730 results found

1. The same tool as Moho's magnet tool

   Has anyone tried Moho by Smithmicro? Pretty fast vector animation tool. It has a drawing adjustment tool called Magnet. Here's how it's described in the manual: "The Magnet tool is similar to the Transform Points tool - it is used to move points around. However, instead of moving the selected points, it moves points based on the strength of the magnet. When you click with this tool, the region of strength is displayed. Any points within this region will move with your mouse, but the points closer to the center of the mouse click will move the most. (The radius of the magnet’s strength region can be adjusted in the tool options area.)"

   It is so needed. It's similar to Cinema 4D's brush tool.

   Not only is it super quickly to adjust the tools brush size by click dragging with alt pressed, but you can also restrict it to only selected points. It is by far the best vector tool I have used. I'm now exporting my artwork from illustrator to moho just so I can use this tool. Else it takes hours in illustrator selecting and moving each individual anchor point! (which by the way is super annoying as your point selection code has a tendency to not be sensitive enough or far too sensitive.)

   Has anyone tried Moho by Smithmicro? Pretty fast vector animation tool. It has a drawing adjustment tool called Magnet. Here's how it's described in the manual: "The Magnet tool is similar to the Transform Points tool - it is used to move points around. However, instead of moving the selected points, it moves points based on the strength of the magnet. When you click with this tool, the region of strength is displayed. Any points within this region will move with your mouse, but the points closer to the center of the mouse click will move the most. (The… more

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2. Ability to change starting point for closed path

   Currently the only option is to cut and the path or redraw the path completely if the starting anchor is in the wrong place. For straight edges, such as a square or even a rectangle it's easy to work around, but when it's a curved edge it is difficult to replicate the same curve with the cut method. Could easily add this feature to stoke effect so that the starting point can be adjusted with a click on the anchor. Or have left and right arrows to move it to a different starting anchor (although that wouldn't work on things with many anchors it would assist with anchor points close together).
   Good for brush strokes, svg, and other applications using the pen tool.

   Currently the only option is to cut and the path or redraw the path completely if the starting anchor is in the wrong place. For straight edges, such as a square or even a rectangle it's easy to work around, but when it's a curved edge it is difficult to replicate the same curve with the cut method. Could easily add this feature to stoke effect so that the starting point can be adjusted with a click on the anchor. Or have left and right arrows to move it to a different starting anchor (although that wouldn't work on… more

   12 votes

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3. Text moves when adjusting an applied Text Effect...

   When you apply Arc (or any other text effect) to text, then adjust the percentage of Arc, the text moves up. You have to reposition the text to where it was... Inconvenient when you're trying to warp the text around an existing object. Would be ideal if the text would stay in place when the effect is adjusted.

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   0 comments  ·  Type, Fonts, Text  ·  Delete…  ·  Admin →
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4. Allow to use custom user templates for Swatch Info objects

   Swatch Info is OK (if completed!), but there is not enough customization currently.
   Take a look what an awesome ColorList script by Katja Bjerrum offers: https://productivista.com/make-a-list-of-colors-from-your-selection/ — we can set our own shapes before making a color legend.
   We could have done it semi-automatically after creating a Swatch Info, with Global Edit, to replace all chips with a custom shape... but for some reason these rectangles are immune to Global Edit (as it often happens, new features get loosely integrated with existing functions...)

   This actually also includes text parameters, but perhaps it’s a separate request... Sure, the font is the one defined by the [Normal Paragraph style], but text formatting is not only the font family...

   Swatch Info is OK (if completed!), but there is not enough customization currently.
   Take a look what an awesome ColorList script by Katja Bjerrum offers: https://productivista.com/make-a-list-of-colors-from-your-selection/ — we can set our own shapes before making a color legend.
   We could have done it semi-automatically after creating a Swatch Info, with Global Edit, to replace all chips with a custom shape... but for some reason these rectangles are immune to Global Edit (as it often happens, new features get loosely integrated with existing functions...)

   This actually also includes text parameters, but perhaps it’s a separate request... Sure, the font is… more

   3 votes

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5. Remove F1 key as help key

   I use the F-keys frequently for Actions. However, F1 is defaulted to launching Illustrator's help screen and I'm regularly hitting the key by mistake. Could we please have a different way to launch the help screen and free up the F1 key for other, customisable, uses?

