.
    Dragging out a swatch to drop it on a gradient or the canvas — works.
    Dragging the appearance form the Appearance panel — works.
    ...and many other cases

    Escape does NOT work for these cases:
    1. Creating a shape, an artboard, an area text
    2. Rotating, scaling, shearing, free transforming...
    3. Setting up the width with the Width tool
    4. Setting up the gradient with the… more

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