4757 results found

1. Allow to see and edit colors in a selection, just like with Selection Colors in Figma

   Figma displays a full list of colors used in a selected art in its right sidebar: https://help.figma.com/hc/en-us/articles/360042553434-View-and-adjust-colors-in-a-mixed-selection
   It allows quickly evaluate the selection, edit colors right there, even swap — without the need of using bulky Recolor. Illustrator can't offer the same quick tool, neither in Color panel nor with the Properties.
   Please make this possible in Ai, and make it better.

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   4 comments  ·  Colors, Swatches, Patterns  ·  Delete…  ·  Admin →
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2. Edit a Brush like a Symbol, on canvas

   To edit a brush stroke, we have to do the following:
   1. Edit the panel
   2. Grad the brush and drag it onto the canvas
   3. Edit
   4. Alt+drag it over the original brush
   5. Think about applying changes to existing art if the brush is already used

   Meanwhile, editing a symbol looks like this:
   1. Double-click a symbol
   2. Pass the warning (or disable it once)
   3. Edit a symbol
   4. Double-click on the canvas or hit Escape to finish

   Looks like almost the same length... but clicking is faster than dragging and aiming. Why no use the same approach for brushes?
   Double-click the brush stroke in the panel, get a Brush Option dialog that is not modal and allows to work with the canvas below, give a brush stroke in the isolation mode, finish on clicking OK/Cancel or Back, with Save confirmation.

   To edit a brush stroke, we have to do the following:
   1. Edit the panel
   2. Grad the brush and drag it onto the canvas
   3. Edit
   4. Alt+drag it over the original brush
   5. Think about applying changes to existing art if the brush is already used

   Meanwhile, editing a symbol looks like this:
   1. Double-click a symbol
   2. Pass the warning (or disable it once)
   3. Edit a symbol
   4. Double-click on the canvas or hit Escape to finish

   Looks like almost the same length... but clicking is faster than dragging and aiming. Why no use the same… more

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   2 comments  ·  Brushes  ·  Delete…  ·  Admin →
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3. Group Overlapping Objects

   A very casual and time-consuming operation, especially because we lost Object Lasso (https://illustrator.uservoice.com/forums/333657-illustrator-desktop-feature-requests/suggestions/44462988-bring-back-object-lasso-tool) — drag a marquee around objects, hit Gtrl+G, drag another, group again... repeat dozens of time, especially if you draw icons or something similar for stocks.

   What if Illustrator was able to do it for us?
   Scan the selection, search for overlapping objects and create groups?

   What if it could do that in two modes: simple, by intersecting boundaries, and advanced, when true outlines being checked?

   What if it could do that with a tolerance also? Like if object are, say, 10 pixels apart, group them still?

   There is a script by John Wundes — https://github.com/johnwun/js4ai/blob/master/groupOverlappingObjects.js — which can do that, but it starts to skid on hundreds of objects and only does the boundaries check.

   A very casual and time-consuming operation, especially because we lost Object Lasso (https://illustrator.uservoice.com/forums/333657-illustrator-desktop-feature-requests/suggestions/44462988-bring-back-object-lasso-tool) — drag a marquee around objects, hit Gtrl+G, drag another, group again... repeat dozens of time, especially if you draw icons or something similar for stocks.

   What if Illustrator was able to do it for us?
   Scan the selection, search for overlapping objects and create groups?

   What if it could do that in two modes: simple, by intersecting boundaries, and advanced, when true outlines being checked?

   What if it could do that with a tolerance also? Like if object are, say, 10 pixels apart, group… more

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   3 comments  ·  Other...  ·  Delete…  ·  Admin →
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4. Improved links panel (with Relink All)

   Improved links panel. List all instances of a linked image under one 'primary' link, append the filename with " (xx instances) ". Use a chevron that points right to indicate that there are multiple instances under the "primary" one shown in the list. Clicking the chevron makes the chevron point down, and displays the list of all instances.

   Clicking to select the "main" instance and clicking the re-link button should allow the user to replace all instances of the same image. Allow the user to expand the list downward as described above and select a single, or multiple instances to re-link. In this case, provide a pop-up dialog asking whether to relink all selected instances or re-link one at a time, incase the user wants to link different images.

   If user relinks with different images, move those new links into their own instance grouping with a "primary" heading of its own.

   Image mockup provided for clarity.

   Improved links panel. List all instances of a linked image under one 'primary' link, append the filename with " (xx instances) ". Use a chevron that points right to indicate that there are multiple instances under the "primary" one shown in the list. Clicking the chevron makes the chevron point down, and displays the list of all instances.