   1 vote

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   2 comments  ·  Learning and Help  ·  Delete…  ·  Admin →
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   Resolved (Comments Open)  ·  Ashutosh Chaturvedi responded

   Thank you Ryan for your help.
   Here is the way to customise the keys – please thank Ryan if you found it useful.

   “You can go to edit/keyboard shortcuts, then choose menu commands. Find help, and clear the F1 key from it or pick it as another one. Save it as your own custom keyboard preset and you’re good to go.”

6. Allow gradients in brushes

   AI forbids to use gradients in brushes. It definitely should.

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   5 votes

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7. Allow third-party developers to add dividers and custom sorting into Effect menus

   Third-party developers can add custom items in menus.
   Some create their own sub-menus, some add them in-between native commands... there are several practices they use and when they all get used together it feels somewhat chaotic.

   But it feels like this is because plugin devs can’t fully control the commands in menus. It turns out, they can’t control the order and sorting, add dividers in Effects (but seemingly can in every other menu)...

   Effect menu is the most weird menu in Ai, it looks different from others. Maybe that’s why?

   There is an existing UV post about it:
   https://illustrator.uservoice.com/forums/601447-illustrator-desktop-bugs/suggestions/36951433-effects-menu-is-smaller-larger-than-other-menus-on

   4 votes

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8. Allow to Move All objects and adjust their Spacing from both ends in Objects on Path

   Objects on Path construct has several on-canvas widgets, allowing us to quickly eyeball some parameters interactively.

   One of these is the starting position of the array along the path.
   If the length of the array is shorter then the path, we can grab the rhombus marker and move all the objects together along, keeping the gaps.

   Another one is Space widget, which is located above the construct.
   We can grab and make all the gaps shorter or longer at once.

   For some reason both treat the array as directional.

   We need an ability to be able to move the array and scale the gaps from both sides, not only from on 'starting' object.

   Please put another rhombus marker for the last object on path as well, and make the two Space widgets next to first/last objects instead of above them all.

   (Originally by René Andritsch)

   Objects on Path construct has several on-canvas widgets, allowing us to quickly eyeball some parameters interactively.

   One of these is the starting position of the array along the path.
   If the length of the array is shorter then the path, we can grab the rhombus marker and move all the objects together along, keeping the gaps.

   Another one is Space widget, which is located above the construct.
   We can grab and make all the gaps shorter or longer at once.

   For some reason both treat the array as directional.

   We need an ability to be able to move the array… more

   9 votes

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9. Transform Shortcuts / Enter the transform panel with a keyboard shortcut

   I want to be able to transform an object using the keyboard.

   For example, in Sketch, I can manipulate an object by holding the command key (optionally with a 10x Shift-key modifier) and using the arrow keys to increase or decrease the height or width of an object. This tends to be easier than using the mouse or the Transform panel when making quick modifications. (Also, less painful for arthritic users!)

   Please consider it.

   13 votes

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10. Allow adjustments to the path curves of a Freeform gradient line, please.

    Please allow adjustments to the path curves of a Freeform gradient line, like handles.

    Right now all that is allowed, is to add more points along the path, and the ability to move those points around, and the path/curves move automatically based up the shape of the object.

    Please add selection point handles, so we can edit and adjust the curves of the line.

    4 votes

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11. Highlight an anchor point used as a key object

    Keying an anchor point is a lesser known option for aligning and distributing.

    Clicking an object in a selection to key it is a thing that can be learnt by a chance (that is how I learned it myself), but using the latest selected point as a key is not a behaviour that is easily noticed.

    The change of the mode is marked only via the small icon in the corner of Align panel, and nothing else on the artboard tells about it — compare this to the fat edge a key object uses.

    Can you try to make a key point somewhat more visible?

    Keying an anchor point is a lesser known option for aligning and distributing.

    Clicking an object in a selection to key it is a thing that can be learnt by a chance (that is how I learned it myself), but using the latest selected point as a key is not a behaviour that is easily noticed.

    The change of the mode is marked only via the small icon in the corner of Align panel, and nothing else on the artboard tells about it — compare this to the fat edge a key object uses.