   Clicking to select the "main" instance and clicking the re-link button should allow the user to replace all instances of the same image. Allow the user to expand the list downward as described above and select a single, or multiple instances to… more

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   9 comments  ·  Images, Links  ·  Delete…  ·  Admin →
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5. Curvature Combs and Tunni lines

   Two ideas, both aimed at creating smoother curves:

   1. curvature combs:
      an additional visual aid that could be enabled/disabled via hotkey or option on a panel that assists the artist/user in evaluating whether a curve is continuously smooth, or whether it needs adjustment. See this blog for a quick coded breakdown:
      https://observablehq.com/@jrus/curvature-comb
      see this webpage for more traditional curvature combs with lines perpendicular to the curved path, in proportion to the path's curvature at that point:
      http://www.bluesmith.co.uk/evaluateComb.htm

   2. Tunni lines:
      an additional assist/handle for helping a user more precisely adjust a curve (or multiple curves), both symmetrically and asymmetrically.
      See this example as implemented in FontLab:
      https://help.fontlab.com/fontlab-vi/Tunni-Lines/

   See this webpage for another examples, of each of these ideas:
   http://www.corvelsoftware.co.uk/software/supertool/

   Note that I'm not suggesting that the illustrator team rip-off anybody else's software, but I think these sorts of tools/assists would be handy for quite a few users who require more than the typical "eyeball-it" precision illustrator offers currently.

   Two ideas, both aimed at creating smoother curves:

   1. curvature combs:
      an additional visual aid that could be enabled/disabled via hotkey or option on a panel that assists the artist/user in evaluating whether a curve is continuously smooth, or whether it needs adjustment. See this blog for a quick coded breakdown:
      https://observablehq.com/@jrus/curvature-comb
      see this webpage for more traditional curvature combs with lines perpendicular to the curved path, in proportion to the path's curvature at that point:
      http://www.bluesmith.co.uk/evaluateComb.htm

   2. Tunni lines:
      an additional assist/handle for helping a user more precisely adjust a curve (or multiple curves), both symmetrically and asymmetrically.
      See this example… more

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   3 comments  ·  User Interface  ·  Delete…  ·  Admin →
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6. Spring Loaded tools

   Over in Photoshop, it's possible to hold the single-letter shortcut for activating a tool, and to then release the key to return to your previously-used tool.

   In many ways, this is not useful in Illustrator, but in several, it's invaluable. The Zoom tool, in particular--I'd like to be able to hold Z, adjust the zoom, and release Z to be back on the selection tool (or whatever i was previously using).

   The Hand tool already works this way: Take out a tool like Selection (v), and then hold spacebar to get the Hand tool. Drag the canvas around, then release Space to return to using the selection tool.

   This "spring loaded" behavior is great in the hand tool and could be similarly useful in the following tools, where a quick "adjustment" with the mouse would naturally be made while the tool key is held.
   Zoom
   Eyedropper
   Paintbrush/Pencil
   Eraser
   Shape Builder
   Direct Selection

   Additionally, these functions would benefit, but are not single-key shortcuts by default:
   Width tool
   Rotate, Scale, Shear
   Blob Bush
   Bloat, Pucker, Warp, Twirl, Scallop, Crystalize, Wrinkle

   There may, of course, be others, but these are the main ones I can think of that do not rely on a modal settings box or panel to do their work, and which primarily involve visual adjustments by clicking and dragging with the mouse and without (usually) needing modifier keys. As such, each would benefit greatly from being "spring loaded."

   (Symbol Sprayer and its variants might also benefit, but generally require modifier keys)

   Over in Photoshop, it's possible to hold the single-letter shortcut for activating a tool, and to then release the key to return to your previously-used tool.

   In many ways, this is not useful in Illustrator, but in several, it's invaluable. The Zoom tool, in particular--I'd like to be able to hold Z, adjust the zoom, and release Z to be back on the selection tool (or whatever i was previously using).

   The Hand tool already works this way: Take out a tool like Selection (v), and then hold spacebar to get the Hand tool. Drag the canvas around, then release… more

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7. New artboard adjustable spacing

   When the New Artboard button in Control panel is clicked, an artboard is created next to the current one. The spacing between these is not tweakable (unless you choose to create more than 1 artboard, to get the field with the spacing active, tweak it, and then change the number to 1 again).

   I work in metric units, on 10×10 millimeters grid. The space between artboards’ edges is 7.056mm. Yeah, I know, it’s 20 points, sure, but why should I care about points when units are millimeters? Why can’t I use a value that makes sense to me?

   Furthermore, it is dangerously close to 7 and looks like an integer until you check it.

   Please, allow to set a spacing manually in Artboard Options or elsewhere — and KEEP the value, per document, per document profile, per workspace, per settings set, any reliable way. You have a lot of work to do with default values...

   When the New Artboard button in Control panel is clicked, an artboard is created next to the current one. The spacing between these is not tweakable (unless you choose to create more than 1 artboard, to get the field with the spacing active, tweak it, and then change the number to 1 again).

   I work in metric units, on 10×10 millimeters grid. The space between artboards’ edges is 7.056mm. Yeah, I know, it’s 20 points, sure, but why should I care about points when units are millimeters? Why can’t I use a value that makes sense to me?

   Furthermore, it… more

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   5 comments  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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8. 'Reverse Order' option for Transform Effect

   When you set several copies in Transform effect, Illustrator makes them stack under original art, 'going backwards'. Sometimes it's better to have an opposite behaviour, with copies stacking up, 'towards' viewer.

   Please add this checkbox near 'Copies" field.