    Can you try to make a… more

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    28 votes

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12. Have a panel that shows info and keyboard modifiers for the current tool

    All Adobe applications are quite complex beasts, and what all the tools do and particularly what holding different modifiers or keys do can be quite arcane.

    I imagine a panel you can have open on the side, and it will show information and the modifier options for the currently active tool.

    For instance for the Star tool, it can say what Shift, Option and Command keys do, and that you can press Arrow Up and Arrow Down to increase the number of points as you drag.

    Pro users can keep the panel closed, but it can really help new users who want to discover the full power of the tools.

    All Adobe applications are quite complex beasts, and what all the tools do and particularly what holding different modifiers or keys do can be quite arcane.

    I imagine a panel you can have open on the side, and it will show information and the modifier options for the currently active tool.

    For instance for the Star tool, it can say what Shift, Option and Command keys do, and that you can press Arrow Up and Arrow Down to increase the number of points as you drag.

    Pro users can keep the panel closed, but it can really help new users… more

    9 votes

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    Started  ·  AdminEgor Chistyakov (Admin, Adobe Illustrator) responded

    Seems to be pulled off in build 29.3.0.2.

    Status pending.

13. Gradient Tool Needs Custom Angle Increment Option

    There should be an option to define the angle increment that you want Shift to lock to when creating or modifying a gradient. Such as 15 degree increments (0º, 15º, 30º...). Come on Adobe!

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14. Shortcut button for stroke width.

    Why has there never been a shortcut for stroke width? For illustrators, this is a command done so often, that's it's a bit of a burden not having this as an option.

    And I mean for strokes that are selected, after being drawn out already, not for the brush itself.

    4 votes

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15. Allow to see and edit colors in a selection, just like with Selection Colors in Figma

    Figma displays a full list of colors used in a selected art in its right sidebar: https://help.figma.com/hc/en-us/articles/360042553434-View-and-adjust-colors-in-a-mixed-selection
    It allows quickly evaluate the selection, edit colors right there, even swap — without the need of using bulky Recolor. Illustrator can't offer the same quick tool, neither in Color panel nor with the Properties.
    Please make this possible in Ai, and make it better.

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    21 votes

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16. Keep color values when applying freeform gradients

    When applying a freeform gradient, Illustrator picks up colors from everywhere around the selected artwork, also the selected object itself. It would be extremely helpful if it could reliably keep the exact color values the object has, so you don't need to adjust it.

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    11 votes

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17. Escape key should deselect any selected object

    This would be extremely useful when you are zoomed in and a lot of objects are filled in your screen and there's no empty space around to click if you ever wanna deselect an object. Please map the escape key so that it deselects any selected object.

    22 votes

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18. Allow to set key object inside compound path

    When you isolate a group, you can set any part of selection inside this group as key object just by clicking it with Selection tool. This is great — I can align objects inside a group, yay.

    But why I can't do the same inside of an isolated compound path?
    Why can't I align parts of my compound path using another part of same path as a key object, as I can do inside groups?
    Please, fix this.

    See attached animation.
    I try to align squares to the left side of the square hole (I made a guide to show the intention). But when I select them all and the hole only, mark it as a key and try to align — it all jumps to seemingly random spot, hardly matching my desired results.

    When you isolate a group, you can set any part of selection inside this group as key object just by clicking it with Selection tool. This is great — I can align objects inside a group, yay.

    But why I can't do the same inside of an isolated compound path?
    Why can't I align parts of my compound path using another part of same path as a key object, as I can do inside groups?
    Please, fix this.

    See attached animation.
    I try to align squares to the left side of the square hole (I made a guide to show… more

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    26 votes

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19. XD style snapping and spacing

    Adobe Experience Design has a nice snapping and spacing function that would drastically increase the power of Illustrator. Being able to more easily repeat objects and adjust the spacing between them by clicking and dragging while being able to see a measure of the spacing.

    10 votes

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20. Our own custom new document templates

    It would be great if we could have our own folder in which to store our customized NEW DOCUMENT TEMPLATES and have it in the row where RECENT, SAVED, MOBILE, WEB, PRINT... are stored.

    There is also an error when saving a template in the templates folder:
    http://illustrator.uservoice.com/forums/601447/suggestions/50416839

    3 votes

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