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   3 comments  ·  Effects, Appearance, Graphic Styles  ·  Delete…  ·  Admin →
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9. Adjusting gradient on ONE selection adjusts ALL other objects with the same gradient

   When I select ONE object with an existing gradient and then try to adjust it, it will change ALL objects that have that same gradient. Extremely frustrating.

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   Added to Backlog  ·  9 comments  ·  Gradients  ·  Delete…  ·  Admin →
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10. Make live hint with color values for the Eyedropper tool

    Right now clicking with Eyedropper results in a blind result: until it's clicked, there is no way to predict what will be picked exactly. Why not to show properties to be picked in floating thingy next to the cursor? PS does it great in separate panel, why AI can't steal that?

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11. Delete artboard(s) with content

    Be able to delete artboard with content. One or many pages.

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    8 comments  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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12. Copy/pasting text from illustrator into other text editors

    I can't copy text from illustrator and paste into Word, gmail, Notes, Google Docs... anything! It makes it so I have to retype everything which is insane. I used to be able to copy from illustrator into other text editing tools. Why not anymore?

    21 votes

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    20 comments  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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13. Allow freeform gradient points to leave boundaries

    In the freeform gradient tool if points are dragged outside of the boundaries it deletes the point. Instead I think it would be better if the points worked outside boundaries to allow for smoother gradients.

    See example on how a freeform gradient would appear if points could used outside of the borders (you can currently do it by using a clipping mask but it would be easier if it was built into the tool)

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    6 comments  ·  Gradients  ·  Delete…  ·  Admin →
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14. Make AI remember active layer and reselect it when file is opened

    I have some templates, where working layer is not topmost (others are locked and/or hidden).
    But AI always set focus on the topmost one when file is loaded. So when I or other people try to edit freshly opened/created file, they have have a message about lock/visibility.
    Please make AI remember what layer is active when file is saved.

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    0 comments  ·  Layers  ·  Delete…  ·  Admin →
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15. Stop nag windows

    Provide the option to stop nag windows appearing - offering to take a tour of Illustrator, or to use the new tools instead of the old ones. I already use most of the new tools, but I would like to occasionally use some of the old ones without being reminded that other options exist. Especially after the 200th time...

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16. Export for screens should exclude template layers

    When exporting for screens, any layers which are set as template or non-printing should be excluded from the output without having to first turn off that layer.

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    10 comments  ·  File Save, Import and Export  ·  Delete…  ·  Admin →
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17. Show reference point locator in Scale/Rotate/Shear/Reflect tool dialogue

    I wonder, why 'Transform each' has one, while normal transform tools haven't. This would be so useful!

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    1 comment  ·  User Interface  ·  Delete…  ·  Admin →
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18. Add numerical control over light sources in 3D Extrude & Bevel Effect Options

    When applying and tweaking 3D Extrude & Bevel Effect, user has to manipulate light by precise mouse twitching over the small sphere.
    It should be at least twice as big to provide fine control (I won't note this as separate request), but there should also be numerical fields to control the lights' position over sphere — angle, elevation, choose any.

    Also, why Depth and Height values there are immune to document Units settings? 56.96pt is nonsense to me, while 20mm makes sense.

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19. USE of .CXF FILES within adobe cc

    As >cxf files will soon be the future of colour communication why do x-rite and adobe not integrate .cxf files with each other. The idea of a .cxf file is to help stabilise colour across various substrates, regardless of background hue, it allows the use of a spectrophotometer to read the colour and match it against a dE tolerance to make sure the colour is within specified range.
    Hence pantone live was born as every pantone book differs in colour, however a .cxf file never changes.

    So pantone want you to use pantone live, which is fine until the colour you want is not in a pantone book, from a print perspective thats ok with me. We simply measure the colour generate a .cxf file and do a drawdown on the substrate and get it within tolerance.

    But the problem arises when the designer is given the .cxf file, which he cant use because its not compatible, he then has to alloocate a spot colour from pantone and instruct the printer doing the job to replace the pantone colour with the .cxf file which leaves the whole loop very vulnerable.

    Now adobe get your act together after all you are supposed to be the market leaders in graphic art.

    And x-rite stop ******* about and allow a .cxf file to be re saves as a .ase file so we can all start talking to each other !!!!!!
    gerry

    As >cxf files will soon be the future of colour communication why do x-rite and adobe not integrate .cxf files with each other. The idea of a .cxf file is to help stabilise colour across various substrates, regardless of background hue, it allows the use of a spectrophotometer to read the colour and match it against a dE tolerance to make sure the colour is within specified range.
    Hence pantone live was born as every pantone book differs in colour, however a .cxf file never changes.

    So pantone want you to use pantone live, which is fine until the colour… more

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20. Create artboard to three decimal places

    It would be nice to be able to set artboards to three decimal places without it rounding up. If I make something at 3.125", it rounds up to 3.13", or 3.6785 becomes 3.68. Although I have not had any printers yell at me for my files not being correct, I still am concerned that it always wants to round up to the hundredths place, especially when I'm having to be sure that my materials are going into places where the sizes are set in to be such specific tolerances.

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    8 comments  ·  Documents and Artboards  ·  Delete…  ·  Admin →
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